He did not know how he had returned to his home in Beijing. He couldn’t find the key in his pocket, couldn’t open the door, and was anxious people in the building would recognize him. He heard footsteps coming down the stairs and quickly turned, pretending to be going down. The person coming from the floor above brushed past him: it was Old Liu, the department chief, his boss back when he was working as an editor years ago. Old Liu was unshaven and looked like he did when he was hauled out and denounced during the Cultural Revolution. He had protected this old cadre at the time and Old Liu wouldn’t have forgotten this, so he told him that he couldn’t find the key to his apartment. Old Liu hesitated, then said, “Your apartment’s been reallocated.” At this he remembered that his apartment had been confiscated. “Would you be able to find somewhere for me to stay?” he asked. A worried frown appeared on Old Liu’s face, but, giving the matter some thought, he said: “It will have to go through the building management committee, it won’t be easy. Why did you have to come back?” He said he had purchased a return plane ticket, he hadn’t thought. … However, he should have. After being overseas for many years, how easily he had forgotten the difficulties he had experienced in China. Someone else was coming down the stairs. Old Liu pretended not to know him and hurried downstairs and out the front door. He quickly followed to avoid anyone else recognizing him, but when he got outside Old Liu had vanished. The sky was filled with flying dust, it seemed to be one of Beijing’s early-spring dust storms, but he couldn’t be sure if it was spring or autumn. He was wearing a single layer of clothing and felt cold. Suddenly he remembered that Old Liu had jumped out of the office building and had been dead for years. He must quickly escape. He went to stop a taxi on the street to take him to the airport but realized that the customs officials would immediately see from his documents that he was a public enemy. He was troubled about having become a public enemy and even more troubled that he had no place to stay in this town where he had spent more than half of his life. He arrived at a commune in the suburbs to see if he could rent a room in the village. A peasant with a hoe took him to a shed covered with thin plastic, and pointed his hoe at a row of cement kang inside. The place must have been a cellar for storing cabbages in winter, which they had converted with a layer of cement. Probably there has been some progress, he thought. He had slept on the ground at the reform-through-labor farm in a big communal bed: the ground was spread with straw and people slept one next to the other, each with a forty-centimeter bed space, not as wide as these kang. Here, it was one person to a kang, much larger than the single cement lot in the cemetery where he had buried the ashes of his parents together, so there was nothing for him to complain about. Inside, he found more kang downstairs. If he rented, he would choose a downstairs kang where it was more soundproof. He said his wife liked singing. Good heaven! There was a woman with him. … He woke up. It had been a nightmare.
He had not had that sort of nightmare for a long time, and if he had dreams they didn’t have much to do with China. Abroad, he met people from China and they would all tell him to go back and have a look: Beijing has changed a lot, you wouldn’t know it, and there are more five-star hotels than in Paris! When people said it was possible to make a fortune in China today, he would ask if they had made a fortune. And if they went on and said that surely he thought about China, he would say both of his parents were dead. What about being homesick? He had already committed such feelings to the grave. He had left the country ten years ago and refused to think about the past. He believed he had broken with it a long time ago.
He was now a free-flying bird. This inner freedom had no attachments, was like the clouds, the wind. God had not conferred this freedom upon him, he had paid dearly for it, and only he knew just how precious it was. He no longer tied himself to a woman. A wife and children were burdens too heavy for him.
When he closed his eyes his mind began to roam, and only with his eyes closed did he not feel others watching and observing him. With his eyes closed, there was freedom and he could wander within the female cavern, a wonderful place. He once visited a perfectly preserved limestone cave in the Massif Central of France. The tourists entered one after the other, holding onto the iron rail of their individual cable cars. The huge cavern, illuminated by orange light, had layers of walls with twisting folds and numerous wet, dripping stalactites and stalagmites. This deep fathomless cavity created by nature was like a huge womb. In this dark natural cavern he was minute, like a single sperm, moreover an infertile sperm, roaming about happy and contented; this was a freedom that exists after release from lust.
Before he had sexually awakened, as a child, he would travel on the back of the goose in the children’s books his mother had bought for him. Or, like Andersen’s homeless waif with a bronze pig, he would mount the bronze pig to roam the noble mansions of Florence at night. But he could still remember that his first experience of female warmth didn’t come from his mother but from a servant called Mama Li who used to bathe him. He would splash around naked in the tub, then Mama Li would grab him and carry him against her warm breasts to his bed, scratch him where he itched, and coax him to sleep. This young peasant woman didn’t worry about taking a bath and combing her hair in front of him when he was a child. He could still remember her big white breasts hanging like pears, and her oiled, shiny, waist-length black hair. She used a bone comb to smooth out her hair and folded it into a big bun that was tied into a net and then fixed onto her head. At the time, his mother had a hairdresser’s perm, and combing it wasn’t as much trouble. As a child, the cruelest thing he saw was Mama Li being beaten up. Her husband came to look for her and wanted to drag her off, but she clung desperately to a leg of the table and wouldn’t let go. The man grabbed her hair by the bun and banged her head on the floor until blood from her forehead dripped onto the tiles. Even his mother could not stop the man. Only then did he find out that Mama Li had fled from the village because she couldn’t endure her husband’s bullying. But she wasn’t able to buy her freedom even by giving the man her indigo print bag with the silver coins and a silver bracelet in it, all of her wages for several years of work.
Freedom is not a human right conferred by Heaven. Nor does the freedom to dream come at birth: it is a capacity and an awareness that needs to be defended. Moreover, even dreams can be assailed by nightmares.
“I warn comrades to note that they want to restore capitalism. I am talking about the Ox Demons and Snake Spirits, high up, and down below, from the Party Center down to provincial cadres! Where they exist in the Party Center, we must relentlessly drag them out, we must safeguard the purity of the Party and not let the glory of the Party be sullied! Are there any here among you? I would not dare to vouch that there are not. Aha, you thousands gathered at this meeting, are all of you so pure and clean? Are there none groping for fish in muddy waters, colluding with higher ups and jumping down below? They want to confuse the battle lines of our class struggle; I urge all comrades to be on the alert and to sharpen their eyes. All who oppose Chairman Mao, all who oppose the Party Center and all who oppose socialism must be dragged out!”
As the voice of the official on the platform died down, everyone starting shouting slogans:
“Exterminate all Ox Demons and Snake Spirits!”
“I swear to protect Chairman Mao with my life!”
“I swear to protect the Party Center with my life!”
“If the enemy refuses to capitulate, it must be destroyed!”
All around him people took the lead in shouting, and he, too, had to shout out loudly so that he could be heard; he couldn’t just make a show by raising his fist. He knew at this meeting that anyone who behaved differently from others would be noticed, and he could sense that he was being observed, arrows were pointing at his back, and he was sweating. He felt for the first time that maybe he was the enemy, and that very likely he, too, would be destroyed.
Maybe he belonged to the class that had to be destroyed. Then what class did his deceased parents belong to? His paternal great grandfather wanted to be an official, donated a whole street of properties, but still couldn’t manage to buy himself the black silk hat worn by officials. He went berserk, got up one night and torched everything, including the house he had kept to live in. That was during the Qing Dynasty, before his father was born. His maternal grandmother had mortgaged all the property left by his maternal grandfather, and was financially ruined by the time his mother was born. Neither of his parents had been involved in politics. However, his father’s younger brother had performed a meritorious deed for the new government by stopping a sum of money at the bank from going to Taiwan, and that was how he had earned the title of Democratic Personage. They were all salaried workers, did not want for food and clothing, and lived comfortably, but they also lived in fear of losing their jobs. They had all welcomed the New China, and believed that the new nation would be better than the old one.
After “liberation,” when the great armies of the “Communist bandits”—later called the “Communist Army,” later still called the “Liberation Army,” and then later officially named the “People’s Liberation Army”—entered the city, both his parents felt liberated. Incessant war, bombing, fleeing as refugees and fear of robbery all seemed to have gone forever. His father did not like the old Nationalist government. His father had been a branch manager in a state-run bank, but in his father’s own words, his failure to understand the nepotism and infighting cost him his job. Following that, for a while, he worked as a journalist with a small newspaper, but when it closed down, he could only sell off property in order to survive. He remembered the silver “big heads” in the shoebox under the five-drawer chest getting fewer by the day, and the gold bracelets disappearing from his mother’s wrist. This very shoebox under the five-drawer chest had been used to hide a copy of On the New Democracy, printed on the coarse paper used in Mao Zedong’s border region. The book had been smuggled into the city by his father’s mysterious friend Big Brother Hu. This was the earliest publication he had seen of Mao Zedong’s writings, and it was hidden with the silver dollars.
Big Brother Hu was a teacher in a middle school, and whenever he visited, any children were chased off. However, he quietly looked forward to this talk of “liberation” and deliberately went in and out of his parents’ room. He heard bits that he understood. The fat postmaster, a landlord, said that the Communist bandits advocated sharing property and sharing wives, eating from one pot of food, and rejecting blood ties. He also said they engaged in rampant killings. His parents did not believe the postmaster. His father, laughing, said to his mother, “That maternal cousin of yours,” that is, her father’s maternal cousin, “is a Communist bandit with a pockmarked face, if he’s still alive. …”
This maternal uncle had joined the underground Party in Shanghai long ago, while at university. Afterward, he left home and went off to Jiangxi province to take part in the revolution. Twenty years later this uncle was still alive and he eventually met him. His pockmarked face was not frightening, and, flushed with alcohol, he looked even more heroic. He had a resounding laugh but was asthmatic and said that during those years when he was a guerrilla fighter he couldn’t get tobacco and often dried wild herbs to smoke. This maternal uncle came into the city with the big army, put notices in the newspapers to look for his family, then, through relatives, found out what had happened to this maternal cousin of his. Their meeting had something theatrical to it. His maternal uncle was worried about their not recognizing him, so he wrote in his letter that he could be identified on the railway platform by a white towel tied to the top of a bamboo pole. His soldier aide, a peasant lad from the countryside, was there waving a long bamboo pole over the heads of the thronging crowds. Sweat was pouring off the rim of the lad’s army cap, but, regardless of the heat, he kept it strapped on to hide his scabby head.
Like his father, his maternal uncle was fond of drinking. Whenever he came he always brought a bottle of millet liquor and a big lotus-leaf parcel of chicken wings, goose liver, duck gizzards, duck feet, and pork tongue. These savory delicacies filled the whole table. The soldier aide would be sent away and the two men would chat, often until late into the night; his maternal uncle would then be escorted back to the army compound by his aide. This maternal uncle had so many stories to tell—from his early years in an old-style big family on the decline, to his experiences in the rolling battles during the guerrilla war. He would listen even when he couldn’t keep his eyes open, and refused to go to bed even after his mother had told him several times.
Those stories came from a world totally alien to the children’s stories he had read, and from children’s stories he turned to worshipping revolutionary myths. This maternal uncle wanted to encourage him to write, and had him stay in his home for a few months. There were no children’s books in the house but there was a set of The Collected Works of Lu Xun. This uncle’s method of teaching was to have him read one of Lu Xun’s stories during the day and then, after returning home from official duties, he would ask him to talk about it with him. He couldn’t understand those old stories; moreover, at the time, he was more interested in catching cicadas in the weeds and rubble by the wall. His maternal uncle returned him to his mother and, with a loud laugh, conceded that he had failed.
His mother at the time was still young, not even thirty. She didn’t want to rear a child or be a housewife anymore, and instead wholeheartedly threw herself into the new life; she started working and didn’t have time to look after him. He had no problems with school-work and immediately became a good student in the class. He wore a red scarf and didn’t join the boy students in their dirty talk about girls, or in their pranks. On Children’s Festival Day on June 1, he was selected by the school to take part in the city celebrations at which he presented flowers to the exemplary workers of the city. One after the other, his parents had been honored as exemplary workers of their work units and awarded the prizes of enamel tea mugs and notebooks printed with their names. For him, those years were also lucky years. The Youth Palace often had singing and dancing programs, and he hoped that one day he would be able to go on stage to perform.
He attended a fiction recital, at which a teacher read a work by the Russian writer Vladimir Korolenko. The story took place on a snow-swept night, and the first-person narrator was driving a jeep on a mountain road when the brakes failed. He saw a light on the cliff and struggled up to the house where there was an old woman. In the middle of the night, the howling wind made it impossible for the narrator to fall asleep and, listening to the wind, he seemed to hear someone sighing from time to time. Thinking he might as well get up, he found the old woman sitting by the solitary lamp in the room, facing the banging door. The narrator asked the woman why she hadn’t gone to bed. Was she waiting for someone? She said she was waiting for her son. The narrator indicated that he could wait instead. It was then that she said her son was dead and that it was she who had pushed him down the mountain. The narrator naturally couldn’t help questioning her about it. The old woman gave a long sigh and said her son deserted during the war and came back to the village, but she did not allow her deserter son into the house.
The story somehow moved him deeply and it made him feel that the world of adults was incomprehensible. Now it was he who had deserted. The thoughts that had circulated in his mind from childhood had determined that he would later be declared the enemy. However, he would never again return to the embrace of the homeland that had nurtured him.
He also recalled that the first time he thought hard about something was probably when he was eight, because of where it had taken place; it was soon after he had written his first diary entry. He was leaning out the window of his little room upstairs when he dropped the rubber ball he was holding. It bounced a few times, then rolled into the grass under an oleander bush. He begged his young uncle who was reading below in the courtyard to throw the ball back to him.
His young uncle said, “Lazy bones, you threw it down, so come down and pick it up yourself.”
He said his mother told him he was not to come downstairs to play until he had finished writing his first diary entry.
His young uncle said, “But what if I pick it up and you toss it down again?”
He said he hadn’t tossed it down, that the ball had dropped by itself. His young uncle reluctantly threw the ball into his window upstairs. Still leaning out the window, he went on to ask his young uncle, “The ball dropped down, but why didn’t it bounce back? If it bounced back the distance it dropped, I wouldn’t have had to trouble you to get it.”
The young uncle said, “It’s all very well for you to say so, but this has to do with physics.”
He then asked, “What’s physics?”
“It has to do with a basic theory and you wouldn’t be able to understand.”
His young uncle at the time was a middle-school student and greatly inspired his respect, especially with his talk of physics and some basic theory. He remembered these words and terms and thought that while the world looked ordinary, everything in fact was profound and unfathomable.
Afterward, his mother bought him a set of children’s books, Ten Thousand Whys. He read through every volume but nothing impressed him, except for the question about the beginning of the world, which has always remained in his mind.
Remote childhood is hazy, but some bright spots float up in memories. When you pick up one end of a thread, memories that have been submerged by time gradually appear and, like a net emerging from the water, they are interconnected and infinite. The more you pull, the more threads seem to appear and disappear. Now that you have picked up one end and again pulled up a whole mass of happenings from different times, you can’t start anywhere, can’t find a thread to follow. It’s impossible to sort them to put them into some sort of order. Human life is a net, you want to undo it a knot at a time, but only succeed in creating a tangled mess. Life is a muddled account that you can’t work out.
A man you don’t know has invited you for lunch at noon. The secretary said on the phone, “Our chairman of the board, Mr. Zhou, will pick you up punctually in the hotel lobby.”
You arrive in the lobby, and, immediately, a fashionably dressed man walks up to you; he has broad shoulders and a solid build, a broad face and a square jaw. He presents his business card to you in both hands.
“I’ve been wanting to meet you for a long time.” The man says he’s seen your play and has boldly ventured to take up a bit of your time by inviting you to share a meal with him.
You get in his big Mercedes limousine, an obvious sign of wealth. The chairman of the board drives the car himself and asks what you would like to eat.
“Anything’s fine. Hong Kong is a paradise for food,” you say.
“It’s different in Paris, the women there are all so wonderful.” Mr. Zhou is smiling as he drives along.
“Not all are, some in the subways are tramps,” you say. You start believing that the man really is a boss.
The car drives past the bay and enters the long underwater tunnel to Kowloon.
Mr. Zhou says, “We’ll go to the racecourse, it’ll be quiet at lunchtime and good for talking. It’s not the racing season. Normally, if you go there for a meal, you have to be a member of the Jockey Club.”
So, a wealthy man in Hong Kong likes your play. You start feeling curious.
The two of you are seated, and Mr. Zhou orders some plain food, stops joking about women, and becomes serious. Only a few of the tables are occupied in this spacious, comfortable dining room, and the waiters stand some way off quietly in the courtyard. It’s not like most Hong Kong restaurants that are bustling and packed with customers all the time.
“I’m not bluffing. I swam here illegally from the Mainland. During the Cultural Revolution, I was doing hard labor on a military farm in Guangdong province. I had finished middle school, I wasn’t stupid, and I wasn’t going to sacrifice myself like that for the whole of my life.”
“But crossing illegally was dangerous.”
“Of course. At the time, both my parents were in prison, the house had been ransacked, and whichever way you looked at it, I was a mongrel offspring of the Five Black Categories.”
“What if you came across sharks—”
“That wouldn’t have been so bad, at least I’d have had a chance to fight it out to see if I was lucky. It was people I was frightened of, the searchlights of the patrol boats were sweeping the water all the time. When they found anyone trying to cross illegally, they’d just open fire.”
“Then how did you get across?”
“I equipped myself with two basketball bladders, basketballs used to have a rubber bladder with a tube that one blew into.”
“I know them, children used them for floats when they were learning to swim, plastic products weren’t widely available in those days,” you say, nodding.
“If boats came along, I’d let out the air and swim underwater. I practiced for a whole summer. I also took some drinking straws with me.” Mr. Zhou has a smile on his face but it doesn’t seem genuine. You sense that he is sad, and he no longer looks like a rich man.
“The good thing about Hong Kong is that you can somehow get by. I suddenly got rich and now no one knows my past. I changed my name a long time ago and people only know me as Zhou such-and-such, the chairman of the board of the company.” A hint of arrogance plays at the corners of his mouth and eyes and once again he has the look of a rich man.
You know this is not directed at you. You’re a total stranger and he hasn’t hesitated to tell you all about his background. This arrogance has developed because of his present status.
“I liked your play but I don’t think it can really be understood by Hong Kong people,” he says.
“When they do understand, it will be too late.” After a pause, you say, “One needs to have had a particular sort of experience.”
“It’s like that,” he confirmed.
“Do you like plays?” you ask.
“I don’t usually see plays,” he says. “I go to the ballet and concerts, and I book tickets for famous singers, operas, and symphony groups from the West. I’m starting to enjoy some artistic things now, but I’ve never seen a play like yours before.”
“I understand.” You give a laugh, then ask, “Then why did you think to come and see this play?”
“A friend phoned and recommended it,” he says.
“Does that mean that there are some Hong Kong people who do understand the play?”
“It was someone from the Mainland.”
You say that you wrote the play when you were in China but that it can only be performed outside China. The things you’re writing nowadays don’t have much to do with China.
He says it’s much the same for him. His wife and son were both born in Hong Kong and are genuine Hong Kong people, and he’s been here for thirty years and also counts as a Hong Kong resident. His only dealings with the Mainland have been in business, and that was getting more and more difficult. However, for better or worse, he has managed to extract a big amount of capital from the place.
“Where are you thinking of investing?” you can’t help asking.
“Australia,” he says. “Seeing your play made me even more certain.”
You say that your play doesn’t really have a China background, it’s about ordinary relationships between people.
He says he knows that. Anyway, he needs somewhere to go, just in case.
“But won’t Australia have an aversion for Chinese if masses of Hong Kong people flood there?” you say.
“That’s what I want to talk to you about.”
“I don’t know how it is in Australia, I live in Paris,” you say.
“Then how is it in France?” he asks, looking right at you.
“There’s racism everywhere, and naturally it occurs also in France,” you say.
“It’s hard for Chinese in the West. …” He picks up his half glass of orange juice, then puts it down again.
You feel some sympathy for him. He says he has a small family, born and bred in Hong Kong, and his business would be able to keep operating. Of course, there’s no harm preparing for a way out.
He says he is honored that you agreed to have this very ordinary meal with him, and that, like you as a person, your writing is very frank.
You say, it is he who is frank. All Chinese live behind masks and it’s quite hard to take off the masks.
“It’s probably when there’s no profit or loss for either party that people can become friends.”
He says this incisively; he has clearly been through many ups and downs in his dealings with people.
A journalist is to interview you at three o’clock, and you have arranged to meet at a coffee shop in Wanchai. He says he can take you, but you say he is a busy man and there is no need for him to do this. He says should you come back to Hong Kong to feel free to look him up. You thank him for his kindness, say this is probably the last time you will put on a play in Hong Kong, but that in future you are sure to meet again, though, hopefully, not until he is in Australia. He quickly says no, no, if he goes to Paris he will certainly look you up. You leave him your address and telephone number, and he immediately writes his mobile phone number on his business card and gives it to you. He says to give a call if you need any help and that he hopes there will be an opportunity to meet again.
The journalist is a young woman wearing glasses. She gets up from a seat by the window overlooking the water as soon as you enter and waves to you. She takes off her glasses and says, “I normally don’t wear glasses, but I’ve only seen your photographs in the papers and was afraid I wouldn’t recognize you.”
She puts her glasses into her handbag, takes out a tape recorder and asks, “Is it all right to use a tape recorder?”
You say that it doesn’t bother you.
“When I interview, I insist on the accuracy of what I quote,” she says. “Many journalists in Hong Kong will write anything. Sometimes Mainland writers get so angry that they demand corrections. Of course, I understand their situation. Anyway, I know that you’re different, even if you do come from the Mainland.”
“I don’t have any superiors,” you say with a smile.
She says her editor in chief is very good and generally doesn’t touch what she writes, and whatever she writes is published. She can’t stand restrictions; after 1997—there’s that 1997 again—if she can’t take it, she’ll just leave.
“Where will you go, if you don’t mind my asking?”
She says she holds a British passport for Hong Kong residents, so she can’t get residence in England. She doesn’t like England anyway. She’s thinking of going to America but would prefer to go to Spain.
“Why Spain and not America?”
She bites her lip, smiles, and says she had a Spanish boyfriend. She met him when she went to Spain but they have broken off. Her present boyfriend is from Hong Kong. He’s an architect and he doesn’t want to leave.
“It’s hard getting work elsewhere,” she says. “Of course, I like Hong Kong best.” She says she has been to many countries and that it’s fun traveling, but it would be hard living in those places. Not so in Hong Kong, she and her parents were born in Hong Kong, she is a one-hundred-percent Hong Kong person. She has also done special research on Hong Kong history, literature, and changes in cultural practices. She’s thinking of writing a book.
“What would you do if you went to America?” you ask.
“Further studies. I’ve already corresponded with a university.”
“To study for a Ph.D.?”
“To study and maybe also to look for some work.”
“What about your boyfriend?”
“I might get married before leaving, or … Actually, I don’t know what to do.” She doesn’t seem to be nearsighted but her eyes have a faraway look. “Am I interviewing you or are you interviewing me?”
She pulls herself together and puts on the tape recorder. “All right, now please say something about your views on cultural policies after Hong Kong reverts to the Mainland, will plays in Hong Kong be affected? Such issues preoccupy the Hong Kong cultural world. You are from the Mainland, could you give your views about this?”
After the interview, you again take the ferry back to Kowloon to give instructions to the performers at the Cultural Centre Playhouse. When the play begins, you can return to the hotel to have a leisurely meal with Margarethe.
Pulsuz fraqment bitdi.