Todo cabe en un libro como este.

Crímenes reales, la pobreza como fuente del crimen y la capacidad extraordinaria de una

mujer única para desentrañar la esencia de todo ello. Emilia Pardo Bazán se basaba en esos crímenes, que tanto llamaban su atención, para escribir novelas cortas. Pero dejaba siempre bien clara la diferencia entre crimen real y ficticio. Para ella, el crimen inventado es «cerebral, geométrico y matemático, tan distinto de la realidad humana y tan parecido a los problemas de ajedrez». Por eso mismo, por su imperfección, los crímenes reales eran de su máximo interés, hasta el punto de acudir al lugar del suceso para observar con sus propios ojos los detalles que se les escapaban a los cronistas y, después, opinar sobre todo ello en sus artículos. No dejaba en ellos títere con cabeza. Criticaba a los investigadores que no actuaban con profesionalidad en la inspección ocular de la escena del crimen. A las víctimas y a los asesinos, y lo hace con su peculiar gracejo y su

libertad de pensamiento. Marisol Donis recoge el seguimiento que Emilia Pardo Bazán hizo de algunos de los

crímenes más memorables y bárbaros de su tiempo: el crimen del pinar de Pericote; el de la calle San Andrés; los crímenes de la calle Fuencarral; los

«mujericidios»… Nada le era ajeno, siguió y documentó una treintena de sucesos criminales,

estafas, suicidios ampliados… Crímenes reales que no siempre eran resueltos por la mala investigación, lo que la llevaba a concluir, contrariada en no pocas ocasiones, al final de sus artículos:

«El asesino no ha sido habido». Puro Emilia Pardo Bazán. Puro deleite para todos sus lectores.

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«Emilia Pardo Bazán y su fascinación por la criminología», Marisol Donis oxşar kitablar