The Roommates

Copyright

HarperCollinsPublishers

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

First published by HarperCollinsPublishers 2019

Copyright © Rachel Sargeant 2019

Rachel Sargeant asserts the moral right to be identified as the author of this work

Cover design by Sim Greenaway © HarperCollinsPublishers Ltd 2019

Cover photographs © Neil Holden/Arcangel Images (tenement block);

Shutterstock.com (figures)

A catalogue record for this book is available from the British Library

This is entirely a work of fiction. Any references to real people, living or dead, real events, businesses, organizations and localities are intended only to give the fiction a sense of reality and authenticity. All names, characters and incidents are either the product of the author’s imagination or are used fictitiously, and their resemblance, if any, to real-life counterparts is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books

Ebook Edition © OCTOBER 2019 ISBN: 9780008331900

Source ISBN: 9780008331894

Version: 2019-07-16

Dedication

For E and H – not possible without you.

Contents

Cover

Title Page

Copyright

Dedication

Three Years Ago

A car horn …

Present Day

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

Chapter 53

Chapter 54

Chapter 55

Chapter 56

Chapter 57

Chapter 58

Chapter 59

Chapter 60

Chapter 61

Chapter 62

Chapter 63

Chapter 64

Chapter 65

Chapter 66

Chapter 67

Chapter 68

Chapter 69

Chapter 70

Chapter 71

Acknowledgements

Keep Reading …

About the Author

Also by Rachel Sargeant

About the Publisher

THREE YEARS AGO

A car horn blares and instinct makes her jump back. Male driver, early thirties. Mouth open in an oath as he speeds past, skidding on the bridge’s frosty tarmac. She can’t be bothered to gesture after him. Defiance gone.

Clutching her elbows for warmth, she makes it to the opposite side. Her jacket’s not much of a coat these days. Zip bust from straining. The barrier along the side of the bridge is tall – nearly her height – but she peers between its vertical railings. The river below looks benign. No boats are out in mid-winter to ruffle its grey-green surface. A few dog walkers and cyclists brave the promenade. The café’s open but the air’s too bitter even for smokers to sit outside.

Wind picks up, making her stumble. For a moment she longs for the warmth of the bonfire under the bridge where the others will be. A few cans and a bit of weed. Where’s the harm? But she can’t go there because of Danno. Can’t bear to see her betrayal reflected in his eyes. To see how her lies have destroyed him.

With her back against the barrier, sheltering from the worst of the weather, she squats and watches the traffic. When a passing lorry causes the bridge to judder, a change of plan flits through her mind. It might be quicker, more certain. But she can’t do that to a driver. She’s damaged enough people. People she loves. Her eyes smart. She stands up.

Searching for places to climb, she walks close to the barrier and spots possible toeholds – welded joints on some of the metal posts that are fixed into the ground at regular intervals. There’s a lull in the traffic and she hears her heartbeat. Loud. A shiver passes through her. Can she do this? What else is there? No one wants her, can’t blame Mum and Jade.

In one swift movement, she grips two railings, wedges the side of her foot on a bolt and hauls herself up. An icy blast hits her head and neck. When she looks down, the river looms in and out of focus. Her head spins so much, she’s sure she’ll overbalance. Determination deserts her and the dizziness makes her afraid. Her hands clench the top rail and she ignores how much the cold metal burns.

As she stares down at the water, Leo’s face flashes across her mind. This isn’t because of Danno – or Mum or Jade. Most of all she’s failed Leo. Her breathing slows and the unsteadiness fades. Her doubts begin to disappear. She levers herself higher.

No more pain, no more loss, no more hurting those who care – used to care. The burden lifts. Limbs and belly light for the first time in months. All over. She smiles. Places a knee on the top of the barrier. One final breath.

“Amber!” A voice shrieks along the bridge before the wind swallows it whole.

PRESENT DAY

Chapter 1
Sunday 25 September
Imogen

“You should have gone to a Russell Group university.” Imo’s mother makes her pronouncement after ten minutes of stop-start traffic inside the campus. She’s got her brave face on, pretending to be forthright and normal.

Imo shrinks into the back seat and casts an anxious glance outside, but there’s no change in the faces of the students walking past. They haven’t heard the insult despite the open car windows. Wide-eyed and chatting, they stream on, like Glasto, but without the mud and wellies. It’s been warm all month. Imo was sunbathing in the garden yesterday, trying to suppress her gut-wrenching nervousness about today. So much is riding on it. Her chance to escape the life of grief and guilt that she and her family haunt.

What does her mother mean anyway? What difference does a university league table make to the traffic jam? Has she forgotten the free-for-all to get into Freddie’s uni four years ago? But Imo remembers her mother wasn’t there. Dad and Imo took Freddie. That same day Mum drove Sophia to Nottingham. Imo holds back a sigh; they were ordinary then.

A girl in a bright pink T-shirt steps up to her father’s window. “Welcome to the Abbey.” She hands him a hessian bag with Abbey Student Union printed on the side in the same pink as the T-shirt.

Imo’s belly flutters. It’s happening. She’s become part of the exclusive club of students who call it the Abbey despite it saying University of Abbeythorpe on the website. She leans forward, snatches the bag from her dad and looks inside. Leaflets on the Abbi Bar and Takeaway, the Student Welfare Service, and Avoiding STDs; a freshers’ wristband and a packet of condoms. She quickly clutches the bag on her lap. If her dad had seen inside, he’d have turned the car around, despite being in one-way traffic. And Imo would have understood. Risk weighs differently in this family.

The car park is behind a line of bushes on the right side of the road. They park and debate whether to take the luggage with them. Freddie advises leaving it until they know where Imo’s room is. Imo backs his suggestion; anything to avoid her old Groovy Chick duvet being paraded through reception. Her mum made her bring it, saying that uni tumble driers might damage her new one of the New York skyline. Imo didn’t want that one either. It was a birthday present and she intends to leave everything about that day behind. She’ll never be able to look back on turning eighteen with anything but ache and horror.

A large vehicle chugs into the car park. A boy in a high-vis jacket walks ahead and marshals it lengthways across four parking spaces. It’s an ancient ice-cream van painted sky blue, Cloud’s Coffee in bold purple lettering above the serving hatch. A thickset woman, with hair the same shade of blue as the van, climbs out the driver’s side. She pulls her seat forward and a girl jumps down. Taller and slimmer than the mother, and tidier too; her hair is short and blonde.

“Take this, Phoenix.” A man in the passenger seat passes her a holdall. Imo can see where she gets her looks from. Father and daughter are blessed with cheekbones. Not many people could carry off a name like Phoenix, but this girl can. She exudes athletic star quality.

Imo’s family follows the stream of people towards the main accommodation reception. Sweat seeps into her hoodie but she can’t take it off despite the late summer heat. Even though she got it at the British Heart Foundation shop, it’s a Jack Wills. And first impressions count. She spent two hours on Thursday planning her arrival outfit. Like her mother, she can play at normal.

They pass other students and their parents coming out of the building, clutching white envelopes, presumably containing the keys to their home for the next ten months. On the open day last year, Imo walked into this wood-panelled foyer, giggling with other Year Twelves on a trip from her school. Was that the last time she laughed and meant it? Not the fake chuckle she gives these days when her family play real-life charades. She swallows hard.

The hall echoes with the chatter of dozens of families. More students in pink T-shirts usher them into three lines. Imo’s family stand in the left-hand queue. Imo shifts from foot to foot, unable to stop her legs from wobbling. Wishing her parents weren’t with her. Hoping nobody will recognize them.

She swivels her head to look at the white-washed pillars behind the long reception counter. They’re adorned with posters advertising the Freshers’ Welcome Party. The line moves swiftly and soon Imo is in possession of her envelope, with instructions to turn right out of the building, enter the annexe at the back and take the stairs to the first floor. Scared of heights since Inspector Hare’s visit shook her family rigid – since she saw the broken body and imagined the fall – she’d asked for a ground-floor room when she filled in the accommodation form. At least they haven’t put her at the top of a tower block. It’s been months since she climbed higher than the second storey in any building, even though it’s an irrational fear. Inspector Hare had got it wrong again.

On the steps outside, right in the way of other families coming in and out, her parents stop for another debate about fetching the luggage. A Mini Convertible sweeps into the crisscross box of the no-parking zone in front of them. A high-heeled black sandal steps out of the driver’s side. The sandal strap coils along a slender ankle. When the driver stands up, the strap disappears under the hem of black palazzo trousers. The young woman shakes her head and thick, dark curls cascade over her bare shoulders. She’s wearing a white broderie anglaise blouse. A gypsy top, Imo’s grandma would call it, but there’s nothing rustic about its wearer.

“Mid-blue,” Imo’s dad says. “That’s the colour I’d go for too if I ever got one.”

Imo and her mother share a smile. Only her dad could see a beautiful woman and show more interest in her car.

A sudden prickling feeling tells Imo that she is being watched. It’s a familiar sense, one she has struggled with regularly over the past few months. Freddie has too – even worse for him. She swallows down a knot of fear and forces herself to look at the crowd. Students and parents rush past in the heat, not looking her way. She tells herself that it’s just her imagination. That nobody’s recognized her.

Then she freezes. A tall, hooded man is standing in shadow under a tree on the opposite side of the street and smoking a cigarette. Dressed all in black, too old to be a student but clearly not a parent. But it’s not Imo he’s staring at; he’s watching the beautiful woman’s every move. His eyes follow her as she turns to lock her car. A shiver runs down Imo’s spine.

When the man sees Imo looking, she drops her gaze to her envelope, hands trembling. Wariness of strangers is another product of the last few months, and this one looks like a stalker.

The young woman puts her keys in her handbag and walks past Imo into the reception, leaving a waft of expensive perfume in the air. When Imo looks back across the street, the man isn’t there.

Chapter 2
Imogen

“Smile,” her dad says, as he sticks out his backside to bring Imo into his viewfinder. “Let’s have one for the album.” His turn to play-act normal. But Imo’s face is pale. Her mind still fixed on the man outside, on the way his gaze followed the woman through the crowd. Is that how it happened before?

“Imogen, are you all right?” her mum says, concern in her eyes.

“Fine, still a bit car sick.” Imo smiles weakly and sits down on the bed, hugging her knees to her chest. At least her family didn’t see him. She lets the sound of her parents bickering stop her mind from racing.

“Mind where you put your feet, Rob,” Mum squawks, pointing at a pile of clothes on the floor.

“I didn’t touch them.”

“You were about to.”

Imo bares her teeth. It’s like Christmas. Everyone’s got up early and they’re all in one room. Arguing. A tremor passes through her. They won’t next Christmas. Some things are worse than arguing.

The room is small: single bed, desk, slim wardrobe, grey carpet tiles, door to an en suite. Surprisingly modern after the imposing reception hall. When they unlocked the flat, Imo noticed other doors in the long hallway. She shudders at the thought of her flatmates appearing now and recognizing her family.

“Mum, are you nearly ready to go?” she says hopefully.

But her mother is still unpacking and doesn’t reply. With an armful of shampoos and conditioners, Imo goes into the tiny bathroom. The sink – half the size of their basins at home – is fitted close to the loo and there’s no bathroom cabinet.

“I wish we’d had room in the car for a toiletries stand.” Imo calls. “I bet that girl in the big van brought one.”

“And a cornetto maker,” Freddie pipes up.

Dad laughs and Imo walks back into the room. But a shadow falls over her mum’s face and she turns towards the window, arms wrapped around her body.

Pretending not to notice, Dad empties the last cardboard box. “Where do you want your German vocab book?”

“Underneath my pillow.” Imo tries to smile but her heart’s not in it. Her backchat is coming out on autopilot, her hand shaking with nerves. She saw other students on the stairs, making the trek to her floor and beyond. Confident, sharing a joke with each other. Why is it only her that doesn’t know what the hell she’s doing?

Dad joins Mum by the window. “She’s got a gorgeous view of the hills,” he says.

“It’s grass,” Mum says, her normal mood a memory.

“And south facing. This will be a sunny room.”

Imo’s belly flutters again, unnerved for a reason she can’t define.

“Right.” Dad sighs and turns from the window, wearing his bravest face. “I suppose we’d better leave you to it.” He gives her a hug. “Keep in touch. Have a brilliant first term.” He hugs her tighter. “And stay safe.”

Freddie pats her back. “Good luck with the audition, Sis.”

Oh God, she hoped he’d forgotten. He found out from the website that the uni will be putting on Jesus Christ Superstar in December. The auditions are this week.

“You will go, won’t you?”

“I haven’t been to a dance class for a while.” It’s been seven months, as he knows – as they all know. She feels the heat of her family’s attention on her. “I might not have time.”

“Course you will, love,” Dad says. “University isn’t all about work.”

“It’s hardly about work at all.” Freddie grins, but then grows serious. “Promise you’ll audition.”

Dad strokes her arm. “It would do you good.”

Mum stays at the window, rubbing her elbow like she always does when she wants to bail out of a conversation but still listen in. Like she does when Inspector Hare visits. Freddie and Dad keep their well-meaning eyes on Imo and she feels the room closing in.

“Okay, I promise.” It’s worth lying to see the relief on their faces.

She sits back on the bed and watches them line up in the small space by the door. Any second now her world of eighteen and a half years will quit with them. Her throat is hard.

Dad and Freddie give her a goodbye peck and head out into the stairwell. When they’ve gone, Mum sits beside her. “I notice you didn’t bring the lamp Grandma gave you.”

“I forgot.” Another birthday gift she needs to shed. Everything from that day is toxic.

Mum places her hands on Imo’s shoulders and looks her in the eye. “You don’t have to do this. I’m not making you.” Most decisions are impossible for Mum these days, but she was quick to agree that Imo should take up her uni place.

Imo tries to wriggle free, but her grip is firm. “I want to be here.” Would it have been different if she hadn’t already accepted the offer before the world tilted?

Mum lets go. “If there’s anything …” She turns away to rub her eye. “Ring me, day or night. Just ring.”

“Of course.” Imo forces a bright smile.

“And you’ve got your personal alarm?”

“Always.”

“Show me.”

Imo hesitates, but only for a moment, knowing her mother won’t leave until she’s seen the tiny, red-topped canister. Imo retrieves it from her coat pocket and holds it out.

“Keep it with your phone,” her mother says. “You need both at all times.”

She watches until Imo has shoehorned it into a front pocket of her jeans. They hug, her mother holding her tighter than feels comfortable. Then she grasps her wrist.

“And never come home on your own on the train. We’ll come and get you.”

Chapter 3
Phoenix

Three of them are in the kitchen drinking Phoenix’s instant coffee. Her mug has Elexo Engineering Solutions in turquoise lettering on the side – a freebie she picked up from a science and technology careers fair. The peroxide blonde – Amber? – waves her Amnesty International mug in the air. Phoenix isn’t sure whether she means to brandish it, but she moves her hands a lot when she speaks.

The third girl – Phoenix has forgotten her name – sips out of Polish pottery. Expensive. Like the Mini Convertible she swept up in. Phoenix has kicked off her trainers to pad around the kitchen in woolly socks; this girl is in classy sandals.

When are they going to sit down instead of acting like it’s a cocktail party? Phoenix has the urge to move from the cooking area to the easy chairs in the dining end of the kitchen. She shifts her weight and listens to Amber.

“I’m doing Theatre Studies. I’ll probably go into directing and writing.” Amber’s bangles and friendship bracelets cascade down her wrist as she drags a hand through her bleached crop. “We need more women in pivotal roles. Smash through the glass ceiling of the existing patriarchy.”

The rich girl suppresses a yawn. Ignoring Amber, she looks at Phoenix. “Where are you from?”

Phoenix hesitates. She’s worked out her backstory but toys with the truth. These girls are her flatmates. Why pretend? Why: because the rich girl might judge and find her wanting. But before she can decide how much to say, Amber’s off and running with her own answer.

“I’m from Chadcombe in Surrey. My dad works for a top accountancy firm in Town. That’s London Town. We call it Town.”

The rich girl’s face doesn’t move, but Phoenix smiles. Amber must be a Home Counties kid, away from home for the first time. Wholesome, but naïve. Doe eyes in kohl and sweetheart mouth behind purple lipstick. Perhaps she’ll work hard and do her parents proud. Yet Phoenix wonders about her; something desperate in the rapid way she speaks.

Another girl steps into the kitchen.

“Hi, welcome.” Amber turns to greet her. “What’s your name?” She steps forward and hugs her, holding her half-drunk coffee behind the girl’s back.

“Imogen … Imo.” The girl swallows. Despite hunching her shoulders inside her Jack Wills sweatshirt and looking down, she’s striking. Her blonde hair looks natural like Phoenix’s own, but this girl can grow it long. It’s well on the way to her waist and she wears it loose.

Amber steers her in front of the others as if she’s the hostess. “This is Imogen, but we can say Imo. I’m Amber and this is Phoenix, named after the actor.”

Phoenix winces. Why do people always assume that about her name? Phoenix is the mythical bird that rises from the ashes. Fire – that’s why her parents chose it. Almost an obsession. She winces again as she remembers watching one of their obsessions turn deadly.

Imogen holds out her arms for a light hug and Phoenix understands why she wears her hair over her face: her cheeks are raging with acne. She looks anxious and there are dark shadows under her eyes.

“I think I saw you in the car park, getting out of a blue ice-cream van,” Imo says.

Phoenix smiles nervously, wondering how many others noticed it.

“I saw a big van as I drove in,” the rich girl says. “Are your parents caterers?”

Phoenix hesitates. “That’s right,” she lies.

Amber completes the introductions for Imo. “And this is Tegan. Have I got that right? A Welsh name?”

Tegan – so that’s the rich girl’s name and explains her mellifluous accent – doesn’t step forward but waits for Imo to reach her. Even in her designer sandals, Tegan’s the shortest of the four of them, but there’s something ten-feet-tall about her. Phoenix doesn’t expect to be having many kitchen chats with her after today. Their social circles won’t intersect.

“What are you studying?” Amber asks Imo.

“German and Business.”

“I can’t do languages. Except BSL – British Sign Language – which I learnt in a day.” Amber leans in close to the newcomer. “But I know Epic Theatre. You must have heard about that if you’re doing German.”

“A little …” Imo pauses and gives a weak smile.

Phoenix feels for her. It must be daunting that someone knows more about her subject than she does.

“In Year Twelve, I acted in a Swiss play.” Imo’s hands are clenched by her sides and she sounds nervous. “About an old woman seeking revenge on the man who got her in trouble when they were teenagers. Is that the sort of thing?”

For a moment Amber hesitates, a flicker of something behind her eyes. Then she shrieks, “That’s it. What was the set like?” In her eagerness to talk drama with Imo, she steps in front of Tegan.

“What are you studying, Phoenix?” Tegan asks in a voice loud enough to make Amber move aside.

“Mechanical Engineering.”

“Interesting,” replies Tegan, sounding like she thinks it’s anything but.

Amber runs with the conversation again. “We’ll try to keep the drama talk to a minimum, won’t we, Imo?” She links arms with the girl she’s known for all of five minutes.

Tegan puts her Polish mug on the kitchen top. “I’m into the arts if they make money. Business is my thing.”

“So are you studying Business like me?” Imo asks.

“For the moment,” Tegan replies. “I left school a year ago and I’ve been building my product range since then.” She bends down to the handbag at her feet and takes out a pouch. In a deft movement, she reconfigures it as a bomber jacket and puts it over her shoulders. Her dark hair is stunning against the ice pink. “Ideal to keep the rain off on a night out and it fits in your bag or …” she lays it on the kitchen top, folds in the sleeves and draws the sides together in previously unseen zips “… have it as the handbag itself.”

“You’re selling these?” Amber takes hold of the newly formed holdall.

“Fourteen ninety-nine, because of the craftsmanship. But I’m offering them on campus for ten pounds, two for eighteen.”

Amber pauses for a moment, turns the bag over in her hands. “I’ll get my purse.”

Imo follows her out. Tegan looks at Phoenix expectantly.

Phoenix makes her best poker face. What craftsmanship? These plastic macs are most likely churned out in a Third-World sweatshop. She weighs up her options. Choose your battles. She’s going to be sharing a flat with this girl. Why make it awkward? She pulls a tenner from her jeans pocket.

“Thank you so much,” Tegan says. But the brightness is false. Phoenix knows conceit when she hears it. Tegan’s used to getting what she wants. Phoenix’s dad, Sonny, thinks university is a holding pen between bouts of real life. Tegan the businesswoman might be the kind of student he’d admire.

“What made you choose the Abbey?” Phoenix asks.

“This was as far away from home as possible on a tank of petrol.” Tegan snorts. “What about you?”

The truth? Her head’s full of designs for show equipment innovations, some worth patenting. Mech Eng is the way she’s going to stay in the world she knows, doing what she’s good at but without the risks. She shrugs. “Same as you, I suppose.”

The other girls come back with their money. Amber’s still holding Imo’s arm. Firm friends already.

“What do you all think of this flat?” Amber asks. “I could do with more wardrobe space.”

Imo and Tegan agree. Again Phoenix stays silent. Until she moved in with Carla and Antonio, her desk converted to her bed.

“So do you think it’s just the four of us in this flat?” Amber points at each of them. “Let’s see if I can remember: Imo doing German and Business, Tegan Business, Phoenix Engineering. And me Theatre Studies.”

“There are five rooms.” Tegan unfolds her demonstration holdall and restores it as a pouch to her handbag. “There must be one more person.”

“I wonder if they’ll get here in time for pre-s,” Amber says.

Phoenix gives her a puzzled frown. If Preez is part of the university registration process, she’s never heard of it.

“Preez?” Imo asks, beating her to the question.

“Don’t you know? Everyone knows that.” Amber laughs, clutching her chest theatrically as if it’s the funniest thing she’s heard. She straightens up when she sees their blank expressions. “Pre-s means pre-drinks. You go to someone’s flat to get tanked before you go out. There are some amazing clubs around here, but drinks in clubs are so expensive. Pre-s are at Ivor’s tonight, downstairs in Flat 7.”

“Which clubs?” Tegan jumps in. She pauses to admire the confusion on Amber’s face. “If it’s pre-drinks in Flat 7, where are you going afterwards?”

“Umm … Not tonight,” Amber bites her lip. “I’m staying here.”

“Well aren’t you the raver. Off the rails already,” Tegan jokes.

But Amber looks away, a flash of anxiety crossing her face.