Sadece Litres-də oxuyun

Kitab fayl olaraq yüklənə bilməz, yalnız mobil tətbiq və ya onlayn olaraq veb saytımızda oxuna bilər.

Kitabı oxu: «While You Sleep: A chilling, unputdownable psychological thriller that will send shivers up your spine!»

Şrift:


Copyright

Published by HarperCollinsPublishers Ltd

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by HarperCollinsPublishers 2018

Copyright © Stephanie Merritt 2018

Excerpt from A Book of Silence by Sara Maitland © Sara Maitland 2008

Reproduced by kind permission of Granta Books

Cover design Micaela Alcaino © HarperCollinsPublishers Ltd 2018

Cover photograph © Jan Bickerton / Trevillion Images

Stephanie Merritt asserts the moral right to be identified as the author of this work.

A catalogue copy of this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780008248208

Ebook Edition © March 2018 ISBN: 9780008248222

Version: 2018-06-11

Epigraph

‘When those are the very things one is hoping to escape from through silence, it is not at all surprising that one starts to see one’s longings as “works of the devil” and this sense of the demonic is itself intensified by the silence.’

Sara Maitland, A Book of Silence

Table of Contents

Cover

Title Page

Copyright

Epigraph

Prologue

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Also by Stephanie Merritt (Writing as S. J. Parris)

About the Author

About the Publisher

Prologue

It begins, they say, with a woman screaming.

You can’t tell at first if it’s pleasure or pain, or that tricky place where the two meet; you’re almost embarrassed to hear it, but if you listen closer it comes to sound more like anguish, a lament torn from the heart: like an animal cry of loss, or defiance, or fury, carried across the cove from cliff to cliff on the salt wind.

If you stand on the beach with your back to the sea, they’ll tell you, looking up at the McBride house, you might catch, behind tall windows on the first floor, the fleetest shift of a shadow. All the rooms dark through glass; not even the flicker of a candle, only the shape that shivers at that same window and vanishes, quick as breath, under the broken reflections of clouds and moon. They’ll say the woman’s keening grows louder as the gale seeks unprotected corners of the house, swirls around the pointed gables, shakes the weathervane on the turret and rattles the attic windows in their frames. But listen again; when the wind drops, there is nothing but the wild sea, and the occasional drawn-out moans of the seals beyond the headland.

Only on certain nights, the islanders will tell incomers; when the moon is high and the air whipped up like the white-peaked waves in the bay. Be patient and you might hear her. Plenty will swear to it.

The two boys crouch by a ridge of rocks at the foot of the cliff, watching the house. It is still half a ruin; naked beams poke into the moonlit sky like the ribs of some great flayed beast. They hesitate, each waiting for the other to move. They have come this far to test the old stories, they can’t lose face now. The summer night is mild and clear; too balmy for ghosts. They are girding themselves when the screaming starts. They turn to one another in astonishment; fear makes them giggle.

‘Let’s go,’ whispers the nimble, ginger boy. He has his phone in his hand, ready to capture it on film.

But his companion has frozen to the spot, stricken, his eyes stretched wide and fixed on the house.

‘Come on, we’ll miss it.’

The heavier boy retreats a few paces, shaking his head.

The ginger one hesitates, his lip curling with scorn. ‘Pussy.’

He sets off over the sand and marram grass to the half-open door, his phone held out at arm’s length. Left behind on the beach, his friend watches him disappear into the shadows.

The waves break and retreat, over and over, dragging layers of shingle into the restless water. A new scream echoes across the beach, a child’s cry this time. The last traces of light ebb from the sky and behind the windows of the McBride house there is nothing but solid darkness.

1

The island appeared first as an inky smudge on the horizon, beaded with pinholes of light against the greying sky. As the ferry ploughed on, carving its path through the waves, the land took form and seemed to rise out of the sea like the hump of a great creature yet to raise its head. Bright points arranged themselves into clusters, huddled into the bay at the foot of the cliff, though the intermittent sweep of the lighthouse remained separate at the furthest reach of the harbour wall.

The only passenger on the deck leaned out, gripping the rail tighter with both hands, anchored by the smooth grain of the wood beneath her fingers. Doggedly the ferry rose and fell, hurling up a cascade of spray each time it crested a wave and dropped away. Wind whipped her hair into salt strands that stung her lips; she wore a battered flying jacket and pulled up the collar against the damp as she planted her feet, swaying with the motion of the boat, determined to take it all in from here as they docked and not through the smeared window of the passenger lounge downstairs, with its fug of wet coats and stewed tea. Outside, the wind tasted of petrol and brine. She pushed her fringe out of her face and almost laughed in disbelief when the noise of the engines fell away and the men in orange waterproofs began throwing their coils of rope and shouting orders at one another as the boat nosed a furrow through oily water to bump alongside the pier. Two days of travelling and it was almost over. She tried not to think about the old saying that the journey mattered more than the arrival. She tried not to think about what she had left behind, thousands of miles away.

The ferry terminus hardly warranted the name; there was a car park and one low, pebble-dashed building, the word ‘Café’ flaking off a sign above the door. She edged down the gangplank, pushing her wheeled art case in front of her and yanking the large suitcase behind like two unwilling toddlers, a travel easel in its holder unwieldy under her arm. Each time it hit the rail as she turned to wrestle with one bag or other, she was grateful that now, in mid-October, the ferry was not crowded, so that at least she did not have to worry about how many of her fellow passengers she had maimed in the process of herding her luggage ashore.

At the head of the slipway she saw a man in a leather jacket, its zip straining over a comfortable paunch. He was holding a home-made cardboard sign that read ‘Zoe Adams’; as soon as his eyes locked on to hers and met with recognition, he broke into a broad smile and started waving madly at her, as if he were trying to attract her attention through a crowd, though she was only yards away and the few remaining foot passengers had all dispersed. She smiled back, hesitant. He was around her own age, she thought; early forties, with thinning blond hair and a round, open face, cheeks reddened by island weather or a taste for drink, or perhaps both together. He approached her with an anxious smile.

‘Mrs Adams?’

She hesitated. She could have let it go, but there would only be more questions later on.

‘Uh – actually, it’s Ms.’

‘Eh?’

Zoe tilted her head in apology.

‘I’m not a Mrs.’

‘Oh.’ He looked afraid he had offended. ‘My mistake. You’re no married, then?’

She made a non-committal noise and set down one of her cases so that she could stretch out a hand. ‘You must be Mr Drummond?’

‘Mick, please.’ He beamed again, grasping her fingers and shaking them with a vigour intended to convey the sincerity of his welcome. ‘I’m the one who’s been sending all the emails.’ He released her hand and held up the sign with a self-conscious laugh; the wind almost snatched it from his grip. ‘My wife’s idea. I told her, it’s no as if there’s going to be hundreds of them pouring off the boat, but she said it would spare you feeling lost when you first set foot here.’

Zoe smiled. If only that were all it took.

‘It was very thoughtful of her.’

‘Aye, she’s like that. Kaye. You’ll meet her. Here, let me take those.’ He tucked the sign under his arm and hefted her cases into each hand, nodding across the car park to an old Land Rover, its flanks crusted with mud.

Zoe looked back at the harbour as he loaded her bags into the trunk. Through the lit windows of the ferry she could see the shapes of people cleaning, swinging plastic bags of trash, ready for the return trip, the boat garish in its brightness against the encroaching dark of sea and sky. The gulls shrieked their tireless warnings. Here, the rolling of the waves seemed louder and more insistent, as if the sea wanted to make sure you did not forget its presence. She wondered if she would grow used to that, after a while. A faint wash of reddish light stained the line of the horizon, but it was too overcast for a proper sunset like those in the photographs. Still, there would be time.

‘Hop in, then.’ Mick held the door open for her. For one panicked moment she thought he expected her to drive, before she realised she had made the usual mistake. That perverse habit of driving on the left. Perhaps she would get used to that in time, too. The quick flurry of palpitations subsided.

‘Is it far, to the house?’

‘Five miles, give or take.’ He glanced over his shoulder, shuffled his feet. ‘Look – it’s been a long journey, I know, and you’ll be tired, but we wondered if you’d like to come by the pub for a wee drink before I take you up to the house?’

Zoe began a polite refusal but he cut across her.

‘Thing is, we’ve music on tonight, local band, it’s a thing we do on Thursdays, so there’ll be a lot of folk out and we thought – well, it was Kaye’s idea – she thought it would be nice for you to say hello while they’re all in one place. Since you’re staying a while, you know. Only a wee glass.’ He twisted his hands together and looked at his boots before raising his eyes briefly to hers, as if he were asking for a date. ‘She’s dying to meet you,’ he added. ‘They all are.’

Zoe sucked in her cheeks. Christ. She was far from dying to meet them, whoever they were; quite the opposite. She felt grimy and dishevelled from the overnight flight, the five-hour train journey and two hours on the ferry; she probably didn’t smell too fresh either, under all her layers. And the point was to be anonymous here, to slip quietly into her coastal house and be left alone. She had not come here to make friends. But it had been naïve, she now realised, to imagine that a newcomer to a small community, out of season, would not immediately become a subject of gossip and speculation. If she was going to stay here a few weeks, it would be wise not to offend the locals on day one.

‘I’m not really dressed for going out,’ she said, though the protest was half-hearted.

‘You’re grand,’ Mick said, giving her a cursory glance. ‘It’s no as if they’ll all be in dinner suits.’ He clicked his seatbelt. ‘Just the one. And then I’ll run you up to the house, I promise. We can leave all the bags in the car.’

Zoe leaned her forehead against the window, the cold solidity of the glass reflecting her exhaustion back at her. Without make-up, the jet lag and all the sleepless nights of recent months were etched on her face, like a confession. Was that why she was so reluctant to go to the pub, she wondered – plain old vanity? Was it that she didn’t want to be judged by her new neighbours until she could at least brush her hair and paint some colour into her washed-out face? Of course, it could be a scam; she would blithely go in for one drink and when she came out there would be no sign of Mick or the car, or her bags. But if she was going to think like that, the whole thing could be a scam, as Dan had repeatedly pointed out. All she had seen was a website – an amateurish one at that – and a few emails. Maybe the house didn’t even exist. If that were the case, it was too late to worry about it now; she had already transferred the money.

‘Sure,’ she said, forcing enthusiasm. ‘Why not?’

‘Lovely. I wouldn’t hear the last of it from Kaye if we’d no given you a proper welcome.’ Zoe could hear the relief in his voice as the engine belched into life. ‘You’ll like it – they’re a colourful crowd. I mean – it’s no exactly the nightlife of New York,’ he added, as if fearing he might have created false expectations, ‘but then I suppose you’ve come here to get away from all that.’

‘I’m not from New York,’ Zoe said, watching the mournful lights of the café recede as he pulled away. Then, thinking she ought to offer something else, she added, ‘Connecticut. You’re not far off.’

‘Oh, aye?’ Mick turned out on to the main road. ‘Never been myself. America. I’d like to, mind. When the kids are older, maybe. Kaye wants to go to Nashville. She’s into all the country music and that, you know? Now me, I’ve a fancy for somewhere more rugged. Hiking, fishing, that sort of thing. I’ve always liked the idea of moving to Canada.’

‘So does half my country right now,’ she muttered.

‘Aye, the great outdoors,’ Mick continued, missing the point. ‘That’s where I’m at home. Can’t get my girls interested yet, though they’re quite into animals and all that. We get otters up here – you’ll maybe see some around the bay.’

Zoe leaned against the window and let Mick fill the silence with his wilderness dreams. For as long as he was talking about himself or otters, he was not asking her questions. They passed through what she assumed was the main street of the town: a general store; a place that sold hardware, electronics and fishing supplies; a tea room; a bookshop; a few vacant shopfronts, the windows opaque with milky swirls of whitewash as if to veil their emptiness from public view. At the far end, the street broadened out into a triangular green with a war memorial in the centre, a school playground on one side and a small, plain church opposite. Mick swung the Land Rover to the right, past the churchyard, into a narrower lane. The cottages on each side lined up crookedly against one another, like bad teeth, but they looked snug, with lights glowing warmly behind drawn curtains.

‘Have you always lived here?’ she prompted, when he seemed in danger of running out of talk. He slid her a sideways look and she sensed that a certain wariness had descended.

‘Born and bred,’ he said. She was not sure if the note in his voice was pride or resignation. ‘Got away as soon as I could, mind. All the young ones do. But my mother passed away five years back and my da couldn’t manage the pub on his own, he was getting on, you know? So I came home. Brought my wife and daughters with me.’ He heaved a deep sigh. ‘Sometimes a place is in your marrow. It pulls you back. Nothing you can do about it.’

‘Uh-huh.’ Zoe nodded. ‘My grandmother came from this part of the world, actually.’

‘Is that right?’ He eyed her with greater approval. ‘So you’ve come in search of your roots?’

‘Something like that. I guess my Scottish blood’s pretty diluted by now. She married an Englishman. My mother grew up in Kent. I was born there too.’

‘I’d keep that quiet round here, if I were you.’ He winked. ‘You don’t sound like you’re from Kent.’

‘We moved to the States when I was a kid. My dad’s from Boston.’ She wrapped her arms around herself; the thought of her father speared her with a sudden pang of longing. No use thinking of that now. She forced a brightness into her voice, changing the subject. ‘So did the house always belong to your family? The one I’m staying in?’

Again, that slight hesitation, the flicker of a glance, as if he suspected her of trying to catch him out.

‘Aye.’ It looked as if this was the extent of his answer, but as they approached a turning with a painted sign at the entrance showing a white stag on the crest of a hill, he cleared his throat. ‘But it didn’t come to me until my father passed on last year.’

‘Oh, I’m sorry,’ Zoe said automatically. ‘About your father.’

‘Aye, well, he was eighty-seven and still working, more or less – that’s no a bad run.’ Mick sniffed. ‘But he’d let the house go over the years. They all had. Took a lot of work to make it fit to live in. Don’t get me wrong’ – he turned to her with that same anxious expression – ‘it’s all good as new – better. I did most of the work myself – that’s what I used to do, down in Glasgow, you know – restore houses. It’s lovely now, though I say so myself. Well, you’ll have seen the photos on the website. They’re no Photoshopped or any of that,’ he insisted, a touch defensive.

‘It looks beautiful. You didn’t want to keep it for your family home?’

He snapped his head round and his eyes narrowed. Then his face relaxed and he laughed, almost with relief. ‘Too far out for us. We stay here, above the pub. That way we’re on hand if there’s any problems. And the girls can walk to school in five minutes. That’s the only reason,’ he added, as if someone had suggested otherwise. ‘No sense in making life more complicated.’ He indicated the building in front of them, a whitewashed inn of three storeys with gabled windows in the roof. The car park outside was busy, and as he switched off the engine, Zoe heard music and laughter drifting through the clear air. ‘But if it’s peace and quiet you’re after, it’ll be perfect for you.’

He was trying too hard, Zoe thought. Perhaps there was something wrong with the house after all. It had looked so idyllic on the website; eccentric, as if the original architect had thrown at it all the excesses of the Victorian Gothic and hoped for the best. From the pictures she had seen, the interior was tastefully restored and minimally furnished, but what had really hooked her was the light. The photographs had been taken in summer, but even in sunshine there was a bleakness to the island’s beauty that had whispered to her, stark bars of cloud lending shadow and depth to the sky. A veranda ran around the west and south sides of the house, overlooking an empty strand of sand and shingle, marked only by coarse clumps of seagrass, tapering down to a small bay that gave on to the vast silvered expanse of the Atlantic. The house was set a little way back from the beach, built into the slope of the cliff at its shallowest point, while a ridge of rock rose up behind, as if to protect it from prying eyes. She had noticed the quality of the light with a painter’s eye, and known with some instinct deeper than thought that she needed to wake under that sky, to the sound of that empty ocean and the seabirds that wheeled and screamed above it, if she was ever going to find her way back. Whether some ancestral tug in the blood had drawn her there, she could not say. She had only felt a certainty, on seeing the house, that had eluded her for months; the knowledge that it was meant for her.

‘Peace and quiet is absolutely what I want,’ she said, but with a smile, so as not to seem antisocial.

Mick opened his door, then turned back to her. ‘The thing is, Mrs Adams – Ms – sorry, Zoe …’ He chewed his lip, unsure how to continue. ‘There’s a lot of history to this place. Legends, and so on. And a lot of families have been here for generations. So people have their superstitions, you know? Plenty of folk here have barely been off the island.’

Zoe nodded. ‘I guess that’s part of the charm.’

‘Aye, but …’ He looked uneasy. ‘It’s only – if you hear people telling tall tales, as they like to do with a drop of whisky inside them, pay them no mind. Fishermen’s yarns, old wives’ gossip – that’s all it is.’

‘Oh, I love all those folk tales. My grandmother used to tell them when we were kids. Selkies and giants and whatever.’ As soon as she’d said the words, she regretted them, picturing herself trapped in a smoky corner by some ancient mariner.

‘As long as you know that’s all they are. Bit of fun. Tease the incomers.’ Mick smiled back, but he did not look reassured. ‘Come on then, you must be gasping for a drink.’

The warmth of the pub hit her face like a blast from a subway vent, thick and yeasty, homely smelling: woodsmoke and winter food, stews, hot pastry and mulled cider. A wave of sound broke over her at the same time, a fast and furious jig from the band, accompanied by raucous singing, foot-stamping and the banging of beer mugs, so that for an instant Zoe felt overwhelmed by the force of it, the noise and heat and smell of so many people crammed into a lounge bar designed for half their number. She stood very still, one hand to her temple as if her head were fragile as an eggshell, and closed her eyes as the weight of her jet lag settled inside her skull. When she opened them, every head had swivelled to stare at her. She allowed her gaze to travel the room, taking in the questioning faces – no hostility in them, as far as she could see, most had not even missed a breath in their singing – and felt her own expression freeze into a tight little smile, fearful of offending. She cast around for Mick with a flutter of alarm, until she realised he had flipped open the bar and taken up a position of natural authority behind it. He beckoned her over and pushed a heavy crystal tumbler across the polished wood. A generous measure of Scotch glowed honey-gold, with no ice.

‘Get this down you,’ he said in a low voice. ‘Put some colour in your cheeks.’

Zoe lifted the glass to her mouth and breathed in peat and smoke, ancient scents, the land itself. The heat slid down her throat and uncurled through her limbs. Behind her eyes the headache intensified briefly, then began to melt away. She set the glass down on the bar and Mick immediately refilled it, with a wink.

‘That’s my Kaye there,’ he said, nodding to the makeshift stage where the band were building to a crescendo. Zoe turned to look. The singer was a buxom woman dressed younger than her age, in drapey black skirts and a black lace top, her long pink hair bright and defiant. She sang with her eyes closed, a fist wrapped around the microphone, one foot in floral Doc Martens pounding the stage to the beats of the bodhran, her voice bluesy and hard-edged, smoke and whisky. Though Zoe could not make out the words, she surmised from the ferocity of the singing that it was some kind of nationalist rebel song, and that the anger soaked through its lyrics was still keenly felt by a good many of the patrons.

The rest of the band were men; all – apart from the young fiddle player – well into middle age, with grey hair pulled back into ponytails, and grizzled beards, leather waistcoats and cowboy boots. There was an accordion, a pennywhistle and a guitar as well as the bodhran and the violin; the music sounded vaguely familiar, the kind she had heard on a loop in Irish bars in Boston and New York, but here it did not feel manufactured for tourists. The musicians played with their eyes closed, as if every note mattered.

The rebel song ended in a burst of cheering and applause, but the band did not even pause to acknowledge it; instead the woman launched into a wild and wrenching lament, accompanied only by the violin and the heavy heartbeat of the drum. The room stilled to a reverent hush as her voice soared to the blackened rafters, transformed now into a fluting, other-worldly alto, holding tremulous notes that made goosebumps prickle along Zoe’s arms and the back of her neck. Though she did not understand the strange language, she could not miss the heart-cry in the music: a grief that seemed centuries old. Looking around, she saw old men with tears running down their faces, mouthing the words to themselves. The woman’s voice faded out and the young fiddle player stepped forward for a solo, his lips pressed tightly together, slender fingers moving nimbly over the strings, brow furrowed behind the long fringe that fell over his face. Zoe sipped her second whisky and experienced a sudden urge to reach forward and brush it out of his eyes, the way she would with Caleb when he was bent over his iPad, absorbed in whatever animation he was making, oblivious to everything. She became aware that Mick was leaning over the bar behind her, a dishcloth pressed between his clasped hands.

‘She has an incredible voice.’ Zoe realised she was expected to comment.

‘She’s something, isn’t she?’ Mick said, not taking his eyes off his wife. That glimpse of tender pride caused Zoe to flinch briefly. She remembered seeing the same expression on Dan’s face, at the first exhibition she had invited him to when they started dating; admiration of her talent and the thrill of being allowed to claim some share in it. She could not remember when he had last looked at her like that.

At the end of the song, the band set down their instruments and announced a break. Around the bar the hum of conversation resumed; glances once more directed openly at her, murmured observations that made no effort to disguise the fact that she was the subject. The woman with the pink hair sprang down and pressed her way across the bar, scattering smiles to left and right. She stopped breathlessly and caught Zoe’s hand between both of hers.

‘Zoe! We’re so glad you’re here. I’m Kaye Drummond. I hope he’s got you a drink? Top her up there, Michael, will you? You’re our guest tonight. Are you hungry?’

Zoe shook her head. If she had been hungry, the whisky had blunted all memory of it. Kaye looked up at her with anxious eyes. Though her figure was voluptuous, her face was delicate, almost elfin, the wide blue eyes rimmed with black kohl, her rosebud mouth painted the same shade of fuchsia as her hair; Zoe guessed her to be in her late thirties. She wore large silver rings on every finger, so that Zoe felt she was being clasped by armoured gauntlets.

‘That was a beautiful song just now,’ she said.

‘Oh, aye, thanks.’ Kaye beamed, her eyes shining. ‘It’s an old one. Everyone round here remembers their granny singing it.’

‘What does it mean?’

‘Och, they’re all awful depressing. It’s about a woman who loses her love to the sea and drowns herself of a broken heart. Most of them are, if they’re not about the Clearances. People have long memories up here. Have you come to paint? I said to Mick, we could have a wee show here in the pub if you wanted. Folk might like to see them. They might even buy one, if they weren’t too …’ she made a knowing face and rubbed her thumb and forefinger together.

‘Oh – that’s kind, but …’ Zoe felt herself growing flustered. ‘I hadn’t thought of selling. I’m a little out of practice. I’m here to find my way back to it, I suppose.’

‘Well, you let us know,’ Kaye said, undeterred. ‘It’s no like we’re experts. They could be total shite, we wouldn’t know any different.’ She broke into peals of laughter and flicked Zoe on the arm with the back of her hand. ‘I’m only messing with you. I’m sure they’re no shite. You’d buy one, wouldn’t you, Ed?’

She nudged the young man next to her, the fiddle player, in the ribs. He turned from the bar and gave Zoe a shy smile from under his fringe. He wore large tortoiseshell glasses that reflected the light, making it hard to see his eyes clearly.

‘Buy what?’

‘One of Zoe’s paintings.’

‘Oh. Well – ah – what are they of?’

‘I haven’t done any yet,’ Zoe said, smiling to ease his embarrassment. ‘Well – not here. But I guess I paint landscapes. Or I used to. Kind of impressionistic. Not very original,’ she added, with an awkward laugh.

He shrugged. ‘Everyone likes a landscape, don’t they? I mean, at least you know what it is. People don’t stand around in galleries arguing about what a landscape means, right?’

Oh, they do, Zoe almost said, but stopped herself; condescension would not be a good look. The boy took off his glasses and rubbed them on the hem of his shirt; his face appeared soft and exposed without them. A pint of dark beer was slopped down on the bar top in front of him. She glanced up and caught the eye of the barmaid, a thickset girl of about eighteen with heavy make-up, a top that was too tight to flatter and dyed black hair scraped into a messy topknot, pulling her small features taut under ruthlessly plucked brows. She looked at Zoe with evident disdain, even when Zoe ventured a smile.