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‘Man is a Tool-using Animal,’ concludes Teufelsdröckh in his abrupt way; ‘of which truth Clothes are but one example: and surely if we consider the interval between the first wooden Dibble fashioned by man, and those Liverpool Steam-carriages, or the British House of Commons, we shall note what progress he has made. He digs up certain black stones from the bosom of the earth, and says to them, Transport me and this luggage at the rate of five-and-thirty miles an hour; and they do it: he collects, apparently by lot, six-hundred and fifty-eight miscellaneous individuals, and says to them, Make this nation toil for us, bleed for us, hunger and sorrow and sin for us; and they do it.’

CHAPTER VI
APRONS

One of the most unsatisfactory Sections in the whole Volume is that on Aprons. What though stout old Gao, the Persian Blacksmith, ‘whose Apron, now indeed hidden under jewels, because raised in revolt which proved successful, is still the royal standard of that country’; what though John Knox’s Daughter, ‘who threatened Sovereign Majesty that she would catch her husband’s head in her Apron, rather than he should lie and be a bishop’; what though the Landgravine Elizabeth, with many other Apron worthies,—figure here? An idle wire-drawing spirit, sometimes even a tone of levity, approaching to conventional satire, is too clearly discernible. What, for example, are we to make of such sentences as the following?

‘Aprons are Defences; against injury to cleanliness, to safety, to modesty, sometimes to roguery. From the thin slip of notched silk (as it were, the Emblem and beatified Ghost of an Apron), which some highest-bred housewife, sitting at Nürnberg Workboxes and Toyboxes, has gracefully fastened on; to the thick-tanned hide, girt round him with thongs, wherein the Builder builds, and at evening sticks his trowel; or to those jingling sheet-iron Aprons, wherein your otherwise half-naked Vulcans hammer and smelt in their smelt-furnace,—is there not range enough in the fashion and uses of this Vestment? How much has been concealed, how much has been defended in Aprons! Nay, rightly considered, what is your whole Military and Police Establishment, charged at uncalculated millions, but a huge scarlet-coloured, iron-fastened Apron, wherein Society works (uneasily enough); guarding itself from some soil and stithy-sparks, in this Devil’s-smithy (Teufelsschmiede) of a world? But of all Aprons the most puzzling to me hitherto has been the Episcopal or Cassock. Wherein consists the usefulness of this Apron? The Overseer (Episcopus) of Souls, I notice, has tucked-in the corner of it, as if his day’s work were done: what does he shadow forth thereby?’ &c. &c.

Or again, has it often been the lot of our readers to read such stuff as we shall now quote?

‘I consider those printed Paper Aprons, worn by the Parisian Cooks, as a new vent, though a slight one, for Typography; therefore as an encouragement to modern Literature, and deserving of approval: nor is it without satisfaction that I hear of a celebrated London Firm having in view to introduce the same fashion, with important extensions, in England.’—We who are on the spot hear of no such thing; and indeed have reason to be thankful that hitherto there are other vents for our Literature, exuberant as it is.—Teufelsdröckh continues: ‘If such supply of printed Paper should rise so far as to choke-up the highways and public thoroughfares, new means must of necessity be had recourse to. In a world existing by Industry, we grudge to employ fire as a destroying element, and not as a creating one. However, Heaven is omnipotent, and will find us an outlet. In the mean while, is it not beautiful to see five-million quintals of Rags picked annually from the Laystall; and annually, after being macerated, hot-pressed, printed-on, and sold,—returned thither; filling so many hungry mouths by the way? Thus is the Laystall, especially with its Rags or Clothes-rubbish, the grand Electric Battery, and Fountain-of-motion, from which and to which the Social Activities (like vitreous and resinous Electricities) circulate, in larger or smaller circles, through the mighty, billowy, storm-tost Chaos of Life, which they keep alive!’—Such passages fill us, who love the man, and partly esteem him, with a very mixed feeling.

Farther down we meet with this: ‘The Journalists are now the true Kings and Clergy: henceforth Historians, unless they are fools, must write not of Bourbon Dynasties, and Tudors and Hapsburgs; but of Stamped Broad-sheet Dynasties, and quite new successive Names, according as this or the other Able Editor, or Combination of Able Editors, gains the world’s ear. Of the British Newspaper Press, perhaps the most important of all, and wonderful enough in its secret constitution and procedure, a valuable descriptive History already exists, in that language, under the title of Satan’s Invisible World Displayed; which, however, by search in all the Weissnichtwo Libraries, I have not yet succeeded in procuring (vermöchte nicht aufzutreiben).’

Thus does the good Homer not only nod, but snore. Thus does Teufelsdröckh, wandering in regions where he had little business, confound the old authentic Presbyterian Witchfinder with a new, spurious, imaginary Historian of the Brittische Journalistik; and so stumble on perhaps the most egregious blunder in Modern Literature!

CHAPTER VII
MISCELLANEOUS-HISTORICAL

Happier is our Professor, and more purely scientific and historic, when he reaches the Middle Ages in Europe, and down to the end of the Seventeenth Century; the true era of extravagance in Costume. It is here that the Antiquary and Student of Modes comes upon his richest harvest. Fantastic garbs, beggaring all fancy of a Teniers or a Callot, succeed each other, like monster devouring monster in a Dream. The whole too in brief authentic strokes, and touched not seldom with that breath of genius which makes even old raiment live. Indeed, so learned, precise, graphical, and everyway interesting have we found these Chapters, that it may be thrown-out as a pertinent question for parties concerned, Whether or not a good English Translation thereof might henceforth be profitably incorporated with Mr. Merrick’s valuable Work On Ancient Armour? Take, by way of example, the following sketch; as authority for which Paulinus’s Zeitkürzende Lust (ii. 678) is, with seeming confidence, referred to:

‘Did we behold the German fashionable dress of the Fifteenth Century, we might smile; as perhaps those bygone Germans, were they to rise again, and see our haberdashery, would cross themselves, and invoke the Virgin. But happily no bygone German, or man, rises again; thus the Present is not needlessly trammelled with the Past; and only grows out of it, like a Tree, whose roots are not intertangled with its branches, but lie peaceably underground. Nay it is very mournful, yet not useless, to see and know, how the Greatest and Dearest, in a short while, would find his place quite filled-up here, and no room for him; the very Napoleon, the very Byron, in some seven years, has become obsolete, and were now a foreigner to his Europe. Thus is the Law of Progress secured; and in Clothes, as in all other external things whatsoever, no fashion will continue.

‘Of the military classes in those old times, whose buff-belts, complicated chains and gorgets, huge churn-boots, and other riding and fighting gear have been bepainted in modern Romance, till the whole has acquired somewhat of a sign-post character,—I shall here say nothing: the civil and pacific classes, less touched upon, are wonderful enough for us.

‘Rich men, I find, have Teusinke’ (a perhaps untranslateable article); ‘also a silver girdle, whereat hang little bells; so that when a man walks, it is with continual jingling. Some few, of musical turn, have a whole chime of bells (Glockenspiel) fastened there; which, especially in sudden whirls, and the other accidents of walking, has a grateful effect. Observe too how fond they are of peaks, and Gothic-arch intersections. The male world wears peaked caps, an ell long, which hang bobbing over the side (schief): their shoes are peaked in front, also to the length of an ell, and laced on the side with tags; even the wooden shoes have their ell-long noses: some also clap bells on the peak. Further, according to my authority, the men have breeches without seat (ohne Gesäss): these they fasten peakwise to their shirts; and the long round doublet must overlap them.

‘Rich maidens, again, flit abroad in gowns scolloped out behind and before, so that back and breast are almost bare. Wives of quality, on the other hand, have train-gowns four or five ells in length; which trains there are boys to carry. Brave Cleopatras, sailing in their silk-cloth Galley, with a Cupid for steersman! Consider their welts, a handbreadth thick, which waver round them by way of hem; the long flood of silver buttons, or rather silver shells, from throat to shoe, wherewith these same welt-gowns are buttoned. The maidens have bound silver snoods about their hair, with gold spangles, and pendent flames (Flammen), that is, sparkling hair-drops: but of their mother’s headgear who shall speak? Neither in love of grace is comfort forgotten. In winter weather you behold the whole fair creation (that can afford it) in long mantles, with skirts wide below, and, for hem, not one but two sufficient hand-broad welts; all ending atop in a thick well-starched Ruff, some twenty inches broad: these are their Ruff-mantles (Kragenmäntel).

‘As yet among the womankind hoop-petticoats are not; but the men have doublets of fustian, under which lie multiple ruffs of cloth, pasted together with batter (mit Teig zusammengekleistert), which create protuberance enough. Thus do the two sexes vie with each other in the art of Decoration; and as usual the stronger carries it.’

Our Professor, whether he hath humour himself or not, manifests a certain feeling of the Ludicrous, a sly observance of it, which, could emotion of any kind be confidently predicated of so still a man, we might call a real love. None of those bell-girdles, bushel-breeches, cornuted shoes, or other the like phenomena, of which the History of Dress offers so many, escape him: more especially the mischances, or striking adventures, incident to the wearers of such, are noticed with due fidelity. Sir Walter Raleigh’s fine mantle, which he spread in the mud under Queen Elizabeth’s feet, appears to provoke little enthusiasm in him; he merely asks, Whether at that period the Maiden Queen ‘was red-painted on the nose, and white-painted on the cheeks, as her tire-women, when from spleen and wrinkles she would no longer look in any glass, were wont to serve her?’ We can answer that Sir Walter knew well what he was doing, and had the Maiden Queen been stuffed parchment dyed in verdigris, would have done the same.

Thus too, treating of those enormous habiliments, that were not only slashed and galooned, but artificially swollen-out on the broader parts of the body, by introduction of Bran,—our Professor fails not to comment on that luckless Courtier, who having seated himself on a chair with some projecting nail on it, and therefrom rising, to pay his devoir on the entrance of Majesty, instantaneously emitted several pecks of dry wheat-dust: and stood there diminished to a spindle, his galoons and slashes dangling sorrowful and flabby round him. Whereupon the Professor publishes this reflection:

‘By what strange chances do we live in History? Erostratus by a torch; Milo by a bullock; Henry Darnley, an unfledged booby and bustard, by his limbs; most Kings and Queens by being born under such and such a bed-tester; Boileau Despréaux (according to Helvetius) by the peck of a turkey; and this ill-starred individual by a rent in his breeches,—for no Memoirist of Kaiser Otto’s Court omits him. Vain was the prayer of Themistocles for a talent of Forgetting: my Friends, yield cheerfully to Destiny, and read since it is written.’—Has Teufelsdröckh to be put in mind that, nearly related to the impossible talent of Forgetting, stands that talent of Silence, which even travelling Englishmen manifest?

‘The simplest costume,’ observes our Professor, ‘which I anywhere find alluded to in History, is that used as regimental, by Bolivar’s Cavalry, in the late Columbian wars. A square Blanket, twelve feet in diagonal, is provided (some were wont to cut-off the corners, and make it circular): in the centre a slit is effected eighteen inches long; through this the mother-naked Trooper introduces his head and neck: and so rides shielded from all weather, and in battle from many strokes (for he rolls it about his left arm); and not only dressed, but harnessed and draperied.’

With which picture of a State of Nature, affecting by its singularity, and Old-Roman contempt of the superfluous, we shall quit this part of our subject.

CHAPTER VIII
THE WORLD OUT OF CLOTHES

If in the Descriptive-Historical portion of this Volume, Teufelsdröckh, discussing merely the Werden (Origin and successive Improvement) of Clothes, has astonished many a reader, much more will he in the Speculative-Philosophical portion, which treats of their Wirken, or Influences. It is here that the present Editor first feels the pressure of his task; for here properly the higher and new Philosophy of Clothes commences: an untried, almost inconceivable region, or chaos; in venturing upon which, how difficult, yet how unspeakably important is it to know what course, of survey and conquest, is the true one; where the footing is firm substance and will bear us, where it is hollow, or mere cloud, and may engulf us! Teufelsdröckh undertakes no less than to expound the moral, political, even religious Influences of Clothes; he undertakes to make manifest, in its thousandfold bearings, this grand Proposition, that Man’s earthly interests ‘are all hooked and buttoned together, and held up, by Clothes.’ He says in so many words, ‘Society is founded upon Cloth’; and again, ‘Society sails through the Infinitude on Cloth, as on a Faust’s Mantle, or rather like the Sheet of clean and unclean beasts in the Apostle’s Dream; and without such Sheet or Mantle, would sink to endless depths, or mount to inane limboes, and in either case be no more.’

By what chains, or indeed infinitely complected tissues, of Meditation this grand Theorem is here unfolded, and innumerable practical Corollaries are drawn therefrom, it were perhaps a mad ambition to attempt exhibiting. Our Professor’s method is not, in any case, that of common school Logic, where the truths all stand in a row, each holding by the skirts of the other; but at best that of practical Reason, proceeding by large Intuition over whole systematic groups and kingdoms; whereby, we might say, a noble complexity, almost like that of Nature, reigns in his Philosophy, or spiritual Picture of Nature: a mighty maze, yet, as faith whispers, not without a plan. Nay we complained above, that a certain ignoble complexity, what we must call mere confusion, was also discernible. Often, also, we have to exclaim: Would to Heaven those same Biographical Documents were come! For it seems as if the demonstration lay much in the Author’s individuality; as if it were not Argument that had taught him, but Experience. At present it is only in local glimpses, and by significant fragments, picked often at wide-enough intervals from the original Volume, and carefully collated, that we can hope to impart some outline or foreshadow of this Doctrine. Readers of any intelligence are once more invited to favour us with their most concentrated attention: let these, after intense consideration, and not till then, pronounce, Whether on the utmost verge of our actual horizon there is not a looming as of Land; a promise of new Fortunate Islands, perhaps whole undiscovered Americas, for such as have canvas to sail thither?—As exordium to the whole, stand here the following long citation:

‘With men of a speculative turn,’ writes Teufelsdröckh, ‘there come seasons, meditative, sweet, yet awful hours, when in wonder and fear you ask yourself that unanswerable question: Who am I; the thing that can say “I” (das Wesen das sich Ich nennt)? The world, with its loud trafficking, retires into the distance; and, through the paper-hangings, and stone-walls, and thick-plied tissues of Commerce and Polity, and all the living and lifeless integuments (of Society and a Body), wherewith your Existence sits surrounded,—the sight reaches forth into the void Deep, and you are alone with the Universe, and silently commune with it, as one mysterious Presence with another.

‘Who am I; what is this Me? A Voice, a Motion, an Appearance;—some embodied, visualised Idea in the Eternal Mind? Cogito, ergo sum. Alas, poor Cogitator, this takes us but a little way. Sure enough, I am; and lately was not: but Whence? How? Whereto? The answer lies around, written in all colours and motions, uttered in all tones of jubilee and wail, in thousand-figured, thousand-voiced, harmonious Nature: but where is the cunning eye and ear to whom that God-written Apocalypse will yield articulate meaning? We sit as in a boundless Phantasmagoria and Dream-grotto; boundless, for the faintest star, the remotest century, lies not even nearer the verge thereof: sounds and many-coloured visions flit round our sense; but Him, the Unslumbering, whose work both Dream and Dreamer are, we see not; except in rare half-waking moments, suspect not. Creation, says one, lies before us, like a glorious Rainbow; but the Sun that made it lies behind us, hidden from us. Then, in that strange Dream, how we clutch at shadows as if they were substances; and sleep deepest while fancying ourselves most awake! Which of your Philosophical Systems is other than a dream-theorem; a net quotient, confidently given out, where divisor and dividend are both unknown? What are all your national Wars, with their Moscow Retreats, and sanguinary hate-filled Revolutions, but the Somnambulism of uneasy Sleepers? This Dreaming, this Somnambulism is what we on Earth call Life; wherein the most indeed undoubtingly wander, as if they knew right hand from left; yet they only are wise who know that they know nothing.

‘Pity that all Metaphysics had hitherto proved so inexpressibly unproductive! The secret of Man’s Being is still like the Sphinx’s secret: a riddle that he cannot rede; and for ignorance of which he suffers death, the worst death, a spiritual. What are your Axioms, and Categories, and Systems, and Aphorisms? Words, words. High Air-castles are cunningly built of Words, the Words well bedded also in good Logic-mortar, wherein, however, no Knowledge will come to lodge. The whole is greater than the part: how exceedingly true! Nature abhors a vacuum: how exceedingly false and calumnious! Again, Nothing can act but where it is: with all my heart; only, WHERE is it? Be not the slave of Words: is not the Distant, the Dead, while I love it, and long for it, and mourn for it, Here, in the genuine sense, as truly as the floor I stand on? But that same Where, with its brother When, are from the first the master-colours of our Dream-grotto; say rather, the Canvas (the warp and woof thereof) whereon all our Dreams and Life-visions are painted! Nevertheless, has not a deeper meditation taught certain of every climate and age, that the Where and When, so mysteriously inseparable from all our thoughts, are but superficial terrestrial adhesions to thought; that the Seer may discern them where they mount up out of the celestial Everywhere and Forever: have not all nations conceived their God as Omnipresent and Eternal; as existing in a universal Here, an everlasting Now? Think well, thou too wilt find that Space is but a mode of our human Sense, so likewise Time; there is no Space and no Time: We are—we know not what;—light-sparkles floating in the æther of Deity!

‘So that this so solid-seeming World, after all, were but an air-image, our Me the only reality: and Nature, with its thousandfold production and destruction, but the reflex of our own inward Force, the “phantasy of our Dream”; or what the Earth-Spirit in Faust names it, the living visible Garment of God:

 
“In Being’s floods, in Action’s storm,
I walk and work, above, beneath,
Work and weave in endless motion!
Birth and Death,
An infinite ocean;
A seizing and giving
The fire of Living:
’Tis thus at the roaring Loom of Time I ply,
And weave for God the Garment thou seest Him by.”
 

Of twenty millions that have read and spouted this thunder-speech of the Erdgeist, are there yet twenty units of us that have learned the meaning thereof?

‘It was in some such mood, when wearied and fordone with these high speculations, that I first came upon the question of Clothes. Strange enough, it strikes me, is this same fact of there being Tailors and Tailored. The Horse I ride has his own whole fell: strip him of the girths and flaps and extraneous tags I have fastened round him, and the noble creature is his own sempster and weaver and spinner; nay his own bootmaker, jeweller, and man-milliner; he bounds free through the valleys, with a perennial rain-proof court-suit on his body; wherein warmth and easiness of fit have reached perfection; nay, the graces also have been considered, and frills and fringes, with gay variety of colour, featly appended, and ever in the right place, are not wanting. While I—good Heaven!—have thatched myself over with the dead fleeces of sheep, the bark of vegetables, the entrails of worms, the hides of oxen or seals, the felt of furred beasts; and walk abroad a moving Rag-screen, overheaped with shreds and tatters raked from the Charnel-house of Nature, where they would have rotted, to rot on me more slowly! Day after day, I must thatch myself anew; day after day, this despicable thatch must lose some film of its thickness; some film of it, frayed away by tear and wear, must be brushed-off into the Ashpit, into the Laystall; till by degrees the whole has been brushed thither, and I, the dust-making, patent Rag-grinder, get new material to grind down. O subter-brutish! vile! most vile! For have not I too a compact all-enclosing Skin, whiter or dingier? Am I a botched mass of tailors’ and cobblers’ shreds, then; or a tightly-articulated, homogeneous little Figure, automatic, nay alive?

‘Strange enough how creatures of the human-kind shut their eyes to plainest facts; and by the mere inertia of Oblivion and Stupidity, live at ease in the midst of Wonders and Terrors. But indeed man is, and was always, a blockhead and dullard; much readier to feel and digest, than to think and consider. Prejudice, which he pretends to hate, is his absolute lawgiver; mere use-and-wont everywhere leads him by the nose; thus let but a Rising of the Sun, let but a Creation of the World happen twice, and it ceases to be marvellous, to be noteworthy, or noticeable. Perhaps not once in a lifetime does it occur to your ordinary biped, of any country or generation, be he gold-mantled Prince or russet-jerkined Peasant, that his Vestments and his Self are not one and indivisible; that he is naked, without vestments, till he buy or steal such, and by forethought sew and button them.

‘For my own part, these considerations, of our Clothes-thatch, and how, reaching inwards even to our heart of hearts, it tailorises and demoralises us, fill me with a certain horror at myself and mankind; almost as one feels at those Dutch Cows, which, during the wet season, you see grazing deliberately with jackets and petticoats (of striped sacking), in the meadows of Gouda. Nevertheless there is something great in the moment when a man first strips himself of adventitious wrappages; and sees indeed that he is naked, and, as Swift has it, “a forked straddling animal with bandy legs”; yet also a Spirit, and unutterable Mystery of Mysteries.’