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Copyright

Published by HarperCollinsPublishers Ltd

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by HarperCollinsPublishers 2019

Copyright © Ciara Geraghty 2019

Cover design by Claire Ward © HarperCollinsPublishers Ltd 2019

Cover illustration © Andrew Davidson/The Artworks

Chapter-heading lines taken from Rules of the Road RSA Rule Book © March 2015

Reprinted by permission of the Road Safety Authority

Ciara Geraghty asserts the moral right to be identified as the author of this work.

A catalogue copy of this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780008320676

Ebook Edition © May 2019 ISBN: 9780008320683

Version: 2019-12-23

Dedication

For my mother, Breda

who gave me roots to grow.

And wings to fly.

Contents

Cover

Title page

Copyright

Dedication

Chapter 1: Signal your intent.

Chapter 2: You must always be aware of your speed and judge the appropriate speed for your vehicle.

Chapter 3: Don’t move from one traffic lane to another without good reason.

Chapter 4: Bumps on the road.

Chapter 5: You must not park in any way which interferes with the normal flow of traffic.

Chapter 6: If you are approaching a junction with a major road, you must yield.

Chapter 7: Before you start your journey, you should plan where you will stop to rest.

Chapter 8: Make sure your vehicle is roadworthy.

Chapter 9: Expect the unexpected.

Chapter 10: Be particularly careful of features that may hinder your view of the road ahead.

Chapter 11: Always check your blind spot.

Chapter 12: You should check your mirrors regularly to observe what is going on behind your vehicle.

Chapter 13: Never drive if you are fighting sleep.

Chapter 14: Detours should be clearly marked to aid the flow of traffic.

Chapter 15: If you are towing another vehicle, make sure the tow bar is strong enough.

Chapter 16: Before you start to manoeuvre, you must exercise due care and attention.

Chapter 17: Even with the best headlights, you can see less at night than during the day.

Chapter 18: It is advisable to drive your vehicle in a defensive manner. Be prepared to stop, sound the horn and brake.

Chapter 19: Tired drivers are a major road safety risk.

Chapter 20: If you approach a Stop sign, you must stop completely.

Chapter 21: You should always take the prevailing road conditions into account.

Chapter 22: Drivers are expected to have the ability to foresee and react to hazards.

Chapter 23: What to do if you are dazzled by another vehicle’s headlights: Slow down and stop if necessary.

Chapter 24: When approaching a toll, reduce your speed appropriately.

Chapter 25: Avoid using personal entertainment systems which can distract you, and may prove dangerous.

Chapter 26: If another driver is attempting to provoke you, don’t react.

Chapter 27: If you find yourself driving against the flow of traffic, pull in immediately to the hard shoulder and stop.

Chapter 28: Your vehicle must have mirrors fitted so that you always know what is behind and to each side.

Chapter 29: On the motorway, you must only drive ahead. No turning or reversing is permitted.

Chapter 30: Signal your intention to change course and pull in.

Chapter 31: Motor vehicles must be tested for their roadworthiness.

Chapter 32: Be alert in case the overtaking vehicle suddenly pulls back in front of you.

Chapter 33: Diverging traffic ahead.

Chapter 34: Yield right of way.

Epilogue

About the Author

Also by Ciara Geraghty

About the Publisher

1
SIGNAL YOUR INTENT.

Iris Armstrong is missing.

That is to say, she is not where she is supposed to be.

I am trying not to worry. After all, Iris is a grown woman and can take care of herself better than most.

It’s true to say that I am a worrier. Ask my girls. Ask my husband. They’ll tell you that I’d worry if I had nothing to worry about. Which is, of course, an exaggeration, although I suppose it’s true to say that, if I had nothing to worry about, I might feel that I had overlooked something.

Iris is the type of woman who tells you what she intends to do and then goes ahead and does it. Today is her birthday. Her fifty-eighth.

‘People see birthdays as an opportunity to tell women they look great for their age,’ Iris says when I suggested that we celebrate it.

It’s true that Iris looks great for her age. I don’t say that. Instead, I say, ‘We should celebrate nonetheless.’

‘I’ll celebrate by doing the swan. Or the downward-facing dog. Something animalistic,’ said Iris after she told me about the yoga retreat she had booked herself into.

‘But you hate yoga,’ I said.

‘I thought you’d be delighted. You’re always telling me how good yoga is for people with MS.’

My plan today was to visit Dad, then ring the yoga retreat in Wicklow to let them know I’m driving down with a birthday cake for Iris. So they’ll know it’s her birthday. Iris won’t want a fuss of course, but everyone should have cake on their birthday.

But when I arrive at Sunnyside Nursing Home, my father is sitting in the reception area with one of the managers. On the floor beside his chair is his old suitcase, perhaps a little shabby around the edges now but functional all the same.

A week, the manager says. That’s how long it will take for the exterminators to do what they need to do, apparently. Vermin, he calls them, by which I presume he means rats, because if it was just mice, he’d say mice, wouldn’t he?

My father lives in a rat-infested old folk’s home where he colours in between the lines and loses at bingo and sings songs and waits for my mother to come back from the shops soon.

‘I can transfer your father to one of our other facilities, if you’d prefer,’ the manager offers.

‘No, I’ll take him,’ I say. It’s the least I can do. I thought I could look after him myself, at home, like my mother did for years. I thought I could cope. Six months I lasted. Before I had to put him into Sunnyside.

I put Dad’s suitcase into the boot beside the birthday cake. I’ve used blue icing for the sea, grey for the rocks where I’ve perched an icing-stick figure which is supposed to be Iris, who swims at High Rock every day of the year. Even in November. Even in February. She swims like it’s July. Every day. I think she’ll get a kick out of the cake. It took me ages to finish it. Much longer than the recipe book suggested. Brendan says it’s because I’m too careful. The cake does not look like it’s been made by someone who is too careful. There is a precarious slant to it, as if it’s been subjected to adverse weather conditions.

I belt Dad into the passenger seat.

‘Where is your mother?’ he asks.

‘She’ll be back from the shops soon,’ I say. I’ve stopped telling him that she’s dead. He gets too upset, every time. The grief on his face is so fresh, so vivid, it feels like my grief, all over again, and I have to look away, close my eyes, dig my nails into the fleshy part of my hands.

I get into the car, turn over the engine.

‘Signal your intent,’ Dad says, in that automatic way he does when he recites the rules of the road. He remembers all of them. There must be some cordoned-off areas in your brain where dementia cannot reach.

I indicate as instructed, then ring the yoga retreat before driving off.

But Iris is not there.

She never arrived.

In fact, according to the receptionist who speaks in the calm tones of someone who practises yoga every day, there is no record of a booking for an Iris Armstrong.

Iris told me not to ring her mobile this week. It would be turned off.

I ring her mobile.

It’s turned off.

I drive to Iris’s cottage in Feltrim. The curtains are drawn across every window. It looks just the way it should; like the house of a woman who has gone away. I pull into the driveway that used to accommodate her ancient Jaguar. Her sight came back almost immediately after the accident, and the only damage was to the lamp post that Iris crashed into, but her consultant couldn’t guarantee that it wouldn’t happen again. Iris says she doesn’t miss the car, but she asked me if I would hand over the keys to the man who bought it off her. She said she had a meeting she couldn’t get out of.

‘It’s just a car,’ she said, ‘and the local taxi driver looks like Daniel Craig. And he doesn’t talk during sex, and knows every rat run in the city.’

‘I’ll just be a minute, Dad,’ I tell him, opening my car door.

‘Take your time, love,’ he says. He never used to call me love.

The grass in the front garden has benefitted from a recent mow. I stand at the front door, ring the bell. Nobody answers. I cast about the garden. It’s May. The cherry blossom, whose branches last week were swollen with buds, is now a riot of pale pink flowers. The delicacy of their beauty is disarming, but also sad, how soon the petals will be discarded, strewn across the grass in a week or so, like wet and muddy confetti in a church courtyard long after the bride and groom have left.

I rap on the door even though I’m almost positive Iris isn’t inside.

Where is she?

I ring the Alzheimer’s Society, ask to be put through to Iris’s office, but the receptionist tells me what I already know. That Iris is away on a week’s holiday.

‘Is that you, Terry?’ she asks and there is confusion in her voice; she is wondering why I don’t already know this.

‘Eh, yes Rita, sorry, don’t mind me, I forgot.’

Suddenly I am flooded with the notion that Iris is inside the house. She has fallen. That must be it. She has fallen and is unconscious at the foot of the stairs. She might have been there for ages. Days maybe. This worry is a galvanising one. Not all worries fall into this category. Some render me speechless. Or stationary. The wooden door at the entrance to the side passage is locked, so I haul the wheelie bin over, grip the sides of it, and hoist myself onto the lid. People think height is an advantage, but I have never found mine – five feet ten inches, or 1.778 metres, I should say – to be so. Imperial or metric, the fact is I am too tall to be kneeling on the lid of a wheelie bin. I am a myriad of arms and elbows and knees. It’s difficult to know where to put everything.

I grip the top of the door, sort of haul myself over the top, graze my knee against the wall, and hesitate, but only for a moment, before lowering myself down as far as I can before letting go, landing in a heap in the side passage. I should be fitter than this. The girls are always on at me to take up this or that. Swimming or running or pilates. Get you out of the house. Get you doing something.

The shed in Iris’s back garden has been treated to a clear-out; inside, garden tools hang on hooks along one wall, the hose coiled neatly in a corner and the half-empty paint tins – sealed shut with rust years ago – are gone. It’s true that I advised her to dispose of them – carefully – given the fire hazard they present. Still, I can’t believe that she actually went ahead and did it.

Even the small window on the gable wall of the shed is no longer a mesh of web. Through it, I see a square of pale-blue sky.

The spare key is in an upside-down plant pot in the shed, in spite of my concerns about the danger of lax security about the homestead.

I return to the driveway and check on Dad. He is still there, still in the front passenger seat, singing along to the Frank Sinatra CD I put on for him. Strangers in the Night.

I unlock the front door. The house feels empty. There is a stillness.

‘Iris?’ My voice is loud in the quiet, my breath catching the dust motes, so that they lift and swirl in the dead air.

I walk through the hallway, towards the kitchen. The walls are cluttered with black-and-white photographs in wooden frames. A face in each, mostly elderly. All of them have passed through the Alzheimer’s Society and when they do, Iris asks if she can take their photograph.

My father’s photograph hangs at the end of the hallway. There is a light in his eyes that might be the sunlight glancing through the front door. A trace of his handsomeness still there across the fine bones of his face framed by the neat helmet of his white hair, thicker then.

He looks happy. No, it’s more than that. He looks present.

‘Iris?’

The kitchen door moans when I open it. A squirt of WD40 on the hinges would remedy that.

A chemical, lemon smell. If I didn’t know any better, I would suspect a cleaning product. The surfaces are clear. Bare. So too is the kitchen table, which is where Iris spreads her books, her piles of paperwork, sometimes the contents of her handbag when she is hunting for something. The table is solid oak. I have eaten here many times, and have rarely seen its surface. It would benefit from a sand and varnish.

In the sitting room, the curtains are drawn and the cushions on the couch look as though they’ve been plumped, a look which would be unremarkable in my house, but is immediately noticeable in Iris’s. Iris loves that couch. She sometimes sleeps on it. I know that because I called in once, early in the morning. She wasn’t expecting me. Iris is the only person in the world I would call into without ringing first. She put on the kettle when I arrived. Made a pot of strong coffee. It was the end of Dad’s first week in the home.

She said she’d fallen asleep on the couch, when she saw me looking at the blankets and pillows strewn across it. She said she’d fallen asleep watching The Exorcist.

But I don’t think that’s why she slept on the couch. I think it’s to do with the stairs. Sometimes I see her, at the Alzheimer’s offices, negotiating the stairs with her crutches. The sticks, she calls them. She hates waiting for the lift. And she makes it look easy, climbing the stairs. But it can’t be easy, can it?

Besides, who falls asleep watching The Exorcist?

‘Iris?’ I hear an edge of panic in my voice. It’s not that anything is wrong exactly. Or out of place.

Except that’s it. There’s nothing out of place. Everything has been put away.

I walk up the stairs. More photographs on the landing, the bedroom doors all closed. I knock on the door of Iris’s bedroom. ‘Iris?’ There is no answer. I open the door. The room is dark. I make out the silhouette of Iris’s bed and, as my eyes adapt to the compromised light, I see that the bed has been stripped, the pillows arranged in two neat stacks by the headboard. There are no books on the night-stand. Maybe she took them with her. To the yoga retreat.

But she is not at the yoga retreat.

Panic is like a taste at the back of my throat. The wardrobe door, which usually hangs open in protest at the mêlée of clothing inside, is shut. The floorboards creak beneath my weight. I stretch my hand out, reach for the handle, and then sort of yank it open as if I am not frightened of what might be inside.

There is nothing inside. In the draught, empty hangers sway against each other, making a melancholy sound. I close the door and open the drawers of the tallboy on the other side of the room.

Empty. All of them.

In the bathroom there is no toothbrush lying on its side on the edge of the sink, spooling a puddle of toothpaste.

There are no damp towels draped across the rim of the bath. The potted plants – which flourish here in the steam – are gone.

I hear a car horn blaring, and rush into the spare room, which Iris uses as her home office. Jerk open the blinds, peer at the driveway below. My car is still there. And so is Dad. I see his mouth moving as he sings along. I rap at the window, but he doesn’t look up. When I turn around, I notice a row of black bin bags, neatly tied at the top with twine, leaning against the far wall. They are tagged, with the name of Iris’s local charity shop.

Now panic travels from my mouth down my throat into my chest, expands there until it’s difficult to breathe. I try to visualise my breath, as Dr Martin suggests. Try to see the shape it takes in a brown paper bag when I breathe into one.

I pull Iris’s chair out from under her desk, lower myself onto it. Even the paperclips have been tidied into an old earring box. I pick up two paperclips and attach them together. Good to have something to do with my hands. I reach for a third when I hear a high plink that nearly lifts me out of the chair. I think it came from Iris’s laptop, closed on the desk. An incoming mail or a tweet or something. I should turn it off. It’s a fire hazard. A plugged-in computer. I lift the lid of the laptop. On the screen, what looks like a booking form. An Irish Ferries booking form. On top of the keyboard are two white envelopes, warm to the touch. Iris’s large, flamboyant handwriting is unmistakable on both.

One reads Vera Armstrong. Her mother’s name.

The second envelope is addressed to me.

2
YOU MUST ALWAYS BE AWARE OF YOUR SPEED AND JUDGE THE APPROPRIATE SPEED FOR YOUR VEHICLE.

‘The speed limit on a regional road is eighty kilometres per hour,’ Dad says.

‘Sorry, I’m … in a hurry.’ I glance in the rear-view mirror. I think I hear sirens, but I see no police cars behind me.

In my peripheral vision, Iris’s letter, in a crumpled ball at the top of my handbag.

My dearest Terry,

The first thing you should know is there was nothing you could have done. My mind was made up.

Panic is spinning my thoughts around and around, faster and faster, until it’s difficult to make out individual ones.

‘Did I ever tell you about the time I had Frank Sinatra in the taxi?’ says Dad.

‘No.’ Most of my conversations with my father are crippled with lies.

‘It was a Friday night, and I was driving down Harcourt Street. The traffic was terrible because of the … the stuff … the water …’

‘Rain?’

‘Yes, rain and …’

The second thing you should know is there was nothing you could have done. My mind was made up.

The lights are red and I jerk to a stop. The brakes screech. The car is due for an NCT next month. I need to get it serviced before then. Brendan says I should get a new one. A little run-around, he says. Something easier to park. But I like the heft of the Volvo. It’s true that it’s nearing its sell-by date. Maybe even past it. But I feel safe inside it. And it’s never let me down.

‘… and I said to Frank I know the words to all your songs and …’

… but please know that this is a decision I have come to after a long, thorough thought process and I do not and will not regret it.

I’ve never been to Dublin Port before. I park in a disabled spot. I have no permit to do so.

‘Dad, will you stay here? I have to … I have to do something.’

‘Of course, love, no problem.’

‘Promise me you won’t get out of the car?’

‘Are you going to pick up your mother?’

‘Swear you’ll stay here ’til I get back.’

… and perhaps it is too much for me to ask; that you understand my choice, but I hope you do because your opinion is important to me and …

My father looks at me with curiosity as if he’s trying to work out who I am, and perhaps he is. It is sometimes difficult to tell what he knows for sure and what he pretends to remember.

I bend towards him, put my hand on his shoulder. ‘I’ll be back soon, okay?’

He smiles a gappy smile, which means he’s taken out his dentures again. Last time I found them inside one of Anna’s old trainers in the boot.

‘You’ll be back soon,’ he says, and I tell him I will, and close the door and lock him into the car.

… practical arrangements have been taken care of with the clinic in Switzerland and are enclosed for your …

If the car catches fire, he won’t be able to get out. He’ll be burned alive. Or suffocated with the smoke. But the car has never caught fire, so why would it today? Of all days? I hesitate. Brendan would call it dithering.

… only a matter of time before that happens, which is why it needs to be now, before I am no longer able to …

I run through the car park, towards the terminal building. I try not to think about anything. Instead, I concentrate on the sound of my soles thumping against the ground, the sound of my breath, hot and strained, the sound of my heart, thumping in my chest like a fist.

My dearest Terry,

The first thing you should know is …

I spot Iris immediately. She’s easy to spot even though she’s not all that tall. She seems taller than she is.

The relief is palpable. Solid as a wall. She’s in a queue, doing her best to wait her turn. She does not look like a woman who is planning to end her life in a clinic in Switzerland. She looks like her usual self. Her steel-grey hair cropped close to her scalp, no make-up, no jewellery, no nonsense. It’s only when the queue shuffles forward, you notice the crutches, and still, after all this time, they seem so peculiar in her big, capable hands. So unnecessary.

I stand for a moment and stare at her. My first thought is that Iris was wrong. There is something I can do. What that something is, I haven’t worked out yet. But the fact that I’m here. That’s she’s still here. I haven’t missed her. It’s a Sign, isn’t it?

The relief is so huge, so insistent, there’s no room for any other feeling in my head. I’m full to the brim with it. I’m choking on it. My voice sounds strange when I call her name.

‘Iris.’ She can’t hear me over the crowd.

I walk nearer. ‘Iris?’

‘IRIS!’ Heads turn towards me, and I can feel my face flooding with heat. I concentrate on Iris, who turns her face towards me, her wide, green eyes fastening on me.

‘Terry? What the fuck are you doing here?’

Iris’s propensity to curse was the only thing my mother did not like about her.

My mouth is dry and the relief has deserted me and my body is pounding with … I don’t know … adrenalin maybe. Or fear. I feel cold all of a sudden. Clammy. I step closer. Open my mouth. What I say next is important. It might be the most important thing I’ve ever said, except I can’t think of anything. Not a single thing. Not one word. Instead, I rummage in my handbag, pull out her letter, do my best to smooth it so she’ll recognise it. So she’ll know. I hold it up.

When Iris sees the page, she sort of freezes so that, when the queue shuffles forward, she does not move, and the person behind – engrossed in his phone – walks into the back of her.

‘Oh, sorry,’ he says. Iris doesn’t glare at him. She doesn’t even look at him, as if she hasn’t noticed his intrusion into her personal space, another of her pet hates. Instead, she nudges her luggage – an overnight bag – along the floor with a crutch, then follows it.

I stand there, holding the creased page.

People stare.

I lower my hand, walk towards her.

‘What are you doing?’ I hiss at her.

She won’t look at me. ‘You know what I’m doing. You read my note.’ She concentrates on the back of the man’s head in front of her. The collar of his suit jacket is destroyed with dandruff.

I fold my arms tightly across my chest, making fists of my hands to stop the shake of them. I should have thought more about what I was going to say. I don’t know what I thought about in the car. I don’t think I thought of anything. Except getting here.

And now I’m here, and I can’t think of what to say. Or do.

‘Iris,’ I finally manage. ‘Say something.’

‘I’ve explained everything in my letter.’ She looks straight ahead, as though she’s talking to someone in front of her. Not to me. People in the queue crane their necks to get their fill of us. ‘I’ve read it,’ I say, ‘and I’m none the wiser.’

‘I’m sorry, Terry.’ She lowers her head, her voice smaller now. A crack in her armour that I might be able to prise open.

I put my hand on her arm. ‘It’s okay, Iris. It’s going to be okay. We’ll just get into my car. I’m parked right outside. Dad’s in the car by himself so we need to …’

‘Your dad? Why is he here?’

‘There’re rats. In Sunnyside. Well … vermin, which I took to mean … but look, I’ll tell you about it in the car, okay?’

‘How did you know I’d be here?’ Iris says.

‘I saw the booking form. On your computer.’

‘You hacked into my laptop?’

‘Of course not! You left your computer on, which, by the way, is a fire hazard. Not to mention the security risk of not having a password.’

‘You broke into my house?’

‘No! I used the key you keep in the …’ I lower my voice ‘… shed.’

The queue shuffles forward, and Iris prods her bag with her stick, follows it. She is nearly at the head now.

‘Iris,’ I call after her, ‘come on.’

‘I’m sorry, Terry,’ she says again, looking at me. ‘I’m taking this boat.’ Her voice is filled with the kind of clarity nobody argues with. I’ve seen her in action. At various committee meetings at the Alzheimer’s Society. That’s another thing she hates. Committees. She prefers deciding on a course of action and making it happen. That’s usually how it pans out.

I stand there, my hands dangling uselessly from the ends of my rigid, straight arms.

‘I am not going to allow you to do this,’ I say then.

‘Next,’ the man at the ticket office calls.

Iris bends to pick up her overnight bag. I see the tremor running like an electrical current down the length of her arm. I know better than to help. Anyway, why would I help? I’m here to hinder, not to help.

I’m not really a hinderer, as such.

Iris says I’m a facilitator, but really, I just go along with things. Try not to attract attention.

Iris hooks her bag onto the handle of the crutch, strides towards the man at the hatch. Even with her sticks, she strides.

I stumble after her.

‘I’m collecting a ticket,’ she says. ‘Iris Armstrong. To Holyhead.’

The man pecks at his keyboard with short, fat fingers. ‘One way?’ he asks.

Iris nods.

3
DON’T MOVE FROM ONE TRAFFIC LANE TO ANOTHER WITHOUT GOOD REASON.

I run outside. My father is still in the car. The car is not on fire. I fling open the door. He looks at me with his now familiar face; the one that is somehow vacant, like an abandoned house. Or a space where a house used to stand.

‘Dad, I …’ My voice is high and tight with fear. Crying seems inevitable. My brother called me a crybaby when we were kids.

‘Your mother should be back by now,’ he says. ‘She’s been gone a long time.’

I clear my throat. ‘She’ll be back soon,’ I say. I don’t have time for crying. I have to think.

THINK.

I could call the guards. Couldn’t I? I have Iris’s letter. That’s proof, isn’t it? But is it illegal? Iris’s plan? She’d never forgive me. But maybe she would, in the end. Maybe she’d be grateful I forced her hand?

I look at my watch. The boat leaves in an hour and a half.

THINK.

I ring home. I don’t know why. Nobody is there. But the ring tone, the sound of it ringing in my own home in Sutton, in the hallway that smells of the floor polish I used this morning, the phone ringing in its own familiar way, is a comfort to me.

In the early years, I did nothing but worry about the house. The lure that it represented to would-be burglars. The strain of the mortgage on Brendan’s salary. And on Brendan himself. I worried that he would end up like his father, who died a week before he retired from the building sites.

‘We can buy a smaller house,’ I said. ‘In Bayside maybe. They’re not as expensive there.’

But Brendan had already put the deposit down. It meant a lot to him, our address. He said I wouldn’t understand because I hadn’t grown up in a three-bed council house in Edenmore.

He told me not to worry.

I worried anyway.

The phone stops ringing. Then a click, and Brendan’s monotone. ‘We’re not in. Leave a message.’

‘You could sound a bit more …’ I said when he recorded the message.

‘A bit more what?’

‘Well … interested, I suppose.’

I don’t remember what he said to that. Nothing, I expect.

I hang up. Dad smiles at me and says, ‘Did I ever tell you about the time Frank Sin—’

‘Dad?’

‘Yes, love?’

‘What would you say if I told you we were going on a little trip?’ This is crazy. I can’t go. I have too much to do here. Too many responsibilities. Besides, I’ve got no change of clothes. Or even a toothbrush.

‘But what about your mother?’ Dad asks. ‘She has to come with us.’

I scan the front of the terminal building. Maybe Iris will come out? She seemed stunned when I left. She was probably expecting me to do something. What should I do?

THINK.

I can’t just get on a boat. What about Dad? And the girls? They’re both under pressure at the moment; Kate with her play debuting in Galway next week, and Anna, in the last year of her politics and philosophy course. Studying for her finals.

Brendan told me not to ring him at work unless it’s an emergency.

‘GoldStar Insurance, Brendan Shepherd’s office, Laura speaking, how may I help you?’

‘Oh, hello … I …’

‘Is that you, Mrs Shepherd?’

‘Well, yes, yes it is, I—’

‘I’m afraid Brendan is in a meeting and he—’

‘I’m … sorry, I don’t want to disturb him, but I need to … could you …’

‘Certainly, one moment please.’

‘Greensleeves’. It sounds soothing after the brisk efficiency of Laura Muldoon. She’s worked there for years. Brendan says he couldn’t manage without her. His right-hand woman he calls her.

A second round of ‘Greensleeves’, and still no sign of Iris. Part of me knows for a fact that she is on the boat. That’s what she said she was going to do, so it seems likely that that’s what she’s done. Still, I look for her at the main door of the building. Just in case.

‘Terry?’ Brendan sounds worried. ‘What is it? Is everything okay?’

‘Well, no, but, I—’ What to say, exactly?

‘Are the girls all right?’

‘Yes, yes, they’re fine, it’s just—’

‘I’m in the middle of an important meeting. The Canadians arrived this morning. Remember?’

‘Yes, of course.’ How could I have forgotten about the Canadians? Brendan has talked of little else but this takeover for months now. There’s talk of rationalisation. He’s worried about his staff. Losing their jobs.

‘Can you print out last week’s bordereaux on the financial services portfolios?’ Brendan asks.

‘Pardon?’ I say.

‘Sorry, I was talking to Laura there. Listen Terry, I’m going to have to—’

‘Wait.’

‘What is it?’ His impatience is almost tangible. I clear my throat.

‘Brendan. I need to talk to you. It’s about Iris.’

‘Iris?’ He wasn’t expecting that. I can’t blame him. Iris is not someone who usually warrants an emergency phone call.

‘Yes, Iris,’ I say, so there can be no doubt.

‘What about her?’ The urgency is gone from his tone. He thinks this is one of my worrying about nothing scenarios.

‘Well, she’s … talking about going to Switzerland. She says she’s going to a place where she can … it’s a clinic. In Zurich. They help you to … you know … end your life.’

‘What?’

‘Iris is going to Swi—’

‘No, Jesus, I heard what you said, I just … what the hell is she doing that for?’

‘Well … she says it’s to do with her MS and—’

‘But there’s not a bother on her. She’s not even in a wheelchair.’

‘That’s why she wants to do it now, she says. While she still can.’

‘That makes no sense whatsoever.’

‘Look Brendan, there’s no time to explain. The boat is leaving in …’ I check my watch. ‘… an hour and a quarter, and—’

‘Boat? What boat?’

‘The boat to Holyhead.’ It was a mistake. Ringing Brendan.

‘But she’s going to Zurich, you said. Why would she—’

‘She doesn’t fly. You know that.’

Brendan makes a sort of snorting noise down the phone. ‘So she’s going to kill herself, but she’s taking the boat just in case the plane crashes? Jesus, even for Iris, that’s crazy.’

‘Don’t say that, it’s—’

The sound of a foghorn wails through the air, startling me.

‘Where are you, Terry?’

‘I’m … I’m at Dublin Port.’

‘What are you … Jesus Christ, you’re not thinking of going with her, are you?’

‘Of course not. I mean, probably definitely not. It’s just … she’s by herself and …’

Crackling on the line now, then a door – Brendan’s office door – being firmly closed. When he speaks again, his voice is louder. Clearer. As if he is pressing the receiver hard against the side of his face.

‘Terry, listen to me now. She’s not going to go through with it. This is one of her notions. Like that time she said she was going to trek through the Sahara Desert.’

‘She did trek through the Sahara Desert.’

Brendan pauses, takes a deep breath.

‘Look, Terry, you’re needed here. Work is crazy at the moment with the Canadians landing. And there’s Kate. We need to be in Galway for her play next week.’

‘I know that, but—’

‘And what about Anna? She gets so stressed at exam time. And these are her finals.’ I want to tell him I know all that. I am her mother. These are the things I know. Like Anna being stressed and her skin being bad. I’m positive she’s not applying the cream I got for her eczema as regularly as she’s supposed to.

‘The best thing to do is go home, Terry. I won’t work late tonight. I’ll do my best to be home in time for dinner. We can talk about it then.’

I picture Brendan, arriving home from a hard day at the office and no dinner on the table and the washing still hanging on the line in the back garden. Anna brought a week’s worth over yesterday, and I promised her I’d …

THINK.

I think about Iris.

Say I went.

I can’t go.

But say I did.

Could I persuade Iris to change her mind? I’ve never persuaded anyone to do anything. I couldn’t even talk Brendan out of having the vasectomy after Anna was born.

‘Terry? Terry? Are you there?’ I hear the bristle in his voice, straining to get back to his important meeting.

‘Yes.’

‘So I’ll see you tonight?’

‘Well, I …’

‘Terry, this is nonsensical.’

‘I have to go.’ I hang up.

I’ve never hung up on Brendan. Ever. It’s true that we rarely communicate by telephone, but still, I’ve always held a civil tongue in my head and allowed him to finish his sentences and said my goodbyes before disconnecting the call.

Outside the terminal building, people stand and smoke or punch buttons on their phones or search for something in their handbags or stare into the middle distance.

There is no sign of Iris. The boat is leaving in – I check my watch – seventy minutes. And you have to check in thirty minutes before departure. Giving me forty minutes to come up with something.

THINK.

Everything Brendan said is true. Apart from Iris having notions. Iris has plans, not notions.

‘Do you think your mother will be back soon?’ I look at Dad. Without his dentures, his cheeks are hollow. He looks old. And cold. And so thin. When did he get so thin?

‘Yes,’ I say. I wish it were true. Mam would know what to do. She would have advice although she offered it only when it was sought. Even then, she maintained that people never really wanted advice, just someone to listen to them.

I think about Iris, sitting on the boat, her long fingers drumming the armrest of her chair, anxious to be off, regretful that things did not go according to plan. If they had, I would not have read her letter until next week, and by then, it would have been too late.

But it’s not too late.

Not yet.

THINK.

I ring Celia Murphy, my next-door neighbour, who has a key for our house. She gave me her front-door key, so I felt I had to reciprocate. I mind her cats when she goes to those juicing seminars in Scotland, and she gives us pears from her tree in the autumn, although none of us like pears. I stew them with ginger and brown sugar and put them in Tupperware containers in the freezer. The freezer is full of Tupperware containers of stewed pear. I don’t know why. My mother hated waste. Perhaps that’s it.

‘Celia? It’s Terry, I … No, nothing’s wrong, not a thing, sorry to disturb but, I … well, I need a favour and …’

Celia launches into a monologue about her cats, Fluffy and Flopsy. One of them is sick. I can’t make out which one. When she pauses for breath, I attempt to divert her.

‘Oh no Celia, I am sorry to hear that, hopefully the vet will …’

She’s off again. I grip the phone harder, dig it into my ear. ‘Listen Celia, sorry to interrupt, but I need your help. It’s urgent.’ I’m not quite shouting, but the silence that follows has a sort of stunned quality. I rush into it.

‘It’s just … well, I’m filling out paperwork for Dad and I need his passport. And eh, mine too. No, no, nothing serious, it’s just … just some paperwork, they’re always looking for something or other, these nursing homes. You’ll find them in the middle drawer of the sideboard in the dining room. Could you … Oh that’s great. Thank you. No no, there’s no need for you to bring them to the nursing home. But you’re so kind to … I’ll … I’ve ordered a taxi to collect the passports. Yes. Yes, that’s what I’ve done, I’ll … Sorry Celia the line is bad, I’d better go, yes, bye, bye, bye, thanks, bye, bye, thanks, bye.’

I hang up. If I stop and think about what I’m doing, I won’t do it, so I don’t stop. I don’t think. I ring a taxi company in Sutton, tell the man who answers what I need. This is not the type of service they usually provide, the man tells me. I say I wouldn’t normally ask, but this is urgent. I assure him of my ability to pay. I do my best to seem like a person who doesn’t take no for an answer. I bombard him with details. Celia’s address, my mobile number, my bank card details. ‘How soon can one of your drivers be here?’

4
BUMPS ON THE ROAD.

There are speed bumps up the ramp to the ferry.

‘Oh dear,’ Dad says, when I drive over one. He is a bag of bones, rattling with each jolt.

‘Sorry Dad, it’s the speed ramps,’ I say.

‘Where there are speed ramps, road users should take extra care and expect the unexpected,’ says Dad. I put my hand on his shoulder and he smiles. I need to find his dentures when I park. I need to find Iris. My stomach muscles clench. My stomach is always the first thing to let me down. The doctor says this is where my stress lives. In my stomach.

‘Will you sing me a song, Dad?’

‘I used to squawk out a few numbers all right. Back in Harold’s Cross, remember?’

Harold’s Cross is where my father grew up. He lived in Baldoyle with my mother for nearly forty years and he never mentions it. But he can tell you the names of the flowers his mother grew in the long, narrow garden at the back of the house in Harold’s Cross.

‘Sing “Summer Wind”. I love that one.’ I love them all really. Dad starts to sing.

‘The summer wind, came blowin’ in from across the sea

It lingered there to touch your hair and walk with me …’

He remembers all the words, and even though his voice no longer has the power and flourish of before, if I close my eyes and forget everything I know and just listen, I can hear him. The ‘before’ version of him.

I don’t close my eyes of course. I am driving. In unfamiliar environs.

An Irish Ferries employee gestures me into a space. It’s a tight one. The car starts beeping, indicating that I am approaching some impediment; the side of the boat on one side and a Jeep on the other. Dad twists in his seat, anxious as a fledging perched on the edge of the nest. ‘Careful there,’ he says. ‘Careful.’ His face is pinched with fear and he puts both hands on the dashboard, bracing himself for an impact.

It’s hard to believe I was ever afraid of him.

I shiver. ‘Are you cold, love?’ my father asks. He puts his hand on my arm, rubs it, as if to warm me. It does. It warms me.

I smile at him. ‘Thanks Dad.’

I find his teeth buried in the pages of the Ireland roadmap I keep in the pocket of the passenger door. Brendan and I used to talk about going away for weekends when the girls were old enough to look after themselves. Just getting in the car on a Friday evening and driving away, wherever the road took us type of thing.

I don’t know why we never got around to it.

The wind is brisk when we get out of the car. Everything Dad needs is in the suitcase. Enough for a week, the manager said. But I have nothing other than the clothes I’m standing up in. The shoes – navy Rieker slip-ons – are comfortable and warm. And the navy trousers from Marks & Spencer are good travelling trousers. Hard-wearing and slow to crease. My navy and cream long-sleeved, round-necked top is a thin cotton material that does little to cut the draught. At least my cardigan is warm. I pull it across my chest, fold my arms to keep it there. My ponytail – too girlish for my age, my daughters tell me – whips around my head and I catch it in my hand, hold it down.

My other hand keeps a tight grip on the clasp of my handbag into which I have stuffed banknotes. The man at the ticket booth eyed me suspiciously when I pushed the bundle of cash through the gap at the bottom of the glass partition. I don’t carry money about my person as a rule. But I extracted the money from an account I’ve never used before. My mother opened it for me a long time ago but I only discovered it after she died, three years ago. I found the bank card in the blue woolly hat in the top drawer of her dressing table. I found all sorts in that hat. Her children’s allowance book. The prize bonds she got from her mother for her twenty-first birthday. My first tooth. A lock of Hugh’s white-blond baby hair. Her marriage certificate.

Stuck to the bank card on a scrap of paper was the PIN number – my birthday – and a note.

A running-away-from-home account, she had written. Just in case you ever need to.

I was shocked. At my mother, who, I was certain, did not approve of running away. Bearing up was her philosophy. Making the most of things.

I didn’t tell Brendan. He might have taken it the wrong way.

Iris doesn’t know we’re on the boat.

I haven’t worked out what I’m going to say yet. I don’t know what Iris will say either. There will be expletives. I know that much.

‘Where was I?’ says Dad, as if we are in the middle of a conversation from which he has become temporarily distracted.

‘We’re going to find Iris,’ I tell him, linking his arm. I sound definite, like someone who knows what they’re doing. I lead him towards the door. He shuffles now, rather than walks, as if he is wearing slippers that are too big for him. Progress is slow. Inside, there are flights of stairs, and progress becomes slower.

‘Hold onto the bannisters, Dad.’

‘Yes, but … where are we going?’

‘We’re going on an adventure,’ I tell him. ‘Remember when you used to bring me and Hugh on adventures? To Saint Anne’s Park? We’d be Tarzan and Jane, and you’d be the baddie, chasing us up the hills. Remember that?’

‘Oh yes,’ he says, and he does the laugh he does when he can’t remember but pretends he can.

Although maybe Hugh doesn’t remember either. He’s been in Australia nearly ten years now. Mam didn’t cry at the airport. She wouldn’t have wanted to upset him. He invited her to visit lots of times, but she said it wouldn’t have been practical, with Dad the way he was.

She should have gone.

I should have persuaded her to go.

Dad and I reach the bottom of the stairs. Set in the door at the bottom is a circular window, and through the glass I see a seating area with a hatch where you can get tea.

And I see Iris. Reading. I can’t make out the title of the book, but it doesn’t matter because I know what book it is. The Secret Garden. Iris’s version of a comfort blanket.

Her father bought it for her when she was a child. After her mother left. Iris remembers him reading it to her at bedtime. He’d never read to her before. That’s how she worked out her mother wasn’t coming back.

I open the door and a wave of heat and babble hits me and I feel my father flinch.

‘I don’t …’ he begins.

‘I’ll get you some tea,’ I tell him. He has forgotten that his favourite drink is a pint of Guinness with a measure of Bushmills on the side.

‘And a bun,’ I say. He nods and I persuade him through the door.

Iris has a window seat. One hand holds the book while the other is wrapped around a Styrofoam cup of tea. Her head leans against the window. Through it, grey waves rise and fall, dragging their white manes behind them. And the land, falling away with the distance we have already come.

I usher Dad towards her table. He clutches my arm as a small boy barrels towards us and I steer him out of harm’s way as the child, and – in hot pursuit – his mother, rush past us. The boy makes a loud and accurate siren wail and the noise alerts Iris’s attention. She looks over the top of the book and sees us. Surprise freezes her face. Her eyes are wide with it; her mouth open in a perfect circle. She looks unlike herself.

I have finally managed to surprise Iris Armstrong.

The seat beside her is empty. I coax Dad out of his coat, steer him into the chair.

‘Hello,’ he says to Iris. ‘I’m Eugene Keogh. I’m a taxi driver. From Harold’s Cross.’ He offers his hand, and Iris puts her book down and obliges, as she always does, with hers. Instead of shaking her hand, Dad holds it between both of his as though he is warming it.

The woman in the seat opposite Iris looks at me. ‘Do you want to sit here?’ she says. ‘So you can talk to your friend.’ Her smile is wide.

‘Oh … thank you but, I don’t want to distur—’ I begin.

The woman stands up, hitches the strap of her handbag on her shoulder. ‘It’s no problem,’ she says, smiling. ‘There’re lots of seats.’

When she leaves, Iris and I look at each other. I don’t know what to say, so I wait to see if Iris knows.

‘I can’t believe you got on the boat,’ Iris says.

‘You didn’t leave me with any choice.’ I can’t believe how calm my voice is. Iris stares at me as if she knows me from somewhere. Then, she shakes her head and points to the recently vacated seat opposite her. ‘You may as well sit down,’ she says.

Silence circles the space between us, predatory as a lion. Dad is the one to break it. ‘Where are we going?’

Iris glares at me, raises her eyebrows in a question, waits for me to answer it.

‘We’re going wherever Iris is going,’ I say.

‘No, you’re not,’ she stage-whispers at me, stretching across the table so I can see the golden-brown specks that circle the green of her irises.

‘Yes, we are,’ I say, injecting as much authority as I can muster into the words.

‘You can’t,’ Iris says.

‘I can,’ I tell her.

This could have gone on and on – Iris has alarming stamina – but then Dad interrupts. ‘Where is Iris going?’ he says.

The question produces a silence that’s as potent as the loudest sound. We stare at each other. If I manage not to blink first, I will be able to persuade Iris home. That’s what I find myself thinking. My eyes water. Iris blinks and turns to Dad. She puts her hand on his. ‘I’m going … away,’ she says.

‘Away,’ Dad says, nodding, as if it’s a location he’s familiar with and approves of.

Iris looks at me. She seems like a different person when her face is shadowed with worry. ‘I’m sorry, Terry, I never wanted you to find out like this.’

‘You thought it would be better if I found out afterwards? In a letter?’ Anger is not an emotion I’m familiar with. It burns.

‘I know this is hard to understand,’ she says.

‘Yes it is.’ I’m not going to make this easy for her.

‘Am I going away too?’ Dad says.

‘No,’ says Iris at the same time as I say, ‘Yes.’ Iris hands him the sports section of her paper. He runs his finger along a headline, mouthing the words, like the girls used to do when they were learning to read. She looks at me again. ‘I don’t know what you want me to say.’

‘You don’t have to say anything,’ I tell her. ‘Just come home with me.’

Iris sighs. ‘This is not a decision I’ve taken lightly, Terry. It’s something I’ve thought about for a long time. I’ve done a huge amount of research, waded through so much red tape you wouldn’t believe it.’

I’m about to say that I would have helped her with the red tape. I’m good at red tape. The tedious part of plans, no matter how exciting the plans themselves are. Iris doesn’t have the patience for red tape.

But of course, I wouldn’t have helped her with the red tape for this plan.

The questions jostle for position in my brain. The first one out of the traps is Why. It comes out louder than I intended, almost a shout. ‘Why?’

Iris leans forward. ‘You know why.’

‘No,’ I say. ‘I don’t.’

‘Jesus Terry, do I have to spell it out?’

‘Yes.’

Iris looks surprised. In fairness, I am not usually so belligerent. ‘Two letters,’ she says, holding up two fingers. ‘M. S.’

I try to assume a reasonable tone. ‘Okay, so you have MS, which is not great, but it’s manageable. Isn’t it? You’ve always managed so well. And it’s not bad enough to …’

‘Which is why I’m doing it now,’ Iris says. ‘While I’m still in control.’ She makes everything sound so logical. So reasonable.

‘You hugged me when we had dinner last week,’ I say, remembering. Me, rummaging in my bag for keys as I walked to my car, and Iris coming after me and hugging me even though we’d already said goodbye at her door.

Iris shrugs. ‘Why wouldn’t I?’

‘You don’t usually.’

‘Well, I should.’ Iris leans back in her seat, looks out of the window. ‘You’re my closest friend,’ she says, her voice quieter now.

‘Which is exactly why I’m not going to let you do this,’ I tell her briskly, as if she hadn’t said something so … well, if she were her normal self, Iris would call that sappy.

‘Which is exactly why I didn’t tell you,’ Iris says. A surly-faced gentleman in an ill-fitting suit glances at us over the top of his Tom Clancy paperback. I send what I hope is a reassuring smile in his direction, which sends him scurrying back behind his book.

I take a breath.

In one of the many parenting books I have read, readers are advised to approach a discussion from a different angle, if the discussion is tying itself up in knots or backing itself into a corner.

I train a reassuring smile on Iris. ‘May I ask a logistical question?’ I say.

Iris rolls her eyes. ‘It was only a matter of time,’ she says.

‘Why are you going to Holyhead? What I mean is … you could have gone directly to Calais from Rosslare.’ This is the part of me that I can’t help. The part that drives the girls mad. And Brendan probably. Although I don’t organise him as much any more. He tends to do his own thing these days.

Iris shrugs. ‘I have things to do in London,’ she says.

I think about the other letter. Still sitting on the keyboard of Iris’s laptop. ‘Are you going to see your mother?’

Iris snorts. ‘Christ no.’

‘It’s just … the letter?’

‘It’s not a letter. It’s a copy of my will. So she knows she gets nothing.’ The bitterness in her tone is shocking. Also the mention of Iris’s will. That seems … definite.

‘I know, it’s childish,’ Iris says before I think of an appropriate response.

‘It’s not like you,’ I say. Then again, none of this is like Iris. It’s all foreign. Double Dutch, as Dad used to say.

Break it down into manageable pieces. That’s what I used to tell the girls when they got stressed about something. A school project, for instance.

I’ll start with London. ‘So,’ I say, ‘what’s taking you to London?’

Iris shakes her head. ‘I’d rather not say.’

‘Why not?’

‘For fuck’s sake, Terry, I just … okay then. If you must know. I’m going to see Jason Donovan. Happy? He’s playing at the Hippodrome in London tonight and I’m going. To see him. Okay? That’s my plan. That’s what I’m doing.’

Dad, who has abandoned the sports pages and has been following the conversation with his head like a tennis umpire, looks at me, waiting for my response, although I can think of none.

Iris smiles. ‘Would you like a cup of tea, Mr Keogh?’

‘And a bun?’ he asks. I don’t know if he remembers that I promised him a bun. Or if it’s just an association he has with tea. Probably the latter. New information seems to glance off him, like hard rain against a window. Iris places the palms of her hands on the table, uses them to lift herself out of the chair. She refuses to wince, but her discomfort is visible all the same. When pressed, she has described the sensation in her limbs as stabbing, hot and thorough. She says she prefers the pain to the numbness. The numbness is what makes her walk as though she’s had a few too many glasses of ginger and brandy. The pain is what makes her refuse to wince.

‘I’ll go,’ I say, standing in one fluid movement. It feels unfair; my fluidity of movement, her concentrated effort. Although there is no point talking about fairness when it comes to MS.

Fairness has nothing to do with it.

It feels good to queue, even on a boat where the ground beneath your feet might not be as stable as you’d like. To do something as normal as queue. All around me, snatches of conversations.

‘… and then I said, well if you’re that nervous of strangers, you shouldn’t have gotten into the Airbnb business in the first place …’

‘… a reddish-brown. That would suit your colouring, and my stylist reckons …’

‘… and I was like, I’m so over that, and she was like …’

‘… the hire-car company said they’d only upgrade if …’

Ordinary, pedestrian conversations. As if everything is normal and life is trundling along on its usual rails.

I thank the man behind the counter and lift my tray. There is a smell of un-rinsed J-cloth that makes me twitch and think about grabbing every single cloth – the smell suggests more than one – throwing them in a bucket with Milton and water and leaving them there for at least an hour, even though the bleach could break down the fibres of the cloth, especially if they are a sub-standard brand.

I walk slowly with the tray, careful not to spill the tea, which has a not very hopeful grey pallor.

Iris is listening to Dad telling one of his stories, her face alive with interest, her head nodding along to all the details she has heard before, as if she has never heard them, as if this is the first time. She was always great with Dad. Great with all of them at the Society. Probably because of her experience with her own father. Although that was early-onset. A different animal altogether. ‘Probably the best one to get,’ Iris said. ‘I’d liken it to being struck by lightning. It takes you by storm, but it’s over nice and quick.’

It took eighteen months. Iris requested a leave of absence from the hospital where she worked at the time, and moved back into her father’s house. They watched re-runs of Neighbours every afternoon on UK Gold. Mr Armstrong jerked awake when he heard the theme music, pointing at the screen every time his favourite actor – Jason Donovan – appeared. Iris never worked out why, but thought it might have something to do with Jason’s teeth; perfectly white and even and on display every time he smiled his frequent and lengthy smiles. She bought Jason’s first album around that time. ‘It was like putting a soother in a baby’s mouth,’ she told me. ‘Especially for You’ was her dad’s favourite. Iris’s too, in the end.

I didn’t know her then. Back when she didn’t have MS. Or hadn’t been diagnosed yet, at any rate, although Iris says that she always got pins and needles in her legs as a kid. Sparkles. That’s how she described them to her dad at the time. Sparkles in her legs. So maybe it was there all along. In the wings, as Kate might put it. Waiting for its cue to take centre stage.

Pulsuz fraqment bitdi.

22,09 ₼
Yaş həddi:
0+
Həcm:
331 səh. 3 illustrasiyalar
ISBN:
9780008320683
Müəllif hüququ sahibi:
HarperCollins

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