Kitabı oxu: «Lucretia — Volume 01»

PREFACE TO THE EDITION OF 1853

"Lucretia; or, The Children of Night," was begun simultaneously with "The Caxtons: a Family Picture." The two fictions were intended as pendants; both serving, amongst other collateral aims and objects, to show the influence of home education, of early circumstance and example, upon after character and conduct. "Lucretia" was completed and published before "The Caxtons." The moral design of the first was misunderstood and assailed; that of the last was generally acknowledged and approved: the moral design in both was nevertheless precisely the same. But in one it was sought through the darker side of human nature; in the other through the more sunny and cheerful: one shows the evil, the other the salutary influences, of early circumstance and training. Necessarily, therefore, the first resorts to the tragic elements of awe and distress, —the second to the comic elements of humour and agreeable emotion. These differences serve to explain the different reception that awaited the two, and may teach us how little the real conception of an author is known, and how little it is cared for; we judge, not by the purpose he conceives, but according as the impressions he effects are pleasurable or painful. But while I cannot acquiesce in much of the hostile criticism this fiction produced at its first appearance, I readily allow that as a mere question of art the story might have been improved in itself, and rendered more acceptable to the reader, by diminishing the gloom of the catastrophe. In this edition I have endeavoured to do so; and the victim whose fate in the former cast of the work most revolted the reader, as a violation of the trite but amiable law of Poetical Justice, is saved from the hands of the Children of Night. Perhaps, whatever the faults of this work, it equals most of its companions in the sustainment of interest, and in that coincidence between the gradual development of motive or passion, and the sequences of external events constituting plot, which mainly distinguish the physical awe of tragedy from the coarse horrors of melodrama. I trust at least that I shall now find few readers who will not readily acknowledge that the delineation of crime has only been employed for the grave and impressive purpose which brings it within the due province of the poet,—as an element of terror and a warning to the heart.

LONDON, December 7.

PREFACE TO THE FIRST EDITION

It is somewhere about four years since I appeared before the public as the writer of a fiction, which I then intimated would probably be my last; but bad habits are stronger than good intentions. When Fabricio, in his hospital, resolved upon abjuring the vocation of the Poet, he was, in truth, recommencing his desperate career by a Farewell to the Muses,— I need not apply the allusion.

I must own, however, that there had long been a desire in my mind to trace, in some work or other, the strange and secret ways through which that Arch-ruler of Civilization, familiarly called "Money," insinuates itself into our thoughts and motives, our hearts and actions; affecting those who undervalue as those who overestimate its importance; ruining virtues in the spendthrift no less than engendering vices in the miser. But when I half implied my farewell to the character of a novelist, I had imagined that this conception might be best worked out upon the stage. After some unpublished and imperfect attempts towards so realizing my design, I found either that the subject was too wide for the limits of the Drama, or that I wanted that faculty of concentration which alone enables the dramatist to compress multiform varieties into a very limited compass. With this design, I desired to unite some exhibition of what seems to me a principal vice in the hot and emulous chase for happiness or fame, fortune or knowledge, which is almost synonymous with the cant phrase of "the March of Intellect," in that crisis of society to which we have arrived. The vice I allude to is Impatience. That eager desire to press forward, not so much to conquer obstacles as to elude them; that gambling with the solemn destinies of life, seeking ever to set success upon the chance of a die; that hastening from the wish conceived to the end accomplished; that thirst after quick returns to ingenious toil, and breathless spurrings along short cuts to the goal, which we see everywhere around us, from the Mechanics' Institute to the Stock Market,- -beginning in education with the primers of infancy, deluging us with "Philosophies for the Million" and "Sciences made Easy;" characterizing the books of our writers, the speeches of our statesmen, no less than the dealings of our speculators,—seem, I confess, to me to constitute a very diseased and very general symptom of the times. I hold that the greatest friend to man is labour; that knowledge without toil, if possible, were worthless; that toil in pursuit of knowledge is the best knowledge we can attain; that the continuous effort for fame is nobler than fame itself; that it is not wealth suddenly acquired which is deserving of homage, but the virtues which a man exercises in the slow pursuit of wealth,—the abilities so called forth, the self-denials so imposed; in a word, that Labour and Patience are the true schoolmasters on earth. While occupied with these ideas and this belief, whether right or wrong, and slowly convinced that it was only in that species of composition with which I was most familiar that I could work out some portion of the plan that I began to contemplate, I became acquainted with the histories of two criminals existing in our own age,—so remarkable, whether from the extent and darkness of the guilt committed, whether from the glittering accomplishments and lively temper of the one, the profound knowledge and intellectual capacities of the other, that the examination and analysis of characters so perverted became a study full of intense, if gloomy, interest.

In these persons there appear to have been as few redeemable points as can be found in Human Nature, so far as such points may be traced in the kindly instincts and generous passions which do sometimes accompany the perpetration of great crimes, and, without excusing the individual, vindicate the species. Yet, on the other hand, their sanguinary wickedness was not the dull ferocity of brutes; it was accompanied with instruction and culture,—nay, it seemed to me, on studying their lives and pondering over their own letters, that through their cultivation itself we could arrive at the secret of the ruthless and atrocious pre- eminence in evil these Children of Night had attained; that here the monster vanished into the mortal, and the phenomena that seemed aberrations from Nature were explained.

I could not resist the temptation of reducing to a tale the materials which had so engrossed my interest and tasked my inquiries. And in this attempt, various incidental opportunities have occurred, if not of completely carrying out, still of incidentally illustrating, my earlier design,—of showing the influence of Mammon upon our most secret selves, of reproving the impatience which is engendered by a civilization that, with much of the good, brings all the evils of competition, and of tracing throughout, all the influences of early household life upon our subsequent conduct and career. In such incidental bearings the moral may doubtless be more obvious than in the delineation of the darker and rarer crime which forms the staple of my narrative. For in extraordinary guilt we are slow to recognize ordinary warnings,—we say to the peaceful conscience, "This concerns thee not!" whereas at each instance of familiar fault and commonplace error we own a direct and sensible admonition. Yet in the portraiture of gigantic crime, poets have rightly found their sphere and fulfilled their destiny of teachers. Those terrible truths which appall us in the guilt of Macbeth or the villany of Iago, have their moral uses not less than the popular infirmities of Tom Jones, or the every-day hypocrisy of Blifil. Incredible as it may seem, the crimes herein related took place within the last seventeen years. There has been no exaggeration as to their extent, no great departure from their details; the means employed, even that which seems most far- fetched,—the instrument of the poisoned ring,—have their foundation in literal facts. Nor have I much altered the social position of the criminals, nor in the least overrated their attainments and intelligence. In those more salient essentials which will most, perhaps, provoke the Reader's incredulous wonder, I narrate a history, not invent a fiction [These criminals were not, however, in actual life, as in the novel, intimates and accomplices. Their crimes were of similar character, effected by similar agencies, and committed at dates which embrace their several careers of guilt within the same period; but I have no authority to suppose that the one was known to the other.]. All that Romance which our own time affords is not more the romance than the philosophy of the time. Tragedy never quits the world,—it surrounds us everywhere. We have but to look, wakeful and vigilant, abroad, and from the age of Pelops to that of Borgia, the same crimes, though under different garbs, will stalk on our paths. Each age comprehends in itself specimens of every virtue and every vice which has ever inspired our love or mowed our horror.

LONDON, November 1, 1846.

PART THE FIRST

PROLOGUE TO PART THE FIRST

In an apartment at Paris, one morning during the Reign of Terror, a man, whose age might be somewhat under thirty, sat before a table covered with papers, arranged and labelled with the methodical precision of a mind fond of order and habituated to business. Behind him rose a tall bookcase surmounted with a bust of Robespierre, and the shelves were filled chiefly with works of a scientific character, amongst which the greater number were on chemistry and medicine. There were to be seen also many rare books on alchemy, the great Italian historians, some English philosophical treatises, and a few manuscripts in Arabic. The absence from this collection of the stormy literature of the day seemed to denote that the owner was a quiet student, living apart from the strife and passions of the Revolution. This supposition was, however, disproved by certain papers on the table, which were formally and laconically labelled "Reports on Lyons," and by packets of letters in the handwritings of Robespierre and Couthon. At one of the windows a young boy was earnestly engaged in some occupation which appeared to excite the curiosity of the person just described; for this last, after examining the child's movements for a few moments with a silent scrutiny that betrayed but little of the half-complacent, half-melancholy affection with which busy man is apt to regard childhood, rose noiselessly from his seat, approached the boy, and looked over his shoulder unobserved. In a crevice of the wood by the window, a huge black spider had formed his web; the child had just discovered another spider, and placed it in the meshes: he was watching the result of his operations. The intrusive spider stood motionless in the midst of the web, as if fascinated. The rightful possessor was also quiescent; but a very fine ear might have caught a low, humming sound, which probably augured no hospitable intentions to the invader. Anon, the stranger insect seemed suddenly to awake from its amaze; it evinced alarm, and turned to fly; the huge spider darted forward; the boy uttered a chuckle of delight. The man's pale lip curled into a sinister sneer, and he glided back to his seat. There, leaning his face on his hand, he continued to contemplate the child. That child might have furnished to an artist a fitting subject for fair and blooming infancy. His light hair, tinged deeply, it is true, with red, hung in sleek and glittering abundance down his neck and shoulders. His features, seen in profile, were delicately and almost femininely proportioned; health glowed on his cheek, and his form, slight though it was, gave promise of singular activity and vigour. His dress was fantastic, and betrayed the taste of some fondly foolish mother; but the fine linen, trimmed with lace, was rumpled and stained, the velvet jacket unbrushed, the shoes soiled with dust,—slight tokens these of neglect, but serving to show that the foolish fondness which had invented the dress had not of late presided over the toilet.

"Child," said the man, first in French; and observing that the boy heeded him not,—"child," he repeated in English, which he spoke well, though with a foreign accent, "child!"

The boy turned quickly.

"Has the great spider devoured the small one?"

"No, sir," said the boy, colouring; "the small one has had the best of it."

The tone and heightened complexion of the child seemed to give meaning to his words,—at least, so the man thought, for a slight frown passed over his high, thoughtful brow.

"Spiders, then," he said, after a short pause, "are different from men; with us, the small do not get the better of the great. Hum! do you still miss your mother?"

"Oh, yes!" and the boy advanced eagerly to the table.

"Well, you will see her once again."

"When?"

The man looked towards a clock on the mantelpiece,—"Before that clock strikes. Now, go back to your spiders." The child looked irresolute and disinclined to obey; but a stern and terrible expression gathered slowly over the man's face, and the boy, growing pale as he remarked it, crept back to the window.

The father—for such was the relation the owner of the room bore to the child—drew paper and ink towards him, and wrote for some minutes rapidly. Then starting up, he glanced at the clock, took his hat and cloak, which lay on a chair beside, drew up the collar of the mantle till it almost concealed his countenance, and said, "Now, boy, come with me; I have promised to show you an execution: I am going to keep my promise. Come!"

The boy clapped his hands with joy; and you might see then, child as he was, that those fair features were capable of a cruel and ferocious expression. The character of the whole face changed. He caught up his gay cap and plume, and followed his father into the streets.

Silently the two took their way towards the Barriere du Trone. At a distance they saw the crowd growing thick and dense as throng after throng hurried past them, and the dreadful guillotine rose high in the light blue air. As they came into the skirts of the mob, the father, for the first time, took his child's hand. "I must get you a good place for the show," he said, with a quiet smile.

There was something in the grave, staid, courteous, yet haughty bearing of the man that made the crowd give way as he passed. They got near the dismal scene, and obtained entrance into a wagon already crowded with eager spectators.

And now they heard at a distance the harsh and lumbering roll of the tumbril that bore the victims, and the tramp of the horses which guarded the procession of death. The boy's whole attention was absorbed in expectation of the spectacle, and his ear was perhaps less accustomed to French, though born and reared in France, than to the language of his mother's lips,—and she was English; thus he did not hear or heed certain observations of the bystanders, which made his father's pale cheek grow paler.

"What is the batch to-day?" quoth a butcher in the wagon. "Scarce worth the baking,—only two; but one, they say, is an aristocrat,—a ci-devant marquis," answered a carpenter. "Ah, a marquis! Bon! And the other?"

"Only a dancer, but a pretty one, it is true; I could pity her, but she is English." And as he pronounced the last word, with a tone of inexpressible contempt, the butcher spat, as if in nausea.

"Mort diable! a spy of Pitt's, no doubt. What did they discover?"

A man, better dressed than the rest, turned round with a smile, and answered: "Nothing worse than a lover, I believe; but that lover was a proscrit. The ci-devant marquis was caught disguised in her apartment. She betrayed for him a good, easy friend of the people who had long loved her, and revenge is sweet."

The man whom we have accompanied, nervously twitched up the collar of his cloak, and his compressed lips told that he felt the anguish of the laugh that circled round him.

"They are coming! There they are!" cried the boy, in ecstatic excitement.

"That's the way to bring up citizens," said the butcher, patting the child's shoulder, and opening a still better view for him at the edge of the wagon.

The crowd now abruptly gave way. The tumbril was in sight. A man, young and handsome, standing erect and with folded arms in the fatal vehicle, looked along the mob with an eye of careless scorn. Though he wore the dress of a workman, the most unpractised glance could detect, in his mien and bearing, one of the hated noblesse, whose characteristics came out even more forcibly at the hour of death. On the lip was that smile of gay and insolent levity, on the brow that gallant if reckless contempt of physical danger, which had signalized the hero-coxcombs of the old regime. Even the rude dress was worn with a certain air of foppery, and the bright hair was carefully adjusted, as if for the holiday of the headsman. As the eyes of the young noble wandered over the fierce faces of that horrible assembly, while a roar of hideous triumph answered the look, in which for the last time the gentilhomme spoke his scorn of the canaille, the child's father lowered the collar of his cloak, and slowly raised his hat from his brow. The eye of the marquis rested upon the countenance thus abruptly shown to him, and which suddenly became individualized amongst the crowd,—that eye instantly lost its calm contempt. A shudder passed visibly over his frame, and his cheek grew blanched with terror. The mob saw the change, but not the cause, and loud and louder rose their triumphant yell. The sound recalled the pride of the young noble; he started, lifted his crest erect, and sought again to meet the look which had appalled him. But he could no longer single it out among the crowd. Hat and cloak once more hid the face of the foe, and crowds of eager heads intercepted the view. The young marquis's lips muttered; he bent down, and then the crowd caught sight of his companion, who was being lifted up from the bottom of the tumbril, where she had flung herself in horror and despair. The crowd grew still in a moment as the pale face of one, familiar to most of them, turned wildly from place to place in the dreadful scene, vainly and madly through its silence imploring life and pity. How often had the sight of that face, not then pale and haggard, but wreathed with rosy smiles, sufficed to draw down the applause of the crowded theatre; how, then, had those breasts, now fevered by the thirst of blood, held hearts spellbound by the airy movements of that exquisite form writhing now in no stage-mime agony! Plaything of the city, minion to the light amusement of the hour, frail child of Cytherea and the Graces, what relentless fate has conducted thee to the shambles? Butterfly of the summer, why should a nation rise to break thee upon the wheel? A sense of the mockery of such an execution, of the horrible burlesque that would sacrifice to the necessities of a mighty people so slight an offering, made itself felt among the crowd. There was a low murmur of shame and indignation. The dangerous sympathy of the mob was perceived by the officer in attendance. Hastily he made the sign to the headsman, and as he did so, a child's cry was heard in the English tongue,—"Mother! Mother!" The father's hand grasped the child's arm with an iron pressure; the crowd swam before the boy's eyes; the air seemed to stifle him, and become blood-red; only through the hum and the tramp and the roll of the drums he heard a low voice hiss in his ear "Learn how they perish who betray me!"

As the father said these words, again his face was bare, and the woman, whose ear amidst the dull insanity of fear had caught the cry of her child's voice, saw that face, and fell back insensible in the arms of the headsman.

CHAPTER I

A FAMILY GROUP

One July evening, at the commencement of the present century, several persons were somewhat picturesquely grouped along an old-fashioned terrace which skirted the garden-side of a manor-house that had considerable pretensions to baronial dignity. The architecture was of the most enriched and elaborate style belonging to the reign of James the First: the porch, opening on the terrace, with its mullion window above, was encased with pilasters and reliefs at once ornamental and massive; and the large square tower in which it was placed was surmounted by a stone falcon, whose talons griped fiercely a scutcheon blazoned with the five-pointed stars which heralds recognize as the arms of St. John. On either side this tower extended long wings, the dark brickwork of which was relieved with noble stone casements and carved pediments; the high roof was partially concealed by a balustrade perforated not inelegantly into arabesque designs; and what architects call "the sky line" was broken with imposing effect by tall chimney-shafts of various form and fashion. These wings terminated in angular towers similar to the centre, though kept duly subordinate to it both in size and decoration, and crowned with stone cupolas. A low balustrade, of later date than that which adorned the roof, relieved by vases and statues, bordered the terrace, from which a double flight of steps descended to a smooth lawn, intersected by broad gravel-walks, shadowed by vast and stately cedars, and gently and gradually mingling with the wilder scenery of the park, from which it was only divided by a ha-ha.

Upon the terrace, and under cover of a temporary awning, sat the owner, Sir Miles St. John of Laughton, a comely old man, dressed with faithful precision to the costume which he had been taught to consider appropriate to his rank of gentleman, and which was not yet wholly obsolete and eccentric. His hair, still thick and luxuriant, was carefully powdered, and collected into a club behind; his nether man attired in gray breeches and pearl-coloured silk stockings; his vest of silk, opening wide at the breast, and showing a profusion of frill, slightly sprinkled with the pulvilio of his favourite Martinique; his three-cornered hat, placed on a stool at his side, with a gold-headed crutch-cane (hat made rather to be carried in the hand than worn on the head), the diamond in his shirt- breast, the diamond on his finger, the ruffles at his wrist,—all bespoke the gallant who had chatted with Lord Chesterfield and supped with Mrs. Clive. On a table before him were placed two or three decanters of wine, the fruits of the season, an enamelled snuff-box in which was set the portrait of a female (perhaps the Chloe or Phyllis of his early love- ditties), a lighted taper, a small china jar containing tobacco, and three or four pipes of homely clay,—for cherry-sticks and meerschaums were not then in fashion, and Sir Miles St. John, once a gay and sparkling beau, now a popular country gentleman, great at county meetings and sheep-shearing festivals, had taken to smoking, as in harmony with his bucolic transformation. An old setter lay dozing at his feet; a small spaniel—old, too—was sauntering lazily in the immediate neighbourhood, looking gravely out for such stray bits of biscuit as had been thrown forth to provoke him to exercise, and which hitherto had escaped his attention. Half seated, half reclined on the balustrade, apart from the baronet, but within reach of his conversation, lolled a man in the prime of life, with an air of unmistakable and sovereign elegance and distinction. Mr. Vernon was a guest from London; and the London man,—the man of clubs and dinners and routs, of noon loungings through Bond Street, and nights spent with the Prince of Wales,—seemed stamped not more upon the careful carelessness of his dress, and upon the worn expression of his delicate features, than upon the listless ennui, which, characterizing both his face and attitude, appeared to take pity on himself for having been entrapped into the country.

Yet we should convey an erroneous impression of Mr. Vernon if we designed, by the words "listless ennui," to depict the slumberous insipidity of more modern affectation; it was not the ennui of a man to whom ennui is habitual, it was rather the indolent prostration that fills up the intervals of excitement. At that day the word blast was unknown; men had not enough sentiment for satiety. There was a kind of Bacchanalian fury in the life led by those leaders of fashion, among whom Mr. Vernon was not the least distinguished; it was a day of deep drinking, of high play, of jovial, reckless dissipation, of strong appetite for fun and riot, of four-in-hand coachmanship, of prize- fighting, of a strange sort of barbarous manliness that strained every nerve of the constitution,—a race of life in which three fourths of the competitors died half-way in the hippodrome. What is now the Dandy was then the Buck; and something of the Buck, though subdued by a chaster taste than fell to the ordinary members of his class, was apparent in Mr. Vernon's costume as well as air. Intricate folds of muslin, arranged in prodigious bows and ends, formed the cravat, which Brummell had not yet arisen to reform; his hat, of a very peculiar shape, low at the crown and broad at the brim, was worn with an air of devil-me-care defiance; his watch-chain, garnished with a profusion of rings and seals, hung low from his white waistcoat; and the adaptation of his nankeen inexpressibles to his well-shaped limbs was a masterpiece of art. His whole dress and air was not what could properly be called foppish, it was rather what at that time was called "rakish." Few could so closely approach vulgarity without being vulgar: of that privileged few, Mr. Vernon was one of the elect.

Farther on, and near the steps descending into the garden, stood a man in an attitude of profound abstraction, his arms folded, his eyes bent on the ground, his brows slightly contracted; his dress was a plain black surtout, and pantaloons of the same colour. Something both in the fashion of the dress, and still more in the face of the man, bespoke the foreigner.

Sir Miles St. John was an accomplished person for that time of day. He had made the grand tour; he had bought pictures and statues; he spoke and wrote well in the modern languages; and being rich, hospitable, social, and not averse from the reputation of a patron, he had opened his house freely to the host of emigrants whom the French Revolution had driven to our coasts. Olivier Dalibard, a man of considerable learning and rare scientific attainments, had been tutor in the house of the Marquis de G——, a French nobleman known many years before to the old baronet. The marquis and his family had been among the first emigres at the outbreak of the Revolution. The tutor had remained behind; for at that time no danger appeared to threaten those who pretended to no other aristocracy than that of letters. Contrary, as he said, with repentant modesty, to his own inclinations, he had been compelled, not only for his own safety, but for that of his friends, to take some part in the subsequent events of the Revolution,—a part far from sincere, though so well had he simulated the patriot that he had won the personal favour and protection of Robespierre; nor till the fall of that virtuous exterminator had he withdrawn from the game of politics and effected in disguise his escape to England. As, whether from kindly or other motives, he had employed the power of his position in the esteem of Robespierre to save certain noble heads from the guillotine,—amongst others, the two brothers of the Marquis de G——, he was received with grateful welcome by his former patrons, who readily pardoned his career of Jacobinism from their belief in his excuses and their obligations to the services which that very career had enabled him to render to their kindred. Olivier Dalibard had accompanied the marquis and his family in one of the frequent visits they paid to Laughton; and when the marquis finally quitted England, and fixed his refuge at Vienna, with some connections of his wife's, he felt a lively satisfaction at the thought of leaving his friend honourably, if unambitiously, provided for as secretary and librarian to Sir Miles St. John. In fact, the scholar, who possessed considerable powers of fascination, had won no less favour with the English baronet than he had with the French dictator. He played well both at chess and backgammon; he was an extraordinary accountant; he had a variety of information upon all points that rendered him more convenient than any cyclopaedia in Sir Miles's library; and as he spoke both English and Italian with a correctness and fluency extremely rare in a Frenchman, he was of considerable service in teaching languages to, as well as directing the general literary education of, Sir Miles's favourite niece, whom we shall take an early opportunity to describe at length.

Nevertheless, there had been one serious obstacle to Dalibard's acceptance of the appointment offered to him by Sir Miles. Dalibard had under his charge a young orphan boy of some ten or twelve years old,—a boy whom Sir Miles was not long in suspecting to be the scholar's son. This child had come from France with Dalibard, and while the marquis's family were in London, remained under the eye and care of his guardian or father, whichever was the true connection between the two. But this superintendence became impossible if Dalibard settled in Hampshire with Sir Miles St. John, and the boy remained in London; nor, though the generous old gentleman offered to pay for the child's schooling, would Dalibard consent to part with him. At last the matter was arranged: the boy was invited to Laughton on a visit, and was so lively, yet so well mannered, that he became a favourite, and was now fairly quartered in the house with his reputed father; and not to make an unnecessary mystery of this connection, such was in truth the relationship between Olivier Dalibard and Honore Gabriel Varney,—a name significant of the double and illegitimate origin: a French father, an English mother. Dropping, however, the purely French appellation of Honore, he went familiarly by that of Gabriel. Half-way down the steps stood the lad, pencil and tablet in hand, sketching. Let us look over his shoulder: it is his father's likeness,—a countenance in itself not very remarkable at the first glance, for the features were small; but when examined, it was one that most persons, women especially, would have pronounced handsome, and to which none could deny the higher praise of thought and intellect. A native of Provence, with some Italian blood in his veins,—for his grandfather, a merchant of Marseilles, had married into a Florentine family settled at Leghorn,—the dark complexion common with those in the South had been subdued, probably by the habits of the student, into a bronze and steadfast paleness which seemed almost fair by the contrast of the dark hair which he wore unpowdered, and the still darker brows which hung thick and prominent over clear gray eyes. Compared with the features, the skull was disproportionally large, both behind and before; and a physiognomist would have drawn conclusions more favourable to the power than the tenderness of the Provencal's character from the compact closeness of the lips and the breadth and massiveness of the iron jaw. But the son's sketch exaggerated every feature, and gave to the expression a malignant and terrible irony not now, at least, apparent in the quiet and meditative aspect. Gabriel himself, as be stood, would have been a more tempting study to many an artist. It is true that he was small for his years; but his frame had a vigour in its light proportions which came from a premature and almost adolescent symmetry of shape and muscular development. The countenance, however, had much of effeminate beauty: the long hair reached the shoulders, but did not curl,—straight, fine, and glossy as a girl's, and in colour of the pale auburn, tinged with red, which rarely alters in hue as childhood matures to man; the complexion was dazzlingly clear and fair. Nevertheless, there was something so hard in the lip, so bold, though not open, in the brow, that the girlishness of complexion, and even of outline, could not leave, on the whole, an impression of effeminacy. All the hereditary keenness and intelligence were stamped upon his face at that moment; but the expression had also a large share of the very irony and malice which he had conveyed to his caricature. The drawing itself was wonderfully vigorous and distinct; showing great artistic promise, and done with the rapidity and ease which betrayed practice. Suddenly his father turned, and with as sudden a quickness the boy concealed his tablet in his vest; and the sinister expression of his face smoothed into a timorous smile as his eye encountered Dalibard's. The father beckoned to the boy, who approached with alacrity. "Gabriel," whispered the Frenchman, in his own tongue, "where are they at this moment?"

The boy pointed silently towards one of the cedars. Dalibard mused an instant, and then, slowly descending the steps, took his noiseless way over the smooth turf towards the tree. Its boughs drooped low and spread wide; and not till he was within a few paces of the spot could his eye perceive two forms seated on a bench under the dark green canopy. He then paused and contemplated them.

The one was a young man whose simple dress and subdued air strongly contrasted the artificial graces and the modish languor of Mr. Vernon; but though wholly without that nameless distinction which sometimes characterizes those conscious of pure race and habituated to the atmosphere of courts, he had at least Nature's stamp of aristocracy in a form eminently noble, and features of manly, but surpassing beauty, which were not rendered less engaging by an expression of modest timidity. He seemed to be listening with thoughtful respect to his companion, a young female by his side, who was speaking to him with an earnestness visible in her gestures and her animated countenance. And though there was much to notice in the various persons scattered over the scene, not one, perhaps,—not the graceful Vernon, not the thoughtful scholar, nor his fair-haired, hard-lipped son, not even the handsome listener she addressed,—no, not one there would so have arrested the eye, whether of a physiognomist or a casual observer, as that young girl, Sir Miles St. John's favourite niece and presumptive heiress.

But as at that moment the expression of her face differed from that habitual to it, we defer its description.

"Do not," such were her words to her companion,—"do not alarm yourself by exaggerating the difficulties; do not even contemplate them: those be my care. Mainwaring, when I loved you; when, seeing that your diffidence or your pride forbade you to be the first to speak, I overstepped the modesty or the dissimulation of my sex; when I said, 'Forget that I am the reputed heiress of Laughton, see in me but the faults and merits of the human being, of the wild unregulated girl, see in me but Lucretia Clavering'" (here her cheeks blushed, and her voice sank into a lower and more tremulous whisper) "'and love her if you can!'—when I went thus far, do not think I had not measured all the difficulties in the way of our union, and felt that I could surmount them."

"But," answered Mainwaring, hesitatingly, "can you conceive it possible that your uncle ever will consent? Is not pride—the pride of family— almost the leading attribute of his character? Did he not discard your mother—his own sister—from his house and heart for no other offence but a second marriage which he deemed beneath her? Has he ever even consented to see, much less to receive, your half-sister, the child of that marriage? Is not his very affection for you interwoven with his pride in you, with his belief in your ambition? Has he not summoned your cousin, Mr. Vernon, for the obvious purpose of favouring a suit which he considers worthy of you, and which, if successful, will unite the two branches of his ancient house? How is it possible that he can ever hear without a scorn and indignation which would be fatal to your fortunes that your heart has presumed to choose, in William Mainwaring, a man without ancestry or career?"

"Not without career," interrupted Lucretia, proudly. "Do you think if you were master of Laughton that your career would not be more brilliant than that of yon indolent, luxurious coxcomb? Do you think that I could have been poor-hearted enough to love you if I had not recognized in you energies and talents that correspond with my own ambition? For I am ambitious, as you know, and therefore my mind, as well as my heart, went with my love for you."

"Ah, Lucretia, but can Sir Miles St. John see my future rise in my present obscurity?"

"I do not say that he can, or will; but if you love me, we can wait. Do not fear the rivalry of Mr. Vernon. I shall know how to free myself from so tame a peril. We can wait,—my uncle is old; his habits preclude the chance of a much longer life; he has already had severe attacks. We are young, dear Mainwaring: what is a year or two to those who hope?" Mainwaring's face fell, and a displeasing chill passed through his veins. Could this young creature, her uncle's petted and trusted darling, she who should be the soother of his infirmities, the prop of his age, the sincerest mourner at his grave, weigh coldly thus the chances of his death, and point at once to the altar and the tomb?

He was saved from the embarrassment of reply by Dalibard's approach.

"More than half an hour absent," said the scholar, in his own language, with a smile; and drawing out his watch, he placed it before their eyes. "Do you not think that all will miss you? Do you suppose, Miss Clavering, that your uncle has not ere this asked for his fair niece? Come, and forestall him." He offered his arm to Lucretia as he spoke. She hesitated a moment, and then, turning to Mainwaring, held out her hand. He pressed it, though scarcely with a lover's warmth; and as she walked back to the terrace with Dalibard, the young man struck slowly into the opposite direction, and passing by a gate over a foot-bridge that led from the ha-ha into the park, bent his way towards a lake which gleamed below at some distance, half-concealed by groves of venerable trees rich with the prodigal boughs of summer. Meanwhile, as they passed towards the house, Dalibard, still using his native tongue, thus accosted his pupil:—

"You must pardon me if I think more of your interests than you do; and pardon me no less if I encroach on your secrets and alarm your pride. This young man,—can you be guilty of the folly of more than a passing caprice for his society, of more than the amusement of playing with his vanity? Even if that be all, beware of entangling yourself in your own meshes."

"You do in truth offend me," said Lucretia, with calm haughtiness, "and you have not the right thus to speak to me."

"Not the right," repeated the Provencal, mournfully, "not the right! Then, indeed, I am mistaken in my pupil. Do you consider that I would have lowered my pride to remain here as a dependent; that, conscious of attainments, and perhaps of abilities, that should win their way, even in exile, to distinction, I would have frittered away my life in these rustic shades,—if I had not formed in you a deep and absorbing interest? In that interest I ground my right to warn and counsel you. I saw, or fancied I saw, in you a mind congenial to my own; a mind above the frivolities of your sex,—a mind, in short, with the grasp and energy of a man's. You were then but a child, you are scarcely yet a woman; yet have I not given to your intellect the strong food on which the statesmen of Florence fed their pupil-princes, or the noble Jesuits the noble men who were destined to extend the secret empire of the imperishable Loyola?"

"You gave me the taste for a knowledge rare in my sex, I own," answered Lucretia, with a slight tone of regret in her voice: "and in the knowledge you have communicated I felt a charm that at times seems to me to be only fatal. You have confounded in my mind evil and good, or rather, you have left both good and evil as dead ashes, as the dust and cinder of a crucible. You have made intellect the only conscience. Of late, I wish that my tutor had been a village priest!"

"Of late, since you have listened to the pastorals of that meek Corydon!"

"Dare you despise him? And for what? That he is good and honest?"

"I despise him, not because he is good and honest, but because he is of the common herd of men, without aim or character. And it is for this youth that you will sacrifice your fortunes, your ambition, the station you were born to fill and have been reared to improve,—this youth in whom there is nothing but the lap-dog's merit, sleekness and beauty! Ay, frown,—the frown betrays you; you love him!"

"And if I do?" said Lucretia, raising her tall form to its utmost height, and haughtily facing her inquisitor,—"and, if I do, what then? Is he unworthy of me? Converse with him, and you will find that the noble form conceals as high a spirit. He wants but wealth: I can give it to him. If his temper is gentle, I can prompt and guide it to fame and power. He at least has education and eloquence and mind. What has Mr. Vernon?"

"Mr. Vernon? I did not speak of him!"

Lucretia gazed hard upon the Provencal's countenance,—gazed with that unpitying air of triumph with which a woman who detects a power over the heart she does not desire to conquer exults in defeating the reasons that heart appears to her to prompt. "No," she said in a calm voice, to which the venom of secret irony gave stinging significance,—"no, you spoke not of Mr. Vernon; you thought that if I looked round, if I looked nearer, I might have a fairer choice."

"You are cruel, you are unjust," said Dalibard, falteringly. If I once presumed for a moment, have I repeated my offence? But," he added hurriedly, "in me,—much as you appear to despise me,—in me, at least, you would have risked none of the dangers that beset you if you seriously set your heart on Mainwaring."

"You think my uncle would be proud to give my hand to M. Olivier Dalibard?"

"I think and I know," answered the Provencal, gravely, and disregarding the taunt, "that if you had deigned to render me—poor exile that I am!— the most enviable of men, you had still been the heiress of Laughton."

"So you have said and urged," said Lucretia, with evident curiosity in her voice; "yet how, and by what art,—wise and subtle as you are,—could you have won my uncle's consent?"

"That is my secret," returned Dalibard, gloomily; "and since the madness I indulged is forever over; since I have so schooled my heart that nothing, despite your sarcasm, save an affectionate interest which I may call paternal rests there,—let us pass from this painful subject. Oh, my dear pupil, be warned in time; know love for what it really is, in the dark and complicated history of actual life,—a brief enchantment, not to be disdained, but not to be considered the all-in all. Look round the world; contemplate all those who have married from passion: ten years afterwards, whither has the passion flown? With a few, indeed, where there is community of object and character, new excitements, new aims and hopes, spring up; and having first taken root in passion, the passion continues to shoot out in their fresh stems and fibres. But deceive yourself not; there is no such community between you and Mainwaring. What you call his goodness, you will learn hereafter to despise as feeble; and what in reality is your mental power he soon, too soon, will shudder at as unwomanly and hateful."

"Hold!" cried Lucretia, tremulously. "Hold! and if he does, I shall owe his hate to you,—to your lessons; to your deadly influence!"

"Lucretia, no; the seeds were in you. Can cultivation force from the soil that which it is against the nature of the soil to bear?"

"I will pluck out the weeds! I will transform myself!"

"Child, I defy you!" said the scholar, with a smile that gave to his face the expression his son had conveyed to it. "I have warned you, and my task is done." With that he bowed, and leaving her, was soon by the side of Sir Miles St. John; and the baronet and his librarian, a few moments after, entered the house and sat down to chess.

But during the dialogues we have sketched, we must not suppose that Sir Miles himself had been so wholly absorbed in the sensual gratification bestowed upon Europe by the immortal Raleigh as to neglect his guest and kinsman.

"And so, Charley Vernon, it is not the fashion to smoke in Lunnon." Thus Sir Miles pronounced the word, according to the Euphuism of his youth, and which, even at that day, still lingered in courtly jargon.

"No, sir. However, to console us, we have most other vices in full force."

"I don't doubt it; they say the prince's set exhaust life pretty quickly."

"It certainly requires the fortune of an earl and the constitution of a prize-fighter to live with him."

"Yet methinks, Master Charley, you have neither the one nor the other."

"And therefore I see before me, and at no very great distance, the Bench and—a consumption!" answered Vernon, suppressing a slight yawn.

"'T is a pity, for you had a fine estate, properly managed; and in spite of your faults, you have the heart of a true gentleman. Come, come!" and the old man spoke with tenderness, "you are young enough yet to reform. A prudent marriage and a good wife will save both your health and your acres."

"If you think so highly of marriage, my dear Sir Miles, it is a wonder you did not add to your precepts the value of your example."

"Jackanapes! I had not your infirmities: I never was a spendthrift, and I have a constitution of iron!" There was a pause. "Charles," continued Sir Miles, musingly, "there is many an earl with a less fortune than the conjoined estates of Vernon Grange and Laughton Hall. You must already have understood me: it is my intention to leave my estates to Lucretia; it is my wish, nevertheless, to think you will not be the worse for my will. Frankly, if you can like my niece, win her; settle here while I live, put the Grange to nurse, and recruit yourself by fresh air and field-sports. Zounds, Charles, I love you, and that's the truth! Give me your hand!"

He bowed his head over the letter as his eye came to the last line, and remained silent so long that the clergyman at last, moved and hopeful, approached and took his hand. It was the impulse of a good man and a good priest. Sir Miles looked up in surprise; but the calm, pitying face bent on him repelled all return of pride.

"Sir," he said tremulously, and he pressed the hand that grasped his own, "I thank you. I am not fit at this moment to decide what to do; to- morrow you shall know. And the man died poor,—not in want, not in want?"

"Comfort yourself, worthy sir; he had at the last all that sickness and death require, except one assurance, which I ventured to whisper to him,- -I trust not too rashly,—that his daughter would not be left unprotected. And I pray you to reflect, my dear sir, that—"

Sir Miles did not wait for the conclusion of the sentence; he rose abruptly, and left the room. Mr. Fielden (so the good priest was named) felt confident of the success of his mission; but to win it the more support, he sought Lucretia. She was then seventeen: it is an age when the heart is peculiarly open to the household ties,—to the memory of a mother, to the sweet name of sister. He sought this girl, he told his tale, and pleaded the sister's cause. Lucretia heard in silence: neither eye nor lip betrayed emotion; but her colour went and came. This was the only sign that she was moved: moved, but how? Fielden's experience in the human heart could not guess. When he had done, she went quietly to her desk (it was in her own room that the conference took place), she unlocked it with a deliberate hand, she took from it a pocketbook and a case of jewels which Sir Miles had given her on her last birthday. "Let my sister have these; while I live she shall not want!"

"My dear young lady, it is not these things that she asks from you,—it is your affection, your sisterly heart, your intercession with her natural protector; these, in her name, I ask for,—'non gemmis, neque purpura venale, nec auro!'"

Lucretia then, still without apparent emotion, raised to the good man's face deep, penetrating, but unrevealing eyes, and said slowly,—

"Is my sister like my mother, who, they say, was handsome?"

Much startled by this question, Fielden answered: "I never saw your mother, my dear; but your sister gives promise of more than common comeliness."

Lucretia's brows grew slightly compressed. "And her education has been, of course, neglected?"

"Certainly, in some points,—mathematics, for instance, and theology; but she knows what ladies generally know,—French and Italian, and such like. Dr. Mivers was not unlearned in the polite letters. Oh, trust me, my dear young lady, she will not disgrace your family; she will justify your uncle's favour. Plead for her!" And the good man clasped his hands.

Lucretia's eyes fell musingly on the ground; but she resumed, after a short pause,—

"What does my uncle himself say?"

"Only that he will decide to-morrow."

"I will see him;" and Lucretia left the room as for that object. But when she had gained the stairs, she paused at the large embayed casement, which formed a niche in the landing-place, and gazed over the broad domains beyond; a stern smile settled, then, upon her lips,—the smile seemed to say, "In this inheritance I will have no rival."

Lucretia's influence with Sir Miles was great, but here it was not needed. Before she saw him he had decided on his course. Her precocious and apparently intuitive knowledge of character detected at a glance the safety with which she might intercede. She did so, and was chid into silence.

The next morning, Sir Miles took the priest's arm and walked with him into the gardens.

"Mr. Fielden," he said, with the air of a man who has chosen his course, and deprecates all attempt to make him swerve from it, "if I followed my own selfish wishes, I should take home this poor child. Stay, sir, and hear me,—I am no hypocrite, and I speak honestly. I like young faces; I have no family of my own. I love Lucretia, and I am proud of her; but a girl brought up in adversity might be a better nurse and a more docile companion,—let that pass. I have reflected, and I feel that I cannot set to Lucretia—set to children unborn—the example of indifference to a name degraded and a race adulterated; you may call this pride or prejudice,—I view it differently. There are duties due from an individual, duties due from a nation, duties due from a family; as my ancestors thought, so think I. They left me the charge of their name, as the fief-rent by which I hold their lands. 'Sdeath, sir!—Pardon me the expletive; I was about to say that if I am now a childless old man, it is because I have myself known temptation and resisted. I loved, and denied myself what I believed my best chance of happiness, because the object of my attachment was not my equal. That was a bitter struggle,—I triumphed, and I rejoice at it, though the result was to leave all thoughts of wedlock elsewhere odious and repugnant. These principles of action have made a part of my creed as gentleman, if not as Christian. Now to the point. I beseech you to find a fitting and reputable home for Miss—Miss Mivers," the lip slightly curled as the name was said; "I shall provide suitably for her maintenance. When she marries, I will dower her, provided only and always that her choice fall upon one who will not still further degrade her lineage on her mother's side,—in a word, if she select a gentleman. Mr. Fielden, on this subject I have no more to say."

In vain the good clergyman, whose very conscience, as well as reason, was shocked by the deliberate and argumentative manner with which the baronet had treated the abandonment of his sister's child as an absolutely moral, almost religious, duty,—in vain he exerted himself to repel such sophisms and put the matter in its true light. It was easy for him to move Sir Miles's heart,—that was ever gentle; that was moved already: but the crotchet in his head was impregnable. The more touchingly he painted poor Susan's unfriended youth, her sweet character, and promising virtues, the more Sir Miles St. John considered himself a martyr to his principles, and the more obstinate in the martyrdom he became. "Poor thing! poor child!" he said often, and brushed a tear from his eyes; "a thousand pities! Well, well, I hope she will be happy! Mind, money shall never stand in the way if she have a suitable offer!"

This was all the worthy clergyman, after an hour's eloquence, could extract from him. Out of breath and out of patience, he gave in at last; and the baronet, still holding his reluctant arm, led him back towards the house. After a prolonged pause, Sir Miles said abruptly: "I have been thinking that I may have unwittingly injured this man,—this Mivers,—while I deemed only that he injured me. As to reparation to his daughter, that is settled; and after all, though I do not publicly acknowledge her, she is half my own niece."

"Half?"

"Half,—the father's side doesn't count, of course; and, rigidly speaking, the relationship is perhaps forfeited on the other. However, that half of it I grant. Zooks, sir, I say I grant it! I beg you ten thousand pardons for my vehemence. To return,—perhaps I can show at least that I bear no malice to this poor doctor. He has relations of his own,—silk mercers; trade has reverses. How are they off?"

Perfectly perplexed by this very contradictory and paradoxical, yet, to one better acquainted with Sir Miles, very characteristic, benevolence, Fielden was some time before he answered. "Those members of Dr. Mivers's family who are in trade are sufficiently prosperous; they have paid his debts,—they, Sir Miles, will receive his daughter."

"By no means!" cried Sir Miles, quickly; then, recovering himself, he added, "or, if you think that advisable, of course all interference on my part is withdrawn."

"Festina lente!—not so quick, Sir Miles. I do not yet say that it is advisable,—not because they are silk-mercers, the which, I humbly conceive, is no sin to exclude them from gratitude for their proffered kindness, but because Susan, poor child, having been brought up in different habits, may feel a little strange, at least at first, with—"

"Strange, yes; I should hope so!" interrupted Sir Miles, taking snuff with much energy. "And, by the way, I am thinking that it would be well if you and Mrs. Fielden—you are married, sir? That is right; clergymen all marry!—if you and Mrs. Fielden would take charge of her yourselves, it would be a great comfort to me to think her so well placed. We differ, sir, but I respect you. Think of this. Well, then, the doctor has left no relations that I can aid in any way?"

"Strange man!" muttered Fielden. "Yes; I must not let one poor youth lose the opportunity offered by your—your—"

"Never mind what; proceed. One poor youth,—in the shop, of course?"

"No; and by his father's side (since you so esteem such vanities) of an ancient family,—a sister of Dr. Mivers married Captain Ardworth."

"Ardworth,—a goodish name; Ardworth of Yorkshire?"

"Yes, of that family. It was, of course, an imprudent marriage, contracted while he was only an ensign. His family did not reject him, Sir Miles."

"Sir, Ardworth is a good squire's family, but the name is Saxon; there is no difference in race between the head of the Ardworths, if he were a duke, and my gardener, John Hodge,—Saxon and Saxon, both. His family did not reject him; go on."

"But he was a younger son in a large family; both himself and his wife have known all the distresses common, they tell me, to the poverty of a soldier who has no resource but his pay. They have a son. Dr. Mivers, though so poor himself, took this boy, for he loved his sister dearly, and meant to bring him up to his own profession. Death frustrated this intention. The boy is high-spirited and deserving."

"Let his education be completed; send him to the University; and I will see that he is put into some career of which his father's family would approve. You need not mention to any one my intentions in this respect, not even to the lad. And now, Mr. Fielden, I have done my duty,—at least, I think so. The longer you honour my house, the more I shall be pleased and grateful; but this topic, allow me most respectfully to say, needs and bears no further comment. Have you seen the last news from the army?"

"The army! Oh, fie, Sir Miles, I must speak one word more. May not my poor Susan have at least the comfort to embrace her sister?"

Sir Miles paused a moment, and struck his crutch-stick thrice firmly on the ground.

"I see no great objection to that; but by the address of this letter, the poor girl is too far from Laughton to send Lucretia to her."

"I can obviate that objection, Sir Miles. It is my wish to continue to Susan her present home amongst my own children. My wife loves her dearly; and had you consented to give her the shelter of your own roof, I am sure I should not have seen a smile in the house for a month after. If you permit this plan, as indeed you honoured me by suggesting it, I can pass through Southampton on my way to my own living in Devonshire, and Miss Clavering can visit her sister there."

"Let it be so," said Sir Miles, briefly; and so the conversation closed.

Some weeks afterwards, Lucretia went in her uncle's carriage, with four post-horses, with her maid and her footman,—went in the state and pomp of heiress to Laughton,—to the small lodging-house in which the kind pastor crowded his children and his young guest. She stayed there some days. She did not weep when she embraced Susan, she did not weep when she took leave of her; but she showed no want of actual kindness, though the kindness was formal and stately. On her return, Sir Miles forbore to question; but he looked as if he expected, and would willingly permit, her to speak on what might naturally be uppermost at her heart. Lucretia, however, remained silent, till at last the baronet, colouring, as if ashamed of his curiosity, said,—

"Is your sister like your mother?"

"You forget, sir, I can have no recollection of my mother."

"Your mother had a strong family likeness to myself."

"She is not like you; they say she is like Dr. Mivers."

"Oh!" said the baronet, and he asked no more.

The sisters did not meet again; a few letters passed between them, but the correspondence gradually ceased.

Young Ardworth went to college, prepared by Mr. Fielden, who was no ordinary scholar, and an accurate and profound mathematician,—a more important requisite than classical learning in a tutor for Cambridge. But Ardworth was idle, and perhaps even dissipated. He took a common degree, and made some debts, which were paid by Sir Miles without a murmur. A few letters then passed between the baronet and the clergyman as to Ardworth's future destiny; the latter owned that his pupil was not persevering enough for the Bar, nor steady enough for the Church. These were no great faults in Sir Miles's eyes. He resolved, after an effort, to judge himself of the capacities of the young man, and so came the invitation to Laughton. Ardworth was greatly surprised when Fielden communicated to him this invitation, for hitherto he had not conceived the slightest suspicion of his benefactor; he had rather, and naturally, supposed that some relation of his father's had paid for his maintenance at the University, and he knew enough of the family history to look upon Sir Miles as the proudest of men. How was it, then, that he, who would not receive the daughter of Dr. Mivers, his own niece, would invite the nephew of Dr. Mivers, who was no relation to him? However, his curiosity was excited, and Fielden was urgent that he should go; to Laughton, therefore, had he gone.

We have now brought down to the opening of our narrative the general records of the family it concerns; we have reserved our account of the rearing and the character of the personage most important, perhaps, in the development of its events,—Lucretia Clavering,—in order to place singly before the reader the portrait of her dark, misguided, and ill- boding youth.

CHAPTER II

LUCRETIA

When Lucretia first came to the house of Sir Miles St. John she was an infant about four years old. The baronet then lived principally in London, with occasional visits rather to the Continent or a watering- place than to his own family mansion. He did not pay any minute attention to his little ward, satisfied that her nurse was sedulous, and her nursery airy and commodious. When, at the age of seven, she began to interest him, and he himself, approaching old age, began seriously to consider whether he should select her as his heiress, for hitherto he had not formed any decided or definite notions on the matter, he was startled by a temper so vehement, so self-willed and sternly imperious, so obstinately bent upon attaining its object, so indifferently contemptuous of warning, reproof, coaxing, or punishment, that her governess honestly came to him in despair.

The management of this unmanageable child interested Sir Miles. It caused him to think of Lucretia seriously; it caused him to have her much in his society, and always in his thoughts. The result was, that by amusing and occupying him, she forced a stronger hold on his affections than she might have done had she been more like the ordinary run of commonplace children. Of all dogs, there is no dog that so attaches a master as a dog that snarls at everybody else,—that no other hand can venture to pat with impunity; of all horses, there is none which so flatters the rider, from Alexander downwards, as a horse that nobody else can ride. Extend this principle to the human species, and you may understand why Lucretia became so dear to Sir Miles St. John,—she got at his heart through his vanity. For though, at times, her brow darkened and her eye flashed even at his remonstrance, she was yet no sooner in his society than she made a marked distinction between him and the subordinates who had hitherto sought to control her. Was this affection? He thought so. Alas! what parent can trace the workings of a child's mind,—springs moved by an idle word from a nurse; a whispered conference between hirelings. Was it possible that Lucretia had not often been menaced, as the direst evil that could befall her, with her uncle's displeasure; that long before she could be sensible of mere worldly loss or profit, she was not impressed with a vague sense of Sir Miles's power over her fate,—nay, when trampling, in childish wrath and scorn, upon some menial's irritable feelings, was it possible that she had not been told that, but for Sir Miles, she would be little better than a servant herself? Be this as it may, all weakness is prone to dissimulate; and rare and happy is the child whose feelings are as pure and transparent as the fond parent deems them. There is something in children, too, which seems like an instinctive deference to the aristocratic appearances which sway the world. Sir Miles's stately person, his imposing dress, the respect with which he was surrounded, all tended to beget notions of superiority and power, to which it was no shame to succumb, as it was to Miss Black, the governess, whom the maids answered pertly, or Martha, the nurse, whom Miss Black snubbed if Lucretia tore her frock.

Sir Miles's affection once won, his penetration not, perhaps, blinded to her more evident faults, but his self-love soothed towards regarding them leniently, there was much in Lucretia's external gifts which justified the predilection of the haughty man. As a child she was beautiful, and, perhaps from her very imperfections of temper, her beauty had that air of distinction which the love of command is apt to confer. If Sir Miles was with his friends when Lucretia swept into the room, he was pleased to hear them call her their little "princess," and was pleased yet more at a certain dignified tranquillity with which she received their caresses or their toys, and which he regarded as the sign of a superior mind; nor was it long, indeed, before what we call "a superior mind" developed itself in the young Lucretia. All children are quick till they are set methodically to study; but Lucretia's quickness defied even that numbing ordeal, by which half of us are rendered dunces. Rapidity and precision in all the tasks set to her, in the comprehension of all the explanations given to her questions, evinced singular powers of readiness and reasoning.

As she grew older, she became more reserved and thoughtful. Seeing but few children of her own age, and mixing intimately with none, her mind was debarred from the usual objects which distract the vivacity, the restless and wondrous observation, of childhood. She came in and out of Sir Miles's library of a morning, or his drawing-room of an evening, till her hour for rest, with unquestioned and sometimes unnoticed freedom; she listened to the conversation around her, and formed her own conclusions unchecked. It has a great influence upon a child, whether for good or for evil, to mix early and habitually with those grown up,—for good to the mere intellect always; the evil depends upon the character and discretion of those the child sees and hears. "Reverence the greatest is due to the children," exclaims the wisest of the Romans [Cicero. The sentiment is borrowed by Juvenal.],—that is to say, that we must revere the candour and inexperience and innocence of their minds.

Now, Sir Miles's habitual associates were persons of the world,—well- bred and decorous, indeed, before children, as the best of the old school were, avoiding all anecdotes; all allusions, for which the prudent matron would send her girls out of the room; but with that reserve speaking of the world as the world goes: if talking of young A——, calculating carelessly what he would have when old A——, his father, died; naturally giving to wealth and station and ability their fixed importance in life; not over-apt to single out for eulogium some quiet goodness; rather inclined to speak with irony of pretensions to virtue; rarely speaking but with respect of the worldly seemings which rule mankind. All these had their inevitable effect upon that keen, quick, yet moody and reflective intellect.

Sir Miles removed at last to Laughton. He gave up London,—why, he acknowledged not to himself; but it was because he had outlived his age. Most of his old set were gone; new hours, new habits, had stolen in. He had ceased to be of importance as a marrying man, as a personage of fashion; his health was impaired; he shrank from the fatigues of a contested election; he resigned his seat in parliament for his native county; and once settled at Laughton, the life there soothed and flattered him,—there all his former claims to distinction were still fresh. He amused himself by collecting, in his old halls and chambers, his statues and pictures, and felt that, without fatigue or trouble, he was a greater man at Laughton in his old age than he had been in London during his youth.

Lucretia was then thirteen. Three years afterwards, Olivier Dalibard was established in the house; and from that time a great change became noticeable in her. The irregular vehemence of her temper gradually subsided, and was replaced by an habitual self-command which rendered the rare deviations from it more effective and imposing. Her pride changed its character wholly and permanently; no word, no look of scorn to the low-born and the poor escaped her. The masculine studies which her erudite tutor opened to a grasping and inquisitive mind, elevated her very errors above the petty distinctions of class. She imbibed earnestly what Dalibard assumed or felt,—the more dangerous pride of the fallen angel,—and set up the intellect as a deity. All belonging to the mere study of mind charmed and enchained her; but active and practical in her very reveries, if she brooded, it was to scheme, to plot, to weave, web, and mesh, and to smile in haughty triumph at her own ingenuity and daring. The first lesson of mere worldly wisdom teaches us to command temper; it was worldly wisdom that made the once impetuous girl calm, tranquil, and serene. Sir Miles was pleased by a change that removed from Lucretia's outward character its chief blot,—perhaps, as his frame declined, he sighed sometimes to think that with so much majesty there appeared but little tenderness; he took, however, the merits with the faults, and was content upon the whole.

If the Provencal had taken more than common pains with his young pupil, the pains were not solely disinterested. In plunging her mind amidst that profound corruption which belongs only to intellect cultivated in scorn of good and in suppression of heart, he had his own views to serve. He watched the age when the passions ripen, and he grasped at the fruit which his training sought to mature. In the human heart ill regulated there is a dark desire for the forbidden. This Lucretia felt; this her studies cherished, and her thoughts brooded over. She detected, with the quickness of her sex, the preceptor's stealthy aim. She started not at the danger. Proud of her mastery over herself, she rather triumphed in luring on into weakness this master-intelligence which had lighted up her own,—to see her slave in her teacher; to despise or to pity him whom she had first contemplated with awe. And with this mere pride of the understanding might be connected that of the sex; she had attained the years when woman is curious to know and to sound her power. To inflame Dalibard's cupidity or ambition was easy; but to touch his heart,—that marble heart!—this had its dignity and its charm. Strange to say, she succeeded; the passion, as well as interests, of this dangerous and able man became enlisted in his hopes. And now the game played between them had a terror in its suspense; for if Dalibard penetrated not into the recesses of his pupil's complicated nature, she was far from having yet sounded the hell that lay, black and devouring, beneath his own. Not through her affections,—those he scarce hoped for,—but through her inexperience, her vanity, her passions, he contemplated the path to his victory over her soul and her fate. And so resolute, so wily, so unscrupulous was this person, who had played upon all the subtlest keys and chords in the scale of turbulent life, that, despite the lofty smile with which Lucretia at length heard and repelled his suit, he had no fear of the ultimate issue, when all his projects were traversed, all his mines and stratagems abruptly brought to a close, by an event which he had wholly unforeseen,—the appearance of a rival; the ardent and almost purifying love, which, escaping a while from all the demons he had evoked, she had, with a girl's frank heart and impulse, conceived for Mainwaring. And here, indeed, was the great crisis in Lucretia's life and destiny. So interwoven with her nature had become the hard calculations of the understanding; so habitual to her now was the zest for scheming, which revels in the play and vivacity of intrigue and plot, and which Shakspeare has perhaps intended chiefly to depict in the villany of Iago,—that it is probable Lucretia could never become a character thoroughly amiable and honest. But with a happy and well-placed love, her ambition might have had legitimate vents; her restless energies, the woman's natural field in sympathies for another. The heart, once opened, softens by use; gradually and unconsciously the interchange of affection, the companionship with an upright and ingenuous mind (for virtue is not only beautiful, it is contagious), might have had their redeeming and hallowing influence. Happier, indeed, had it been, if her choice had fallen upon a more commanding and lofty nature! But perhaps it was the very meekness and susceptibility of Mainwaring's temper, relieved from feebleness by his talents, which, once in play, were undeniably great, that pleased her by contrast with her own hardness of spirit and despotism of will.

That Sir Miles should have been blind to the position of the lovers is less disparaging to his penetration than it may appear; for the very imprudence with which Lucretia abandoned herself to the society of Mainwaring during his visits at Laughton took a resemblance to candour. Sir Miles knew his niece to be more than commonly clever and well informed; that she, like him, should feel that the conversation of a superior young man was a relief to the ordinary babble of their country neighbours, was natural enough; and if now and then a doubt, a fear, had crossed his mind and rendered him more touched than he liked to own by Vernon's remarks, it had vanished upon perceiving that Lucretia never seemed a shade more pensive in Mainwaring's absence. The listlessness and the melancholy which are apt to accompany love, especially where unpropitiously placed, were not visible on the surface of this strong nature. In truth, once assured that Mainwaring returned her affection, Lucretia reposed on the future with a calm and resolute confidence; and her customary dissimulation closed like an unruffled sea over all the undercurrents that met and played below. Still, Sir Miles's attention once, however slightly, aroused to the recollection that Lucretia was at the age when woman naturally meditates upon love and marriage, had suggested, afresh and more vividly, a project which had before been indistinctly conceived,—namely, the union of the divided branches of his house, by the marriage of the last male of the Vernons with the heiress of the St. Johns. Sir Miles had seen much of Vernon himself at various intervals; he had been present at his christening, though he had refused to be his godfather, for fear of raising undue expectations; he had visited and munificently "tipped" him at Eton; he had accompanied him to his quarters when he joined the prince's regiment; he had come often in contact with him when, at the death of his father, Vernon retired from the army and blazed in the front ranks of metropolitan fashion; he had given him counsel and had even lent him money. Vernon's spendthrift habits and dissipated if not dissolute life had certainly confirmed the old baronet in his intentions to trust the lands of Laughton to the lesser risk which property incurs in the hands of a female, if tightly settled on her, than in the more colossal and multiform luxuries of an expensive man; and to do him justice, during the flush of Vernon's riotous career he had shrunk from the thought of confiding the happiness of his niece to so unstable a partner. But of late, whether from his impaired health or his broken fortunes, Vernon's follies had been less glaring. He had now arrived at the mature age of thirty-three, when wild oats may reasonably be sown. The composed and steadfast character of Lucretia might serve to guide and direct him; and Sir Miles was one of those who hold the doctrine that a reformed rake makes the best husband. Add to this, there was nothing in Vernon's reputation—once allowing that his thirst for pleasure was slaked—which could excite serious apprehensions. Through all his difficulties, he had maintained his honour unblemished; a thousand traits of amiability and kindness of heart made him popular and beloved. He was nobody's enemy but his own. His very distresses—the prospect of his ruin, if left unassisted by Sir Miles's testamentary dispositions—were arguments in his favour. And, after all, though Lucretia was a nearer relation, Vernon was in truth the direct male heir, and according to the usual prejudices of family, therefore, the fitter representative of the ancient line. With these feelings and views, he had invited Vernon to his house, and we have seen already that his favourable impressions had been confirmed by the visit.