Kitabı oxu: «Fall From Pride»

Praise for the novels of
New York Times and USA TODAY bestselling author
KAREN HARPER

“A strong plot, a pair of well-written characters and a genuinely

spooky atmosphere add up to yet another sterling effort from

Harper. Fast-paced and absorbing, this one will keep readers

turning pages far into the night.”

—RT Book Reviews on Deep Down

“The story is rich…and the tension steadily escalates

to a pulse-pounding climax.”

—Publishers Weekly on The Hiding Place

“Strongly plotted and well written, featuring a host of

interesting characters, Harper’s latest is a winner.”

—RT Book Reviews on Below the Surface

“Harper keeps tension high as the insane villain cleverly evades

efforts to capture him. And Harper really shines in the final act,

providing readers with a satisfying and exciting denouement.”

—Publishers Weekly on Inferno

“Harper spins an engaging, nerve-racking yarn, alternating

her emphasis between several equally interesting plot strands.

More important, her red herrings do the job—there’s just no

guessing who the guilty party might be.”

—RT Book Reviews on Hurricane

“Well-researched and rich in detail…

With its tantalizing buildup and well-developed characters,

this offering is certain to earn Harper high marks.”

—Publishers Weekly on Dark Angel, winner of the 2005 Mary Higgins Clark Award

Fall from Pride
Karen Harper

www.mirabooks.co.uk

For my family and friends who love those relaxing,

lovely trips to Ohio Amish country.

As ever, for Don.

Contents

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Author’s Note

1

Saturday, May 22, 2010

The Home Valley, Ohio

“SARAH, YOU WON’T BELIEVE WHO JUST DROVE in. Passing by, that’s what he said. It’s Jacob! In a fancy car, too. He’s right outside the barn.”

At her younger brother’s words, Sarah Kauffman’s insides lurched. She had once cared for Jacob, but since he’d been shunned, it was verboten for him to be here. No way she wanted to see her former come-calling friend, but someone had to get him away from Gabe and his buddy group. Her family had invited the young people for a barn dance tonight.

“If the kids won’t tell him to leave, I will,” Sarah said as she circled the long plank table laden with food. “He’s a bad influence, and you youngie liet don’t need that in your running-around days!”

She hurried outside and down the sloped approach to the barn, her eyes scanning the clusters of boys huddled by their courting buggies or the two cars someone had driven in, and beyond all that, with its headlights still glowing golden, Jacob’s red car stood out like a beacon.

No, she thought, the glow was not where headlights should be, but higher, farther off, behind the car and buggies so that they stood out in stark silhouette.

She moved to the side and squinted across the dark distance. The glow was growing, wavering. It was coming not from something on her family’s property but from across the newly planted fields that stretched to those of Bishop Esh.

Ignoring Jacob’s calling her name, she pointed, stiff-armed, at the distant blaze of color, but Jacob must have thought she was gesturing for him to leave.

“Hey, just came to say hi to all my ol’ friends, ’speci’ly you, an’ I’m not leavin’ till we talk,” he slurred, but she hardly heeded him.

What was that strange light? The moon rising low on the horizon? Someone burning trash? No. No! The Esh barn, where she had begun enlarging the quilt square she’d painted there two months before…the Esh barn was on fire!

“Fire!” she screamed. “Fire, over there—the Esh barn! Does anyone have a phone? Call the fire department!”

Sarah lifted her skirts and ran through the scattered boys, past a smooching couple who jumped to their feet. She almost tripped over some beer cans on the grass. Smooching and drinking—now she knew why their guests hadn’t spotted the fire.

She raced past their grossdaadi haus where her younger sister, Martha, was tending to their eighty-year-old grossmamm tonight, past the family garden and into the field.

Laboring through the rich, damp soil, she sank ankle-deep with each lunging step, once falling to her hands and knees, but this was the fastest way to get there, even compared to a buggy or Jacob’s car. Schnell! Schnell, hurry, hurry, she urged herself. Human lives, the horses, the stored hay and straw, the old barn itself…and her bold painting of an Amish quilt square. She jumped up from her knees and clambered on, hearing voices behind her of others coming, too.

Out of breath, a stitch in her side, she ran on, to warn the Eshes—Bishop Joseph and his wife, Mattie, almost her second parents because she and their girl Hannah had been so close…. Were they home tonight? Already gone to bed? Their house looked dark, but the glow of kerosene lanterns didn’t show sometimes. Didn’t they know their livelihood, their future, was on fire? The flames seemed high in the barn, reaching downward as well as up. Maybe the firemen could use her painting ladders to spray water.

It seemed an eternity until she reached their yard, screaming, “Fire! Fire!” She prayed no one would be trapped in the barn, that they could get the work team and buggy horses out if they were in for the night. She knew that barn as well as her own. It was where she, Hannah and Ella had played as children, tended animals, the barn where the bishop had been brave enough after much discussion to let her paint her very first quilt square and then let her enlarge it when he saw how well the others were received.

Exhausted but energized, Sarah stumbled into the Esh backyard, her dress and hands smeared, clods of soil clinging to her shoes. The belching heat slapped her face. What had been a glow in the hayloft was now a red-and-orange monster inside the barn trying to get out, licking at the windows, curling its claws around the eaves. Shouting, she beat her fists on the back door of the dark house, but no one came.

Turning back toward the barn, she saw that Jacob, Gabe and several other boys had followed her across the fields. Using someone’s jacket to avoid burning their hands, they lifted the bar on the barn door and pulled it open. That only fed the flames, which made a big whooshing sound and drove everyone back. The beast’s breath came hotter, orange fires from hell. She could see its fiery fingers reaching for the pattern of the six-foot-square Robbing Peter to Pay Paul quilt square she’d been enlarging from her wooden ladders and scaffolding earlier today. She’d left them leaning against the barn. Maybe they’d been burned up by now.

Her agony was not only to see the barn burn but her quilt square, too. How proud she had been of her work, the beauty of the striking design. Bishop Esh had chosen that repetitive, traditional pattern because he said it would remind folks that Paul and Peter were equal apostles—a Bible lesson, even on a barn.

Sarah watched in awestruck horror as the flaming beast devoured her neat white and gold circles within the bright blue squares. The paint crackled and blistered. Was it her imagination that the colors ran like blood? Was this a sign that she should not have asked to place it on the bishop’s barn—shouldn’t have been so worldly in her pride over it? She’d even felt a bit important when the local newspaper had put this painting and her picture—not of her face, of course—on the front page. But for so long she’d felt different from her Amish sisters and friends…. She stopped herself, knowing her line of thinking was a danger and a sin.

“Their plow team’s in the south field!” someone yelled. At least that was a blessing. The six big, blond Percherons that pulled the farm equipment were safe.

“The Eshes must not be home!” Sarah shouted, ignoring Jacob, speaking to her brother and the other boys.

“I called the fire department on my cell,” Jacob yelled, coming closer. “They’ll be here ASAP.”

She wasn’t sure what “a sap” meant, but she asked him, “So there are no buggy horses inside, either?”

“Naw or we’d hear them, even over the roar, that’s sure!” he shouted as he came closer. She hadn’t seen him for months and she couldn’t see him well now, only his bulky, black silhouette etched by leaping lights. The fire made a deafening roar. Inside, something heavy fell and little golden lines ran madly between the old, weathered boards. Barn swallows from under the eaves circled madly around the increasing clouds of ash-and-cinder-laden smoke.

It seemed an eternity before the fire engine pumper truck screeched in from the closest town of Homestead with six volunteer firemen, three of them Amish. When Sheriff Freeman’s car pulled in with the siren sounding, several other firefighters spilled out to help. They pumped what water they had in the truck through two hoses, then, when that was quickly gone, rigged a hose to draw water from the pond. It was too late to save the barn, so they watered down the roof of the house and outbuildings to keep flying debris from burning them, too.

As word spread or they saw the seething sky, other Home Valley Amish arrived in buggies, some Englische neighbors in their cars. Even before the Eshes raced up the lane in their buggy, back from visiting Mattie Esh’s sister on the other side of the valley, even before the local newspaper editor, Peter Clawson, started taking pictures, the big, old barn with Sarah’s bright painting on it had burned into oblivion.

Nathan MacKenzie took the call on his cell phone. His digital clock read 3:24 a.m. Something terrible must have happened, and he hoped it wasn’t bad news about his foster mother. His heartbeat kicked up. It was his boss, Mark Lincoln, the state fire marshal of Ohio.

“Nate, I need you to check out a big fire in Amish country, pronto. I want you there shortly after dawn.”

“Amish country?” he said, raking his fingers through his short hair. “Northeast but south of Cleveland, right? That’s Stan Comstock’s district.”

“Our northeast supervisor’s in Hawaii for his daughter’s wedding and won’t be back for about ten days. It’s a barn fire, Nate. Went to the ground—no one inside but for them a huge loss. Two volunteer firefighters were slightly injured when a beam fell. They should have been outside at that point, and I’m not sure how much correct protocol was followed. I just got calls from both the county sheriff and the local newspaper editor. I’ll input what I know to you online including GPS specs for getting there. It’s in a rural area called the Home Valley outside Homestead, Ohio, in Eden County. Real pretty rolling-hill country.”

“And it was arson?”

“We won’t know until you take VERA up there and get a good look. But the thing is, the newspaper guy says the Amish in Pennsylvania had a rash of hate-crime barn arsons a couple of years ago, and we can’t take a chance with this. You’ll have to handle things with kid gloves, not go in like gangbusters, even with VERA, you hear?”

“Of course,” Nate said, fumbling in the dark for his jeans. VERA was one of the two expensive, state-of-the-art technology-laden vehicles that served the state Fire and Explosion Investigation Bureau, usually called the Arson Bureau. And VERA was Nate’s idea of the perfect date to investigate arson on the road.

“You know much about the Amish?” Mark asked.

“Good food, handmade furniture, quilts, buggies, black clothing, no electricity, old traditions. How’s that?”

“When you get a chance, research their belief system or find someone Amish you can trust there to translate their ways for you. Whatever you turn up, they’re going to tell you this was God’s will. They’ll rebuild and forgive the arsonist—if that’s what it was.”

After Mark hung up, Nate muttered, “They may forgive, but I won’t.”

2

SARAH GLANCED OUT THE WINDOW OF THE Esh farmhouse again. The beast that had devoured the barn left only a pile of blackened bones. The emergency vehicle carrying the two injured firefighters—Levi Miller, Amish, and Mike Getz, Englische—to the regional hospital had pulled away. Both had been struck by debris when a flaming beam fell and temporarily trapped them before they were rescued. Word was that, despite broken bones, both were expected to recover just fine.

Jacob had been asked to go, but other than that, no one had left. It was as if the circle of Home Valley neighbors were mourning a mutual, fallen friend. Since the Amish held worship services in their homes or barns every other week, and it was an off Sunday, many had buggied in. Others had arrived, including Ray-Lynn Logan. The owner of the Dutch Farm Table Restaurant in Homestead had parked next to the sheriff’s car and was handing out doughnuts and coffee. Ray-Lynn was Sarah’s friend and an outspoken admirer of her painting skills.

Sarah was exhausted and filthy, but to please her devastated hosts, she sat at the Eshes’ kitchen table to eat. Mattie Esh and her two oldest daughters, Ida and Ruth, both married and living nearby, were turning out scrambled eggs and bacon to be washed down by hot chocolate. Sarah had been thanked repeatedly for spotting the flames and for rushing here to warn the family. But she still felt as if someone had died, not only the old barn, but the painted square that had meant so much to her.

“Still can’t figure a cause,” Bishop Esh muttered to his wife. “No kerosene lantern out there, no green hay to smolder in the bays or loft, no lightning storm, and at night.”

“God’s will,” Mattie told him, tears in her eyes. “We may not understand His ways but must learn to accept.”

“So who’s the preacher now?” her husband said, his voice tired but kind. “We’ll rebuild, Lord willing.”

Sarah offered to help clear the table, but they wouldn’t hear of it, so she went outside again. She wanted to head home to wash up and relieve Martha from taking care of their grandmother, but she just couldn’t leave yet. If—when—the Eshes rebuilt, would they want another painted square? It had gone a long way that the bishop had let her put one on his barn, even though it was fairly small at first. What was worrying her most was that some of Gabe’s friends at the danze last night had been smoking around her family’s barn. It was a fair distance across the field, so surely none of them had sneaked over here to get more privacy for their doings, then carelessly thrown a butt or match down. The Amish never locked their barns, even if, in these modern times, some had begun to lock their homes.

From the back of her van’s tailgate, Ray-Lynn, still handing out coffee in paper cups, motioned Sarah over. The Kauffman women, Sarah’s mamm and married sister, Lizzie, made the half-moon pies for Ray-Lynn’s restaurant, and Sarah delivered them fresh daily in her buggy. Like most everyone else around, she loved to talk to Ray-Lynn. Even in the grief of this morning, she was like a spark of sunlight.

The shapely redhead was about to turn fifty, a widow whose dream had always been to have her own good homecookin’ restaurant in Cleveland—that is, before she’d fallen in love with Amish country. Her husband had suffered a drop-dead heart attack six years ago, just before they were to buy the restaurant, once owned by an Amish family who couldn’t keep up with the state’s increasingly strict health inspection codes.

But newspaper owner and editor, Peter Clawson, had gone in as Ray-Lynn’s partner, and she had made a real go of it, expanding to three rooms and a big menu. The Dutch Farm Table was the most popular place to eat and meet in town for both the local English and Amish, and, of course, tourists. They used to come by the busload, though they’d been in shorter supply lately in the far-reaching American recession.

“Good for you to spot that fire, Sarah,” Ray-Lynn said, and gave her a one-armed hug. “Gonna get your name in the paper again.”

“It didn’t save the barn. Maybe you can tell Mr. Clawson not to overdo it, especially so soon after that article about my barn quilt squares.”

“It may be a biweekly paper, but he’s putting out a special edition over this. I’ll bet we get folks here to gawk at the burned barn, let alone your other paintings. And if the Cleveland or Columbus papers pick this up, especially if it turns out to be foul play—”

“Foul play? Did you hear that someone set the fire?”

“The sheriff just wants all the bases covered, so he called the state fire marshal’s office,” she said with a roll of her snappy brown eyes. “But barn burning’s not the way we’d like to get buyers and spenders ’round here, is it? Personally, this painting,” she went on, pointing at the patch of empty sky where Sarah’s quilt square used to be, “was my favorite so far. Hi, ya’ll,” she called to someone behind Sarah as she gestured them over. “Coffee here, doughnuts all gone.”

Though Ray-Lynn had lived in Cleveland with her husband for years, it was no secret she’d been born and bred in the deep South, so she drew her words out a lot more than most moderns did. She even had a sign in the restaurant over the front door that Sarah had painted. It read Southern Hospitality and Amish Cooking—Ya’ll Come Back, Danki. And she was always trying to talk Sarah into painting a huge mural of Amish life on the side wall.

Secretly, Sarah yearned to paint not static quilt patterns but the beauty of quilts flapping on a clothesline, huge horses pulling plows in spring fields, rows of black buggies at church, one-room schoolhouses with the kinder playing red rover or eckball out back, weddings and barn raisings….

But all that was verboten. No matter what Ray-Lynn urged, Sarah knew an Amish painter could never be an Amish artist.

The moment he turned off the highway onto the narrow, two-lane road at the sign Homestead: 4 Miles, Nate MacKenzie felt as if he’d entered a beautiful but alien world. Another road sign bore the silhouette of an Amish buggy, so he cut his speed way down. Farmers plowing or planting in the fields used four-horse hitches and all wore black pants, blue shirts and broad-brimmed straw hats. Here and there, little boys dressed the same way as their elders, and girls in long dresses and white aprons fed goats or played some kind of beanbag game barefoot. Clothes flapped on lines and no electrical or phone wires existed around the neatly kept houses, which all boasted large vegetable gardens. Though the roads were nearly empty, he passed one black buggy and saw many others sitting beside barn doors or in backyards. The fields, even the woodlots in this broad valley, seemed well tended, almost as if he had driven his big vehicle into a painting of the past.

He noted a beautiful painted square, of what he wasn’t quite sure, on one old barn. Despite his need to get to his destination—“Two miles on Orchard Road, then turn left onto Fish Creek Road,” his sweet-voiced GPS recited—he slowed and craned his neck to look at the painting. The design was amazingly modern, yet he figured it was something old-fashioned. Not a hex sign, for sure. A quilt? Maybe they sold quilts at that old farmhouse.

He turned his eyes back to the road and tried to shake off his exhaustion. He’d felt burned out from too much work lately, but he’d managed about five hours’ sleep before Mark called, enough to keep him going. He thrived on adrenaline, one reason he loved this job, though this case could be a bit of a challenge with the unusual culture and all.

At age thirty, Nate MacKenzie was the youngest of the state’s twenty-one arson investigators. Though he’d told no one but his foster mother, his goal was to work his way up to become a district supervisor and then chief. He had both law enforcement and fire training. He saw himself as a detective who dealt with the remnants of a crime, the clues hidden in the rubble and ruins. After the tragedy that had happened to his family, his career was his calling, his only real passion.

He passed a one-room schoolhouse with a set of swings and a dirt baseball diamond. Man, it reminded him of something from the old show Little House on the Prairie. But surely a group of old-fashioned Amish couldn’t be too hard to handle, especially with his experience and the state-of-the-art technology at his fingertips. He would make a quick study of the Plain People by picking VERA’s online brain so he’d know how to deal with them and in case he needed their help.

Sarah was about to head home when she saw something big and black coming down the road, then turning into the lane. It looked like a bulky, square, worldly emergency vehicle but it was bigger than that—why, it could almost swallow four buggies in one gulp. She hoped it wasn’t some kind of hearse and one of the injured firefighters had suddenly died and was being brought back for burial.

She and the rest of the Plain People stood their ground and stared at it. Even Ray-Lynn quit talking. It had a truck cab and real fancy writing on the side, but, as it pulled in and stopped, the large lettering didn’t really make sense except for the first word: OHIO. OHIO FEIB SFM VERA it read in big print with some smaller script under that.

Bishop Esh, her own father, Ben, and Eben Lantz—the three farmers whose lands adjoined—walked over to greet the man who emerged from the truck cab. Even without his big vehicle, he stood out as an ausländer. Bareheaded, he was a good foot taller than the bearded Amish men, even with their straw hats. He was clean-shaven like unwed Amish men. His short, almost ebony hair looked strange amid the blond and brown heads she was used to. His body seemed all angles and planes, maybe because he didn’t look as well-fed as the Amish men. He wore belted jeans and a white shirt under a brown leather jacket, a kind hardly seen in these parts.

She wished she could hear what they were saying. The men shook hands and walked together toward the broken, still-smoking pile of beams and rubble. Sarah sidled a bit closer while some of the boys went over to peek at the vehicle.

She saw the visitor was not only speaking with the men but was talking into a little wire that hooked over one ear and curved around his face and stopped at the side of his mouth. It was either a small kind of recorder or a microphone like some workers wore at the McDonald’s in Homestead when you gave an order and they passed it on to the kitchen. The stranger seemed to be repeating some things the men told him. Bishop Esh was pointing and gesturing, then he swung around and scanned the crowd and motioned—to her.

Feeling exposed, maybe because she was bonnetless, since it was still back in her own barn, wearing only her prayer kapp on her head and suddenly aware of her soil-and-ash-smeared appearance, Sarah went over to join the men.

“Sarah Kauffman is the one who spotted the flames from her own barn, over yonder,” Bishop Esh was saying as he pointed across the fields, and the man turned his head away to look toward their barn. Her father nodded to her. He’d said earlier he was glad she had done the right thing to run across the fields because it took him twice as long to hitch up the buggy and come over to help.

Their visitor spoke something into his curved wire, then turned back to look at Sarah. Their gazes slammed into each other, right between the two men who held the most sway over her life, and yet it was like they weren’t there at all.

“I’m Nate MacKenzie, Mrs….Miss…” he floundered.

“Just plain Sarah is okay,” she said, crossing her arms over her waist, as neither of them broke their steady gaze. She bit her lower lip. She hadn’t meant to make that sound like a joke about the Amish being called the Plain People, but no one seemed to notice.

“I’m from the state fire marshal’s office in Columbus, here to determine the cause of the blaze,” their visitor told her.

The cause of the blaze. His words rotated through her head. Funny but she was starting to feel warm, as if the seething fire was still sending out flames. She was usually real easy with strangers, enjoyed talking to moderns with their outside experiences, so why should this man be different? Well, maybe it was just that big version of a worldly buggy he drove and his different looks.

Nate—that was probably really Nathan, a good Old Testament name—had strong features, a little cleft in the middle of his chin, which, along with his sharp-slanted cheeks, was peppered with beard stubble, like he’d been up all night and in a hurry, which he probably was. His lips were taut, his nose broad with a little bump, like maybe he broke it once. A thin white scar on his forehead slanted into his left eyebrow, but it was his eyes that entranced her. He had deep blue eyes when she thought dark-haired people mostly had brown ones. What a color that lake-blue would be for a painted quilt square—probably for the pattern of Ocean Waves, because that design, like her other favorites, seemed to shift, to move and beckon….

“The state fire marshal’s office received calls from the sheriff and the newspaper editor about this blaze,” Nate said directly to her. “I understand you ran across the fields. I’d like to interview everyone who saw the early stages of the fire. Actually, if it’s okay, I’d like to have you show me the exact spot at your place where you first saw the blaze so you can describe size, color and positioning to me. A time frame of its spread pattern will really help.”

Ordinarily, Sarah would have waited for the bishop or her father to approve, but she said, “I’d be glad to help. I was just going to go back over, and I can meet you there, or you can come calling—I mean, visit us when it suits.”

Her father cleared his throat and said, “Sarah had a big loss here, too, Mr. MacKenzie. She’s been painting large quilt patterns on barns to help draw visitors to our area, and this was her first one. Enlarging it lately, just yesterday, too.”

“Please, call me Nate. I saw one of those on the way in. Very striking. Did you lose paint or paint thinner in the barn last night?”

“Yes, but the cans were all closed up tight,” she told him, her voice steady now. “I tap them back in their grooves when I’m done. Besides, I use exterior latex paint, water soluble, not oil base that needs turpentine or something like that. I left my scaffolding and two ladders just outside the barn, leaning against it. That’s the bigger loss, moneywise.”

Nate, still watching her, nodded. The sunshine shot more directly into his eyes. She saw he had sunglasses in his coat pocket, but he made no move to put them on, maybe trying to blend in with her people just a bit. He no doubt felt like the outsider he was. Though she was Amish born and bred, sometimes even she felt like that, unwed at the lofty age of twenty-four, a painter, not a sewer of quilts like other women.

“Like I said, Mr. MacKenzie,” Bishop Esh put in, “no lanterns inside the barn and only seasoned hay, not the green stuff that can catch itself on fire.”

“No open accelerants from paint supplies, no spontaneous combustion from methane-emitting hay,” Nate said into his mouth wire. “Would it be okay if I take Sarah over to your farm in my vehicle?” he asked her father.

“Sure, and I’ll ride along,” Daad told him. “My son, Gabe, can bring our buggy back over.”

Sarah knew better than to feel prideful or important, but her people parted for the three of them like Moses at the Red Sea as they walked toward the big, black truck. “We call her VERA for Vehicle for Emergency Response and Arson,” Nate explained, patting the shiny hood as Sarah might her buggy horse, Sally.

“Arson,” Sarah repeated. “Then you do think someone set the barn on fire?”

“Yet to be determined. Arson’s the easiest crime to commit but often the hardest to prove. I know this barn—all your barns—are important to your way of life. If we can eliminate accident and act of nature, arson’s what’s left, and then I’ll investigate that.”

Nate wasn’t sure if the Amish woman and her father were awed or frightened by VERA, but they climbed in the big front seat with him, Sarah between the two men. He was surprised they didn’t fumble with their seat belts but clicked them quickly in place. She wore no wedding ring, but then he hadn’t seen one piece of jewelry on any of these people.

Amazing that, with her honey-colored hair parted in the middle and pulled straight back under her messed-up small cap and with her old-fashioned dirty apron and dress—a peach-colored one, not black—with not a bit of makeup on her face, Sarah Kauffman was a real looker. She was a natural beauty with auburn, perfectly arched eyebrows over heavily lashed amber eyes that seemed to have little flecks of gold swimming in them. Surprisingly, mixed with the scent of smoke, she smelled faintly of lavender. Her full mouth pouted as she looked wide-eyed at the dashboard computer screen.

“Why, it has a map of our area on it,” she said.

“It’s called a global positioner, and it talks to me in a nice female voice if I want it to,” Nate said as he backed up, careful that none of the crowd, especially the gawking boys, were behind him.

“Oh, now it’s changed to a kind of TV screen that shows what’s in the rear when you back up,” she said. Her voice was mellow without a trace of the accent that the older men seemed to have.

“Sarah, Mr. MacKenzie knows what’s in his truck,” her father said.

“Oh, right.”

“So could you tell me what you were doing when you first saw the fire?” Nate asked as he drove them out of the dirt lane to the road.

“My family was hosting a barn dance for my brother’s buddy group,” she explained. “Gabe is seventeen and during the mid to late teenage years, our young people are given a time of freedom called rumspringa, kind of a running-around time before they decide—or not—to join the church. I went outside to ask someone to leave and looked up above his car and—”

“His car?” Nate said.

“Right. Jacob Yoder’s. He shouldn’t have been there, and he was drunk, I think, and making noise, and I was going to ask him to leave.”

Her father put in, “Jacob Yoder has been shunned for breaking the ordnung, Mr. MacKenzie. Lied to the bishop and aided an illegal theft ring of stolen cars, and was unrepentent.”

“So he and Bishop Esh have a history—not a good one?” Nate wanted to ask more about shunning and breaking the ordnung, but he let it go for now. Mark was right about this being a foreign world, one he was going to have to navigate his way through. Find an interpreter of their ways, their culture, Mark had advised. He supposed he should rely on the bishop whose barn had burned, but sitting next to this interested, interesting young woman, he had a better idea. He needed a translator all right, because, despite all of VERA’s space-age charms, he felt like a Star Trekker who was about to go where no man had ever gone before.

When her daad said he’d be out later and went into their house, Sarah was surprised. It was unusual for her father to leave her alone with an outsider, a man at least, so Daad must trust this man. Instead of taking time to change clothes, she decided to get his investigation going right away. She led him toward their barn since he had asked her to show him where she had been when she first noticed the blaze.

“By the way,” she told him, “our barn is almost a replica of the Esh barn, if you want to see how it looked before the fire. Except it’s usually neat as a pin, and we all ran out and left it like this last night.” She gestured inside where a table with food sat and bales of straw surrounded a now-empty circle.

“Yeah, it would help immensely if I could study its structure,” he said, lifting his eyebrows and looking intrigued by something. He had left his mouth wire in his truck. She wondered if he wanted to make her feel more at ease with him, which probably wasn’t going to happen, because he just plain disturbed her somehow.

“Feel free to look around,” she said, noting he at last pulled his gaze away from her to glance high and low inside their barn. “So,” she went on, “I was helping Mamm—my mother—serve food behind that long table there, and I came across this threshing floor—”

“Still used for threshing at harvest time?”

“Sometimes, but we haul modern gasoline threshers now, pulled behind the horses, of course.”

“But animal horsepower pulls them, so they’re not actually fueled by gasoline? That means the hay baler Bishop Esh says he lost in the fire would not have had gasoline in it even off-season?”

“Right—modern equipment but real horsepower.”

“In your field and the Eshes’, I saw them—beautiful horses, big as the Budweiser team. But go ahead. You walked to what spot before you saw the fire. And what did it look like then?”

“I honestly don’t know what time it was, if you need to know that—”

“I have the exact moment the call came in, so that will help.”

“Anyway, I shouted for someone to call the fire department. Later, Jacob told me he’d called it in on his cell phone.”

“Right. I have that info from the sheriff.”

“When the buzzers alert the volunteers, it takes a while to get to the firehouse and then here,” she said as she led him out of the barn.

“I’ve got all that and will be checking everyone out.”

“Oh, sure, to get their descriptions of the fire, too. So I would say I was right here when I saw the golden glow in the distance, which was growing fast and turning orange. And it seemed to start high, then burn downward.”

“Really? That could be a key clue.” He was taking notes with just a regular ballpoint pen on paper now, nodding, looking across the fields where she pointed.

“I thought at first the fire might be the headlights of Jacob’s fancy car,” she added.

“If he was exiled, why—”

“Shunned.”

“Okay, shunned. Then why was he here?”

“It really doesn’t have anything to do with the fire,” she assured him, hesitant to get into all that about Jacob’s past, especially how it meshed with hers.

“You need to let me decide that, Sarah,” he said, turning to her. “Just in case the cause of the fire is incendiary and criminal, I have the right to investigate anyone who could have caused it, even make an arrest.”

“You’re a policeman, too?” she blurted. Although her people rendered to Caesar what was Caesar’s and got on just fine with Sheriff Freeman, the Amish way was to steer clear of government authorities like the ones who had persecuted—burned to death by the hundreds—her people in Europe centuries ago. Her grossmamm, Miriam, was always reading to her from the Plain People’s heirloom book, the Martyrs Mirror—talk about horrible burnings!

“I’m a law officer under certain conditions,” he said. “So what’s with this Jacob Yoder I’ve heard mentioned more than once? He was shunned by Bishop Esh?”

“By all of the church, really. I—it will take some explaining.”

“Then we’ll do it in a later interview. Go ahead and take me across the field the way you ran last night and tell me how the fire appeared to change as you got closer, how the flames spread.”

Happy to have a topic besides Jacob Yoder, she nodded, looking up into his intense gaze again before walking toward the fringe of the plowed field. In his work clothes, Daad came out of the house, and she told him where they were going. He nodded and headed for the barn past the grossdaadi haus where Sarah stayed at night with her grandmother and where poor Martha had been stuck during all the excitement.

“Wait a sec,” Nate said so loudly she jumped. “Your barn doesn’t have lightning rods. The Esh barn didn’t, either?”

“Lightning rods show dependence on man, not God. If the Lord wants to protect a barn, He will.”

“Then, ultimately, if the fire was arson, God’s to blame?” Nate challenged, frowning.

“Not to blame,” she insisted, but she’d never thought of it that way. She supposed there were other sides to some of the things she’d been taught since birth. “We live in an evil world,” she went on, her voice more strident. “The Lord might allow it for a lesson, for our better good, to teach humility or bring our people closer—all positive things, gifts from above. We will work together to rebuild, to raise money for that if we must.”

“So I heard. On the other hand, at least you don’t have electrical wires coming in that could have caused a spark. I didn’t mean to criticize your beliefs, Sarah. I’m just used to lightning rods on barns. Those or smoke alarms or fire extinguishers can save lives and buildings. And maybe God gave the inventors the ideas for those things through inspiration, like positive, useful gifts from above.”

She had to admit that, in his own way, he was right. She must remember, she told herself, that this man was here to help them but that he was not one of them. She had to keep her fences up, however much she wanted to work with him to help the Eshes.

So, with Nate MacKenzie at her side, she plunged into the field following the trail of her frenzied footsteps, back toward the burned barn.

3

SARAH HEARD THE PURR OF A BIG MOTOR EVEN before she peeked outside the barn where she was cleaning up the danze debris. As if her thoughts had summoned him, Nate MacKenzie had returned in the masculine-looking vehicle that had a woman’s name. After Sarah had walked him across the field and back, he’d driven VERA over to the Eshes’ again to do some preliminary work, but now, midafternoon, here he was.

“Hi, again,” he called to her as he headed for their back porch but then did a U-turn toward her.

He came over, carrying something in a sealed plastic bag, wearing his sunglasses this time. They wrapped around his eyes like dark brown twin mirrors in which she could see herself getting larger as he came closer. At least she’d washed up and changed clothes but, not planning to go out in company, she still didn’t wear a proper bonnet over her clean prayer kapp.

“I did an initial walk around the ruins,” Nate said, stopping at the bottom of the banked entrance to the barn. “Every thing’s still too hot to sift through and may be for a couple of days.”

“Sift through? All the ruins?” she asked. That meant he’d be staying for a while.

“I may not have to, actually, to get proof of arson, though I’ll need details for my report that point to how and who. The why may be harder to come by, but I found something key to my investigation. A rubber band around a bunch of about twenty matches,” he said, lifting the plastic bag so she could see what was in it. “I found them on the ground about thirty feet from the back of the barn—not in this bag, of course. Bishop Esh says no one smokes in his family, nor does he keep matches around like this to light their kerosene lanterns.”

“Oh, no!” she blurted. “But why would kids who might be smoking on the sly put a bunch of matches together with a rubber band?”

“So some of the kids in the neighborhood last night were smoking, kids who were here at your barn dance?”

“During rumspringa, it’s fairly common. When the fire happened, I thought of it and worried a bit. But those matches are unburned, so you mean they might have dropped that bunch, but threw another pack like that into the barn?”

“Sarah, I’m not jumping to the conclusions you seem to be. It’s just that this is part of an old arson trick amateurs use. They get some kind of long trailer—a wick—light the end of it, maybe far away from the object to be burned, and have it ignite some kind of combustibles.”

“But you found no wick?”

“No. If one led into the barn, it would have been consumed in the inferno. Besides, you said the fire seemed fiercer high up, so that means someone had a very long wick if they were on the first floor. Of course, kids could have gone up into the loft.”

“We can ask them.”

“I will.”

“Or a long wick means the person could even stay outside the barn to light the fire.”

“That’s another possibility,” he told her with a nod. “A trailer, if it’s long enough—sometimes soaked with an accelerant—can give the perpetrator up to fifteen minutes to vacate the property before the fire ignites. So it could have been kids, but before I look around your barn to get an idea of what I’ll be searching for in the remnants, let’s have that little chat about why Jacob Yoder was hanging around if he’d been shunned.”

Deciding not to take notes or record Sarah as she talked, Nate listened carefully as they sat together just inside the barn door on bales of straw. His cell phone even rang once, but he glanced at it—a coworker in Columbus—then put it away without answering.

Sarah explained how she had broken her betrothal to Jacob even before he was shunned for helping hide stolen cars. She said that Sheriff Freeman could have brought aiding and abetting charges that would have sent Jacob to prison for a while, but he didn’t because he thought the Amish could make him shape up better by shock treatment—that is, ostracizing him from the church, his family and friends.

“He could have blamed the bishop and wanted revenge against him,” Nate said after she stopped talking. He hadn’t interrupted. He found her fascinating, the way she managed to keep control while emotions obviously rampaged through her. Her full, lower lip had quivered, but her voice never wavered. Her naive beauty was riveting, and he tried not to let that distract him from what she said. “Or, he could have picked that barn because of your wall painting there,” he added, “or because it would hurt the Eshes and you. Can you give me more details about shunning?” he asked.

“If he hadn’t been a member of the church, he wouldn’t have been shunned. But, once you’re a member and you break the set of rules—the ordnung—that’s that. But I don’t see how he can be vindictive. Not only did he bring it on himself, but he was not sent to prison when he could have been. Besides, the church will take him back with open arms if he atones and returns to our ways.”

“Since he was hanging around at your barn dance, does he think you’d take him back with open arms? Sorry, that’s too intrusive.”

“It’s okay. To tell the truth, though I once cared for Jacob, it was a relief for me when we got unmatched—before he helped those car thieves. I knew he was keeping something from me and he was flying too high and too fast in worldly ways and questionable company. Now, if you want to look around our barn or ask more questions, go right ahead while I finish cleaning up.”

He supposed he’d overstepped, pushing her about Jacob, but whatever cages he had to rattle, he would. As polite as she remained, her demeanor had shifted a bit from helpful to huffy. She started toward the long table, but he walked with her. “Can you tell me a little more about your quilt square paintings?” he asked.

“Painting is…dear to me,” she began, her voice almost faltering. She stopped and turned to face him. “I’ve done decorations on birdhouses and gazebos in my father’s wintertime carpentry shop for years, but I thought I could do more than scrollwork and leaves and birds—if it was allowed.”

“Allowed by your father and by Bishop Esh, I take it—and the church ordnung. As I said, the painting I saw was beautiful.”

“Best say it was purposeful. Just like the rest of the people in the country, shaky financial times have hit Amish businesses hard. Busloads of visitors used to come to eat in our restaurants and buy homemade goods like furniture and quilts, but not so many lately. So I thought, and convinced our church leaders, that it would be good to have something new to draw them in—a quilt trail, so to speak, where they could go from barn to barn, maybe buy things, even garden products or eggs if the more expensive items were too deep for their pockets. Besides farming, I guess we’ve learned to lean on the tourist trade a lot.”

“Maybe someone attracted to the decorated barns has a hidden agenda. Has anyone ever said something to you about not liking your paintings?”

“Not visitors. In general, our people don’t believe in doing things just for pretty, as we say. Things can’t only be pleasing as a decoration. Quilts, scented lavender sachets or candles, furniture—all has to be useful, purposeful for the common good.”

“And some of your people thought the quilt squares were just for pretty?”

She sighed. “Despite the bishop’s and the church elders’ permission, a few of the brothers and sisters, yes. Some think I’m being too different painting squares instead of quilting them. The local newspaper did an article and made me sound prideful when I try hard not to be!”

Emotion swelled her voice and flushed her cheeks with color. He wanted to comfort her. Was he nuts? He had to stay objective here, but he decided his best bet was to change the subject because, before she turned away, she almost looked as if she’d cry.

“I hope you don’t mind,” he said, “but Bishop Esh said I can park VERA and live on the woodlot at the juncture of the three farms while I’m here. He told me the best approach to it is from the lane that runs off your driveway and cuts behind this barn.”

“Sure, that’s fine,” she said, heading again toward the long plank tabletop set on sawhorses. “I can point it out to you.” She started to wipe the oilcloth-covered table with a vengeance.

“I’ve got food in VERA and I’ve been invited to eat with the Eshes when I’m over there working, but I don’t want to impose on them more than tonight. I’m told the Dutch Farm Table Restaurant is good.”

“The best, if you don’t want McDonald’s or Wendy’s—a big battle between those two with all kinds of specials. If you don’t mind day-old half-moon pies, I’ve got some here you can take with you. My mother and sister make them for the Dutch Farm Table. Here, help yourself,” she said, opening a cake-size box and extending it to him.

“One more thing,” he said. He took a bite of one of the crimped-edge, glazed pastry half circles, this one filled with apple and cinnamon. Delicious. He talked with his mouth a bit full. “Mmm, this is fabulous,” he said. “I just want you to know that I need to be suspicious of everyone, every possibility. Not just of kids smoking, not just of Jacob, who may have a double motive, but even of the firefighters themselves. If a closer survey of the evidence in the ruins points to arson by a burn pattern or residue of accelerants, I’ll be looking at everyone, even them.”

“At the firemen? That doesn’t make sense, Amish or English.”

“It’s the so-called dirty little secret of firefighters. A few of them want to fight fires because fires mesmerize them, make them feel powerful, release pent-up feelings. They revel in being the first one into a fire, the hero, or, if they’re injured, even the victim who gets the glory or sympathy.”

“So that means you’ll even talk to the two who were hurt and not just to see how they describe the blaze? They were the first ones in.”

“Exactly.” He held the half-eaten, small pie up to his mouth and stared at her again. He was surprised she didn’t protest that, if an arsonist burned the barn, he—or she, though a female was unlikely—could be Amish, even one in good standing, especially if they thought both the bishop and the artist had overstepped with “just for pretty” painted quilt squares. He hadn’t mentioned that directly, but he couldn’t afford to ignore any possibilities.

“The Eshes can prove where they were before the fire, and our people don’t believe in insurance, so no one would burn his own barn for that,” she said, anticipating his next line of questioning.

“The Eshes have an alibi, but in the modern world, as you call it, sometimes people do burn their own property to get the money for it.”

He almost choked on the bite of half-moon pie he took to cover up the catch in his voice. What he’d just said hit too close to home—his own lost home and family. All he needed was that old nightmare he had buried deep to resurrect itself. But what scared him even more was his gut feeling that it would be so easy for someone to burn another isolated, unprotected barn. He had to act fast to stop that from happening.

“Are they burning our people again?” Sarah’s grandmother, Miriam Kauffman, asked her the night after the barn fire.

Her voice shaking, her expression distraught, the old woman stood in the doorway to the bathroom with her toothbrush in hand and her white hair in a long braid, ready for bed. Sarah told Martha, who had stayed last night in the small grossdaadi haus, that she’d take over. But Martha had wanted to hear every last detail about the fire and the fire marshal’s arson investigator, so she was waiting in the living room. Grossmamm and Martha had watched the fire from the kitchen windows, until Martha had convinced her charge to go to bed, but talk of the fire was what had probably set Grossmamm off right now. That, and the fact she insisted on reading a few pages from the Martyrs Mirror every night before she slept. “No, Grossmamm, it’s all right,” Sarah assured her. “No one is burning our people.”

“Ya, the authorities are coming again for us!” she insisted. “They tried to burn the Eshes out, and they’ll be here next! Soldiers like that man you were talking to outside today are going to slaughter us again.”

“That man is here to help us,” Sarah promised, putting her hands on the old woman’s shoulders. “We are safe here on the farm, in America.”

Sarah had considered taking the Martyrs Mirror away from her grandmother more than once. But that precious book had come down through her family, an heirloom. Poor Grossmamm, afflicted with Alzheimer’s, sometimes thought the Amish were still under siege as they’d been in Europe, hundreds of years ago.

Sarah kept talking, slowly, calmly. “That man was sent by the state government in Columbus to find out about our neighbor’s barn, why it burned. No Amish were burned or will be.”

“I was afraid you would be lost in the fire.”

“Me? No, I’m just fine. All I lost were some paint cans, my scaffolding and two ladders.”

“They killed our people on tall scaffolds as a warning so all could see. They tied women to ladders, then tipped them into the fires just because they disagreed with the state religion.”

“That’s all in the past. No one is going to burn. Even the horses were safe from that fire. Now brush your teeth, and I’m going to read to you from the Budget, all kinds of news about our people visiting and how well things are going.”

“Except for Amish martyrs being burned,” Miriam Kauffman mumbled as she thrust her toothbrush in her mouth and bent over the bathroom basin where she’d left the water running.

Sarah sighed. She knew she resembled her grandmother in her height and coloring, so she sure hoped she wouldn’t inherit the mental hauntings that plagued her. She’d been better lately, but seeing that barn fire across the fields had obviously set her off again. The Martyrs Mirror, with its lifelike etchings, was in almost every Amish home, along with the Holy Bible, of course, and the Ausbund, which contained the words to the traditional Amish hymns sung in the regular church meetings every other Sunday. As for the Budget, that newspaper was the Amish community glue that held the Plain People together wherever they lived. Births, deaths, marriages, horse sales, new addresses or endeavors and chatty tidbits were listed on page after page. Yes, she was going to spirit away the Martyrs Mirror and substitute it with the Budget right now.

Later, Sarah was glad she did. Not only did the chatty items in the Budget calm the old woman, but Sarah noted one about the Eshes that explained why they might have been out last night. Mattie Esh’s niece had just given birth to triplets, and they probably went to see them. As usual, Grossmamm fell asleep quickly, and Sarah took the kerosene lantern with her down the hall and into the living area. Most Amish farms had a grossdaadi haus for the older generation. When the grandparents who had worked the farm and raised their children were ready to retire, they voluntarily turned over the big house to the eldest married son, or the one who wanted most to keep the farm going, and moved to the smaller place on the property. No rest home, retirement village or shuffling off the older generation among the Amish. They cared for their aging parents or grandparents on-site and included them in as much of life as they cared to be a part of. After their grossdaadi, Gideon Kauffman, had died five years ago, his widow had started to slip into another world. Alzheimer’s, sure, and she’d had a doctor’s care, but they were still going to keep her here and look after her themselves.

Sarah found Martha sound asleep, sprawled on the sofa, breathing heavily. She covered her up with a quilt. That sofa made into a double bed, so where was she going to sleep? They both had their own rooms in the big house, but it was Sarah’s turn to stay here tonight. Should she wake Martha and send her away so she could have the hideaway bed?

She sat down in her grandfather’s big rocking chair very carefully, because she knew it squeaked. Her eyes were so heavy. She hadn’t slept last night…was dead on her feet today, except when Nate MacKenzie was around twice because he seemed to give her energy.

When her lids drooped, she saw fire, saw Nate’s intense gaze. She wondered how he was doing living in VERA down by the pond on the woodlot…. And what if the woods, all those trees around the pond, caught fire and the blaze burned him, burned her, too, crackling…popping…

She jolted alert. Her heartbeat pounded. That sound! Gravel against glass, against the window? That was the signal she and her friend Hannah Esh had always used during their rumspringa years to get each other up at night when they wanted to sneak out. Not to meet boys like some did, but to go for a night swim in the pond in the summer or just stuff themselves with candy or listen to a transistor radio until dawn while Sarah sketched pictures and Hannah sang along with every Top Ten hit. They knew better than to get their friend Ella from the Lantz farm for such goings-on. No way Ella, as much fun as she could be, would take a risk sneaking out like that.

Again, she heard the sound of gravel against the window. As she stood and looked, the glass was like a big black mirror since they hadn’t pulled the curtains closed. Sarah turned down the kerosene lamp and peered out, seeing at first only her own reflection. The Martyrs Mirror, she thought…now why had they put the word mirror in the title? She’d never thought about that. Were the Amish all martyrs to something or other? Did it mean to look deeply into your own life, to see yourself as you really were or to decide what you were willing to die for?

And then Hannah’s face appeared, not the old Amish Hannah but the new one her parents were so riled about. Hannah and her friends in Cleveland had gone goth. Whereas Hannah was a natural blonde with eyebrows and lashes so pale they hardly showed, she now had red, spiky hair and eyeliner dark as sin. Sarah was used to seeing her friend in the soft pastel dresses unwed women wore, not in black, partly ripped and fringed tight pants and wearing silver chains and pins and piercings. Even now, Hannah looked like some kind of worldly Halloween freak. And she was gesturing for Sarah to come outside.

Sarah held up one finger and, her hands shaking, scribbled a note for Martha. “I had to leave for a little bit. Stay with G., please—S.”

She grabbed the windbreaker she wished she’d worn last night and tiptoed out. Hannah here! She wasn’t shunned so she could come back anytime, but she didn’t. After she’d had the argument with her father almost three years ago, she’d left for Cleveland. Their daughter’s loss was the cross the bishop and his wife bore, and Sarah’s and Ella’s loss, too. When Hannah’s plan to record and sell her own songs didn’t work out, her friends and family prayed she would come home. Instead, her worldly boyfriend got her a job in a recording studio mixing something or other, answering the phone and greeting people at the front desk, looking just like this.

Sarah and Hannah hugged hard. Hannah smelled of an exotic scent Sarah could not name. Something smoky. She’d had incense burning in her little apartment the one time Sarah and Ella had visited her in Cleveland. Or had she been over to her family’s burned barn?

“Jacob phoned me,” Hannah told Sarah as they stepped awkwardly apart. “I couldn’t believe the barn was gone. It’s supposed to be in the Cleveland paper tomorrow, but I had to see it first, before all the gawkers in the world come flocking in.”

“You didn’t have to come at night. Everyone would have been glad to see you.”

“Give me a break. About like they’d be glad to have Satan himself drop by. But I knew I could come to you, that you’d go with me. I just can’t go see it alone, any more than I could face my father. I parked back down the road by the graveyard and walked here. He—Jacob—said you were the one who spotted the fire and he called it in, but that you weren’t back together yet.”

“Yet? Never. He crashed our party for Gabe’s friends. That’s why he was here.”

“Jacob also said there’s a superhero here to save the day, solve the crime—if it’s a crime.”

“Word travels fast, because Jacob was asked to leave before the state arson investigator showed up.”

“Will you go with me, Sarah? I can’t go to Ella. I don’t need her telling me I’ve got to mend my ways and come back. She never did quite get the ‘judge not lest ye be judged’ bit, did she?”

“I guess accepting that comes with suffering, and she’s been all wrapped up in traveling the road of her perfect Amish life.”

Sarah instantly regretted she’d said that with such a sharp tone. But sometimes she resented Ella’s sticking to the straight and narrow, when she herself would like to go her own way at times. How she yearned to paint entire landscapes instead of the geometric quilt squares that called for no more creative decision than what color of hardware store paint to use.

“In other words,” Hannah said with a bitter laugh, “she still hasn’t found out ‘it’s not all cakes and pies.’”

“I’ve been thinking lately that it’s not all quilts and pies.”

“You never did like to stitch quilts. And you think I’m a freak? But your painting—that’s you. Jacob told me about the quilt square you did on our—my family’s—barn.”

“A real font of information, isn’t he?” Sarah said, surprised again her voice was so sharp. Maybe Hannah’s rebellious nature was rubbing off on her. And was Nate right to be suspicious of Jacob? Nate had said that some firefighters loved the attention from a blaze, but did Jacob, too? Nate had also said that some arsonists returned to the scene of their crime, not only to watch the fire, but even later to relive the excitement. Maybe that’s why Jacob stopped at the very next farm. Or did he think his phoning in the fire would build bridges back to his people—and her?

The two young women started down the Oakridge Road that linked their farms. Sarah was glad Hannah didn’t insist on a run through the fields, like she’d done last night. They didn’t worry that there would be buggies or cars on the rural road now, because traffic was rare even in the daytime, unless a buggy clip-clopped past or tourists pleasure-driving some back byways happened by.