Kitabı oxu: «Salonica, City of Ghosts: Christians, Muslims and Jews»
SALONICA
CITY OF GHOSTS
Christians, Muslims and Jews 1430–1950
MARK MAZOWER

Copyright
William Collins
An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF
www.harpercollins.co.uk
This edition published by Harper Perennial 2005
First published by HarperCollinsPublishers 2004
Copyright © Mark Mazower 2004
Mark Mazower asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
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Source ISBN: 9780007120222
Ebook Edition © MARCH 2016 ISBN: 9780007383665
Version: 2016-08-24
Dedication
To Marwa
Contents
COVER
TITLE PAGE
COPYRIGHT
DEDICATION
LIST OF MAPS
INTRODUCTION
PART ONE: The Rose of Sultan Murad
1 Conquest, 1430
2 Mosques and Hamams
3 The Arrival of the Sefardim
4 Messiahs, Martyrs and Miracles
5 Janissaries and Other Plagues
6 Commerce and the Greeks
7 Pashas, Beys and Money-lenders
8 Religion in the Age of Reform
PART TWO: In the Shadow of Europe
9 Travellers and the European Imagination
10 The Possibilities of a Past
11 In the Frankish Style
12 The Macedonia Question, 1878–1908
13 The Young Turk Revolution
PART THREE: Making the City Greek
14 The Return of St Dimitrios
15 The First World War
16 The Great Fire
17 The Muslim Exodus
18 City of Refugees
19 Workers and the State
20 Dressing for the Tango
21 Greeks and Jews
22 Genocide
23 Aftermath
CONCLUSION: The Memory of the Dad
GLOSSARY
INDEX
NOTES
ACKNOWLEDGEMENTS
ABOUT THE AUTHOR
PRAISE
ALSO BY THE AUTHOR
ABOUT THE PUBLISHER
List of Maps
The topography of the Balkans.
Inside the Ottoman city.
The first map of the Ottoman city, 1882, showing the new sea frontage.
The late Ottoman city and its surroundings, c.1910.
Area destroyed by the 1917 fire.
After the fire: the 1918 Plan.
The Balkans after 1918.
The 1929 Municipal City Plan.
Introduction
Beware of saying to them that sometimes cities follow one another on the same site and under the same name, born and dying without knowing one another, without communicating among themselves. At times even the names of the inhabitants remain the same, and their voices’ accent, and also the features of the faces; but the gods who live beneath names and above places have gone off without a word and outsiders have settled in their place.
ITALO CALVINO, Invisible Cities1
THE FIRST TIME I visited Salonica, one summer more than twenty years ago, I stepped off the Athens train, shouldered my rucksack, and left the station in search of the town. Down a petrol-choked road, I passed a string of seedy hotels, and arrived at a busy crossroads: beyond lay the city centre. The unremitting heat, and the din of the traffic reminded me of what I had left several hours away in Athens but despite this I knew I had been transported into another world. A mere hour or so to the north lay Tito’s Yugoslavia and the checkpoints at Gevgeli or Florina; to the east were the Rhodope forests barring the way to Bulgaria, the forgotten Muslim towns and villages of Thrace, and the border with Turkey. From the moment I crossed the hectic confusion of Vardar Square – ‘Piccadilly Circus’ for British soldiers in the First World War – ignoring the signposts that urged me out of the city in the direction of the Iron Curtain, I sensed the presence of a different Greece, less in thrall to an ancient past, more intimately linked to neighbouring peoples, languages and cultures.
The crowded alleys of the market offered shade as I pushed past carts piled high with figs, nuts, bootleg Fifth Avenue shirts and pirated cassettes. Tsitsanis’s bouzouki strained the vendors’ tinny speakers, but it was no competition for the clarino and drum with which gypsy boys were deafening diners in the packed ouzeris of the Modiano food market. Round the tables of Myrovolos Smyrni [Sweet-smelling Smyrna], its very name an evocation of the glories and disasters of Hellenism’s Anatolian past, tsipouro and mezedes were smoothing the passage from work to siesta. There were fewer back-packers in evidence here than in the tourist dives around the Acropolis, more housewives, porters and farmers on their weekly trip into town. Did I really see a dancing bear performing for onlookers in the meat market? I certainly did not miss the flower-stalls clustered around the Louloudadika hamam (known also according to the guidebooks as the Market Baths, the Women’s Baths, or the Yahudi Hamam, The Bath of the Jews), the decrepit spice warehouses on Odos Egyptou [Egypt Street], the dealers still installed in the old fifteenth-century multi-domed bezesten. This vigorous commercialism put even Athens to shame: here was a city which had remained much closer to the values of the bazaar and the souk than anything to be seen further south.

The topography of the Balkans.
Athens itself had eliminated the traces of its Ottoman past without much difficulty. For centuries it had been little more than an overgrown village so that after winning independence in 1830 Greece’s rulers found there not only the rich cultural capital invested in its ancient remains by Western philhellenism, but all the attractions of something close to a blank slate so far as the intervening epochs were concerned. Salonica’s Ottoman past, on the other hand, was a matter of living memory, for the Greek army had arrived only in 1912 and those grandmothers chatting quietly in the yards outside their homes had probably been born subjects of Sultan Abdul Hamid. The still magnificent eight-mile circuit of ancient walls embraced a densely thriving human settlement whose urban character had never been in question, a city whose history reached forward from classical antiquity uninterruptedly through the intervening centuries to our own times.
Even before one left the packed streets down near the bay and headed into the Upper Town, tiny medieval churches half-hidden below ground marked the transition from classical to Byzantine. It did not take long to discover what treasures they contained – one of the most resplendent collections of early Christian mosaics and frescoes to be found anywhere in the world, rivalling the glories of Ravenna and Istanbul. A Byzantine public bath, hidden for much of its existence under the accumulated top-soil, still functioned high in the Upper Town, near the shady overgrown garden which hid tiny Ayios Nikolaos Orfanos and its fourteenth-century painted narrative of the life of Christ. The Rotonda – a strange cylindrical Roman edifice, whose multiple re-incarnations as church, mosque, museum and art centre encapsulated the city’s endless metamorphoses – contained some of the earliest mural mosaics to be found in the eastern Mediterranean. Next to it stood an elegant pencil-thin minaret, nearly one hundred and twenty feet tall.
Like many visitors before me, I found myself particularly drawn to the Upper Town. There, hidden inside the perimeter of the old walls was a warren of precipitous alleyways sometimes ending abruptly, at others opening onto squares shaded by plane trees and cooled by fountains. One had the sense of entering an older world whose life was conducted according to different rhythms: cars found the going tougher, indeed few of them had yet mastered the cobbled slopes. Pedestrians took the steep gradients at a leisurely pace, pausing frequently for rest: despite the heat, people came to enjoy the panoramic views across the town and over the bay. Down below were the office blocks and multi-storey apartment buildings of the postwar boom. But here there were few signs of wealth. Abutting the old walls were modest whitewashed homes in brick or wood – often no more than a single small room with a privy attached: a pot of geraniums brightened the window-ledge, a rag rug bleached by the sun served as a door mat, clotheslines were stretched from house to house. Their elderly inhabitants were neatly dressed. Later I realized most had probably lived there since the 1920s, drawn from among the tens of thousands of refugees from Asia Minor who had settled in the city after the exchange of populations with Turkey. Their simple homes contrasted with the elegantly dilapidated villas whose overhanging upper floors and high garden walls still lined many streets; the majority, once grand, had been badly neglected: their gabled roofs had caved in, their shuttered bedrooms lay open to public view, and one caught spectacular glimpses of the city below through yawning gaps in their frontage. By the time I first saw them most had been abandoned for decades, for their Muslim owners had left the city when the refugees had arrived. The cypresses, firs and rosebushes in their gardens were overgrown with ivy and creeping vines, their formerly bright colours had faded into pastel shades of yellow, ochre and cream. Here were vestiges of a past that was absent from the urban landscape of southern Greece – Turkish neighbourhoods that had outlived the departure of their inhabitants; fountains with their dedicatory inscriptions intact; a dervish tomb, now shuttered and locked.
With later visits, I came to see that these traces of the Ottoman past offered a clue to Salonica’s central paradox. True, it could point, as Athens could not, to more than two thousand years of continuous urban life. But this history was decisively marked by sharp discontinuities and breaks. The few Ottoman monuments that had endured were a handful compared with what had once existed. The old houses were falling down and within a decade many of them had collapsed or been demolished. Some buildings have been recently restored and visitors can see inside the magnificent fifteenth-century Bey Hamam, the largest Ottoman baths in Greece, or admire the distinguished mansion now used as a local public library in Plateia Romfei. But otherwise the Ottoman city has vanished, exciting little comment except among preservationists and scholars.
Change is, of course, the essence of urban life and no successful city remains a museum to its own past. The expansion of the docks since the Second World War has obliterated the seaside amusement park – the Beshchinar gardens, or Park of the Princes – where the city’s inhabitants refreshed themselves for generations; today it is commemorated only in a nearby ouzeri of the same name. In the deserted sidings of the old station, prewar trams and elderly railway carriages are slowly disintegrating. Even the infamous swampy Bara – once the largest red light district in eastern Europe – survives only in the fond memories of a few ageing locals, in local belles-lettres, and in its streets – still bearing the old names, Afrodite, Bacchus – which now house nothing more exciting than car rental agencies, garages and tyre-repair shops.
But ridding the city of its brothels is one thing and eradicating the visible traces of five centuries of urban history is quite another. What, I wondered, did it do to a city’s consciousness of itself – especially to a city so proud of its past – when substantial sections were at best allowed to crumble away, at worst written out of the record? Had this happened by accident? Could one blame the great fire of 1917 that had destroyed so much of its centre? Or did the forced exchange of populations in 1923 – when more than thirty thousand Muslim refugees departed, and nearly one hundred thousand Orthodox Christians took their place – suddenly turn one city into a new one? Was the sense of urban continuity, in other words, which had so powerfully attracted me to Salonica at the outset, an illusion? Perhaps there was another urban history waiting to be written in which the story of continuity would have to be told rather differently, a tale not only of smooth transitions and adaptations, but also of violent endings and new beginnings.
For there was another vanished element of the city’s past which I was also beginning to learn about. On the drive into town from the airport, I had caught intriguing glimpses of substantial nineteenth-century villas hidden behind rusting railings and overgrown weeds amid the rows of postwar suburban apartment blocks. The palatial three-storey pile in its own pine-shaded estate, now the main seat of the Prefecture, turned out to have been originally the home of wealthy nineteenth-century Jewish industrialists, the Allatinis; this was where Sultan Abdul Hamid had been kept when he was deposed by the Young Turks and exiled to the city in 1909. Along the same road was the Villa Bianca, an opulently outsize Swiss chalet, home of the wealthy Diaz-Fernandes family. On the drive into town, one passed a dozen or more of these shrines to the eclectic taste of its fin-de-siècle elite – Turkish army officers, Greek and Bulgarian merchants, and Jewish industrialists.
Turks and Bulgarians figured prominently in the histories of Greece I had read, usually as ancestral enemies, but the Jews were in general remarkable only for their absence, enjoying little more than a bit-part in the central and all-important story of modern Greece’s emergence onto the international stage. In Salonica, however, it would be scarcely an exaggeration to say that they had dominated the life of the city for many centuries. As late as 1912 they were the largest ethnic group and the docks stood silent on the Jewish Sabbath. Jews were wealthy businessmen; but many more were porters and casual labourers, tailors, wandering street vendors, beggars, fishermen and tobacco-workers. Today the only traces of their predominance that survive are some names – Kapon, Perahia, Benmayor, Modiano – on faded shopfronts, Hebrew-lettered tombstones piled up in churchyards, an old people’s home and the community offices. There is a cemetery, but it is a postwar one, buried in the city’s western suburbs.
Here as elsewhere it was the Nazis who brought centuries of Jewish life to an abrupt end. When Kurt Waldheim, the Austrian politician who had served in the city as an army officer, was accused of being involved in the deportations, I came back to Salonica to talk to survivors of Auschwitz, resistance fighters, the lucky ones who had gone underground or managed to flee abroad. A softly-spoken lawyer stood with me on the balcony of his office and we looked down onto the rows of parked cars in Plateia Eleftherias [Freedom Square] where he had been rounded up with the other Jewish men of the city for forced labour. Two elderly men, not Jewish, whom I bumped into on Markos Botsaris Street, told me about the day the Jews had been led away in 1943: they were ten at the time, they said, and afterwards, they broke into their homes with their friends and found food still warm on the table. A forty-year-old woman who happened to sit next to me on the plane back to London had grown up after the war in the quarter immediately above the old Jewish cemetery: she remembered playing in the wreckage of the graves as a child, with her friends, looking for buried treasure, shortly before the authorities built the university campus over the site. Everyone, it seemed, had their story to tell, even though at that time what had happened to the city’s Jews was not something much discussed in scholarly circles.
A little later, in Athens, I came across several dusty unopened sacks of documents at the Central Board of Jewish Communities. When I examined them, I found a mass of disordered papers – catalogues, memoranda, applications and letters. They turned out to be the archives of the wartime Service for the Disposal of Israelite Property, set up by the Germans in those few weeks in 1943 when more than forty-five thousand Jews – one fifth of the city’s entire population – were consigned to Auschwitz. These files showed how the deportations had affected Salonica itself by triggering off a scramble for property and possessions that incriminated many wartime officials. I started to think about deportations in general, and the Holocaust in particular, not so much in terms of victims and perpetrators, but rather as chapters in the life of cities. The Jews were killed, almost all of them: but the city that had been their home grew and prospered.
The accusation that Waldheim had been involved in the Final Solution – unfounded, as it turned out – reflected the extent to which the Holocaust was dominating thinking about the Second World War. Sometimes it seemed from the way people talked and wrote as though nothing else of any significance had happened in those years. In Greece, for example, two other areas of criminal activity – the mass shootings of civilians in anti-partisan retaliations, and the execution of British soldiers – were far more pertinent to Waldheim’s war record. There were good reasons to deplore this state of cultural obsession. It quickly made the historian subject to the law of diminishing returns. It also turned history into a form of voyeurism and allowed outsiders to sit in easy judgement. I sometimes felt that I myself had become complicit in this – scavenging the city for clues to destruction, ignoring the living for the dead.
Above all, unremitting focus upon the events of the Second World War threatened to turn a remarkable chapter in Jewish, European and Ottoman history into nothing more than a prelude to genocide, overshadowing the many centuries when Jews had lived in relative peace, and both their problems and their prospects had been of a different kind. In Molho’s bookshop, one of the few downtown reminders of earlier times, I found Joseph Nehama’s magisterial Histoire des de Salonique, and began to see what an extraordinary story it had been. The arrival of the Iberian Jews after their expulsion from Spain, Salonica’s emergence as a renowned centre of rabbinical learning, the disruption caused by the most famous False Messiah of the seventeenth century, Sabbetai Zevi, and the persistent faith of his followers who followed him even after his conversion to Islam, formed part of a fascinating and little-known history unparalleled in Europe. Enjoying the favour of the sultans, the Jews, as the Ottoman traveller Evliya Celebi noted, called the city ‘our Salonica’ – a place where, in addition to Turkish, Greek and Bulgarian, most of the inhabitants ‘know the Jewish tongue because day and night they are in contact with, and conduct business with Jews.’
Yet as I supplemented my knowledge of the Greek metropolis with books and articles on its Jewish past, and tried to reconcile what I knew of the home of Saint Dimitrios – ‘the Orthodox city’ – with the Sefardic ‘Mother of Israel’, it seemed to me that these two histories – the Greek and the Jewish – did not so much complement one another as pass each other by. I had noticed how seldom standard Greek accounts of the city referred to the Jews. An official tome from 1962 which had been published to commemorate the fiftieth anniversary of its capture from the Turks, contained almost no mention of them at all; the subject had been regarded as taboo by the politicians masterminding the celebrations. This reticence reflected what the author Elias Petropoulos excoriated as ‘the ideology of the barbarian neo-Greek bourgeoisie’, for whom the city ‘has always been Greek’. But at the same time, most Jewish scholars were just as exclusive as their Greek counterparts: their imagined city was as empty of Christians as the other was of Jews.2
As for the Muslims, who had ruled Salonica from 1430 to 1912, they were more or less absent from both. Centuries of European antipathy to the Ottomans had left their mark. Their presence on the wrong side of the Dardanelles had for so long been seen as an accident, misfortune or tragedy that in an act of belated historical wishful thinking they had been expunged from the record of European history. Turkish scholars and writers, and professional Ottomanists had not done much to rectify things. It suited everyone, it seemed, to ignore the fact that there had once existed in this corner of Europe an Ottoman and an Islamic city atop the Greek and Jewish ones.
The strange thing is that memoirs often describe the place very differently from more scholarly or official accounts and depict a society of almost kaleidoscopic interaction. Leon Sciaky’s evocative Farewell to Salonica, the autobiography of a Jewish boy growing up under Abdul Hamid, begins with the sound of the muezzin’s cry at dusk. Albanian householders protected their Bulgarian grocer from the fury of the Ottoman gendarmerie, while well-to-do Muslim parents employed Christian wet-nurses for their children and Greek gardeners for their fruit trees. Outside the Yalman family home the well was used by ‘the Turks, Greeks, Bulgarians, Jews, Serbs, Vlachs, and Albanians of the neighbourhood.’ And in Nikos Kokantzis’s moving novella Gioconda, a Greek teenage boy falls in love with the Jewish girl next door in the midst of the Nazi occupation; at the moment of deportation, her parents trust him with their most precious belongings.3
Have scholars, then, simply been blinkered by nationalism and the narrowed sympathies of ethnic politics? Perhaps, but if so the fault is not theirs alone. The basic problem – common to historians and their public alike – has been the attribution of sharply opposing, even contradictory, meanings to the same key events. They have seen history as a zero-sum game, in which opportunities for some came through the sufferings of others, and one group’s loss was another’s gain: 1430 – when the Byzantine city fell to Sultan Murad II – was a catastrophe for the Christians but a triumph for the Turks. Nearly five centuries later, the Greek victory in 1912 reversed the equation. The Jews, having settled in the city at the invitation of the Ottoman sultans, identified their interests with those of the empire, something the Greeks found hard to forgive.
It follows that the real challenge is not merely to tell the story of this remarkable city as one of cultural and religious co-existence – in the early twenty-first century such long-forgotten stories are eagerly awaited and sought out – but to see the experiences of Christians, Jews and Muslims within the terms of a single encompassing historical narrative. National histories generally have clearly defined heroes and villains, but what would a history look like where these roles were blurred and confused? Can one shape an account of the city’s past which manages to reconcile the continuities in its shape and fabric with the radical discontinuities – the deportations, evictions, forced resettlements and genocide – which it has also experienced? Nearly a century ago, a local historian attempted this: at a time when Salonica’s ultimate fate was uncertain, the city struck him as a ‘museum of idioms, of disparate cultures and religions’. Since then what he called its ‘hybrid spirit’ has been severely battered by two world wars and everything they brought with them. I think it is worth trying again.4
In the 1930s, the spirit of the Sufi holy man Mousa Baba was occasionally seen wandering near his tomb in the upper town. Even today house-owners sometimes dream that beneath their cellars lie Turkish janissaries and Byzantine necropolises. One reads stories of hidden Roman catacombs, doomed love-affairs and the unquiet souls who haunt the decaying villas near the sea. One hears rumours of buried Jewish treasure guarded by spirits which have outwitted the exorcists and proved themselves too strong for Mossad agents, former Nazis and anyone else who has tried to locate the hidden jewels and gold they protect.
But Salonica’s ghosts emerge in other ways too, through documents and archives, the letters of Byzantine archbishops, the court records of Ottoman magistrates and the hagiographies of the lives and extraordinary deaths of Christian martyrs. The silencing of the city’s multifarious past has not been for lack of sources. Sixteenth-century rabbis adjudicate on long-forgotten marital rows, business wrangles and the tribulations of a noisy, malodorous crowded town. The diary of a Ukrainian political exile depicts unruly Jewish servants drunk in the mud, gluttonous clerics, a whirl of social engagements, riots and plague. Travellers – drawn in ever-increasing numbers by the city’s antiquities, by the partridge and rabbits in the plains outside, by business, art or sheer love of adventure – penned their impressions of a magical landscape of minarets, cypresses and whitewashed walls climbing high above the Aegean. From the late nineteenth century – though no earlier – there are newspapers, more and more of them, in half a dozen languages, and even that rarity in the Ottoman lands – maps. As for the archives, they are endless – Ottoman, Venetian, Greek, Austrian, French, English, American – compiled conscientiously by generations of long-departed foreign consuls. Drawing on such materials, I begin with the city’s conquest by Sultan Murad II in 1430, delineate its daily life under his successors, and trace its passage from the multi-confessional, extraordinarily polyglot Ottoman world – as late as the First World War, Salonican boot-blacks commanded a working knowledge of six or seven languages – to its role as an ethnically and linguistically homogenised bastion of the twentieth-century nation-state in which by 1950, more than ninety-five per cent of the inhabitants were, by any definition, Greek.
The old empires collapsed and nations fought their way into being, identities changed and people were labelled in new ways: Muslims turned into Turks, Christians into Greeks. Although in Salonica it was the Greeks who eventually got their state, and Bulgarians, Muslims and Jews who in different ways lost out, it is worth remembering that elsewhere Greeks too lost out – in Istanbul, for example, or Trabzon, Alexandria and Izmir, where thousands died during the expulsions of 1922. Cities, after all, are places of both eviction and sanctuary, and many of the Greek refugees who made a new home for themselves in Salonica had been forced from their old ones elsewhere.
Similar transformations occurred in cities across a wide swathe of the globe – in Lviv, for instance, Wroslaw, Vilna and Tiflis, Jerusalem, Jaffa and Lahore. Each of these endured its own moments of trauma caused by the intense violence that has accompanied the emergence of nation-states. Was the function of the Israeli Custodian of Absentee Property after 1948, for example, handing out Arab properties to new Jewish owners, very different from that of the Greek Service for the Disposal of Jewish Property founded in Salonica five years earlier? Both systematized the violence of dispossession and sought to give it a more lasting bureaucratic form. Thanks to their activities, the remnants of former cities may also be traced through the trajectories of the refugees who left them. A retiree clipping her roses in a Sussex country garden, an elderly merchant in an Istanbul suburb and an Auschwitz survivor in Indianapolis are among those who helped me by reviving their memories of a city that is long gone.5
By 1950, when this book concludes, Salonica’s Muslims had been resettled in Turkey, and the Jews had been deported by the Germans and most of them killed. The Greek civil war had just ended in the triumph of the anti-communist Right, and the city was set for the rapid and entirely unexpected pell-mell postwar expansion which saw its population double and treble within thirty or forty years. A forest of densely-packed apartment blocks and giant advertising billboards sprouted where in living memory there had been cypresses and minarets, stables, owls and storks. Its transformation continues, and today Russian computer whiz-kids, Ghanaian doctors, Albanian stonemasons, Georgian labourers, Ukrainian nannies and Chinese street pedlars are entering Salonica’s bloodstream. Many of them quickly learn to speak fluent Greek, for the city’s position within the modern nation-state is unquestioned: the story of its passage from Ottoman to Greek hands has become ancient history.
PART 1 The Rose of Sultan Murad
1 Conquest, 1430
Beginnings
BEFORE THE CITY FELL IN 1430, it had already enjoyed seventeen hundred years of life as a Hellenistic, Roman and Byzantine metropolis. Sometimes it had flourished, at others it was sacked and looted. Foreigners had seized it and moved on. Throughout it remained a city whose inhabitants spoke Greek. But of this Greek past, only traces survived the Ottoman conquest. A few Christian survivors returned and saw their great churches turned into mosques. The Hippodrome, forum and imperial palace fell into ruins which gradually disintegrated and slipped beneath the slowly rising topsoil, leaving an invisible substratum of catacombs, crypts and secret passages. In a very different era, far in the future, archaeologists would assign new values to the statues, columns and sarcophagi they found, and new rulers – after the Ottomans had been defeated in their turn – would use them to reshape and redefine the city once more. One thing, however, always survived as a reminder of its Greek origins, however badly it was battered and butchered by time and strangers, and that was its name.
Salonicco, Selanik, Solun? Salonicha or Salonique? There are at least thirteen medieval variants alone; the city is an indexer’s nightmare and a linguist’s delight. ‘Is there really a correct pronunciation of Salonika?’ wrote an English ex-serviceman in 1941. ‘At any rate nearly all of us now spell it with a “k”.’ His presumption stirred up a hornet’s nest. ‘Why Saloneeka, when every man in the last war knew it as Salonika?’ responded a certain Mr Pole from Totteridge. ‘I disagree with W. Pole,’ wrote Captain Vance from Edgware, Middlesex. ‘Every man in the last war did not know it as Salonika.’ Mr Wilks of Newbury tried to calm matters by helpfully pointing out that in 1937 ‘by Greek royal decree, Salonika reverted to Thessaloniki’. In fact it had been officially known by the Greek form since the Ottomans were defeated in 1912.1
It is only foreigners who make things difficult for themselves, for the Greek etymology is perfectly straightforward. The daughter of a local ruler, Philip of Macedon, was called Thessaloniki, and the city was named after her: both daughter and city commemorated the triumph [niki] of her father over the people of Thessaly as he extended Macedonian power throughout Greece. Later of course, his son, Alexander, conquered much more distant lands which took him to the limits of the known world. There were prehistoric settlements in the area, but the city itself is a creation of the fourth-century BC Macedonian state.
Today the association between the city and the dynasty is as close as it has ever been. If one walks from the White Tower along the wide seafront promenade which winds southeast along the bay, one quickly encounters a huge statue of Megas Alexandros – Alexander the Great. Mounted on horseback, sword in hand, he looks down along the five-lane highway [also named after him] out of town, towards the airport, the beaches and the weekend resorts of the Chalkidiki peninsula. The statue rises heroically above the acrobatic skateboarders skimming around the pedestal, the toddlers, the stray dogs and the partygoers queuing up for the brightly-lit floating discos and bars which now circumnavigate the bay by night. It is a magnet for the hundreds who stroll here in the summer evenings, escaping the stuffy backstreets for the refreshment of the sea breeze as the sun dips behind the mountains.
But in 1992, after the collapse of Yugoslavia led the neighbouring republic of Macedonia to declare its independence, Alexander’s Greek defenders took to the streets in a very different mood. Flags proliferated in shop-windows, and car stickers and airport banners proclaimed that ‘Macedonia has been, and will always be, Greek’. Greeks and Slavs did battle over the legacy of the Macedonian kings, and Salonica was the centre of the agitation. In the main square, hundreds of thousands of angry protestors were urged on by their Metropolitan, Panayiotatos [His Most Holy] Panteleimon (known to some journalists as His Wildness [Panagriotatos] for the extremism of his language). The twentieth century was ending as it had begun, with an argument over Macedonia, and names themselves had become a political issue in a way which few outside Greece understood.
The irony was that Alexander himself never knew the city named after his half-sister, for it was founded during the succession struggle precipitated by his death. He had a general called Cassander, who was married to Thessaloniki. Cassander hoped to succeed to the Macedonian throne and having murdered Alexander’s mother to get there, he founded a number of cities to re-establish his credentials as a statesman. The one he immodestly named after himself has vanished from the pages of history. But that given his wife’s name in 315 B C came to join Alexandria itself in the network of new Mediterranean ports that would link the Greek world with the trading routes to Asia, India and Africa.
As events would prove, Cassander chose his spot well. Built on the slope running down to the sea from the hills in the shadow of Mount Hortiatis, the city gave its inhabitants an easy and comforting sense of orientation: from earliest times, they could see the Gulf before them with Mount Olympos across the bay in the distance, the forested hills and mountains rising behind them, the well-rivered plains stretching away to the west. Less arid than Athens, less hemmed in than Trieste, the new city blended with its surroundings, marking the point where mountains, rivers and sea met. It guarded the most accessible land route from the Mediterranean up into the Balkans and central Europe, down which came Slavs [in the sixth century], and Germans [in 1941] while traders and NATO convoys [on their way into Kosovo in 1999] went in the other direction. Its crucial position between East and West was also later exploited by the Romans, whose seven-hundred-kilometre lifeline between Italy and Anatolia, the Via Egnatia, it straddled.
Poised between Europe and Asia, the Mediterranean and the Balkans, the interface of two climatic zones brings Salonica highly changeable air pressure throughout the year. Driving winter rains and fogs subdue the spirits, and helped inspire a generation of melancholic modernists in the 1930s. The vicious north wind which blows for days down the Vardar valley has done more damage to the city over the centuries than humans ever managed, whipping up fires and turning them into catastrophes. A bad year can also bring heavy falls of snow, even the occasional ice in the Gulf: freezing temperatures in February 1770 left ‘many poor lying in the streets dead of cold’; in the 1960s, snowdrifts blocked all traffic between the Upper Town and the streets below. Yet the city also enjoys Mediterranean summers – with relatively little wind, little rain and high daytime temperatures, only slightly softened by the afternoon breeze off the bay.2
This combination of winter rains and summer sunshine makes for intensive cultivation. Apricots, chestnuts and mulberries grow well here, as do grains, potatoes, cucumbers and melons. Fringed now by the Athens motorway, vegetable gardens still flourish in the alluvial plains – ‘our California’, a farmer once happily told me. ‘There is excellent shooting in the neighbourhood,’ noted John Murray’s Handbook in 1854, ‘including pheasants, woodcocks, wildfowl etc.’ Cutting wide loops through the fields the Vardar river to the west runs low in summer, sinuous and fast in the winter months, too powerful to be easily navigable, debouching finally into the miles of thick reedy insect-plagued marshes which line its mouth. All swamp and water, the Vardar plain in December reminded John Morritt at the end of the eighteenth century of nothing so much as ‘the dear country from Cambridge to Ely’. For hundreds of years it emanated ‘putrid fevers’, noxious exhalations and agues which drove horses mad, and manifested themselves – before the age of pesticide – in the ‘sallow cheeks and bloodless lips’ of the city’s inhabitants.3
‘From water comes everything’ runs the inscription on an Ottoman fountain still preserved in the Upper Town. Fed by rivers and rains and moisture rising from the bay, water bathes the city and its surroundings in a hazy light quite different from that of parched Attica, softer, stranger and less harsh, shading the western mountains in grey, brown and violet. After days of cloudy and stormy weather, the Reverend Henry Fanshawe Tozer realized ‘what I had never felt before – the pleasure of pale colours’. Artesian wells are dug easily down to the water table which sits just below the surface of the earth, and there are plentiful springs in the nearby hills. Winter rains have etched beds deep into the soil on either side of the town, torrents so quick to flood that well into the nineteenth century they would carry away a horse and rider, or sluice out the poorly buried bones of the dead in the cemeteries beyond the walls.4
From earliest times, too, fresh water has been channelled through fountains, aqueducts and underground pipes, attracting the rich and the holy, plane trees, acacias and monasteries, where it bubbles to the surface. Archaeologists have traced the remains of the Roman, Byzantine and Ottoman water-mills which dotted the water-courses leading down into the city’s reservoirs. Until the 1930s, villagers on nearby Mount Hortiatis produced ice from water-bearing rocks in the thickly forested slopes above the town, kept it in small pits cut into the hillside and brought it down by donkey into the city each summer. With nearby salteries vital for preserving cod and meat, abundant fish in the bay, partridge, hare, rabbits and tortoises in the nearby plain, and oaks, beech and maple in the hills above, it is not surprising that the city flourished.
Romans
A Hellenistic dynasty gave Salonica birth but it was under the Romans that it prospered. Shrines to Macedonian and Roman rulers intermingled with temples to Egyptian gods, sphinxes and the city’s own special tutelary deities, the mysterious Samothracian Kabirii. They were probably worshipped in the Rotonda, the oldest building still in use in the city, whose holy space has since attracted saints, dervishes and devotees of modern art and jazz. Even before the birth of Christ Salonica was a provincial capital with substantial municipal privileges. Later it became the base of Emperor Galerius himself. By the side of the main road running through town the carved pillars of a massive triumphal arch still commemorate Galerius’s defeat of the troublesome Persians. His own urban ambitions, influenced by Syrian and Persian models, were extensive. Today students sun themselves on the walkways above where his now vanished portico once connected the triumphal arch with an enormous palace and hippodrome. Meanwhile, in what is still the commercial heart of the city, archaeologists have uncovered a vast forum, a tribute to Greco-Roman consumerism, with a double colonnade of shops, a square paved in marble, a library and a large brothel, complete with sex toys, private baths and dining-rooms for favoured clients.
This was, in short, a flourishing settlement of key strategic significance for Roman power in the East. We may find it puzzling that Greeks even today will call themselves Romioi [Romans]. But there is nothing strange about it. The Roman empire existed here too, among the speakers of Greek, and continued to exert its spell long after it had collapsed in the West. Yet we need to be careful, for when Greeks use the term Romios, they do not exactly mean that they are ‘Roman’. Hiding inside the word is the one ingredient which has shaped the city’s complex cultural mix more strongly than any other – the Christian faith. The Ottomans understood the term this way as well: when they talked about the ‘community of Romans’ [Rum millet] they meant Orthodox Christians, not necessarily Greeks; Rum was Byzantine Anatolia; Rumeli the Orthodox Christian Balkans. Until the age of ethnic nationalism, to be ‘Greek’ was, for most people in the Ottoman world, synonymous with belief in the Orthodox Christian faith.
With this Christianization of the Roman Greek world few cities are as closely identified as Salonica. When the Apostle Paul passed through, Christians were merely a deviant Jewish sect, and members of the two faiths were buried side by side. By the late fourth century, however, Christianity had triumphed on its own terms and turned itself into a new religion: the Rotonda had been converted from pagan use, and chapels, shrines and Christian graveyards were spreading with astonishing speed across the city.
The figure who came to symbolize Christ’s triumph in Salonica, eventually outshining even the Apostle himself, was a Roman officer called Dimitrios who was martyred in the late third century AD. A small shrine to him was built alongside the many other healing shrines which studded the area around the forum. After a grateful Roman prefect was cured by his miraculous powers, he built a five-aisled basilica to the saint, which quickly became the centre of a major cult, attracting Jews as well as Christians and pagans. The adoration of Dimitrios swept the city, and by the early nineteenth century – the first time we have a name-by-name census of its inhabitants – one in ten Christians there were named after him.5
Like the other major early Christian shrines – the massive, low-sunk Panayia Acheiropoietos [the Virgin’s Church Unmade by Mortal Hands], the grand Ayia Sofia and the Rotonda itself – Dimitrios’s church shows how deeply the city’s Greco-Roman culture had been impregnated with Christian rituals and doctrines. Although the fire of 1917 caused irreparable damage to the priceless mosaics that line its colonnades, enough has remained following its restoration to illuminate the imperial-Christian synthesis: the saint is shown heralded by toga-clad angelic trumpeters, receiving children, or casting his arms around the shoulders of the church’s founders. Another saint, Sergios, is depicted in a purple chiton with military insignia around his neck. The city’s devoted inhabitants are Christians, but they are also recognisably Romans. Incorporated into the church’s structure is part of the original baths, the place of the saint’s martyrdom, which became a site of pilgrimage in the following centuries. And crowning the pillars which line the nave are marble capitals whose writhing volutes and acanthus leaves, doves, rams and eagles, sometimes taken from earlier buildings, sometimes carved specially for the church, cover the entire range of Roman design in the centuries when Christianity began to take hold of the empire. Byzantium is the name we have given to a civilization which regarded itself, and was regarded by those around it, as the heir to the glories of imperial Rome. Its character was defined by its cultural synthesis of the traditions of Greece, Rome and Christianity, and Salonica was one of its bastions.
Invaders
‘Guarded by God, greatly surpassing every city in Thrace and in all of Illyricum as to variety of wealth’, the city was superbly protected by its towering walls, by its fortress perched commandingly above the bay and even by the spit of land which guarded the entrance to the gulf itself. It needed all the divine protection it could get, however, for through the centuries its riches and location seemed to attract one invader after another. In the sea raid of 904 an assault by Sudanese, Arab and Egyptian soldiers, led by Byzantine converts to Islam, left the city strewn with corpses and thousands of its inhabitants were sold into slavery. But that remained an isolated event, for Macedonia was far from the centre of the long-running Byzantine-Arab land war, and in eastern Europe – unlike in Syria and Anatolia – the men of Christ had almost a thousand more years to proselytize before confronting a serious rival in Islam.
Infinitely more important in the long run than the booty-hunters were the nomadic tribes who found Salonica on their path as they migrated from the central Asian steppes to the verdant lands of Europe. Some passed through before veering off to the north and settling elsewhere. But starting in the mid-sixth century, Byzantine military experts became aware of a new threat – the Slavs. According to the court historian, Procopius, they lived in miserable huts, were often on the move, and went to war mostly on foot and armed only with small shields and javelins.6 Yet despite their poverty and their crude weaponry the Slavs had numbers on their side, and quickly became a serious threat to Byzantine rule. In the late sixth century, they reached the walls of Salonica for the first time, and a huge army gathered on the plains outside the walls.7 Only Saint Dimitrios saved the day: thanks to his inspiration, the defenders suspended curtains below the ramparts to blunt the shock of the missiles hitting the walls, while armed sorties frightened the attackers into retreat. Again and again the Slavs laid siege to the city; each time, Saint Dimitrios, it was said, kept them at bay in a series of miracles which were collected, written down, and re-told over centuries.
The Slav tribes did not disappear. They settled as farmers and traders in villages across Greece and down into the Peloponnese, and the fundamental ethnographic balance between Salonica and its hinterland over the next fourteen hundred years was henceforth established: a predominantly Slavic peasantry cultivated the soil and was kept under the political and economic control of non-Slav elites based in the city.8 But frontiers are places of interaction, and few frontiers were more permeable or symbiotic than that between the Slavs and the Greeks. The former trickled into Salonica, drawn by the seductive power of a Hellenic education and the upward mobility this bought. Only nineteenth-century romantic nationalism turned the permeable boundaries between Slav and Greek into rigidly patrolled national cages.
Moreover, the city did not only take in the Slavs, but it reached out to them too, and converted them, through the Church, into members of its own civilization. It was two brothers from Salonica, Constantine [better known to posterity by his later name, Kyrill] and Methodius, themselves possibly of Slavic descent, who drew up a new alphabet, adapted from Greek, translated the Christian liturgy into Slavic and spread Christ’s message across eastern Europe. The extent of their success was matched only by that with which others were spreading the word of Mohammed in the Middle East. The seeds of their mission were planted in Dalmatia, Hungary, Moravia and Poland; by the end of the ninth century the pagan Bulgars too had been converted. As a result, a version of the Cyrillic alphabet first devised by these two sons of a Byzantine officer from Salonica is taught today in schools from the Adriatic to Siberia.
The Coming of the Ottomans
Over the next six hundred years, the city became a centre of humanistic learning and theological debate. Many new churches were established, turning it into a treasure-house of late Byzantine art. Monasticism spread to the Balkans from Egypt and Syria, and the great foundations of Mount Athos attracted pilgrims, scholars and benefactors to the city as they made the journey to the Holy Mountain just to its east.
Yet amid this cultural ferment, the Byzantine emperors were staggering from crisis to crisis. Ambitious Bulgarian and Serb rulers were – despite their shared Christianity – more of a threat than they were allies. In 1185 Salonica was pillaged by Norman invaders. In 1204, Catholic crusaders – Franks, as they were contemptuously known in the Orthodox world – sacked Constantinople itself and carved up its possessions. In the east, Byzantine power was largely spent. Turkish tribes had moved in from central Asia, and the rise and fall of the Seljuk sultans turned Anatolia into a battleground between competing emirates. That the empire survived at all was owing to the weakness of its enemies, and the judicious bribery of foreign allies.
In the early fourteenth century, however, as Catalan mercenaries, Genoese, Venetians, Serbs and others fought for mastery in the eastern Mediterranean, an entirely new power began the remarkable ascent which would turn it within two hundred years into the greatest force in the world. Osman Ghazi, the founder of the Ottoman dynasty, initially ruled a small emirate on the frontier with Byzantine territory in Anatolia. To his east lay more powerful Muslim emirs, and behind them the mightiest state of all, that of the Mongol khans. By comparison, fighting the fading Greeks was easy. In 1302 Osman defeated a mercenary army sent out by the emperor and by the time of his death in 1326 he had established his capital in the former Byzantine city of Bursa. Feuding between the Byzantine Palaeologues and Cantacuzenes gave his successors their chance in Europe. In 1354 his son Orhan won a foothold at Gallipoli and less than twenty years later the Byzantine emperor Jean V Palaeologue made his submission to his successor Murad I. By the end of the century, Murad’s successor Bayazid I – the Thunderbolt – was styling himself Sultan.
Thanks to the distortive effects of both sixteenth-century Ottoman ideology (when the empire’s rulers were keen to demonstrate the purity of their Sunni credentials, following the conquest of the Arab provinces) and nineteenth-century Balkan nationalism, the character of the early Ottoman state remains poorly understood. The Ottomans were Muslims, but their empire was built as much in Europe as it was in Asia. In fact before the sixteenth century they probably ruled over more Christians than they did Muslims. Their form of Islam was a kind of border religion spread both by warriors dedicated to Holy War, and through religious fraternities which took over Christian shrines, espousing a surprisingly open attitude to Christianity itself. They were in many ways heirs to central Asian Turkic versions of Islam, like that embraced by the Grand Khan Mongha, for whom the religions of his empire ‘are like the five fingers of the same hand’. They followed the Hanafi school of Sunni law, the most tolerant and flexible in relation to non-Muslims, their rulers married Serbian and Greek princesses – which meant that many Ottoman sultans had Christian mothers – and their key advisers and generals were often converts recruited from Byzantine service.9
One historian has recently argued that before the fifteenth century, the empire was actually what he terms a ‘raiding confederacy’, in which the Ottomans joined with several other great families in the search for land and plunder. Ghazi [frontier warrior] Evrenos Bey, the leader of the most feared squad of raiders, was a former Byzantine military commander who converted to Islam. Evrenos acted in a way which suggested he was virtually a junior partner with the Ottoman emirs, and when he spearheaded the Ottoman assault on northern Greece the value of his support was recognized by them with huge grants of land. The fiefdoms his family won in the vicinity of Salonica made them among the largest land-owners in the empire and a dominant force in the city well into the twentieth century. His descendants included Ottoman pashas and Young Turks, and his magnificent tomb was a place of pilgrimage for Christians and Muslims alike.10
The Turks’ attitude to religion came as a pleasant relief to many Orthodox Christians. Held captive by the Ottomans in 1355, the distinguished archbishop of Salonica, Gregory Palamas, was surprised to find the Orthodox Church recognized and even flourishing in the lands under the emir. Prominent Turks were eager to discuss the relationship of the two faiths with him and the emir organized a debate between him and Christian converts to Islam. ‘We believe in your prophet, why don’t you believe in ours?’ Muslims asked him more than once. Palamas himself observed an imam conducting a funeral and later took the opportunity to joust over theology with him. When the discussion threatened to overheat, Palamas calmed it down by saying politely: ‘Had we been able to agree in debate we might as well have been of one faith.’ To which he received the revealing reply: ‘There will be a time when we shall all agree.’11
As Byzantine power waned, more and more Orthodox Christians felt caught between two masters. Faced with an apparent choice between the reviled Catholics (their sack of Constantinople in 1204 never to be forgotten) and the Muslim Turks, many opted for the latter. Written off as an embarrassment by later Greek commentators, the pro-Turkish current in late Byzantine politics was in fact a powerful one for the Ottomans could be seen as protectors of Orthodoxy against the Catholics. The hope for political stability, the desire for wealth and status in a meritocratic and open ruling system, admiration for the governing capacities of the Ottomans, and their evident willingness to make use of Christians as well as Muslims explain why administrators, nobles, peasants and monks felt the allure of the sultans and why many senior Byzantine noble families entered their service. Murad II’s grand viziers were well known for their pro-Christian sympathies; Murad himself was influenced by dervish orders which preached a similarly open-minded stance, and the family sheykh of the Evrenos family was reputed to be a protector of Christians. In the circumstances, it is not surprising why surrender seemed far more sensible an option than futile resistance against overwhelming odds, and why the inhabitants of Salonica themselves were known, according to at least one Byzantine chronicler, as ‘friends of the Sultan’.12
In the second half of the fourteenth century, one Balkan town after another yielded to the fast-moving Ottoman armies; the Via Egnatia fell into their hands, and even the canny monks of Mount Athos submitted. Salonica itself was blockaded for the first time in 1383, and in April 1387, surrendered without a fight. On this occasion, all that happened was that a small Turkish garrison manned the Acropolis. The town’s ruler Manuel Palaeologue had wanted to resist, but he was shouted down by the inhabitants, and forced to leave the city so that they could hand themselves over. Manuel himself paid homage to the emir Murad, and even fought for his new sovereign before being crowned emperor.
Had the city remained uninterruptedly under Ottoman control from this point on, its subsequent history would have been very different, and the continuity with Byzantine life not so decisively broken. Having given in peacefully, Salonica was not greatly altered by the change of regime, its municipal privileges were respected by the new rulers, and its great monastic foundations weathered the storm. The small Turkish garrison converted a church into a mosque for their own use, and the devshirme child levy was imposed – at intervals Turkish soldiers carried off Christian children to be brought up as Muslims – which must have caused distress. But returning in 1393, Archbishop Isidoros described the situation as better than he had anticipated, while the Russian monk Ignatius of Smolensk who visited in 1401 was still amazed by its ‘wondrous’ monasteries. Christians asked the Sultan to intervene in ecclesiastical disputes, bishops relied on the Turks to confirm them in office, and one ‘said openly to anyone who asked that he had the Turks for patriarchs, emperors and protectors.’13
Unfortunately for Salonica, the Byzantine emperor Manuel could not resist taking advantage of the Ottomans’ own difficulties to try to wrest the city back for himself. For in 1402, the Ottoman army suffered the most crushing defeat of its entire history at the hands of the Mongol khan Tamurlane. Sultan Bayazid died in captivity and his defeat led directly to a vicious Ottoman civil war which lasted nearly twenty years. Exploiting the dynasty’s moment of weakness, Manuel got one of the claimants, Suleyman, to marry his daughter, and to agree at the same time to return Salonica to Byzantine rule. Local ghazis like Evrenos Bey were not pleased, but apart from delaying the withdrawal of the Ottoman garrison they could do nothing. But in 1421 a new ruler, the youthful Murad II, fought his way to the throne, and determined to put an end to the confusion and internecine bloodletting which had divided the empire.
The Siege
In 1430 Sultan Murad II was ‘a little, short, thick man, with the physiognomy of a Tartar – a broad and brown face, high cheek bones, a round beard, a great and crooked nose, with little eyes.’ Only twenty-six, he had already established his place in history by restoring the authority of the Osmanlis after the defeat by the Mongols. Hard-living, harddrinking and a keen hunter, he enjoyed the affection of his soldiers and the respect of diplomats and statesmen who encountered him. He was a brilliant warrior, who spent much of his reign building up Ottoman power in the Balkans and Anatolia, but he preferred a life of spiritual contemplation, tried twice to withdraw from the throne, and was eventually buried in the mausoleum he had designed himself at Bursa, a building of austere beauty, with an earth-covered grave open to the skies. The much-travelled Spaniard, Pero Tafur, described him as ‘a discreet person, grave in his looks, and … so handsomely attended that I never saw the like’.14
According to an Ottoman legend, the sultan was asleep in his palace one night when God came to him in a dream and gave him a beautiful, sweet-smelling rose to sniff. When Murad asked if he could keep it, God told him that the rose was Salonica and that he had decreed it should be his.
In fact Murad had set his heart on the city from the start. So far as he was concerned, it was not only a vital Mediterranean port, but belonged to him by right since it had fallen under Ottoman control previously. After 1422 his troops besieged it, and with the hinterland also under his control, there was little the Byzantine emperors could do but watch. The empire itself was dying. The city’s inhabitants invited the Venetians in, thinking they at least would bolster the defences, but the situation went from bad to worse. By 1429, urban life had virtually collapsed, three-quarters of the inhabitants had already fled – many into Ottoman-controlled territories – and only ten thousand remained. Despite occasional Venetian grain convoys, food was scarce. Defenders let themselves down by ropes to join the Turks. Others passed messages saying they wished to surrender: the pro-Ottoman faction within the walls was as powerful as it had ever been, its numbers swelled by Murad’s promises of good treatment if the city gave in.
To the aged Archbishop Symeon, the defeatism of his flock came as a shock. ‘They actually declared they were bent on handing over the city to the infidel,’ he wrote. ‘Now that for me was something more difficult to stomach than ten thousand deaths.’ But angry crowds demonstrated against him. When he invoked the miraculous powers of their patron Saint Dimitrios, and talked about a giant warrior on horseback coming to their aid, they heard nothing but empty promises. God had preserved the city over the centuries, he told them, ‘as an acropolis and guardian of the surrounding countryside’. But the Turks were outside the walls, and the villages and towns beyond were in their hands. Their control of the hinterland had turned the fortified city into a giant prison. Resistance meant certain enslavement. In 1429 Archbishop Symeon died, but the Venetians brought in mercenaries to prevent the defenders capitulating and the siege dragged on until in March 1430 Murad determined to end it. He left his hunting leopards, falcons and goshawks and joined his army before the city.
Combining levies from Europe and Anatolia, his troops gathered outside the walls, while camel-trains brought up siege engines, stone-throwers, bombards and scaling ladders. The sultan took up a position on high ground which overlooked the citadel, and sent a last group of Christian messengers to urge surrender. These got no more favourable response than before. Prompted by the sight of a Venetian vessel sailing into the Gulf, and fearing the garrison was about to be reinforced, Murad ordered the attack to begin.
For two or three days the desperate defenders managed to hold out against the assault troops and sappers. But then Murad galvanized his men. ‘I will give you whatever the city possesses,’ he pledged them. ‘Men, women, children, silver and gold: only the city itself you will leave to me.’ At dawn on 29 March, a hail of arrows ‘like snow’ forced the defenders back from the parapets. Crowds of ghazi fighters, spurred on by the sultan’s words, attacked the walls ‘like wild animals’. Within a few hours, one had scaled the blind side of the Trigonion tower, cut off the head of a wounded Venetian soldier and tossed it down. His fellow ghazis quickly followed him up and threw open the main gates.
The Venetian contingent fought their way to the port and boarded the waiting galleys. Behind them the victorious Turks – ‘shouting and thirsting for our blood’ according to the survivor Ioannis Anagnostes – ransacked churches, homes and public buildings, looking for hidden valuables behind icons and inside tombs: ‘They gathered up men, women, children, people of all ages, bound like animals, and marched them all to the camp outside the city. Nor do I speak of those who fell and were not counted in the fortress and in the alleyways and did not merit a burial,’ continues Anagnostes. ‘Every soldier, with the mass of captives he had taken, hurried to get them outside quickly to hand them over to his comrades, lest someone stronger seize them from him, so that any slave who as he saw from old age or some illness perhaps could not keep up with the others, he cut his head off on the spot and reckoned it a loss. Then for the first time they separated parents from their children, wives from their husbands, friends and relatives from each other … And the city itself was filled with wailing and despair.’15
As ever, Murad followed the customary laws of war. By refusing to surrender peacefully, after they had been given the chance, Salonica’s inhabitants had – as they knew well – laid themselves open to enslavement and plunder. Had they been allowed to follow the path of non-resistance that most of them wanted, the city’s fate might have been less traumatic. A few months later, Ottoman troops went on to besiege the city of Jannina, and their commander, Sinan Pasha, advised the Greek archbishop to surrender peacefully ‘otherwise I will destroy the place to its foundations as I did in Salonica.’ ‘I swear to you on the God of Heaven and Earth and the Prophet Mohammed,’ he went on, ‘not to have any fear, neither of being enslaved nor seized.’ The clergy and the nobility would keep their estates and privileges, ‘rather than as we did in Salonica ruining the churches, and emptying and destroying everything.’ Jannina obeyed and remained an important centre of Hellenic learning throughout the Ottoman period: indeed one of Murad’s generals actually founded a Christian monastery there. Salonica’s fate was very different: ruined and eerily quiet, its streets and buildings lay empty.16 In the Acheiropoietos church the sultan held a victory thanksgiving service. Then he had the building turned into a mosque, and ordered a laconic inscription to be chiselled into a marble column in the north colonnade of the nave. There it survives to this day, and if your eyesight is good enough, you can still make out in the elegant Arabic script: ‘Sultan Murad Khan took Thessaloniki in the year 833 [=1430]’.
2 Mosques and Hamams
The Mightiest War
CENTRES OF TRADE, learning, religious piety and administrative control, cities were essential for the prosperity of the Ottoman lands. Yet as the sultans knew, it is one thing to conquer a city, another to restore it to life. In 1453, Mehmed the Conqueror called the task of reviving Constantinople after its conquest the ‘mightiest war’ compared with which the business of taking it had been merely one of the ‘lesser wars.’ Twenty years earlier his father, Murad, had viewed Salonica in a similar light. The man who for all his military genius was reputed ‘not to love war’, now pondered how to return it to its former glory. No other city in his domain matched its imposing fortifications or its commercial possibilities. It was the key to the Balkans, and the Balkans were fast on their way to becoming the economic powerhouse of his empire. According to Anagnostes: ‘When he saw a city so large, and in such a situation, next to the sea and suitable for everything, then he grieved and wanted to reconstruct it.”1
The first thing he did was to chase out the looters, camp-followers and squatters. ‘The money and slaves which you gained should be enough,’ he told his troops, T want to have the city itself and for this I made many days’ march and tired myself, as you know.’ He began by repairing the damaged walls and ordered the new garrison commander to modernize the fortress. Less than one year later, an inscription above the entrance to the newly built main tower marked the swift completion of the work. ‘This Acropolis,’ it runs, ‘was conquered and captured by force, from the hands of infidels and Franks, with the help of God, by Sultan Murad, son of Sultan Mehmed, whose banner God does not cease to make victorious. And he slaughtered and took prisoner some of their sons, and took their property.’2
Murad’s initial thought was ‘to return the city to its inhabitants and to restore it just as it had been before.’ Anagnostes tells us that he would have liberated all the captives had not one of his senior commanders prevented him. As it was, he personally ransomed members of some of the city’s notable Byzantine families (as was his custom after a siege), and his vassal, the Serbian despot George Brankovich – whose daughter Mara he married a few years later – paid for others. In all, about a thousand Greek ex-prisoners were thus rescued from slavery and returned to their homes. They were joined by refugees who had fled the siege earlier and were now ordered back. Shocked by the scenes of devastation that greeted them, they blamed Archbishop Symeon for having blocked a peaceful outcome to the siege, and some even questioned the powers of St Dimitrios himself. Gradually, the Byzantine caravanseray, public baths, old manufactories, tanneries and textile workshops were brought back to life. The Venetians patched up their relations with the sultan and were allowed to set up a consulate one year after the conquest. But the city was a shadow of its former self, a mere vestige of the flourishing metropolis of forty thousand inhabitants which had existed a decade earlier.
Once Murad realized the extent of its depopulation, he changed his mind and decided to bring in Muslim settlers as well. He handed over many properties to senior officials at his court, and craftsmen, attracted by tax breaks, were resettled from the nearby town of Yannitsa and from Anatolia. Their arrival injected new blood into the urban economy. But it was a major blow to the city’s Christian identity and the Greek survivors were shocked. Salonica, wrote Anagnostes, ‘wore this ugliness like a mourning garment … The hymns to God and the choirs have fallen silent. In their place one hears nothing but alalagmoi [the sounds of Allah] and the noise of the godless who make Satan rejoice. And yet no sign of divine anger has appeared to punish the unbelievers who defiled the churches, made families and houses vanish, looted and destroyed churches and the city.’3
Thousands of the city’s former inhabitants were still enslaved. ‘On numerous occasions we saw Christians – boys as well as unmarried girls, and masses of married women of every description – paraded pitiably by the Turks in long lines throughout the cities of Thrace and Macedonia,’ wrote the Italian merchant-antiquarian Cyriac of Ancona. They were ‘bound by iron chains and lashed by whips, and in the end put up for sale in villages and markets … an unspeakably shameful and obscene sight, like a cattle market.’ (Cyriac’s sorrow did not prevent him buying a young Greek slave and sending her home to his mother’s household). Some converted to Islam in the hope of better treatment; others, yoked to one another by the neck, could be seen begging for alms in the streets of the capital, Edirne, where they were brought to be sold off, or entered the imperial service.4
Yet the Sultan certainly did not intend to wipe out Christianity from the city. It was not only that this would have been economically harmful; it would also have been contrary to Ottoman practice and his own beliefs. In fact, he quickly appointed a new archbishop, Gregorios, and his Serbian Orthodox wife, Mara, herself became a notable benefactor. Churches and monasteries were reconfirmed in their possessions (in one case perhaps, as a malicious fifteenth-century chronicler alleged, because the monks had helped the Turks conquer the town). In keeping with the Muslim custom in cases where towns had been won by force, a few churches were converted into mosques, looted for building materials, turned into private homes or abandoned. But how many were taken over at the start is hard to say. Anagnostes claims that only four remained in Christian hands: yet even after Murad began to bring in Muslims in 1432 many ecclesiastical foundations continued to collect substantial revenues from their estates. After all, there was no point converting churches into mosques if there were not the congregations to use them: the wave of conversion thus followed the slow expansion of the Muslim population. Of the city’s noblest buildings, Ayios Dimitrios was converted into a mosque only in 1491, Ayia Sofia and the Rotonda a century later.5
The real problem for the Christian survivors was not so much the expropriation of places of worship – for scores of them had lain within the walls before the conquest, and enough survived even after 1430 to serve the city’s sharply reduced population – as the lack of priests to run them. Many had fled or were still enslaved. Laymen were still having to chant the hymns in the church of Ayia Paraskevi twenty years after the conquest since, as one local Christian sadly noted, ‘the majority of the clergy and of the others were then still in captivity and this condition prevails up to today.’ Orthodoxy – though recognized by the Ottoman authorities – was scarcely flourishing. ‘One can hear only from the more elderly people,’ wrote Anagnostes after his return from captivity, ‘that such and such a church was here, another one was there, and what the beauty and charms of each had been.’6
As it spread into Europe, Ottoman conquest brought the Islamicization of urban life. The centre of gravity of Balkan Christianity shifted into the rural areas where monasteries, especially in Mount Athos, prospered. The cities were more deeply altered. With the newcomers came their faith, their places of worship and characteristic institutions of their way of life. A few Christians converted to Islam, both before and after the conquest, but it was chiefly through the settlers from Anatolia that Salonica was transformed – in the words of the chronicler Ashikpashazadé – from a ‘domain of idolatry’ to a ‘domain of Islam’. The sounds of Christian worship – the bells, processionals and Easter fireworks – were replaced by the cry of the muezzin, the triumphant processions which celebrated a new conversion, and (later) the firing of guns at Bairam. At Ramadan, the bustle of the markets subsided, and even non-Muslims avoided eating in public, and waited for the sound of the fortress cannon at dusk to mark the onset of the nightly street feasts, parties and Karaghöz shadow puppet shows whose obscenity shocked later travellers. Minarets – spiralling, pointed, multi-coloured or unadorned – dominated the skyline and became landmarks for visitors, lit up during holidays and imperial celebrations. In 1853 the Oxford geographer Henry Tozer saw them each ‘circled by a ring of glittering lamps’; as he sailed away by night ‘they formed a delicate bright cluster, like a swarm of fire-flies on the horizon.’7
Murad’s use of the Ottoman colonization technique of forced resettlement kick-started Salonica’s economy and more than doubled its population within a few years. The first extant Ottoman records, from 1478, show that unlike the Christian population, who were almost entirely descended from pre-conquest families, the Muslims were new arrivals. They were grouped in communities, each with their own place of worship. With a total of twenty-six imams, they had one religious leader for each 166 Muslims, compared with an average of one priest to every 667 Christians. Islam, newly established though it was, was thus far better served than Orthodoxy. If the urban grid – the course of the walls, the main roads, the location of markets – remained recognizably Greco-Roman, the demands of Ottoman power and the Islamic faith were nevertheless changing Salonica’s physiognomy.8
An imperial decree of 14 December 1479 appointing a teacher to a city medrese informs us about the spread of Muslim learning. The appointee, mevlana Qivam ed-Din, was granted a salary of 20 aspers daily and instructed to pray ‘for the continuity of the State’. He was to teach ‘sciences related to religion, to resolve the difficulties of the branches of religious law, the subtleties of the tradition and the truths of the exegesis of the Quran.’ He was not only to give lessons to students, but also to look after their welfare and ensure they were properly fed ‘so that religion finds its glory and learning its splendour and the position of ulema attains the highest degree.’9
Despite the existence of this and other schools, however, Salonica never became a major centre of Muslim piety or learning. It seems to have lacked sufficiently illustrious historical, religious or emotional associations. Its medresas remained relatively small and undistinguished, its mosques never rivalled the soaring masterpieces of Edirne, Bursa and Istanbul – the three imperial capitals – and its mufti [chief religious adviser] was ranked only in the fourth class of the hierarchy, below his colleagues in the empire’s eight leading cities. Was it the vast nearby estates of the Evrenos family which reminded the Ottoman sultans uncomfortably of their early years in partnership, and led them to bestow their favour and money elsewhere? Its Balkan location probably did not help either, since Muslims there felt the presence of an alien Christian hinterland even when they controlled the towns. Mehmed the Conqueror had to remind the Muslims of Rumeli to pray five times a day – an indication that the climate of observance in the Balkans was rather different from that in Anatolia. But elsewhere in the Balkans, the towns themselves at least were emphatically Muslim – 90% of Larissa’s population by 1530, for instance, 61% in Serres, 75% in Monastir and Skopje, 66% in Sofia. In Salonica, on the other hand, Muslims never dominated the city numerically, and slipped from just under 50% to 25% of the population between the mid-fifteenth century and 1530. At the time of the first census of modern times – in 1831 – Salonica had the smallest Muslim population of any major Ottoman city. Yet to outsiders, its Islamic character was immediately evident. The city acquired a sheykh of the ruling Hanafi school of Islamic law, who acted as the chief mufti of the town, and, after the empire expanded into the Arab lands in the sixteenth century, jurists from the other three main schools as well. There were soon more mosques than there were churches, and tekkes [monasteries] were eventually established by the main mystical Sufi orders, nearly one for every neighbourhood. To the seventeenth century geographer Hadji Chalfa, the city was ‘a little piece of Istanbul’.10
Mosques and Vakfs
In modern Salonica, where classical and Byzantine monuments have been shorn of the houses that surrounded them to make them stand out more prominently, one has to search for remains of the early Ottoman years. Most mosques perished in the great fire of 1917 and the surviving minarets were torn down shortly afterwards. Nevertheless, at the busy central junction of Egnatia and Venizelos streets, small shops, a disused cinema, and tourist boutiques still cling to the sides of an elegantly domed mosque, one of the last in the city. Hamza Bey was one of Murad’s military commanders, and his daughter built a small neighbourhood prayer hall in his memory in 1468. But as the city expanded and prospered, Hamza Bey’s mosque grew too: it acquired a minaret [now gone] and a spacious columned courtyard.11
One other fifteenth-century mosque survives, similarly impressive in scale, though in better condition. This is the Aladja Imaret, which peeps out of a gap between rows of concrete apartment blocks above the bus stop on Kassandrou Street. The Aladja complex served as school, prayer-hall and soup-kitchen for the poor and illustrates the way older Muslim architectural forms were reworked by Ottoman builders in territories which lacked any tradition of Islamic architecture. In the original Arabic-Persian type of medrese, or religious school, students and teachers took their lessons in rooms arranged around an open-air courtyard. The Seljuk Turks adapted this model for the harsher conditions of central Anatolia by covering the courtyard with a dome, often adding a small prayer room at the back. Over time, the domed prayer-hall became larger still and was integrated into the main body of the building – the shape chosen by the unknown architect of the Aladja Imaret. A large airy portico runs the length of the façade, and once sheltered refugees and beggars, though it is now abandoned and covered with graffiti. The multi-coloured minaret, ornamented with stones in a diamond pattern, which gave the whole building its name [Aladja = coloured] has long gone, though visitors to the nearby town of Verroia will find a very similar one, half-ruined, in a side-street off the main road. This style of minaret was a last faint Balkan echo of the polychromatic glories of central Asian and Persian Islam whose influence, as the historian Machiel Kiel points out, extended from the towns of Macedonia in the west to the north Indian plains and the Silk Road to the east.12
Fifteenth-century records identify other newly founded mosques by the names of local notables – Sinan Bey, the fisheries owner Mehmed, the teacher Burhan, Mustafa from Karaferiye, the pilgrims Mehmed, Hasan, Ismail, Kemal, Ahmed and the judge Abdullah. Their neighbourhood mosques or mescids must have been relatively humble sites, and the main Friday services for the city were held in ‘Old Friday’ – the name given to the mosque founded by Sultan Murad in the Acheiropoietos Church where he had held his victory service. More substantial foundations, like the Aladja Imaret, usually required the kind of financing affordable only by notables. In this case the benefactor was another of Murad’s commanders, Inegöllü Ishak Pasha, whose illustrious career ended as governor of Salonica. Ishak Pasha spent his fortune on many noble edifices including several mosques, a hamam, a bridge over the Struma river, fountains and a dervish tekke. He was not alone. Koca Kasim Pasha, who started life as slave of an Egyptian scholar, before rising in the imperial civil service to become grand vizier, founded another mosque-imaret in the city. Yakub Pasha, a Bosnian-born vizier renowned both for his poetry and for his victories against the Austrians and Hungarians on the Croat border, endowed a mosque named after himself.
What is striking about these large-scale building projects – especially when compared with western Europe – is the speed of their construction. Often only a few years were necessary for their completion. Such efficiency implied not only plentiful skilled labour and highly developed architectural traditions, but the means to accumulate and concentrate funds for such purposes much more quickly than most European states could manage at this time. The highly centralized nature of Ottoman authority helped, but the real vehicle of urban renewal was the pious charitable foundation known as the vakf.
The vakf was a well-established Muslim institution. By endowing a property with revenues from rents on shops and land, the founder of a vakf relinquished his ownership of the property and its endowments but in return received compensation in the afterlife, and the blessings of later generations. For the tenants of the properties and lands involved, vakf status was no hardship: on the contrary, exempted from the often burdensome irregular state taxes, vakf properties thrived and contributed to the city’s prosperity. For the donor, turning his [or her – the donors included many wealthy women] possessions into a vakf was also a way of ensuring that wealth passed down through the family, since relatives could be nominated as managers and trustees of the foundation, and receive payment. Benefactors spelled out the running of their institutions down to the smallest details – saffron rice and honey on special holidays, a (lavish) evening meal of meat stew with spices and onions, boiled rice and bread for students attending school regularly.13
The imperial family set the example: Murad II himself, despite the distractions of almost incessant campaigning and his focus on the old capital Bursa and the great mosque he was building in Edirne, commissioned the construction of several fountains in the upper town, as well as the great hamam complex on Egnatia. He also repaired the city’s old Roman and Byzantine aqueduct system and settled colonists to look after it. His son, Mehmed the Conqueror, although hostile to the vakf idea in theory because it alienated land and resources from the control of the state, encouraged his viziers to build market complexes and other buildings of public utility. Bayazid II, who wintered in Salonica during his Balkan campaigns at the end of the fifteenth century, erected a new six-domed stone bezesten [market building], for the storage of valuable goods. Still in use across the road from the Hamza Bey mosque, this elegant structure quickly became the centre of commercial life. The sultan endowed it with rents from premises selling perfumes, fruits, halva and sherbet, cloth, slippers, knives and silks, and also used the income to support the mosque he created when he ordered the church of Ayios Dimitrios to be turned over to the faithful in 1492.14
In addition to numerous chapels, schools, soup kitchens and Sufi lodges, vakfs financed the spread of the wells and fountains necessary both for performing ablutions and for keeping the city alive. Public baths were constructed near places of worship and religious study so that people could fulfil their obligation to make sure they were clean before entering the mosque to pray. Murad II built the sprawling Bey hamam as a place to prepare for the city’s main mosque, only a stone’s throw away. Its steam-filled rooms and private suites, where young masseurs pummelled and oiled their clients as they stretched out on the hot stones, were also a place for sexual and social interaction in an urban environment with few public spaces. Bath-attendants always had an ambiguous reputation, but work in the hamam offered access to the powerful and a step onto the ladder of imperial service. Salonica’s Bey hamam, with its separate baths for men and women is one of the outstanding examples of early Ottoman architecture in the Balkans. Until the 1960s, travellers could still wash themselves in what were latterly called the Paradise Baths. Today the constant flows of hot and cold water mentioned by seventeenth-century travellers have dried up, but thanks to the Greek Archaeological Service it is possible to walk through the narrow passages from room to room, and admire the intricacy of its internal decorations, the marble slabs where clients were massaged, and the cool vaulted rooms with their stucco honeycombed muqarnas illuminated only by bright shafts of light which burst through holes cut deep into the domed ceiling.15 Vakfs also fostered trade. In addition to Bayazid’s central market building, and quarters for flour, textiles, spices, furs, cloth and leather goods, there was the so-called ‘Egyptian market’ just outside the gate to the harbour, which (according to one later traveller) contained ‘all the produce of Egypt, linen, sugar, rice, coffee’. Nearby were the city’s tanneries, which were already flourishing by the late fifteenth century. Ship’s biscuit was produced here, and later on coffee-houses and taverns sprang up to cater to the needs of sailors, travellers, camel-drivers, porters and day-labourers. At the heart of this bustling district lay the Abdur-Reouf mosque – ‘a beautiful and most lovely sanctuary, a place of devotion, respite and recovery’ – founded by a mollah of the city, who built it to serve the traders, since there was none other outside the walls, and endowed this too as a vakf. ‘Day and night,’ reports a seventeenth-century visitor, ‘the faithful are present there, because Muslim traders from the four corners of the globe and god-fearing sailors and sea-captains make their prayers in that place, enjoying the view of the ships in the harbour.’16
It is worth pointing out that Christians could form vakfs as well as Muslims and indeed had had a similar institution in Byzantine times. In 1498, the canny monks of the Vlatadon monastery, for example, owned properties throughout the town: they had one shop in the fish market, (next door to that owned by ‘the bey’) as well as another seven nearby, (adjacent to the premises of ‘Kostas son of Kokoris’). They also had three stalls in the candle-makers’ market, and two cobblers’ workshops next to those owned by ‘Hadji Ahmed’ and ‘Hadji Hassan’. They owned cook-shops, wells and outbuildings in the old Hippodrome quarter, water-mills outside the walls, and a vineyard on the slopes of Hortiatis. With the revenues from these, they supported the life of the monastery and acquired yet more properties.17
Further afield, vakfs financed the construction and maintenance of bridges, post-houses, stables, caravanserais and ferries, all of which were essential both for trade and for the speedy military advances through which Ottoman power was projected into south-eastern Europe. Robert de Dreux, a seventeenth-century French priest, was impressed by the khans, hostelries as large as churches, ‘which the Bachas and other Turkish signors build superbly to lodge travellers, without care for their station in life or religion, each one being made welcome, without being obliged to pay anything in return.’ As the key naval, mercantile and military strong-point for the fifteenth-century advance westwards, Salonica benefited from the pacification of the countryside and the consolidation of Ottoman authority along the old Via Egnatia. For the first time in centuries, after the acute fragmentation and instability of the late Byzantine era, a single power controlled the region as a whole.18
Running the City
In the Balkans the Ottomans conquered a region whose cities were already in decline as a result of the political and military instability of the previous centuries. They had, therefore, not only to repopulate them but to reorganize them administratively as well. Salonica itself was brought under the direct control of the sultan and placed by him under the supervision of appointed officers. There was no clear legal or institutional demarcation between the city and its rural hinterland – the same officials were often responsible for both and in contrast to the Romano-Byzantine tradition there was no municipal government in the strict sense. City-based tax farmers controlled the local salteries and city officials were instructed to look after the mines in the Chalkidiki peninsula. Moreover large areas within the walls were given over to vineyards, orchards and pasture, so that the countryside came within the city as well: indeed the Christians who patrolled the sea-walls nightly, as ordered by Murad [in return for tax exemptions] were mostly local shepherds and farmers. Nevertheless, the needs of the urban economy and rhythms of urban life themselves required special attention.19
We lack documents which would show us precisely how Salonica was run in the fifteenth century. But on the basis of what was happening in other provincial towns we have a good idea. There would have been a governor who combined military and urban functions – on the one hand, overall responsibility for the garrisoning of the fortifications, gates, local troop contingents and horses; and on the other, keeping an eye on the local tax officials, especially those who had bought concessions for customs duties, and on the needs of the city in general. The collection of taxes and the running of the market were the Ottoman state’s priorities. It laid out, in enormous detail, the duties to be levied on each good brought into the city, and the governor was supposed to check that these were properly paid. The guardian of the gates examined the produce and animals brought in by farmers and traders. Another official called the muhtesib regulated the buying and selling of ‘all that God has created’. He and his assistants paid weekly visits to the flour market and the slaughter-houses, checking weights and measures and monitoring the price and quality of silver. He also kept an eye on the behaviour of slaves and made sure they prayed regularly, and looked out for any signs of public drunkenness or debauchery. Production itself was organized in trade guilds, some – like the butchers, confined to one religion – others (like the shoe-makers), mixed. In Salonica – unlike many other places – guild members did not cluster together in the same residential areas.
This was a system of multiple legal jurisdictions. The governor and several of his subordinates had powers of arrest and imprisonment. The city’s chief law officer and public notary was the kadi but there was sometimes another judge, subordinate to him, whose remit covered ‘everything that could trouble public order’ – murders, rape, adultery, robberies – crimes which in the Balkans at least were often judged not according to the divine law but ‘on the basis of custom’ or royal decree. For the empire had a triple system of law with the shari’a providing a foundation, the body of customary law – adet – which varied from place to place, and the decrees and regulations issued by the sultan himself – the kanun.20
With no municipal authority to watch over the city, it was up to the governor to organize its policing, fire prevention, sewage disposal and hygiene. Policing came out of the pockets of merchants and local people who paid the pasvant [from the Persian word for nightwatchman] to patrol their neighbourhood. Four hundred years later, visitors to Salonica were still being kept awake by the unfamiliar sound of his metal-tipped staff tapping out the hours on the cobbles as he made his rounds. Householders also paid for rubbish to be collected, and were supposed to be responsible for the condition of pathways outside their homes. Guilds had the responsibility to provide young men for fire duty, but the frequency with which the city was hit by devastating conflagrations was testimony to their ineffectiveness. On the other hand, the water system was surprisingly sophisticated – early travellers commented on the abundance of public wells and fountains – and the flow could be controlled and directed in an emergency to where it was needed.21
Thanks to the survival of a 1478 cadastral register, the third which the conscientious Ottoman scribes had prepared since the conquest (but the first to survive), we have a fairly precise picture of who was living where roughly half a century after the conquest. The pattern of settlement indicates a kind of transition from the Byzantine period to the Ottoman city in its heyday. A total of just over ten thousand people lived there – so the population had recovered at least up to the level it may have been when the Ottoman army burst in – roughly divided between Christians and Muslims, with the former still very slightly in the majority. The Muslims were immigrants and there do not appear to have been many converts from among the Christians, in contrast with some other former Byzantine towns.
The Byzantine past lingered on, and could be discerned in the Greek names which continued to be used for neighbourhoods and districts. The Ottoman scribes faithfully referred to Ayo Dimitri, Ofalo, Podrom [from the old Hippodrome], Ayo Mine, Asomat after the old churches. Even Akhiropit [Acheiropoietos] was used although the church had been converted into a mosque; it would be replaced by a Turkish name only in the next century. Large churches – such as Ayia Sofia – and the Vlatadon Monastery still lived off their estates. The garrison was made up of Ottoman troops, but Christians were assigned the responsibility for maintaining and even manning the sea walls and the towers – an arrangement which another governor in the start of the seventeenth century regarded as a security risk and put an end to. As the details of the Vlatadon monks’ property portfolio show, Muslims and Christians lived and worked side by side, probably because Murad had settled newcomers in the homes of departed or dead Christians. Indeed Christians still outnumbered Muslims in the old quarters on either side of the main street.
Only in the Upper Town – a hint of the future pattern of residence – were Muslims now in the majority. There they enjoyed the best access to water and fresh air. The poor lived in humble single-storey homes whose courtyards were hidden from the street behind whitewashed walls; the wealthy slowly built themselves larger stone mansions with overhanging screened balconies and private wells in their extensive gardens, connected to the city’s water system. Cypresses and plane trees provided shade, and there were numerous kiosks which allowed people to escape the sun and drink from fountains while enjoying the views over the town. The highest officials were granted regular deliveries of ice from Mount Hortiatis, which they used mostly in the preparation of sherbet, one of the most popular beverages. In the eighteenth century if not before, they started painting their houses and ornamenting them with verses from the Qur’an picked out in red.22
Imperial edicts had successfully replenished the city with the trades for which it would shortly become renowned – leather and textile-workers in particular – together with the donkey and camel-drivers, tailors, bakers, grocers, fishermen, cobblers and shopkeepers without which no urban life could be sustained. The city was now producing its own rice, soap, knives, wax, stoves, sherbet, pillows and pottery. Saffron, meat, cheese and grains were all supplied locally. Fish were so plentiful that local astrologers claimed the city itself lay under the sign of Pisces. Scribes provide one badly needed skill; the fifteen hamam attendants – a surprisingly high number at this early date – another. And the presence of merchants, a furrier, a jeweller and a silversmith all indicate the revival of international trade and wealth.
Yet the city was still far from its prime. Many houses had been abandoned or demolished, and great stretches of the area within the walls, especially on the upper slopes, were given over to pasture, orchards, vineyards and agriculture. Two farmers are mentioned in the 1478 register, but many more of the inhabitants tended their own gardens (the word the Ottoman scribe uses is a Slavic one, bashtina, a sign of the close linkage between the Slavs and the land) or grazed their sheep, horses, oxen and donkeys on open ground. Centuries later, when the population had grown to more than 100,000, the quasi-rural character of Salonica’s upper reaches was still visible: Ottoman photographs show isolated buildings surrounded by fields within the walls – the Muslim neighbourhood inside the fortress perimeter was virtually a separate village – while the city’s fresh milk was produced by animals which lived alongside their downtown owners right up until 1920. In fact, most of the time under the sultans there was more meadow within the walls than housing. A Venetian ambassador passed through at the end of sixteenth century and what struck him – despite the ‘fine and wide streets downtown, a fountain in almost every one, many columns visible along them, some ruined and some whole’ – was that the city was ‘sparsely inhabited’.23
Yet not nearly as sparsely in the 1590s as it had been a century earlier. For after 1500 Salonica’s population suddenly doubled, and soared to thirty thousand by 1520, putting pressure on housing for the first time, and necessitating the opening up of a new water supply into the city. The newcomers emanated from an unexpected quarter – the western Mediterranean, where the Spanish monarchs Ferdinand and Isabella were taking Christianization to a new pitch by expelling the Jews from their kingdom. Attracted by Bayazid’s promises of economic concessions and political protection, Spanish-speaking Jews arrived in droves. Some went on to Istanbul, Sarajevo, Safed and Alexandria, but the largest colony took shape in Salonica. By the time the Venetian ambassador passed through, it was a Jewish guide who showed him round, and the Jews of the city were many times more numerous than in Venice itself. Of the three main religious communities contained within the walls – Muslims, Christians and Jews – this last, which had been entirely absent from the population register of 1478, had suddenly become the largest of them all. The third and perhaps most unexpected component of Ottoman Salonica had arrived.
3 The Arrival of the Sefardim
WHEN EVLIYA CHELEBI, the seventeenth-century Ottoman traveller, came to describe Salonica he provided a characteristically fantastic account of its origins. The prophet Solomon – ‘may God’s blessing be upon him’ – had been showing the world to the Queen of Sheba when she looked down and saw ‘in the region of Athens, in the land of the Romans, a high spot called Bellevue’. There he built her a palace ‘whose traces are still visible’, before they moved on eastwards to Istanbul, Bursa, Baalbec and Jerusalem, building as they went, and repopulating the Earth after the Flood. Chelebi ascribes the city’s walls to the ‘philosopher Philikos’ and his son Selanik ‘after whom it is named still’. Later, he says, Jews fleeing Palestine ‘slew the Greek nation in one night and gained control of the fortress’. Hebrew kings did battle with Byzantine princesses, the Ottoman sultans eventually took over, and ‘until our own days, the city is full of Jews’.1
Evliya’s tall tale conveys one thing quite unambiguously: by the time of his visit in 1667–68, the Jews were such an integral part of Salonica that it seemed impossible to imagine they had not always been there. And indeed there had been Jews in the city before there were any Christians. In Byzantine times there were probably several hundred Greek-speaking Jewish families [or Romaniotes]; despite often severe persecution, they traded successfully across the Mediterranean, at least to judge from the correspondence found in the Cairo Genizah many years ago. Shortly before the Turkish conquest, they were joined by refugees fleeing persecution in France and Germany. Whether or not they survived the siege of 1430 is not known but any who did were moved to Constantinople by Mehmed the Conqueror to repopulate it after its capture in 1453, leaving their home-town entirely without a Jewish presence for perhaps the first time in over a millennium. This was why in the 1478 register they did not appear. But then came a new wave of anti-Jewish persecution in Christendom, and the Ottoman willingness to take advantage of this.2
Flight across the Mediterranean
When the English expelled their Jews in 1290, they inaugurated a policy which spread widely over the next two centuries. In 1492 Ferdinand and Isabella’s edict of banishment forced thousands from a homeland where they had known great security and prosperity. Sicily and Sardinia, Navarre, Provence and Naples followed suit. By the mid-sixteenth century, Jews had been evicted from much of western Europe. A few existed on sufferance, while many others converted or went underground as Marranos and New Christians, preserving their customs behind a Catholic façade. The centre of gravity of the Jewish world shifted eastwards – to the safe havens of Poland and the Ottoman domains.3
In Spain itself not everyone favoured the expulsions. (Perhaps this was why a different policy was chosen towards the far more numerous Muslims of Andalucía who were forcibly converted, and only expelled much later.) ‘Many were of the opinion,’ wrote the scholar and Inquisitor Jeronimo de Zurita, ‘that the king was making a mistake to throw out of his realms people who were so industrious and hard-working, and so outstanding in his realms both in number and esteem as well as in dedication to making money.’ A later generation of Inquisitors feared that the Jews who had been driven out ‘took with them the substance and wealth of these realms, transferring to our enemies the trade and commerce of which they are the proprietors not only in Europe but throughout the world.’4
The expulsion of the Jews formed part of a bitter struggle for power between Islam and Catholicism. One might almost see this as the contest to reunify the Roman Empire between the two great monotheistic religions that had succeeded it: on the one side, the Spanish Catholic monarchs of the Holy Roman Empire; on the other, the Ottoman sultans, themselves heirs to the Roman Empire of the East, and rulers of the largest and most powerful Muslim empire in the world. Its climax, in the sixteenth century, pitted Charles V, possessor of the imperial throne of Germany and ruler of the Netherlands, the Austrian lands, the Spanish monarchy and its possessions in Sicily and Naples, Mexico and Peru, against Suleyman the Magnificent who held undisputed sway from Hungary to Yemen, from Algiers to Baghdad. Ottoman forces had swept north to the gates of Vienna and conquered the Arab lands while Ottoman navies clashed with the Holy League in the Mediterranean and captured Rhodes, Cyprus and Tunis, wintered in Toulon, seized Nice and terrorized the Italian coast. The Habsburgs looked for an ally in Persia; the French and English approached the Porte. It was an early modern world war.5
In the midst of this bitter conflict the Ottoman authorities exploited their enemy’s anti-Jewish measures just as they had welcomed other Jewish refugees from Christian persecution in the past. They were People of the Book, and they possessed valuable skills. Sultan Murad II had a Jewish translator in his service; his successors relied upon Jewish doctors and bankers. Those fleeing Iberia would bring more knowledge and expertise with them. In the matter-of-fact words of one contemporary Jewish chronicler: ‘A part of the exiled Spaniards went overseas to Turkey. Some of them were thrown into the sea and drowned, but those who arrived there the king of Turkey received kindly, as they were artisans.’6 The French agent Nicolas de Nicolay noted:
[The Jews] have among them workmen of all artes and handicraftes moste excellent, and specially of the Maranes [Marranos] of late banished and driven out of Spain and Portugale, who to the great detriment and damage of the Christianitie, have taught the Turkes divers inventions, craftes and engines of warre, as to make artillerie, harquebuses, gunne powder, shot and other munitions; they have also there set up printing, not before seen in those countries, by the which in faire characters they put in light divers bookes in divers languages as Greek, Latin, Italian, Spanish and the Hebrew tongue, being to them naturell.7
The newcomers were not enough in numbers to affect the demographic balance in the empire – the Balkans remained overwhelmingly Christian, the Asian and Arab lands overwhelmingly Muslim. But they revitalized urban life after many decades of war.
And of all the towns in the empire, it was Salonica which benefited most. Since 1453, while Istanbul’s population had been growing at an incredible rate thanks to compulsory resettlement and immigration by Muslims, Greeks and Armenians, turning it into perhaps the largest city in Europe, Salonica lagged far behind. Bayezid had been concerned at its slow recovery and had been doing what he could to promote it himself. Did he order the authorities to direct the Jews there? It seems likely, although no such directive has survived. According to a later chronicler, he sent orders to provincial governors to welcome the newcomers. Since Salonica was the empire’s main European port, many were bound to make their way there in any case. As wave after wave of Iberian refugees arrived at the docks, the city grew by leaps and bounds. By 1520, more than half its thirty thousand inhabitants were Jewish, and it had turned into one of the most important ports of the eastern Mediterranean.8
Perhaps only now did the real break with Byzantium take place. In 1478 Salonica was still a Greek city where more than half of the inhabitants were Christians; by 1519, they were less than one quarter. Was it a sign of their growing weakness that between 1490 and 1540 several of their most magnificent churches – including Ayios Dimitrios itself – were turned into mosques? A century later still, if we are to judge from Ottoman records, the number of Christians had fallen further, both in absolute terms and as a proportion of the whole. While Istanbul remained heavily populated by Greeks, local Christians saw Salonica re-emerging into something resembling its former prosperity under a Muslim administration and a largely Jewish labour-force.
Not surprisingly, Greco-Jewish relations were infused with tension. Occasional stories of anti-Jewish machinations at the Porte, long-running complaints that the newcomers paid too little tax, bitter commercial rivalries between Christian and Jewish merchants, the emergence of the blood libel in the late sixteenth century, even the odd riot, assault and looting of Jewish properties following fire or plague – these are the scattered documentary indications of the Greeks’ deep-rooted resentment at the newcomers. It cannot have been easy living as a minority in the city they regarded as theirs. Jewish children laughed at the Orthodox priests, with their long hair tied up in a bun: está un papas became a way of saying it was time to visit the barber. We learn from a 1700 court case that the Greek inhabitants of Ayios Minas were so fed up with Jewish neighbours throwing their garbage into the churchyard, and mocking them from the surrounding windows during holiday services, that they appealed to the Ottoman authorities to get them to stop. The balance of confessional power within the city had shifted sharply.9
For the Jews themselves, a mass of displaced refugees living with other recent immigrants among the toppled columns, half-buried temples and ruined mementoes of the city’s Roman and Byzantine past, this Macedonian port was at first equally strange and alienating. Lost ‘in a country which is not theirs’, they struggled to make sense of forced migration from ‘the lands of the West’. Some were Jews; others were converts to Catholicism. With their families forced apart, many mourned dead relatives, and wondered if their missing ones would ever return or if new consorts would succeed in giving them children to replace those they had lost. The trauma of exile is a familiar refrain in Salonican history. One rabbi was forced to remind his congregation ‘to stop cursing the Almighty and to accept as just everything that has happened.’10
If Europe had become for them – as it was for the Marrano poet Samuel Usque – ‘my hell on earth’, we can scarcely be surprised: Salonica, by contrast, was their refuge and liberation. ‘There is a city in the Turkish kingdom,’ he wrote, ‘which formerly belonged to the Greeks, and in our days is a true mother-city in Judaism. For it is established on the very deep foundations of the Law. And it is filled with the choicest plants and most fruitful trees, presently known anywhere on the face of our globe. These fruits are divine, because they are watered by an abundant stream of charities. The city’s walls are made of holy deeds of the greatest worth.’ When Jews in Provence scouted out conditions there, they received the reply: ‘Come and join us in Turkey and you will live, as we do, in peace and liberty.’ In the experience of the Sefardim, we see the astonishing capacity of refugees to make an unfamiliar city theirs. Through religious devotion and study, they turned Salonica into a ‘new Jerusalem’ – just as other Jews did with Amsterdam, Vilna, Montpellier, Nimes, Bari and Otranto: wrapping their new place of exile in the mantle of biblical geography was a way of coming to feel at home. ‘The Jews of Europe and other countries, persecuted and banished, have come there to find a refuge,’ wrote Usque, ‘and this city has received them with love and affection, as if she were Jerusalem, that old and pious mother of ours.’11
Indeed, only a few devout older people, usually men, were ever tempted to make the journey southeast to Jerusalem itself, even though it formed part of the same Ottoman realm. As in Spain itself, the Jews came to feel – as one historian has put it – ‘at home in exile’ and had no desire to uproot themselves once more, not even when the destination was the Land their holy books promised them. But this home was not only their ‘Jerusalem’; it was also a simulacrum of the life they had known at the other end of the Mediterranean. They worshipped in synagogues named after the old long-abandoned homelands – Ispanya, Çeçilyan [Sicilian], Magrebi, Lizbon, Talyan [Italian], Otranto, Aragon, Katalan, Pulya, Evora Portukal and many others – which survived until the synagogues themselves perished in the fire of 1917. Their family names – Navarro, Cuenca, Algava – their games, curses and blessings, even their clothes, linked them with their past. They ate Pan d’Espanya [almond sponge cake] on holidays, rodanchas [pumpkin pastries], pastel de kwezo [cheese pie with sesame seed], fijones kon karne [beef and bean stew] and keftikes depoyo [chicken croquettes], and gave visitors dulce de muez verde [green walnut preserve]. People munched pasatempo [dried melon seeds], took the vaporiko across the bay, or enjoyed the evening air on the varandado of their home. When Spanish scholars visited the city at the end of the nineteenth century, they were astonished to find a miniature Iberia alive and flourishing under Abdul Hamid.12
For this, the primary conduit was language. As a Salonican merchant, Emmanuel Abuaf, tried to explain in 1600 to a puzzled interrogator of the Pisan Inquisition: ‘Our Jewish youngsters, when they begin from the age of six to learn the Scripture, read it and discuss it in the Spanish language, and all the business and trade of the Levant is carried on in Spanish in Hebrew characters … And so it is not hard for Jews to know Spanish even if they are born outside Spain.’13 In Salonica, there was a religious variant – Ladino – and a vernacular which was so identified with the Jews that it became known locally as ‘Jewish’ [judezmo], and quickly became the language of secular learning and literature, business, science and medicine. Sacred and scholarly texts were translated into it from Hebrew, Arabic and Latin, because ‘this language is the most used among us’. In the docks, among the fishermen, in the market and the workshops the accents of Aragon, Galicia, Navarre and Castile crowded out Portuguese, Greek, Yiddish, Italian and Provencal. Eventually Castilian triumphed over the rest. ‘The Jews of Salonica and Constantinople, Alexandria, and Cairo, Venice and other commercial centres, use Spanish in their business. I know Jewish children in Salonica who speak Spanish as well as me if not better,’ noted Gonsalvo de Illescas. The sailor Diego Galan, a native of Toledo, found that the city’s Jews ‘speak Castilian as fine and well-accented as in the imperial capital’. They were proud of their tongue – its flexibility and sweetness, so quick to bring the grandiloquent or bombastic down to earth with a ready diminutive. By contrast, the Jews further inland were derisively written off as digi digi – incapable of speaking properly, too inclined to the harsh ds and gs of the Portuguese.14
Pulsuz fraqment bitdi.