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Michael Marshall Smith

One Of Us


For Tracey,

sister, friend

and for those who have become invisible:

Sue, Peggie, Betty, Clarice and Mabel

The invisible is the secret face of the visible. M. Merleau-Ponty

Table of Contents

Epigraph

Prologue

Part One - REMtemp

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Part Two - Missing

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Part Three - Becoming Visible

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-one

Thanks to …

About the Author

By Michael Marshall Smith

Copyright

About the Publisher

Prologue

Night. A crossroads, somewhere in deadzone LA. I don't know the area, but it's nowhere you want to be. Just two roads, wide and flat, stretching out four ways into the world: uphill struggles to places that aren't any better, via places which are probably worse.

Dead buildings squat in mist at each corner, full of sleep and quietness. It seems like they lean over above us like some evil cartoon village, but that can't be right. Two-storey concrete can't loom. It's not in its nature. The city feels like a grid of emptiness, as if the structures we have introduced to it are dwarfed by the spaces which remain untouched, as if what is not there is far more real than what we see.

A dog shivers out the end of its life meanwhile, huddled in the doorway of a twenty-four-hour liquor store. The light inside is so yellow it looks like the old guy asleep behind the counter is floating in formaldehyde. When she was younger, the woman would have done something to help the dog. Now she finds herself unable to care. The emotion's too old, buried too deep – and the dog's going to die anyway.

I don't know how long we wait, standing in the shadowed doorway, hiding deep in her expensive coat. She gets through half a pack of Kims, but she's smoking fast and not wearing a watch. It feels like an eternity, as if this corner in the wasteland is all I've known or ever will see; as if time has stopped and sees no compelling reason to start flowing again.

Eventually the sound of a car peels off from the backdrop of distant noise and enters this little world. She looks, and sees a sweep of headlights up the street, hears the rustle of tyre on blacktop, the hum of an engine happy with its job. Her heart beats a little more slowly as we watch the car approach, her mind cold and dense. It isn't even hatred she feels, not tonight or any more. When the cancer of misery has a greater mass than the body it inhabits, it's the tumour's voice you hear all the time. She's stopped fighting it now. All she wants is some peace.

The car pulls up thirty yards along the street, alongside an address she spent two months tracking down, and ended up paying a hacker to find. The engine dies, and for the first time she glimpses the man's face through the dirty windshield. Shadowed features, oblivious in their own world of turning things off and unfastening the seatbelt. Seeing him isn't climactic, and comes with no roll of drums. It just makes us feel tired and old.

He takes an age to get out of the car, leaning across to gather a pack of cigarettes from off the dash. I don't know for sure that's what he's doing, but that's what she decides. It seems to be important to her, and what she feels about this man is far too complex for me to interpret. She is calm, mind whirling in circles so small you can't really see them at all, but her heart is beating a little faster now, and as he finally opens the door and gets out of the car, we start to walk towards him.

He doesn't notice, at first, still fumbling with his keys. She stops a few yards from the car, and he looks up blearily. Drunk, perhaps – though she doesn't think so. He was always too much in control. Probably just tired, and letting it show while there's no-one around to see. He's older, greyer than she was expecting, but with the same slightly hooded eyes. He looks early fifties, trim, a little sad. He doesn't recognize her, but smiles anyway. It's a good smile, and may once have been quite something, but it doesn't reach the eyes any more.

It's about now that the other car first appears, way off down the other road. I didn't notice it the first time, and she never does. She just stares at him, waiting. A generic smile isn't enough. We want him to know who we are. The bond operates in two directions. She cannot break it alone.

‘Help you?’ he asks eventually, peering at her. He stands by the car, back straight. He's not frightened, sees no need to be, but he's beginning to sense this is not a run-of-the-mill encounter. All he sees is a skinny woman in a good coat, a confidence too often used as something to hide behind. But there's something about us which disturbs him, reminds him of someone he used to be.

‘Hello Ray,’ she says, and then nothing else, waiting for him to remember.

Maybe it's something in her face that does it, puts him in mind of a grin long ago. His eyes open wider and some measure of confidence returns, his face relaxing a little. A picture of reliability. They look at each other for a while, but by now my attention is on the sound of the car. I know it's coming, big and silver and fast.

‘It's Laura, isn't it?’ Ray asks eventually. Her name is still there, near the front of his mind. Maybe it always has been, the way his has been in hers. He nods. ‘Yes, it's you.’ He gives a short, bewildered laugh, sticking a cigarette in his mouth. ‘I never forget a face.’ His left eyelid droops slowly, a little uncertainly. He clicks the wheel of his lighter and starts bringing it up to his face.

The wink is like returning to a childhood playground, and finding a swing still rocking as if you had only just this moment climbed down. It's enough.

The first shot goes straight through his left eye, blatting a baseball of shit out of the back of his skull. He's still trying to back away as the next bullet tears through his groin, and as another splashes through most of his throat. But then he's on the ground, legs spastically twitching, as we step forward to stand over him.

The dog watches it all, from its patch by the wall, but it's got problems of its own and Ray's going to die anyway.

She doesn't stop firing until the gun is empty. The body is still by then, and has nothing worth speaking of above the neck. The cigarette alone is almost intact, clamped between lips which look like something out of an autopsy wastebasket. She decides to leave it that way.

I put my hand in her pocket, and pull out another clip. Her hands are trembling a great deal by then, and I think she already knows she has failed. While she's still fumbling to reload, she finally notices the sound of a car hurtling towards her. Her head jerks up.

I know immediately that it's not the cops, and that I've seen the car somewhere before. Laura doesn't. She doesn't know what to think. Her mind is too empty and fractured to make a decision, and her body makes it for her.

We back away, stumbling over our feet and dropping the gun. Then we turn and run, expecting to die and asking only why it has taken so long.

We glance back for an instant, and see the car has pulled to a halt in the middle of the crossroads. The doors are open, and two figures are standing over Ray's remains. The men are of identical height, wear matching light grey suits, and have eyes that don't look right.

One picks up the gun; the other shouts ‘Shit! Shit shit shit!’ in a voice so deep and loud that I wonder how the buildings around us remain standing. He turns slowly towards us, a streetlamp directly behind his head casting a nimbus of yellow light.

We disappear round the corner before he sees us, and run until we fade into black.

PART ONE REMtemp

One

I was in a bar in Ensenada, drinking a warm beer quickly and trying to remind myself that I hadn't murdered anyone, when my alarm clock caught up with me. Little bastard.

Housson's was full to the rafters and noisy as hell, and not just because everyone was talking very loudly. Two local alfalfa barons had come into the bar to celebrate some deal, perhaps a merging of their cash-crop-related dynasties, and an eight-piece mariachi band had joyfully latched onto them and settled in for the night. The rest of the bar was a Jackson Pollock of local colour: seedy photographers trying to charge tourists for pictures, leather-faced ex-pats peering around the place like affronted owls, and Mexicans setting about getting drunk with commendable seriousness. The bar looks like it was last redecorated about forty years ago, by someone who had the more functional end of the Wild West in mind: dusty floorboards, walls painted with second-hand cigarette smoke, chairs stolen from some church hall. The only nod in the direction of decor are the fading sketches of ex-barmen, renowned alcoholics and similarly distinguished local characters which adorn the walls. One of these had already come crashing to the ground, the casualty of a bottle hurled by a disgruntled drunkard, and all in all the atmosphere was just one step short of chaos.

I was tired and my head hurt, and I shouldn't have been there in the first place. I should have been out on the streets, or checking different bars, or even heading back to LA. Anywhere but here. She was nowhere to be seen, and as I hadn't had the time to go to a coincidence dealer before I left LA, I didn't expect her to just wander in. I was still pretty confident the Chicago lead was a deliberate false trail, but didn't have any particularly good reason to believe she'd have run to Ensenada either. I was just there to drink beer and avoid the problem.

The older of the two businessmen looked like he consumed a fair amount of his alfalfa personally, but he'd obviously done a bit of singing in the distant past and was now working steadily through his repertoire, to the delight of the assembled henchmen and underlings. One of these, a slimy little turd I pegged as the accountant son-in-law of one of the principals, was busy eyeing up a group of young local women who were cheerily clapping along at the next table. As I watched I saw him signal to the non-singing baron, who turned and clocked the girls. His smile broadened to the kind of leer which would make a werewolf look bashful and charming, and he beckoned the leader of the band over, more money already in his hand.

I was sitting to one side of a table crammed with tourists, the only seat that had been free when I'd entered over two hours before. The girls were red-faced from the day's sun, and fizzing with Margarita-fuelled bravado; the guys sipping their Pacificos sullenly and panning their eyes around the bar, probably trying to work out which of the locals was going to come and try to steal their women first. I could have told them that it was much more likely to be another American, probably one of the boisterous frat rats who were in town for some damnfool motorcycle race, but I didn't know them and couldn't be bothered. In fact, they were getting on my nerves. The girls were dancing in their seats in that way people do when they're letting themselves off a very short leash, and the nearest one kept banging into my arm and causing me to spill beer and cigarette ash onto jeans which hadn't been that clean when I'd pulled them on two days ago.

When I felt the tap on my shoulder I turned irritably, expecting to see the waiter who was working that corner of the room. I like attentive service as much as the next man, but Christ, there's a limit to how fast a man can drink. In my case that limit is pretty high, and yet this guy was still hassling me well before I'd finished each beer. It was good that the waiter was there, because the only way I could have gotten to the bar was with a chainsaw, but I felt he needed to calm down a little. I was in the middle of deciding to tell him to go away – or at least to do so after he'd brought me another drink – when I realized it wasn't him at all, but a fat American who looked like he'd killed a dirty sheep and glued it to his chin.

‘Fella asking for you,’ he shouted.

‘Tell him to fuck off,’ I said. I didn't know anyone in Ensenada, not any more, and didn't wish to start making new acquaintances.

‘Seems pretty insistent,’ the guy said, and jerked his thumb back towards the bar. I glanced in that direction, but there were far too many people in the way. ‘Little black fella, he is.’

In those parts this could mean the guy was actually black, or an indigenous Mexican Indian. Didn't really make much difference – I still didn't want to talk to him – but it surprised me that my fellow countryman hadn't felt qualified to tell him to fuck off by himself. The guy with the beard didn't look the type to run errands for ethnic majorities.

‘Well then tell him to fuck off politely,’ I snarled into a moment of relative quiet, and turned back to face the mariachi band.

They immediately and noisily embarked on yet another song, which sounded eerily identical to all the others. It couldn't be, though, because it got an even bigger cheer than usual, and the singing businessman clambered unsteadily onto a chair to give it his all. I took a sip of my beer, wishing the waiter would hurry up and hassle me again, and waited with grim anticipation for the alfalfa king to pitch headlong into the table of girls. That should be worth watching, I felt.

Then I became aware of a sound. It was quiet, and barely audible below the baying of voices and barking of trumpets, but it was getting louder.

‘Told him, like you said,’ the American behind me boomed. ‘Didn't take it very well.’

A beeping sound. Almost like …

I closed my eyes.

‘Hap Thompson!’ a tinny voice squealed suddenly, cutting effortlessly through the noise in the bar. Then it went back to beeping, getting louder and louder, before sirening my name again. I tried to ignore it, but it wasn't going to go away. It never does.

Within a minute the beeping was so loud that the mariachi band began turning in my direction. Gradually they stopped playing, the instruments fading out one by one as if their players were being serially dropped off a cliff. I swore viciously and ground my cigarette out in the overflowing ashtray. Heads turned, and a silence descended on the bar. The last person to shut up was the singing businessman. He was now standing weaving on the table with his arms outstretched. He would have looked quite like an opera singer in that moment, had his face not been more reminiscent of a super-middleweight boxer who'd thrown too many fights.

Taking a deep breath, I turned round.

A channel had cleared in the crowd behind me, and I could see straight to the bar. There, standing carefully so as to avoid the pools of spilt beer, was my alarm clock.

‘Oh, hello,’ it said, into the quiet. ‘Thought you hadn't heard me.’

‘What,’ I said, ‘the fuck do you want?’

‘It's time to get up, Hap.’

‘I am up,’ I said. ‘I'm in a bar.’

‘Oh,’ said the clock, looking around. ‘So you are.’ It paused for a moment, before surging on. ‘But it's still time to get up. You can snooze me once more if you want, but you really ought to be out and about by half past nine.’

‘Look, you little bastard,’ I said, ‘I am up. It's a quarter past nine in the evening.’

‘No it isn't.’

‘Yes it is. We've been through this.’

‘I have the time as nine-seventeen precisely–a.m.’ The clock angled itself so that I – and everyone else – could read its display clearly.

‘You've always got the time as a.m.,’ I shouted, standing to point at it. ‘That's because you're broken, you useless piece of shit.’

‘Hey, man,’ said one of the tourists at my table. ‘Little guy's only trying to do his job. No call for language like that.’ There was a low rumble of agreement from nearby tables.

‘That's right,’ agreed the clock, two square inches of injured innocence on two spindly little legs. ‘Just trying to do my job, that's all. Let's see how you like it if I don't wake you up, huh? We know what happens then, don't we?’

‘What?’ asked a woman at the other side of the room, her eyes sorrowful. ‘Does he mistreat you?’ With my jaw clamped firmly shut, I grabbed my cigarettes and lighter off the table and glared at the woman. She stared bravely back at me, and sniffed. ‘He looks the type.’

‘He hits me. He even throws me out the window.’ This was greeted by low mutters from some quarters, and I decided it was time to go. ‘… Of moving cars.’

The crowd stirred angrily. I considered telling them that having a broken AM/PM indicator was the least of the clock's problems, that it was also prone, on a whim, to wake me up at regular intervals through the small hours and thus lose me a night's work, but decided it wasn't worth it. Trust the little bastard to catch up with me in the one bar in the world where people apparently cared about defective appliances. I pulled my jacket on and started shouldering my way through the people around me. A pathway opened up, lined with sullen faces, and I slunk towards the door feeling incredibly embarrassed.

‘Wait, Hap! Wait for me!’

At the sound of the clock's little feet landing on the ground I picked up the pace and hurried out, past the pair of armed policemen moonlighting as guards in the short passageway outside. I clanged through the swing doors at the end, hoping one of them would whip back and catapult the machine back over the bar, and stomped out into the road.

It didn't work. The clock caught up with me, and ran by my side down the street with little puffing sounds of exertion. These were fake, I believed, little sampled lies. If it had managed to track me down from where I'd thrown it out the window (for the last time) in San Diego, a quick sprint was hardly going to wind it.

‘Thanks,’ I snarled. ‘Now everyone in that fucking bar knows my name.’ I swung a kick at it, but it dodged easily, feinting to one side and then scuttling back to face me.

‘But that's nice,’ the clock said. ‘Maybe you'll make some new friends. Not only am I a useful timepiece, but I can help you achieve your socializing goals by bridging the gulf between souls in this topsy-turvy world of ours. Please stop throwing me away. I can help you!’

‘No you can't,’ I said, grinding to a halt. The night was dark, the street lit only by stuttering yellow lamps outside Ensenada's various bars, food rooms and rat-hole motels, and I felt suddenly homesick and alone. I was in the wrong part of the wrong town, and I didn't even know why I was there. Someone else's guilt, my own paranoia, or just because it was where I always used to run. Maybe all three – and it didn't really matter. I had to find Laura Reynolds, who might not even be here, before I got shafted for something I hadn't done, but remembered doing. Try explaining that to a clock.

‘You've barely explored my organizer functions,’ the clock chimed, oblivious.

‘I've already got an organizer.’

‘But I'm better! Just tell me your appointments, and I'll remind you with any one of twenty-five charming alarm sounds. Never forget an anniversary! Never be late for that important meeting! Never …’

This time the kick connected, and with a fading yelp the clock sailed clean over a line of stores selling identical rows of cheap rugs and plaster busts of ET. By the time I was fifty yards down the street the mariachi band was at full tilt again behind me, the businessman's voice soaring clear and true above it, the voice of a man who knew who he was and where he lived and what he was going home to.

I'd arrived in Mexico late the previous evening. That, at least, was when I'd woken to find myself in a car I didn't recognize, stationary but with the engine still running, by the side of a patchy road. I switched the ignition off and got out gingerly, feeling as if someone had hammered an intriguing pattern of very cold nails into my left temple. Then I peered around into the darkness, trying to work out where I was.

The answer soon presented itself, in the shape of the sharply defined geography surrounding me. A steep rock face rose behind the car, and on the other side of the road the hill disappeared abruptly – the only vegetation bushes and gnarled grey trees that seemed to be making a big point of just what a hard time they were having. The air was warm and smelled of dust, and with no city glow the stars were bright in the blackness above.

I was on the old interior road that leads down the Baja from Tijuana to Ensenada, twisting through the dark country up along the hills. There was a time when it was the only road in those parts, but now it's not lit, in bad repair, and nobody with any sense drives this way any more.

Now that I was out of the car I was able to recognize it as mine, and to dimly remember climbing into it in LA much earlier in the day. But this realization faded in and out, like a signal from a television station where the power is unreliable. Other memories were trying to shoulder it aside, clamouring for their time in the spotlight. They were artificially sharp and distinct, and trying to hide this by melding with my own recollections; but they couldn't, because the memories weren't mine and they had no real homes to go to. All they could do was overlay what was already there, like a double exposure, sometimes at the front, sometimes merely tickling like a word on the tip of your tongue.

I walked back to the car and fumbled in the glove compartment, hoping to find something else I knew was mine. I immediately discovered a lot of cigarettes, including an opened pack, but they weren't my brand. I smoke Camel Lights, always have: these were Kim. Nonetheless it was likely that I'd bought them, because the opened pack still had the cellophane round the bottom half. It's a habit of mine to leave it there, which has given my best friend Deck hours of fun taking it off and sneaking it onto the top half of the pack when I'm in the john. The memory of his trademark cackle as I yanked and snarled at a pack after such an incident suddenly bloomed in my mind, grounding me for a moment in who I was.

I screwed up my eyes tightly, and when I opened them again felt a little better.

The passenger seat was strewn with twists of foil and a number of cracked vials, and it didn't take me long to work out why. A long time ago, in a past life, I used to deal a drug called Fresh. Fresh removes the ennui which comes from custom and acquaintance, and presents everything to you, every sight, emotion and experience, as if it's happening for the first time. Part of how it does this is by masking your memories, to stop them grabbing new experience and turning it into just the same old thing. Evidently I'd been trying to replicate this effect with a cocktail of other recreational pharmaceuticals, and had ended up blacking out. On an unlit mountain road, in Mexico, at night.

Great going.

But it had evidently worked, because for the time being I was back. I started the car and pulled carefully back onto the road, after a quick mental check to make sure I was pointing in the right direction. Then I tore the filter off a Kim, lit her up, and headed South.

I only passed one other car along the way, which was good, because it meant I could drive down the middle of the road and stay as far as possible from the precipitous drops which line half the route. This left me free to do a kind of internal inventory, and to start panicking about that instead. Most of the last six hours were missing, along with a number of words and facts. I could recall where I lived, for example – on the tenth floor of The Falkland, one of Griffith's livelier apartment blocks – but not the room number. It simply wasn't available to me. Presumably I'd remember by sight: I hoped so, because all my stuff was in there and otherwise I'd have nothing to wear.

I could remember Laura Reynolds' name, and what she'd done to me. She'd evidently been with me for some of the journey down, in spirit at least: it must have been her who bought the cigarettes, though me who opened the pack. I didn't really know what she looked like, only how she appeared to herself, and I had no idea where she was. I'd probably had a good reason for heading for Ensenada, or at least a reason of some kind – assuming, of course, that it had been me who made the decision. Either way, now I was here it seemed I might as well go on.

I made good time, only having to stop once, while a herd of coffee machines crossed the road in front of me. I read somewhere that they often make their way down to Mexico. I can't see why that would be so, but there was certainly a hell of a lot of them. They came down off the hill in silence, trooped across the road in a protective huddle, and then headed off down the slope in an orderly line, searching for a home, or food, or maybe even some coffee beans.

I reached Ensenada just after midnight, and slept in the car on the outskirts of town. I dreamed of a silver sedan and men with lights behind their heads, but the message was confused and frantic, fear dancing through an internal landscape lined with doors that wouldn't open.

When I woke up more of my head was back in place, and I got it together to contact Stratten, patching the call through my hacker's network so it looked like it came from LA. I said I had a migraine and wouldn't be able to work for a couple days. I don't think he believed me, but he didn't call me on it. I spent the rest of the day fruitlessly searching taco stands and crumbling hotels, or driving aimlessly down rotting streets. By the evening this had led me to an inescapable conclusion.

She wasn't here.

From Housson's I headed straight for the street where I'd left the car. In late afternoon this particular area behind the tourist drag had seemed charmingly authentic. By mid-evening it resembled a do-it-yourself mugging emporium. Knots of alarming locals stood and stared as I passed, their feet wet from the pools of beer, urine or blood which flowed from each of the bars, but I made it back to the car in one piece. It was parked down a cul-de-sac, away from prying eyes, and it was only as I pulled my keys from out of my pocket that I realized shadows were moving on the other side of the street. The light was too patchy for me to tell who it might be, but I didn't want to meet them either way. I'm like that. Not very sociable.

Three men were soon distinguishable, heading towards me. They weren't hurrying, but that wasn't reassuring. Particularly when the glint of a tarnished button confirmed what I already suspected. Cops. Or the local equivalent, which was even worse. Could be they were just out walking their wallets, shaking down the bars; could be they'd just spotted a tourista and wanted to shake me down instead.

Or it could be that their colleagues outside Housson's had passed word to them that someone suspicious had just been hounded out of the bar by a lunatic timepiece, someone whose name had been clearly articulated. There was no reason that name should mean anything to anyone, not unless stuff had happened back in LA that I didn't know about, but I wasn't going to take any chances. I quietly opened the car door and waited, listening to the sound of their boots scuffing on the ragged road surface.

‘Hi,’ I said steadily. ‘What can I do for you guys?’

They didn't reply, but merely looked me up and down, as is the wont of such people. The third cop hung back a little, casting a glance at the licence plate of my car.

‘It's mine,’ I said. ‘The papers are in the glove compartment.’

Too late I remembered what was next to the papers and under a map. A gun. It was mine, licensed, legal – with a serial number and everything – but it would still be a very bad thing to have them find. The Baja Peninsula isn't bandit territory, but it's heading that way. Twenty years ago it had looked as if fleeing Hong Kong money might claw it up into respectability, but the cash had kept on moving, and now the dark country was taking over again, seeping down from the hills and turning the eyes of the people inwards. The cops are very keen that it's them pointing the guns at people, not the other way round.

‘Mr Thompson?’ the middle cop said. I tightened my grip on the door.

‘Yes,’ I replied. There was no point in lying. Any part of my body had it stamped there in amino acids. ‘How'd you guess? I just look like a Thompson, or what?’

‘Someone who sounds like you just had a little trouble in Housson's,’ he said, something that wasn't really a smile moving his lips. ‘With a clock.’

‘Well you know how it is.’ I shrugged. ‘They get on your nerves occasionally.’

‘I couldn't afford such a thing,’ the middle cop said. ‘Mine still runs on batteries.’

‘Probably works properly, then,’ I said, trying to be comradely. ‘And you don't have to feed it.’

‘What are you doing in Ensenada?’ the second policeman asked abruptly.

‘Holiday,’ I said. ‘Few days off work.’

‘What work?’

‘Bar work.’ Used to be true. I've done most things at one time or another. If they wanted to test me on pouring beer and making change they were welcome to it.

They all nodded together. Little, uninterested nods. The fact that this was all so chummy should have made me more relaxed. It didn't. It made me feel tense. No-one had asked me for money. No-one had asked for my papers. No-one was hunting through the cavities of my car for drugs.

So what were they doing? I hadn't done anything, after all. Not really.

Then I heard it. Very quietly at first, the sound of a car approaching in another street. Nothing exceptional about that, of course: I'm familiar with the internal combustion engine and its role in contemporary society. But I couldn't help noticing that the cop in the middle, the one who appeared to be leading this crew, glanced towards the end of the block. I followed his eyes.

Initially there was nothing to see except tourist couples walking hand in hand across the intersection, their blurred voices calling as they pointed out souvenirs to each other. For a moment I had a flash of the first time I came to Ensenada, many years ago. I remembered realizing that every bangle and every rug, every copyright infringement and Day of the Dead vignette, had been stamped out somewhere in a factory and that no-one here was selling anything unique or genuine. Realizing that, and not caring. Spending days eating fish tacos at two for a dollar, loaded high with fixings and chilli, down by the fish market where the world's most disreputable pelicans fought for scraps in a flurry of brown feathers. Cruising in the late afternoon, Country on the car stereo and Indian kids on every street corner, selling subcontracted chiclets to support their mothers' habits. And nights of shadows and distant shouting, patterns of light on water and wood fires in run-down chalets; cold breezes on the rocks at the waterfront, the warmth of someone who loved me.

That's why I used to come back here. To remember those times, and the person I was when they happened.

But the car which slowly moved into position wasn't a beat-up old Ford, and there was no-one in it that I knew. It was a squad car, and that's what the cops around me had been waiting for. It was a trap, either because they knew who I was, or because it was a slow night and they just felt like it. Either way, it was time to go.

I braced my hands against the car door and whipped it out quickly, catching two of the cops in the stomach and sending them stumbling painfully backwards. The remaining cop scrabbled for his holster but I swung a kick at his hands, smacking into his wrist and sending the gun skittering along the pavement. It had been a big night for kicking. Lucky I kept in practice.

The cops in the car down the end saw what was happening, and the vehicle leapt up the street towards me. I jammed the key in the ignition and had my own car moving before I'd even shut the door. There were shouts from the cops behind as I yanked the car round in a tight bend, scattering grit like a line of machine-gun fire, heading straight for the police vehicle.

I kept the car on course, flooring the pedal, but I knew I was going to have to turn. You don't play chicken with the Mexican police. They tend to win. I caught glimpses of tourists watching as I hammered down the road, their mouths falling open as they realized there was local colour in prospect and that the colour was likely to be red.

In the front, the faces of two cops stared back at me through their windshield as they got closer and closer. The passenger looked a little nervous, but one glance at the driver told me what I already knew. If there was going to be a domesticated egg-producing squawker in this confrontation, it sure as hell wasn't going to be him.

At the last minute I yanked the wheel to the right and went caroming off down a side street, narrowly avoiding rolling the car into a storefront. People scattered in all directions as I cursed my luck and tried to work out what I was going to do next. Behind me I heard the scream of tyres as the cops performed an inaccurate U-turn, cracking a few parked cars in the process. I hope everyone had the proper insurance. It's a false economy not to, you know, and there's a place about fifty yards from the border where you almost believe that what you're being sold is worth something. I forget the name, but check it out.

There weren't that many options available to me – you can either leave Ensenada up the coast or down. I figured on going up, but I had to try to convince the cops I was heading the other way. I made a series of hard turns towards the southern end of town – ignoring lights, screaming over the main drag at seventy and in general displaying very little concern for the finer points of road safety. A couple of cars ended up swerving onto the pavement, the drivers shouting after me before they'd even come to a halt. I could see their point, but didn't stop to discuss it.

After a few hectic minutes I couldn't see anyone following me in the mirror, so I made a sudden left and slowed the car right down, pulling in to park neatly between a couple of battered trucks by the side of the road. I edged far enough forward that I could see the crossroads, and then killed the engine. Heart thumping, I waited.

It worked. People don't really expect you to park in the middle of a car chase. They sort of assume you'll keep on driving. After a few seconds I saw the police car go flying over the intersection, but I stayed put a little while longer, wiping the sweat off my palms onto my jeans.

Then I very sedately reversed out of the space and pootled off up the road.

On the way back to the border I tried to call a friend of mine in the Net, a guy called Quat, but there was no reply. I left a message for him to get in touch with me as soon as possible, and then just concentrated on not driving into the sea. I was pretty calm by then, telling myself the Mexican cops had just been fishing, rousting a conspicuous Americano for kicks.

Just outside Tijuana I stopped to get some gas from a run-down place by the side of the road. I could have waited until I got the other side of the border, but the station looked like it needed the business. While the guy was gleefully filling my car up I took the opportunity to throw the remaining packets of Kims in the trash, and get some proper cigarettes at contraband prices.

I also elected to make use of their men's room, which was a questionable decision. The gas station claimed to be under new management, but the toilets were evidently still under some old management, or more probably governed by an organization which predated the concept of management altogether. Possibly the Spanish Inquisition. The smell was bracing, to say the least. Both of the urinals had been smashed, and one of the cubicles appeared to be where the local horses came when they needed to empty their backs. If so, someone needed to introduce them to the concept of toilet paper, and explain where exactly they should sit.

The remaining cubicle was relatively bearable, and I locked myself in and set about what I had to do. My mind was on other things, like what the hell I was going to do when I got back home, when I heard a knock on the door.

‘I'll be out in a minute,’ I said, zipping myself back up. Maybe the guy was just worried he wasn't going to get paid.

There was no answer. I was groping through the same sentence in pidgin Spanish when suddenly I realized it wouldn't be the gas jockey. He had my car keys. I wasn't going anywhere without them.

The knock came again, louder this time.

I looked quickly around, but there was no way out of the cubicle – except, of course, through the door. There never is. Take it from me, if you're ever on the run, a toilet cubicle isn't a great place to hide. They're designed with very little functional flexibility.

‘Who is it?’ I asked. There was no answer.

I had my gun with me, but that was no answer either. I'd like to think I've grown up, but it could just be that I've got more frightened. I was never a big one for firearms, and encouraging situations in which I might get my head splattered across walls had even less appeal than it used to. The gun's little more than a souvenir, and I haven't fired it in anger in four years. I've fired it in boredom, as my old CD player would testify, but that's not really enough. You have to keep in practice at senseless violence, otherwise you forget the point.

Extreme politeness was the only sensible course of action.

So I pulled the gun out, yanked open the door and screamed at whoever was there to get the fuck face down on the floor.

The room was empty. Just dirty walls and the sound of three taps dripping out of unison.

I blinked, and swivelled my head both ways round the room. Still no-one. My eyes prickled and stung.

‘Hi Hap,’ said a voice, from lower than I would have expected. I slowly tilted my head that way, bringing the gun down with my gaze.

The alarm clock waved up at me. It looked tired, and was spattered with mud.

I lost it.

‘Okay, you fuck,’ I shouted hysterically, ‘this is it. Now I'm finally going to blow you apart.’

‘Hap, you don't want to do that …’

‘Yes, I do.’

The clock backed rapidly towards the door. ‘You don't. You really don't.’

‘Give me one good reason,’ I yelled, racking a shell up into the breech and knowing that nothing the machine could come up with would be enough. By now we were back out in the lot, and I was aware of the gas guy standing by the car gaping at us, a smile freezing on his face. Maybe it wasn't fair to take the situation out on a clock, but I didn't care. It was the only potential victim around apart from me, and I was bigger than it was. I was also fading it big time. My temples felt like they were full of ice, and a patch of vision in my right eye was turning grey.

The clock knew that time was running out, and spoke very quickly. ‘I was trying to tell you something down in that smelly place. Something important.’

I aimed right at the AM/PM indicator. ‘Like what? That I have a haircut booked at four?’

‘That I'm good at some things. Like finding people. I found you, didn't I?’

Finger on the trigger, one twitch away from sending the clock to oblivion, I hesitated. ‘So? What are you saying?’

‘I know where she is.’

Two

I got into it the same way as most people, I guess. By accident.

It was a year and a half ago. I was staying the night in Jacksonville, mainly because I didn't have anyplace else to be. At the time it seemed like whenever I couldn't find a road to take me anywhere new, I wound up back in that city, like a yo-yo bouncing back to the hand that threw it away in the first place. I was planning on getting out of Florida the next day, and after my ride set me down I headed for the blocks round the bus station, where everything costs less. Last time I'd worked had been two weeks ago, at a bar down near Cresota Beach, where I grew up. They didn't like the way I talked to the customers. I didn't care for their attitude towards pay and working conditions. It had been a brief relationship.

I walked the streets until I found a place going by the inspiring and lyrical name of ‘Pete's Rooms’. The guy behind the desk was wearing one of the worst shirts I've ever seen, like a painting of a road accident done by someone who had no talent but an awful lot of paint to use up. I didn't ask him if he was Pete, but it seemed a fair assumption. He looked like a Pete. The rate was fifteen dollars a night, Net access in every room. Very reasonable – yet the shirt, unappealing though it was, looked like it had been made on purpose. Maybe I should have thought about that, but it was late and I couldn't be bothered.

My room was on the fourth floor and small, and the air smelled like it had been there since before I was born. I pulled something to drink from my bag, and dragged the room's one tatty chair over to the window. Outside was a fire escape the rats were probably afraid of using, and below that just yellow lights and noise.

I leaned out into humid night and watched people walking up and down the street. You see them in every big city, mangy dogs sniffing for a trail their instincts tell them must start around here someplace. Some people believe in God, or UFOs: others that just round a corner will be the first step on a road towards money, or drugs, or whatever Holy Grail they're programmed for. I wished them well, but not with much hope or enthusiasm. I'd tried most types of MAKE $$$ FAST!!! schemes by then, and they had got me precisely nowhere. Roads that begin just around corners have a tendency to lead you right back to where you started.

Though I grew up in Florida, I'd spent most of the previous decade on the West Coast, and I missed it. For the time being I couldn't go back, which left me with nowhere in particular to be. It felt like everything had ground to a halt, as if it would take something pretty major to get my life started up again. Reincarnation, maybe. It had felt that way before, but not quite so bleakly. It was the kind of situation that could get you down.

So I lay on the bed and went to sleep.

I woke up early the next morning, feeling strange. Spacey. Hollow-stomached, and as if someone had put little scratchy balls of crumpled paper inside my eyes. My watch said it was seven o'clock, which didn't make sense. The only time I see seven a.m. is when I've been awake straight through.

Then I realized an alarm was going off, and saw that the console in the bedside table was flashing. ‘Message’ it said. I screwed my eyes up tight and looked at it again. It still said I had a message. I hit the receive button. The screen went blank for a moment, and then fed up some text.

‘You could have earned $367.77 last night,’ it read. ‘To learn more, come by 135 Highwater today. Quote reference PR/43.’

Then it spat out a map. I picked it up; squinted at it.

$367.77 is a lot of nights' bar tending.

I changed my shirt and left the hotel.

By the time I reached Highwater I was already losing interest. My head felt fuzzy and dry, as if I'd spent all night doing math in my sleep. A big part of me just wanted to score breakfast somewhere and go sit on a bus, watch the sun haze on window panels until I was somewhere else.

But I didn't. I have a kind of shambling momentum, once I'm started. I followed the streets on the map, surprised to find myself getting closer to the business district. The kind of people who spam consoles in cheap hotels generally work out of virtual offices, but Highwater was a wide road with a lot of grown-up buildings on either side. 135 itself was a mountain of black plate glass, with a revolving door at the bottom. Unlike many of the other buildings I'd passed, it didn't have exterior videowalls extolling with tiresome thoroughness the virtues and success of the people who toiled within. It just sat there, not giving anything away. I went in, as much as anything just to find some shade.

The lobby was similarly uncommunicative, and likewise decked out all in black. It was like they'd acquired a job lot of the colour from somewhere and were eager to use it up. I walked across the marble floor to a desk at the far end, my heels tapping in the cool silence. A woman sat there in a pool of yellow light, looking at me with a raised eyebrow.

‘Can I help you?’ she asked, her tone making it clear she thought it was unlikely.

‘I was told to come here and quote a reference.’

I speak better than I look. Her face didn't light up or anything, but she tapped a button on her keyboard and turned her eyes to the screen. ‘And that is?’

I told her, and she scrolled down through some list for a while. ‘Okay,’ she said. ‘Here's how it is. Two options. The first is I give you $171.39, and you go away with no further obligation. The second is that you take the elevator on the right and go up to the 34th floor, where Mr Stratten will meet with you presently.’

‘And you arrive at $171.39 how, exactly?’

‘Your potential earnings less a twenty-five-dollar handling fee, divided by two and rounded up to the nearest cent.’

‘How come I only get half the money?’

‘Because you're not on contract. You go up and meet Mr Stratten, maybe that will change.’

‘And in that case I get the full $367?’

She winked. ‘You're kind of bright, aren't you?’

The elevator was very pleasant. Tinted mirrors, low lights; quiet, leisurely. It spoke of money, and lots of it. Not much happened during the journey.

When the doors opened I found myself faced with a corridor. A large chrome sign on the wall said ‘REMtemps’, in a suitably soul-destroying typeface. Underneath it said, ‘Sleep Tight. Sleep Right.’ I walked the way the sign pointed and ended up at another reception desk. The girl had a badge which said she was Sabrina, and her hair was done up in a weirdly complex manner, doubtless the result of several hours of some asswipe stylist's attention.

I'd thought the girl downstairs was a top-flight patronizer, but compared to Sabrina she was servility itself. Sabrina's manner suggested I was some kind of lower-echelon vermin: lower than a rat, for sure, maybe on a par with a particularly ill-favoured vole, and after thirty seconds with her I felt the bacteria in my stomach start to join in sneering at me. She told me to take a seat, but I didn't. Partly to annoy her, but mainly because I hate sitting in receptions. I read somewhere it puts you in a subordinate position right off the bat. I'm great at the pre-hiring tactics – it's just a shame it goes to pieces afterwards.

‘Mr Thompson, good morning. I'm Stratten.’

I turned to see a man standing behind me, hand held out. He had a strong face, black hair starting to silver on the temples. Like any other tall middle-aged guy in a sober suit, but more polished: as if he was a release-standard human instead of the beta versions you normally see wandering around. His hand was firm and dry, as was his smile.

I was shown into a small room off the main corridor. Stratten sat behind a desk, and I lounged back in the other available chair.

‘So what's the deal?’ I asked, trying to sound relaxed. There was something about the guy opposite which put me on edge. I couldn't place his accent. East Coast somewhere, probably, but flattened, made deliberately average – like an actor covering his past.

He leaned forward and turned the console on the desk to face me. ‘See if there's anything you recognize,’ he said, and pressed a switch. The console chittered and whirred for a moment, and flashed up ‘PR/43 @ 18/5/2016’.

The screen bled to black, and then faded up again to show a corridor. The camera – if that's what it was – walked forward along it a little way. Drab green walls trailed off into the distance. On the left-hand side was another corridor. The camera turned – and showed that it was exactly the same. Going a little quicker now, it tramped that way for a while, before making another turn into yet another identical corridor. There didn't seem to be any shortage of corridors, or of new turnings to make. Occasional chips in the paint relieved the monotonous olive of the walls, but other than that it just went on and on and on.

I looked up after five minutes to see Stratten watching me. I shook my head. Stratten made a note on a piece of paper, and then typed something rapidly on the console's keyboard. ‘Not very distinctive,’ he said. ‘I don't think the donor's very imaginative. And you lose a great deal, just getting the visual. Try this.’

The picture on the screen changed, and showed a pair of hands holding a piece of water. I know ‘piece of water’ doesn't make much sense, but that's what it looked like. The hands were nervously fondling the liquid, and a quiet male voice was relayed from the console's speaker.

‘Oh, I don't know,’ it said, doubtfully. ‘About five? Six and a half, maybe?’

The hands put the water down on a shelf, and picked up another bit. This water was a little smaller. The voice paused for a moment, then spoke more confidently. ‘Definitely a two. Two and a third at most.’

The hands placed this second piece down on top of the first. The two bits of water didn't meld, but remained distinct. One hand moved out of sight and there was a different sound then, a soft metallic scraping. That's when I got my first twitch.

Stratten noticed. ‘Getting warmer?’

‘Maybe,’ I said, leaning to get a closer look at the console. The point of view had swivelled slightly, to show a battered filing cabinet. One of the drawers was open, and the hands were carefully picking up pieces of water – which I now saw were arrayed all around, in piles of differing sizes – and putting them one by one into different drop files. Every now and then the voice would swear to itself, take out one of the pieces of water and return it to a pile – not necessarily the one it had originally come from. The hands started moving more and more quickly, putting water in, taking water out, and all the time there was this low background noise of the voice reciting different numbers.

I stared at the screen, losing awareness of the office around me and becoming absorbed. I forgot that Stratten was even there, and it was largely to myself that I eventually spoke.

‘Each of the pieces of water has a different value, not based on size. Somewhere between one and twenty-seven. Each drawer in the filing cabinet has to be filled with the same value of water, but no-one told him how to figure out how much each piece is worth.’

The screen went blank, and I turned my head to see Stratten smiling at me. ‘You remember,’ he said.

‘That was the dream I had just before I woke up. What the fuck's going on?’

‘We took a liberty last night,’ he said. ‘The proprietor of the hotel you stayed in has an arrangement with us. We subsidize the cost of his rooms, and provide the consoles.’

‘Why?’ I reached unthinkingly into my pocket and pulled out a cigarette. Instead of shouting at me or pulling a gun, Stratten simply opened a drawer and gave me an ashtray.

‘We're always looking for new people, people who need money and aren't too fussy about how they get it. This is the best way we've found of locating them.’

‘Great, so you found me. And so?’

‘I want to offer you a job as a REMtemp.’

‘You're going to have to unpack that for me.’

He did. At some length. This is the gist:

A few years previously someone had found a way of taking dreams out of people's heads in real time. A device placed near the head of a sufficiently well-off client could keep an eye out for electromagnetic fields of particular types, and divert the mental states of which they were a function out of the dreamer's unconscious mind and into an erasing device. The government wasn't keen on the idea, but the inventors had hired an attorney trained in Quantum Law, and no-one was really sure what the legal position was any more. ‘It depends’ was as near as they could get.

In the meantime a covert industry was born.

The obvious trade was in nightmares, but they don't happen very often, and clients balked at buying systems which they only needed every couple of months. They'd only pay on a dream-by-dream basis, and the people who'd developed the technology wanted more return on their investment. Also, nightmares aren't usually so bad, and if they are, they're generally giving you information you could do with knowing. If you're scared crapless about something, there's often a good reason for it.

So gradually the market shifted to anxiety dreams instead. Kind of like nightmares, but not usually as frightening, these are the dreams you get when you're stressed, or tired, or fretting about something. Often they consist of minute and complex tasks which the dreamer has to endlessly go through, not really understanding what they're doing and constantly having to restart. Then just when you're starting to get a grip on what's going on, you slide into something else, and the whole cycle starts again. They usually commence just after you've gone to sleep – in which case they'll screw up your whole night – or in the couple of hours before waking. Either way you wake up feeling tired and worn out, in no state to start a working day when it feels like you've already just been through one.

Anxiety dreams are much more frequent than nightmares, and tend to affect precisely the kind of middle and high management executives who were the primary market for dream disposal. The guys who owned the technology changed their pitch, rewrote the copy in their brochures, and started making some serious money.

But there was a problem.

It turned out that you couldn't just erase dreams. That wasn't the way it worked. Over the course of eighteen months the company started getting more and more complaints, and in the end they worked out what was going on.

When you erase a dream, all you destroy is the imagery, the visuals which would have played over the dreamer's inner eye. The substance of the dream, an intangible quality which seemed impossible to isolate, remains. The more dreams a client has removed, the more this substance is left behind: invisible, indestructible, but carrying some kind of weight. It hangs around in the room the dream has been erased in, and after thirty or so erasures it gets to the point where the room becomes uninhabitable. It's like walking into a thunderstorm of competing subconscious impulses – absolutely silent but impossible to bear. After a few weeks, the dreams seem to coalesce still further, making the air so thick that it becomes impossible to even enter the room at all.

Unfortunately, the kind of client who could afford dream disposal was exactly the type who was turned on by litigation. After the company had swallowed a few huge out-of-court settlements on bedrooms which were now impassable, they turned their minds to finding a way out of the problem. They tried diverting the dreams into storage data banks, instead of just erasing them. This didn't work either. Some of the dream still seeped out of the hard disks, regardless of how air-tight the casing.

Then finally it clicked. The dreams weren't being used up. Maybe if they were …

They gave it a try. A client's transmitting machine was connected to a receiver placed near the bed of a volunteer, and two anxiety dreams were successfully diverted from the mind of one to the other. The client woke up nicely rested and full of vim, ready for another hard day in the money mines. The volunteer had a shitty night of dull dreams he couldn't quite remember, but was paid for his troubles.

No residue was left in the room. The dream was gone. The cash started flowing again.

‘And that's what you did to me last night?’ I asked, a little pissed at having my mind invaded.

Stratten held up his hands placatingly. ‘Trust me, you'll be glad we did. People have varying ability to use up other people's dreams. Most can handle two a night without much difficulty, three at the most. They get up feeling ragged, and drag themselves through the day. Usually they only work every other night – but they still make eight, nine hundred dollars a week. You're different.’

‘How's that?’ I knew this was most likely a stroke, but didn't care. They didn't come along that often.

‘You took four dreams last night without breaking sweat. The two you've just seen, and another two – one of which was so boring I can't bear to even watch just the visuals. You could probably have taken a couple more. You could make a lot of money.’

‘How much is a lot?’

‘We pay according to dream duration, with additional payments if they're especially complex or tedious. Last night you erased over three hundred dollars' worth – and that doesn't factor in a bonus for the dullest one. Depending how often you worked, you could be earning between two and three thousand dollars. A week.’ He closed the pitch. ‘And we pay cash. Dream disposal is still in an unstable state with regard to legality, and we find it more convenient to obfuscate the nature of our business to some of the authorities.’

He smiled. I smiled back.

Three thousand dollars is an awful lot of bar tending.

It wasn't a difficult decision.

I signed a non-disclosure contract. I was leased a receiver, and had it explained to me. Basically I could go anywhere in the continental United States, as long as I kept the machine within six feet of my head while I was asleep. I didn't have to go to bed at any particular time, because the dreams booked to me were just spooled into memory. As soon as the device sensed I was in REM sleep it fed the backlog into my head. When I got up in the morning my nightwork would be there on the screen like a list of email messages: how long the dreams had been, when they started and finished, and whether they qualified for bonus payment or were just hack work.

And at the bottom of the list, the good news. A figure in dollars. I found I could take six or seven dreams a night without too much difficulty. Some days I'd be groggy and find it difficult to concentrate on anything more complex than smoking, but when that happened I'd just take the following night off.

After six months I was recalled to REMtemps' offices and asked if I'd like to volunteer for a higher proportion of bonus dreams. I said ‘Hell, yes’, and my earnings took another jump upwards. I met a hacker called Quat in the Net, and hired him to write me a daemon which would circulate my earnings around a variety of virtual accounts: every now and then the IRS or some other ratfink would close in on one of them, but when that happened I'd just swallow the loss and keep the rest of it on the move. I also paid him a lot of money to erase a particular incident from the LAPD's crimebank, which meant I could go back to California.

Pulsuz fraqment bitdi.

15,93 ₼
Yaş həddi:
0+
Litresdə buraxılış tarixi:
27 dekabr 2018
Həcm:
381 səh. 2 illustrasiyalar
ISBN:
9780007325337
Müəllif hüququ sahibi:
HarperCollins

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