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Matt Beaumont
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Staying Alive
Matt Beaumont

HarperCollinsPublishers

For Sam, spaceman of the future

Table of Contents

Cover Page

Title Page

Dedication

nov.

one: like on the telly?

two: nobody died

three: fifteen weeks, four days and an indeterminate number of hours

four: fancy that. outposts of the nhs that examine nothing but balls

five: you’ve been wanking, haven’t you?

six: it’s kind of personal

seven: i have done this before, you know. that’s why i keep my nails short

eight: absolutely dandy

nine: i said run!

ten: trance is the bollocks

eleven: three words

dec.

one: thoffy, thakki

two: you work in advertising. you earn more in a week than the average filipino takes home in a year. what do you know about crisis?

three: they asked me to feed their fish

four: i promise

five: the pharmaceutical industry is mired in the shite with the arms dealers and big tobacco, murray. they’re little better than a mob of sallow-faced pushers outside a wee kiddies’ playground and it depresses the hell out of me

six: two jacuzzis (!!)

seven: back in the land of the living

eight: you risked a criminal record for a garlic crusher?

nine: yoo berra gerrootta thuh fookin ruhrd

ten: do smack, rob banks, screw everyone

eleven: out of the silo

twelve: ze vacky guys behint our vunderful adwertisements

thirteen: i still want us to be

fourteen: who’s mona?

fifteen: the best way forward for humankind: mutant antlers or giant lobster claws?

sixteen: as if

seventeen: things

eighteen: he ain’t worth it

nineteen: i know where i can get one

twenty: whoops-a-fucking-daisy

twenty-one: it’s gonna be chocker with dusky totty

twenty-two: i won’t sink

twenty-three: why couldn’t he have met a nice spanish girl?

twenty-four: i won’t say it

jan.

one: mike said why didn’t they put a sainsbury’s there? something to benefit the whole community

two: poor megan

three: i’m fine

four: call me completely crazy but i think a byzantine theme might work in here

five: please don’t jump

six: exquisite

seven: you’re a dead bloody cert, chief

eight: like lena zavaroni

neuf

ten: it’s the fucking pig bin

eleven: bermuda? barbados? somewhere hot beginning with b

twelve: you should get some west and welaxation. spend time wecupewating

thirteen: this isn’t a suntan. it’s teflon

fourteen: i love you

fifteen: in this world there’s two kinds of people, my friend. those with loaded guns and those who dig

sixteen: he likes his peace and quiet

mar.

do you know what today is?

Acknowledgments

About The Author

Other Books By

Copyright

About the Publisher

nov.

one: like on the telly?

monday 3 november / 10.05 a.m.

I point the camera at…

Sophie Dahl’s prone and virtually naked body.

The dawn-lit terraces of Machu Picchu, high in the Andes.

Elvis/Lennon/Tupac as he emerges from a cave deep in the Hindu Kush.

None of the above, actually. They’re there to make me seem big and clever.

The truth now.

I point the camera at a multi-pack of Schenker Alpenchok bars. I angle it carefully—experience has taught me to do this to avoid catching the glare from the fluorescent tubes that line the rim of the Safeway freezer display. Hell, am I good at this? The box shows Heidi patting a cow on the foothills of the Matterhorn. She beams at me through the viewfinder—a big happy-dairy-girl smile.

Exude sexy ice-creaminess, baby…Mmm, yeah, that’s working for me big ti—

Something crashes into my thigh. A shopping trolley, the type that hitches up to an electric wheelchair to make the HGV menace of supermarket aisles. I should know; I’ve been dead-legged by enough of them. An old lady is at the controls. A lime-green hat sits on her head. It’s shaped like a turban and makes her look like the Mekon—as if Dan Dare’s archenemy just popped into Safeway for baked beans, loin chops and loo roll. ‘What’ve you done with the frozen veg?’ she snaps.

‘I’m sorry, I don’t work here,’ I reply, rubbing the fresh bruise.

‘You lot keep messing with the freezers and I can’t find anything.’ She scrutinises my lapel for a badge proclaiming name and rank.

‘Really, I don’t work here,’ I protest. ‘If you ask—’

‘What are you doing, then?’ she says, spotting the camera. ‘You shouldn’t be taking pictures. You’re a spy, aren’t you? You’re from Tesco.’

‘No, I’ve got permission…I work for an advertising agency.’

My trump card, though I don’t produce it as if it’s the ace of spades—more like the three.

‘Adverts? Like on the telly?’ She sounds impressed.

I nod. And smile—it’s rare that I impress anyone with my career choice.

‘I’ve been wanting to have a word with you,’ she says, her eyes narrowing. ‘I saw your one for the funeral plan. I signed up, but I’m still waiting for my free carriage clock. It’s been weeks now.’

‘I—We don’t do that one,’ I explain.

‘Oh, you’re ever so charming when you want to sell us something, but the minute you’ve got us you don’t want to know,’ she spits.

My mobile vibrates against my hip and I pull it gratefully from my pocket. The Mekon looks on with distaste. ‘They cause cancer, you know,’ she says. Then she hits the throttle, running over my foot with her wheelchair’s solid rubber tyre and trundling off into the fluorescent Safeway sunset—taking no prisoners in the quest for world domination/frozen peas. I look at the phone display. Maybe it’s Sophie Dahl’s people calling to tell me her body is prone, very nearly naked and waiting aquiver for my camera’s attentions.

Funnily enough, no. It’s work.

‘Hi, Jakki,’ I say.

‘What are you doing?’

‘Getting grief about a funeral plan.’

‘You what?’

‘Never mind. What’s up?’

‘You’d better get back here. Niall’s having a shitfit. You’ve fucked up, apparently,’ Jakki tells me. ‘Something to do with invoices. Don’t ask me to explain. He wants to see you.’

‘Well, he wants me to do store checks in five different supermarkets before tomorrow’s meeting as well. Which is it to be?’

‘It’s serious. You’d better come back…’

‘OK.’

‘But don’t come without the ice-cream shots.’

Silence, but only because I’m stifling a sneeze.

‘You all right, Murray?’

‘I’m coming down with something, you know.’

‘Got the sniffles? You’re such a wuss,’ she laughs.

‘Am not.’

Sitting behind her desk manning the phones and diaries she has no concept of what it’s like out here in the field. Every time I head for the supermarket freezers I risk death from hypothermia. I’m the Captain bloody Oates of advertising.

I end the call and as I re-aim the camera at the ice-cream display, the sneeze finally explodes. Definitely coming down with something. I look through the viewfinder and wonder if the Schenker Foods brand group will spot the shiny glob of snot on Heidi’s embroidered bodice.

two: nobody died

tuesday 4 november / 11.15 a.m.

I’m sitting in a conference room on the seventh floor of the Canary Wharf Tower, wondering how I’d like to die…

1. Peacefully, boringly in my sleep…

God, that is so me.

2. Surrounded by loved ones as I utter some carefully chosen, though seemingly spontaneous last words: Megan…Forgive her for she knew not what she…uuugggghhhhhh…

3. Alternatively (and, let’s be honest, more likely): Nurse…is it time for my enem…uuuugggggghhhhhhhh…

That’s the trouble with final words. Timing. Surely the hard part is catching that moment when there’s just enough breath left to squeeze out the ultimate sentence. With all the distractions of being terminal—pain, drugs, tubes, iron lungs and whatnot—the chances are you’d miss your cue. But that’s not the worst that could happen. No, imagine coming out with your killer epilogue and then…you don’t die. You linger. Maybe for hours. Or days. Picture the awkwardness. Lying there knowing what they’re thinking: ‘Well, he’s delivered his punchline. He should at least have the manners to get off the stage.’ No, best keep it zipped.

Where was I?…Meeting. Seventh floor. Canary Wharf Tower. Wondering how I’d like to…

4. Beneath several tons of sub-standard Stalin-era concrete, seconds after having pulled newborn triplets and their mother from the rubble of a collapsed apartment building, making me:

1 a Hero of the People in post-quake Uzbekistan.

2 a Millstone of Guilt around the neck of Megan Dyer as she watches the news coverage. Tough—the burden is something she’ll have to learn to live with.

5. At the controls of a 747, having wrested them from the grasp of a bug-eyed Arab before banking the jet inches clear of the Canary Wharf Tower as its paralysed occupants look on with unutterable gratitude.

6. No, no, no. At the controls of a 747 as I plunge it into the Canary Wharf Tower whose paralysed occupants look on with this final thought flashing through their brains: Is that Murray Colin in the cockpit?

Silly. I don’t like flying. I’m not exactly phobic, but every time I climb aboard I have to work hard to banish visions of the jet plummeting into, say, a tall building. Therefore:

7. Nothing that involves heights.

8. Or depths. Diving, submarines, stuff like that. I may be poor at altitude, but I am flat-out terrified of slowly running out of breathable air while being trapped at the bottom of—

I can’t think about that one without breaking into an icy sweat. Change the subject, Murray, change the bloody subject.

9. From a spectacularly massive coronary—‘My God,nurse, his heart literally burst!’—while my body is entwined with:

1 Megan Dyer’s

2 Megan Dyer’s

3 Betina Tofting’s, whose thigh—as she allows her skirt to ride up it—looks alarmingly similar to Megan Dyer’s.

Betina catches me gazing at her legs and yanks at her hem. Feeling shabby, I look away at Niall Haye circling his telescopic pointer around the phrase ‘ Consumer expectation/Taste delivery synchronicity’.

‘I’d like now to discuss the crucial point at which the consumer and the brand interface,’ my boss says, turning from the screen to me. ‘Murray, perhaps you’d like to take us through the results of your store checks.’

Perhaps I bloody wouldn’t. Why does he say that as if I’ve got a choice? Perhaps what I’d really like to do is shove that irritating telescopic pointer up your—

‘Thanks, Niall, I’d love to,’ I reply as I reach for the A0 sheet of Polyboard that has spent the last ninety minutes leaning against my chair. This is its Moment. I prop it up on the table and take the Schenker Foods brand group on a tour of five different supermarket freezer cabinets. In a bravura display of top-notch store checking I somehow managed to complete my mission before returning to the office for my bollocking—something to do with invoices, indeed.

I’m beginning to suspect that advertising isn’t all it was cracked up to be. When I was a goggle-eyed undergrad the recruiters tempted me with talk of drugs, models and shoots on sun-kissed beaches. No one mentioned the store check. Eight years in, the number of lines of coke that I’ve snorted off models’ sun-kissed bottoms runs to not even single figures. Yesterday, by contrast, I completed my ninetieth store check. No, as a career choice advertising does not do exactly what it says on the tin.

And if ad people can’t even be straight with one another…Well, it begs questions, doesn’t it?

11.32 a.m.

‘Thank you, Murray, that was fascinating,’ Haye says as I sit down. Hard to believe that anyone could, but Niall Haye finds pictures of supermarket freezers fascinating; almost—but not quite—enough to make him forget that I really did mess up on the invoice front.

Betina Tofting smiles at me for the first time in nearly two hours. This has nothing to do with her forgiving me for staring at her legs. It’s because she too was riveted by my presentation. She’s probably no more than twenty-five, a good two-thirds of her life still before her, yet that life revolves around Schenker Foods’ new line of adult choc-ices; nothing else exists for her. I smile back as if I feel the same way.

She says, ‘They are excellent photographs, Murray,’ in a Danish accent that’s incapable of irony. Her sincerity puts a glossy red cherry on top of my whipped cream of a depression…Is this as good as it’s going to get? Murray Colin, the world’s finest store checker. You want an oil fire extinguished, call Red Adair. You need a guaranteed thirty goals a season, stump up several million for Van Nistelrooy. You’re after flare-free snaps of icecream packaging, Murray’s your man.

Haye segues to the final item on the agenda: the media plan for the European launch of ChocoChillout. As he explains in excruciating detail how he proposes to blow an advertising budget big enough to buy every child in Africa three square meals a day, inoculations and a PlayStation 2, I mentally compose a letter to the Chief of Internal Security in North Korea.

Dear Sir/Madam,

I appreciate that you must be busy and I apologise for tearing you away from your important work. However, should you be looking for new and imaginative ways of extracting essential information from the many detainees you have in your care, I believe I may have just the thing.

Forget sleep-deprivation and attaching electrodes to genitals. I humbly suggest that just thirty minutes in a locked conference room with Niall Haye, his telescopic pointer and a selection of overhead projections will have even the most recalcitrant counter-revolutionary screaming for mercy and telling you everything you wish to know—as well as, I hazard, some stuff you didn’t even think to ask about.

Should you be interested, Mr Haye could be in Pyongyang on the next flight—sanctions permitting, of course.

Finally, I would like to take this opportunity to pass on my very best wishes to everyone at your end of the Axis of Evil.

Yours et cetera…

Job done.

I close my eyes.

No, Niall, I’m not going to sleep. I’m concentrating deeply on your exciting proposal to spend 5.2 million giving the lucky citizens of Benelux no less than fifteen opportunities to hear a voice-over promise a sensously silky taste adventure (in Dutch, Flemish and French).

Never mind how I’d like to die. What will surely kill me is terminal cynicism.

12.36 p.m.

The meeting finally breaks up.

I grab a bottle of mineral water from the middle of the table and take a swig, washing down the three aspirin that I’ve placed on my tongue. My glands are up like feisty walnuts and I feel rough, much worse than yesterday. I shouldn’t be here.

Niall stands up and announces lunch. My cue to scurry ahead to reception and organise the taxis. Before I leave the room he grabs my arm. ‘You won’t be joining us at the trough today,’ he hisses. ‘I’d like you to spend your lunch hour going through every invoice you’ve issued over the last twelve months. The rest of the board and I would like to know just how many of our clients you’ve wrongly billed.’

It was a mistake, Niall. An accident. Slightly less than three thou-sand pounds demanded of the wrong client. Nobody died, for God’s sake.

‘Of course,’ I say. ‘That’s exactly what I was planning to do.’

12.41 p.m.

‘You look peaky, babe. Not up to the lunch?’ Jakki says with concern (at least thirty per cent of it sincere) as I arrive at my desk. She has me down as suffering from hypochondria, but it’s nothing so serious—just a touch of flu.

‘It’s not that. Niall’s put me on punishment duties.’

‘Jeez, it was only an invoice. Nobody died. He sends out the wrong ones all the time.’

‘Yes, but he does it deliberately. Did you know that Schenker was billed for the new boardroom table? Thirteen grand. He bunged it on the budget for their last commercial. He even put the agency mark-up on it.’

‘At least you weren’t ripping anyone off.’

‘More fool me, Jakki. If I’d been ripping someone off I’d have probably got a rise…Anyway, I need to go through a year’s worth of billing now.’

‘I’ll give you a hand.’

‘You don’t have to do that.’

And she doesn’t. As secretary to four other account supervisors besides me she has enough bum-numbing rubbish to deal with.

‘I don’t mind. You’ll be doing me a favour. If I go out I’ll only end up buying a double cheese and sardine melt and something with triple-choc in its name. No bloody willpower.’

I let her pull up a chair next to mine. She could do with losing a little weight.

2.09 p.m.

‘Well, I can’t find anything,’ I say.

‘Hmm,’ Jakki murmurs. She lost interest some time ago. She’s still sitting beside me, but now she’s looking at the pictures in Italian Vogue.

‘The independent Murray Colin Commission hereby concludes its investigation into the administrative record of Murray Colin, and hereby finds that Murray Colin has billed impeccably.’

‘Hmm,’ says Jakki.

‘That was one too many herebys, wasn’t it?’

‘Uh-huh…What do you think I’d look like in this?’ She holds up a picture of a model who’s thinner than the paper she’s printed on. She’s wearing two squares of chiffon, each the size of a pocket tissue.

‘Gorgeous,’ I say.

‘Who am I trying to kid? I’d look like Mrs Blobby. God, I can’t hold out any longer,’ she announces, standing up and pulling on her coat. ‘I’ve got to get food. Want anything?’

‘You could get me a Mars.’

‘Is that all?’

‘Yeah. Hang on, I’ll give you some money.’ I stand up and reach into my trouser pocket. I freeze as my hand touches something—it isn’t loose change.

‘What’s up?’ Jakki asks.

‘Nothing…Nothing at all. You go. Forget the Mars.’

Well, I’m not going to tell her I’ve just found a lump, am I?

three: fifteen weeks, four days and an indeterminate number of hours

tuesday 4 november / 7.44 p.m.

At least, I think it’s a lump.

I stand in front of the long mirror in my bedroom and lower my trousers and underpants. I unbutton my shirt and lift the tails out to my sides to reveal myself in seminaked glory. Nothing glorious about it, actually. My body is thoroughly average. No flab to speak of, but no corrugated sheet of abdominal muscles either. Just a gently bowed curve of stomach descending to an untidy clump of mid-brown hair. Every once in a while I consider shaving it off. Nothing to do with vanity. No, the thought appeals to my sense of neatness. But…shaved pubes. There’s something pervy about that. A bit porn star. And I can’t stomach the idea of being knocked down by a car, getting rushed to Aamp;E and the medics discovering that I groom down there.

Doctor: Take a look at this, nurse.

Nurse: My God, a depilator. Is he a porn star?

Doctor: What’s it say on his admission form?

Nurse: Advertising executive.

Doctor: He’s most likely just your run-of-the-mill pervert.

Nurse: Shall I call social services?

Doctor: We’d best be sure first. I mean, he could be a pro cyclist. I understand they shave. Something to do with aero dynamics, apparently.

Nurse: No, he hasn’t got the six-pack to be a cyclist.

As a rule my sense of neatness is pervasive, all-consuming, but in the ongoing face-off between shaggy and trim, shaggy wins every time.

My eyes travel down a little further to my…You know something? I don’t know what to call it. I’ve never felt comfortable with any of the standard terms. Penis sounds too formal—a bit sort of Presenting His Excellency Lord Penis, Duke of Genitalia. Willy, of course, is too cute. Cock? Too blunt, macho, in-your-face. There are dozens of other words for the thing—well, thing for one. Then there’s knob, todger, schlong, pecker, love trun-cheon. Love truncheon. Not even in my dreams. None of them feels right. And before anyone suggests it, I am not going down the road of personalising it, giving it a pet name. So I’m not left with much. But I’m looking at it now. Like the rest of me, it’s nothing special. Thoroughly average, I suppose, though I’ve never taken a ruler to it. But that isn’t why I’m staring at myself in the mirror, my trousers round my ankles. I reach down to my…Balls? Bollocks? Knackers? Testicles? Same problem. I’m stuck whenever I have to refer to anything in the…er…meat ’n’ two veg region ( meat ’n’ two veg—truly horrible). My solution to date has been to avoid any reference if at all possible. It has worked well enough for thirty-one years, but now…Well, I’ve got a lump. Or something.

I think I read somewhere that men should check themselves once a month, like women are meant to examine their breasts. I also read that you should check the batteries in your smoke alarm on a regular basis. I’ve never done that either. Frankly, I’ve never felt happy about the idea of self-examination, and only partly because I’m not especially fond of molesting myself. My principle objection is that the doctors—men and women who, let’s not forget, undergo only slightly less training than architects and London cab drivers—are advising the rest of us—a bunch of barely informed amateurs—to do the checking. Where is the logic, please? Why the billions blown on teaching hospitals the size of Devon if they end up making us do the work?

But I’m checking now. Feeling with my hand. Very tentatively. My left one…Just say the word, Murray. My left testicle is lower. Though I’ve never paid it the kind of attention I’m giving it now, I think it has always been lower. It’s also bigger. Definitely bigger. I don’t think it has ever been that. I take it between my fingertips and roll it gently as if it’s a bingo ball and I’m looking for the number. There it is. My fingers weren’t deceiving me in the scrabble for change at lunchtime. I quickly let go. Drop it like a red-hot pebble. As if I’ve turned the bingo ball and seen the number.

Six, six, six.

I’ve got a lump.

11.38 p.m.

I’m in bed, but I can’t sleep.

I feel dreadful. Hot and sweaty, bunged up, achy. It’s the flu. But that isn’t what’s keeping me awake. I’ve got a lump. My mind is racing, looking for explanations. Alternatives to the obvious and deeply unpleasant one. Until a moment ago none had offered itself. But the one that does now is so blindingly obvious that it practically switches on the light and yells Eureka!

Megan left weeks ago. Three weeks, two days and (quick glance at the alarm) just over nine hours ago since you ask. It was weeks—OK, precisely twelve weeks and two days—before that when we last did it. That makes fifteen weeks, four days and an indeterminate number of hours without sex. That’s over a quarter of a year without any kind of release. Nothing so much as a…Say the word, Murray…Nothing so much as a wank.

The lack of sex has surely caused the lump. I must be backed up, overstocked, whatevered—there’s almost certainly a correct medical term for it. It’s probably only a matter of days before my right testicle swells in a similar manner. If I don’t do something soon they’ll be as big as satsumas—or full-blown oranges. Well, I can do something right now. If only to rule out the possibility.

wednesday 5 november / 1.33 a.m.

It didn’t work.

Oh, it worked in as much as I managed to shuffle through some mental reruns and get the job done. But nearly two hours on the lump is still there. Just as big—though, actually, it’s pretty small. So I still can’t sleep. And now I’m in the corridor outside my bedroom. I’m standing on a chair checking the battery in my smoke alarm.

It’s flat.

four: fancy that. outposts of the nhs that examine nothing but balls

wednesday 5 november / 9.12 a.m.

Blimey, I didn’t know Tom and Nicole were back together.

Mildly surprised but, honestly, not that interested, I return Hello! to the pile on the table. It’s only now that I see the date on the cover—July 1998. It must be a cunning policy cooked up by a Department of Health think-tank. Put ancient magazines in doctors’ waiting rooms and watch as patients are transported back to a halcyon age when Tom and Nic were the golden couple and you only had to wait two years for a hip replacement.

I’ve never met Doctor Stump. He has been my GP for years, but I’ve been avoiding him. Doctors make me squeamish and having one called Stump is hardly likely to cure me of that. The only time I did visit, a locum was on. He was Polish. No disrespect to the guy—I’m sure he would have made an excellent practitioner in suburban Gdansk—but in South Woodford, where the East End blurs into Essex, he was no use whatsoever. Normally I take my ailments to the chemist, where I ply the pharmacist with my symptoms before leaving with an over-the-counter remedy. But I couldn’t see myself dropping my trousers in Superdrug, so here I am.

Up on the wall the green light blinks. I’m on. I walk into the shabby surgery and sit down. Stump caps his biro and looks at me from behind his desk. Then he coughs. It isn’t a polite throat-clearing ahem. It’s a prolonged, spewing-blood-into-a-hanky, Doc Holliday affair that doesn’t look as if it’s going to finish any time before lunch. ‘Can I get you some water?’ I ask. He glares at me angrily—like Who’s the doctor round here?—so I sit back and wait. As he tries to catch the spittle with a billowing cotton hankie, I wonder if I’m doing the right thing. I mean, the lump…It’s probably nothing. The thing is, it doesn’t hurt. I’ve squeezed as hard as I dare squeeze one of my own testicles (a word I’m growing increasingly comfortable with) and there’s no pain. If it were something bad, surely it would be painful. By bad, of course, I mean cancer. Pain is the first thing I think of with regard to that disease. Cancer hurts. Like hell, by all accounts. Yet I feel nothing. So what am I doing here? Wasting precious NHS time, most probably.

Then again, if it is something bad, what am I doing here? Why am I entrusting my health to a doctor called Stump? It’s like calling a new brand of sweetener Anthrax and expecting the public to sprinkle it onto their cornflakes. And look at him retching into his hankie as if he’s spent the last few decades ignoring his own profession’s very sensible advice on smoking. He can’t even manage his own cough and I expect him to help me?

No, whichever way I look at it, coming here was a poor idea. Best I leave now, let him get on with the three old ladies in the waiting room, all of whom looked as if they might die in their seats if they don’t get immediate medical attention. I stand up, but with the hand that isn’t preventing his lungs from spilling into his lap Stump waves me back into my chair. With an effort that turns his face purple he finally strangles the cough and says in a voice awash with phlegm, ‘What can I do for you, Mr…’ He searches for the name on my file. ‘…Collins?’

‘It’s Colin,’ I say. ‘Like Cliff Richard.’

‘What, it’s not your real name?’

‘No, I mean it’s Cliff Richard, not Richards. I’m Co lin. No S.’

‘What can I do for you, Mr Co lin?’

I’ve been giving my next line a fair amount of thought. Actually practising it in front of my bedroom mirror. Much like I used to mime to Smiths songs when I was fourteen. (And now I think about it, Doctor, it would appear that I have a growth on one of my testicles sounds like a Morrissey lyric, one he rejected as being too gloomy—that and the fact that finding a plausible rhyme for testicles would have been beyond even his considerable lyrical gifts.) But now I’m here—on the stage, in a manner of speaking—I can’t say it. So instead I mumble, ‘I’ve got the flu.’

‘Well, what do you expect me to do about it?’

I don’t answer.

‘I suggest you go home, take some paracetamol and sleep it off,’ he says.

I don’t move, though.

‘Is that it?’ he asks. ‘You’ve got the flu and you just came to tell me?’ He picks up his pen and writes something on my file—time waster probably.

‘No,’ I say quietly.

‘What then?’

I still can’t say it.

‘Speak up.’ He’s irritated now. ‘I’ve got a waiting room full out there.’

Yes, three old ladies and the Grim Reaper.

‘It’s my…I’ve got a…’

He nods by way of encouragement.

‘I’ve got cancer.’ There. Said it. It’s out now.

‘Really?’ he asks, genuinely curious because, well, there’s no note of it in my file. ‘Where? When was it diagnosed?’

‘It hasn’t been…Not exactly. But I’ve got a lump.’

‘Where precisely?’

I can’t say it.

‘Give me a clue.’

‘It’s…It’s on…My…’ No, still can’t say it.

‘Somewhere rather personal perhaps?’ Stump hazards.

I nod.

‘Why don’t you point?’

Good idea. I point.

‘You’d better drop your trousers.’

‘Do I have to?’ I ask.

‘Well, you could just describe it for me, I suppose,’ Stump says.

Excellent. Relaxed now, I say, ‘It’s on my left…er…you know, my left one, and it’s about—’

‘I was being facetious, Mr Collins—’

‘It’s Co lin.’

‘Whatever, if we’re going to make any progress at all today you really will have to take your trousers off.’

Damn.

9.24 a.m.

Still traumatised, I buckle my belt and zip up my flies. Stump noisily peels off his surgical gloves and sits down. He picks up my file. ‘Smoke, Mr Collins?’

‘No,’ I say fairly honestly. I’ll share in the very occasional joint, my one weedy concession to my inner Jimi Hendrix—I’m sure he’s in there somewhere—but I’ve never touched a cigarette.

‘Drink?’

‘Only socially…’

…And not much of that these days.

‘How’s your general health been?’

‘Fine, I suppose. Apart from the flu.’

‘Are you stressed?’

‘Well, I’ve got a lump,’ I say, not adding, You cradled it in your bloody hand. How do you think it makes me feel?

‘I meant generally,’ he explains.

I should be, shouldn’t I? Advertising is one of the more stressful businesses. At least, that’s what everyone in advertising would have you believe. Maybe it is if you have to make knife-edge decisions about the fate of multi-million-pound marketing budgets, but I don’t do that…I lurk around freezer displays with a digital camera.

It wasn’t always so. There was a time when I lived on an adrenal diet of tension. It lasted for about six months. I was an account supervisor in the fast lane, whizzing past blue and white signs pointing me in the direction of Rapid Promotion and Big Corner Office. It couldn’t last. After its initial rubberburning burst of speed, my career stalled. I’m languishing on the hard shoulder now, watching younger models scoot by in a blur of alloy wheels. I’m only thirty-one and they’re not that much younger, but life spans in adland are measured in months, not years. Strangely, while this state of affairs depresses me, it doesn’t stress me out.

‘No,’ I tell Stump, ‘I’m not stressed. Generally.’

‘Testicular cancer is the commonest form of the disease in young men, you know,’ he says, leaning back in his chair and ignoring me sinking in mine. ‘Having said that, it’s almost certainly not cancer. One big testicular clinic saw over two thousand lumps in a year. Less than a hundred of them were cancers. Incredible, eh? There are testicular clinics. Fancy that. Outposts of the NHS that examine nothing but balls.’ He’s rambling and I’m not feeling comforted.

‘If it isn’t cancer, what is it?’ I ask.

‘Could be any number of things,’ he replies vaguely.

I need some help here. ‘Like?’

Seems he needs help too because he leans over to a pile of books on the floor and examines the titles. After a moment he pulls one from the middle, a big, dusty softback that looks as if it hasn’t had its spine bent in years. ‘Wonderful book, this. Excellent pictures,’ he says, flicking through the pages. He stops, peers at the print for a moment, then reads, ‘“Testicular swellings commonly misdiagnosed as tumours”…Blah, blah…“Seminal granuloma, chronic epididymo-orchitis, haematocele” and so on and so forth…See? Any number of things.’

All of which are not only unpronounceable but also pull off the difficult feat of sounding more terrifying than cancer.

‘I’m going to refer you to Saint Matthew’s,’ he says.

‘The cancer bit of Saint Matthew’s?’ I whisper.

‘Heavens, no. They’d try to have me struck off for wasting their time. You’ll see a general surgeon. Maybe a urologist.’

What’s a urologist? He’s not going to tell me and I’m not about to ask.

‘You’ll get an appointment within the next couple of weeks—try and keep it. And cut out the cigarettes. Ridiculous habit.’ To emphasise the point he launches into a fresh fit of coughing.

‘I don’t smoke,’ I remind him.

‘Well, better not start,’ he says through the hacks.

I scrape my chair back—I think we’re done. ‘You really shouldn’t worry unduly,’ he says as I stand up. He manages to sound annoyed rather than soothing, as if what he’d really like to say is Pull yourself together, man.

I look at my watch: nine thirty-five. Sorry, doctor, but I should worry. Niall Haye is big on two things—store checks and punctuality—and I’m very late.

11.03 a.m.

Niall Haye is big on three things: store checks, punctuality and contact reports. When I arrived at my desk and checked my e-mail there were seven from Haye. Seven times he demanded to know the whereabouts of a contact report. Fair enough. It is a week overdue. I’m typing it now.

murray.colin@blowermann-dba.co.uk

to: niall.haye@blowermann-dba.co.uk

g_breitmar@schenker.com

s_gilhooley@schenker.com

b_tofting@schenker.com

cc: brett.topowlski@blowermann-dba.co.uk

vince.douglas@blowermann-dba.co.uk

re: Contact Report No. 37


Brand Group Meeting: 23 October
Venue: Blower Mann/DBA
Present for client: Gerhard Breitmar, Sally Gilhooley, Betina Tofting
Present for agency: Niall Haye, Murray Colin

Despite having a potentially malignant growth on one of his testicles, plucky Murray Colin took the client through the results of his store checks. There were general oohs and aahs of appreciation and it was unanimously agreed that there is no one better at shooting in tricky supermarket lighting conditions.

Niall Haye presented draft 27 of the ChocoChillout script. There was much discussion about whether the voiceover should read ‘a sensuously silky taste adventure’ or ‘a silkily sensuous adventure in taste’. After failing to reach a consensus, the group agreed to put the matter to research so that a bunch of housewives in Solihull can make the decision.

(Action: NH)

Niall Haye presented the launch media plan. The chart (consisting of the usual Xs in boxes) was generally well received. Sally Gilhooley requested that the Xs in the central column be moved two columns to the left. Betina Tofting agreed, and further suggested that the X immediately below the X at the top right be moved to the box below. Gerhard Breitmar endorsed these proposals and added a request for the Xs in the extreme left-hand column to appear in red rather than blue. Murray Colin slept peacefully.

(Action: nobody—on the basis that in two days’ time no one would remember what anyone else had said and that, besides, all the Xs could be put in a very big hat, shaken vigorously about and tipped in a heap on the floor, where they would make the same amount of bloody sense.)

Before the meeting broke up Niall Haye invited Gerhard Breitmar to climb onto the table, lower his trousers, kneel on all fours and have his strapping Hunnish behind peppered with kisses by the account team.

Murray Colin

Account Supervisor

I click send…But only after I’ve completely rewritten it to make it as dull and harmless as every other contact report I’ve ever written. My hand goes into my trouser pocket and touches the lump. Thankfully, an incoming e-mail takes my mind off it.

brett.topowlski@blowermann-dba.co.uk

to: murray.colin@blowermann-dba.co.uk

cc:

re: love your contact reports…

…reading them always makes me thank my sweet lord jesus I wasn’t at the meeting. question: is a betina tofting a self-assembly dining table from ikea? another question: fancy buying me and vin bonfire beers tonight?

Taken at face value it reads like the e-mail of a friend. I know better. Brett Topowlski is a copywriter. Vince Douglas is his art director. Together they are a creative team. I, on the other hand, am a suit. Creative teams do not buddy up with suits. We’re like the Bloods and the Crips. This is because, while it’s a creative’s job to come up with ideas that are out there, it’s a suit’s function to water them down until they’re as bland as every other ad on the box. ChocoChillout is the perfect case in point. Draft one was well out there and barely on the legal side of the Obscene Publications Act. Draft twenty-seven is wallpaper—and not even patterned, not even as interesting as, say, a magnolia-painted woodchip. Suits 1, Creatives 0.

No, Brett, Vince and I could never be true friends. They only want me for my access to expense-account beer. However, it doesn’t stop me being drawn to them, and especially to Vince. He’s an entire Victorian freak show in a single body. He’s a bad car crash, one where the firemen are cutting the corpses from the twisted wreckage: you know you’re not supposed to look but you can’t tear your eyes away.

But it’s an experience I won’t be enjoying tonight.

I hit reply.

murray.colin@blowermann-dba.co.uk

to: brett.topowlski@blowermann-dba.co.uk

cc:

re: love your contact reports…

Can’t do beer tonight because

1 I’m broke.

2 Megan is coming round to pick up stuff.

3 There’s a distinct possibility I’ve got cancer.

Sorry.

Murray

I send it, but only after deleting item three.

A couple of minutes later:

brett.topowlski@blowermann-dba.co.uk

to: murray.colin@blowermann-dba.co.uk

cc:

re: love your contact reports…

what bloke wouldn’t pass up getting ratted with his mates so he could wait at home for the bitch that dumped him? you sad cunt.

Brett is right—I would sooner hang around at home for the bitch that dumped me.

five: you’ve been wanking, haven’t you?

wednesday 5 november / 7.05 p.m.

I stand in my living room and survey the rock-star chaos. The discarded Stolly bottles, the dusting of coke on the coffee table, the TV lying on its side—well, watching it the right way up is for squares, dude. And, stone me, is that a peroxide groupie wedged down the back of my sofa cushion? How long has she been there?

Actually, most of that was rubbish.

OK, all of it was.

A part of me—the deeply repressed, inner-Jimi-Hendrix bit—would love to be able to say that my flat is a temple to debauchery and that in the post-Megan fallout it resembles Hiroshima at tea-time on 6th August 1945.

I can’t, though, in all honesty.

Because I stand in my living room and see…Neatness, a pleasure dome of just-so spick and span-ness. No dust or greasy finger marks and certainly no used socks, half-empty takeaway cartons or exhausted vodka bottles. No drugs on the coffee table—just a few magazines, the spines of which are precisely parallel to the table’s edge. And while I’ve got some fairly cool CDs, they’re stacked in order. Not in some esoteric rock bloke arrangement, but alphabetically (Smith, Elliott preceding Smiths, The). This conforms to no rock ’n’ roll rulebook I’m aware of.

I could say that this outbreak of tidiness is because Wednesday is my cleaner’s day, but that too would be a lie. I haven’t got a cleaner. This obsessive order…

It’s…Me.

My inner Jimi Hendrix doesn’t stand a chance. If I were a pie chart, Cleaning Impulses would be a huge slice taking up well over seventy per cent, while Playing Guitar, Screwing Girls and Drowning in Own Vomit would be a negligible sliver. I’ve always been like this. I’m well-known for it and I barely have to clean any more—household grime sees me coming and emigrates. When we first lived together Megan found this side of me endearing and I was a talking point among her girlfriends. One evening she answered the phone to Serena or Carol or whomever to be told, ‘I wanted to speak to Murray, actually. Does he know how to remove encrusted limescale from the base of a tap?’ I spent a memorable thirty minutes extolling the unbeatable combination of Limelite (‘Not the liquid, mind. It’s got to be the Power Gel.’) and an old toothbrush while Megan looked on with an indulgent smile.

After a time however, the indulgence petered out and I became an irritant. There she was busy making the world a better place, while all I seemed to fret about was who was going to keep it dusted. Over time a nagging tension developed between the forces of Pledge and There’s-more-important-things-to-worryabout.

When she left so did her mess. Order returned. No more work files heaped about the living room like badly planned council high-rises, no more damp knickers draped on the central heating and no more scented candles dripping irksome dollops of wax on hard-to-clean surfaces. I should have been happy, shouldn’t I?

Well…No. I was devastated. After a dust and disorder-free week I couldn’t stand the vacuum (I refer to the emptiness as opposed to my excellent Dyson upright) a moment longer and headed for Wax Lyrical where I bought a fresh stock of smelly candles. Then, inexplicably, I found myself in the Knickerbox next door, six-pack of cotton bikini briefs (assorted colours) in hand. No, it was perfectly explicable. I was going to take them home, rinse and wring them out and leave them dangling from the radiators—a Comfort-fresh reminder of what used to be. As I was about to pay I realised what a pathetic gesture it was. Megan was gone and I’d have to get used to it. The knickers stayed in the shop and, though I was already lumbered with the candles, they’ve remained wrapped up in a kitchen cupboard.

And now I stand in my living room and survey the germ-free perfection that is a tribute to my hermetically sealed single-hood…And when Megan turns up in half an hour, a reminder of the tedious dust buster she left behind.

I know what has to be done.

Deep breath—You can do this, Murray.

I start by taking the back of my hand to the magazines, flipping them to a wanton seventy-three degrees to the edge of the coffee table.

7.45 p.m.

She should be here by now.

As I wait I look at the mess that I’ve painstakingly created and it’s taking every ounce of willpower to resist tidying up.

I need a distraction. My hand goes in search of one, snaking into my trouser pocket and feeling for the—

I have got to stop this. Stop worrying unduly. Pull myself together.

I go to the bedroom, fetch the cardboard box containing Megan’s belongings, and put it on the coffee table. One more thing. I root around the kitchen until I find the scented candles. I unwrap one and light it. I immediately blow it out. It’s lavender. She hates lavender.

7.53 p.m.

‘What’s that horrible smell?’ she says as I let her in.

Though I dumped the candle in the bin, the bouquet has lingered.

My ex has an implausibly sensitive nose. The one and only time that I lit up a joint while home alone she busted me, picking up the scent as she walked out of South Woodford tube. ‘I’m a solicitor,’ she declared. ‘I work with the police, the CP-bloody-S. Do you have any idea how much you could be compromising me?’ It was like going out with the drug squad’s star sniffer dog—the one that can smell the heroin in the baggage hold as the plane takes off in Islamabad. I couldn’t get away with a thing. One night she climbed into bed about an hour after me and as I stirred she said, ‘You’ve been wanking, haven’t you?’

‘Have not,’ I mumbled sleepily while simultaneously shifting my hip onto the small sticky patch on the sheet.

‘Don’t lie, Murray,’ she snapped. ‘I can smell it.’

I follow her as she walks through the hall and into the living room for the first time in three weeks, three days and nearly six hours. She must have been in court today because she’s wearing a sober-ish grey suit, white blouse, glossy opaque tights and shoes that tread the fine line between sensible and sexy. I feel something stir. In my gut and down there. You cannot imagine how gratifying this is. I’ve got a lump, yet I’m getting aroused. Any sign of a normal sexual impulse (even if it’s lusting after my depressingly unavailable ex) is surely also a sign that I don’t have cancer. I mean, cancer and sex drive, they’re mutually exclusive, aren’t they? But I have to stifle it because this is neither the time nor the place. No, it is the place—at least two of my happiest memories consist of spontaneously doing it with Megan in this very living room (having first spontaneously draped a towel over the sofa to avoid troublesome stains)—but it is clearly not the time.

‘You can tell I’ve moved out,’ she says jauntily. ‘It looks really…tidy.’

‘Does it?’ I reply, deflating, probably visibly. ‘I haven’t cleaned in ages.’

She raises a sceptical eyebrow, then says, ‘How have you been?’

Well, since you decided to move in with a QC who probably earns thirty times my salary and is old enough to be, if not your father, then your considerably older brother, and since you chose to announce the joyous news on the very day that I’d been out and blown six and a half grand on a ring with which I was going to get down on my knees and ask you to be mine forever and ever and ever, and since you’re now twizzling your hair around your finger in a manner that is guaranteed to make me melt like a Mars Bar in a Glasgow deep fat fryer, I feel like rubbish…If you must know.

‘I’m getting over the flu,’ I say, going directly for the sympathy vote, before adding, ‘but I’m fine, thanks…You?’

‘You know—busy. How’s work?’

‘Oh, the usual juggling act of exotic shoots and five-hour lunches.’

‘Still taking your orders from Mammon, then?’

‘Well, from Mammon’s little helper…You know…Niall. Can I get you a coffee or something?’

‘No, I’d better not stay. I’m in court first thing—my client fled Nigeria after she’d been raped by an entire army platoon and now the Home Office wants to send her back there. Unbelievable.’

This brief snatch of conversation pretty much sums it up. Why Megan left me. I lack commitment. Not the emotional kind—splurging six and a half grand on a ring more or less settled that one. What I lack is her passion for justice. While she is using her degree to make the world safe for the poor and disenfranchised, I’m using mine to feed them choc-ices. It doesn’t take Naomi Klein to argue that, while it undoubtedly delivers a sensuously silky adventure in taste, ChocoChillout won’t even begin to address the iniquities in the continent of Africa.

It’s not that I don’t believe in the same things as Megan. I do.

Mostly.

Up to a point.

I always encouraged her crusades on behalf of victims of police harassment and the fascist asylum laws, but that wasn’t enough. My trouble was that I could never bring myself to make the leap to actually doing something. It was never quite the right time to give up my comfortable salary and the job that—even if I don’t love it—is a pretty cushy number. Besides, how was I going to make a difference? Social work? Sorry, but I’m too easily scared—show me a pug-faced dad accused of beating up his kids and I’d be hiding behind the six-year-old. Voluntary Service Overseas? What skills can I offer? Do they need an expert store checker in Eritrea? I do have fantasies about joining a crack earthquake rescue team (see How I’d Like to Die, Item Four), but—come on—I also quite fancy the idea of having dew-drenched sex in a spring meadow with Uma Thurman. Doesn’t mean it’s going to happen.

(Number one: it’s far from certain that Uma would be agreeable. Number two: where can you find a spring meadow that isn’t saturated with pesticides these days? And—much more pertinent, this one—number three: faced with the reality of alfresco sex, I’d flee. Said meadow could be miles from the nearest homestead and I still wouldn’t be able to get it up—well, a skylark might be watching.)

I did once make a personal sacrifice and take a stand. I gave up a Saturday—valuable housework time—to accompany Megan on the last big protest before Gulf War Two. I wasn’t comfortable though and she could tell. Issues simply aren’t that black and white for me—my politics are coloured not red, orange, blue or green, but a vivaciously vague shade of grey. (In the opinion polls, I’m one of the fourteen per cent that always votes Don’t Know, the true third party in British politics). While Megan and thousands of others were yelling ‘Blair out!’ and ‘No war!’ I was looking vainly for a small group chanting (quietly, so as not to bother anyone), ‘We’re not sure, we’re not sure.’

In the end she couldn’t live with an armchair liberal and dumped me for the real thing: Sandy Morrison QC, defender of the wrongly convicted, champion of the underdog and regular star of Question Time. He was on it last week. He was brilliant. And his hair looked fabulous—like a lion’s mane. He was maddeningly articulate too. Bastard. Call me bitter, but it struck me then that taking a stand for society’s losers must be a doddle when it gives you a seven-figure income.

I look at Megan and I wonder if Sandy Morrison QC is waiting outside in his Bentley Arnage T with its six-point-eight-litre engine which delivers four hundred and fifty brake horse-power, making it the fastest production Bentley ever. How do I—an automotive illiterate—know all about Sandy Morrison’s one-hundred-and-seventy-grand car? I read about it in the Mail. They were doing one of their so-called-lefty lives in lap of luxury stories, and had got wind of the fact that he’d recently traded up from a Jag. But he hadn’t completely sold out. He’d bought one in lush socialist red.

Megan looks at the box on the coffee table and asks, ‘Are those my things?’

‘Uh-huh.’

There isn’t much. Some soppy compilation CDs, half a dozen books, a pair of jeans, a bra that ended up in one of my drawers for reasons that have nothing to do with anything unsavoury, and some photos from our last holiday—they were taken with my camera so strictly speaking I should keep them, but I’m making a point.

I didn’t put in her garlic crusher. I want to keep something of hers. Besides, it might give her a reason to call me.

I did slip the ring into the box. She doesn’t know about that.

The evening had gone like this:

‘Megan, I’ve got something I want to say.’

‘Me too. You go first.’

‘No, you.’

‘OK…Look, there isn’t an easy way to tell you this so I’d better just do it…I’ve…I’ve met someone…’

After that, ‘Will you do me the honour of marrying me?’ seemed a tad superfluous.

She picks up the box and clasps it to her chest.

I will her to spot the VSO booklet that I carefully placed beside it on the coffee table (at a cocksure fifty-eight degree angle), but—damn it—she doesn’t. She doesn’t notice the application form for a job with Waltham Forest Social Services either. Instead she looks at me searchingly.

‘Murray…Are you really…all right?’

No, I am not all right. The moment you’ve left I’m going to surround myself with snapshots, holiday souvenirs, the set of aluminium espresso cups that we bought together in Camden Market (the ones we never used again after the third-degree burn to my bottom lip), my copy of the Complete Seinfeld Scripts which you said would always remind you of me—and will thus always remind me of you—your garlic crusher, the other bra that I didn’t put in the box and several other mementos of our five years, eight months, one week and three days together. Then I will swallow an entire bottle of paracetamol and wash it down with the ouzo we bought in Kos, before dying weeping, broken and about fifty years before my due date.

All of which I manage to condense into a shrug.

She looks at me sorrowfully and says, ‘You need to—’

‘What, get a life?’

‘I wasn’t going to say that. But you do need to do something with yourself.’

I’ve heard this before, though never delivered with such pity. You need to do something with yourself was Megan’s cry throughout the five years, eight months, et cetera of our relationship. Towards the end it was uttered with increasingly desperate shrillness. She had a point. All she wanted was for me to have a dream, a direction, to stop drifting. She wasn’t the only one. I wanted me to stop drifting—still do. But I’ve never been one to take destiny by the scruff of its neck and give it a jolly good shake—or even to tap it on the shoulder and utter a polite ahem. A few years ago I thought my job was The Thing, but it wasn’t long before I realised my heart wasn’t in it. I turn up and go through the motions, but I lack the desire to make anything of it. But what do I possess the desire to do? I’ve asked myself that one enough times. I’ve come up with answers too. Lists of them. In the fond belief that committing something to paper will make it seem more tangible and therefore achievable. I remember my last one, written shortly before Meg left:

Pulsuz fraqment bitdi.

6,32 ₼
Yaş həddi:
0+
Litresdə buraxılış tarixi:
27 dekabr 2018
Həcm:
410 səh. 1 illustrasiya
ISBN:
9780007355303
Müəllif hüququ sahibi:
HarperCollins

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