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Kitabı oxu: «In the Empire of Genghis Khan: A Journey Among Nomads»

Stanley Stewart
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STANLEY STEWART

In the Empire of Genghis Khan
A Journey Among Nomads


Dedication

A Cinzia,

con amore.

Epigraph

There in the vast steppe, flooded with sunlight, he could see the black tents of the nomads, like dots in the distance. There was freedom … there time itself seemed to stand still as though the age of Abraham and his flocks had not passed …

Fyodor Dostoyevsky, Crime and Punishment

It is vain to dream of a wilderness distant from ourselves. There is no such. It is the bog in our brains and bowels, the primitive vigour of Nature in us, that inspire that dream.

Henry David Thoreau

Maps



Contents

Cover

Title Page

Dedication

Epigraph

Maps

Prologue

1 Our Lady of the Mongols

2 The Voyage Out

3 The Kazakhstan Express

4 A Detestable Nation of Satan

5 The Birthday Party

6 Some Other World

7 The Naadam Wrestlers

8 The Shaman’s Journey

9 On the Edge of the Gobi

10 Riding to Zag

11 Fishing with the Librarian

12 The Company of Old Men

13 The Wedding Battle

14 Another Country

15 In Search of Genghis Khan

Index

Acknowledgements

About the Author

By the Same Author

Copyright

About the Publisher

Prologue

When I was a child my grandmother used to call me a Mongolian. In memory the word evokes the scent of grass and of fallen leaves, some atmosphere of twilight and of horses.

My grandmother lived at the top of an Irish village with views southwards to the Mountains of Mourne. In the evenings, in the long dusk that my grandmother called ‘daylegone’, I played on a raised pavement that ran along the churchyard wall, beneath an arch of lime trees. They were solitary and elaborate adventures involving horses and culprits. My stallion pranced through swathes of freshly mown grass and piles of autumn leaves. We leapt the wall in a single bound.

When it grew dark my grandmother would call me home, her voice looping in the lingering twilight like a rope. I resisted as long as I could, galloping between the trees in the thickening gloom, against the tug of her voice. When she stopped calling I sat in thrones of leaves gazing to the south where the Mountains of Mourne shouldered the horizon. The mountains were dark and mesmerizing, the frontier to the wide world of County Down. My father said that beyond the mountains lay the sea.

When the long lasso of my grandmother’s voice came again my horse was already melting away between the graves. I turned home, and presented myself in the back hall with skinned knees and leaves in my hair. As my grandmother bent over me to brush and straighten my clothes, she always said the same thing. ‘Like a Mongolian,’ she sighed. ‘Just like a little Mongolian.’

I never heard anyone else speak of the mysterious Mongolians, and I had no idea who they were. I recognized the word was an admonition of sorts but I sensed it also contained a note of praise. I liked its unruliness and its ambiguities, and I wanted to live up to the idea of recklessness that it seemed to imply.

Long before I had any clear sense of Mongolia as a place, the word belonged to those intense adventures played out each evening in the slow descent of an Irish twilight, as I tugged against the mooring of my grandmother’s voice calling me home.

It was in Iran, twenty-five years ago, that I first saw nomads. I was part of an expedition looking for the Persian Royal Road. Led by a charming charlatan who was a cross between Rommel and W.C. Fields, our small and happily deluded team spent eighteen months in the field, rattling around Anatolia and the Zagros mountains with a couple of Land Rovers, a leaky tent and a copy of Herodotus. It was the best of journeys. The landscapes were magnificent, the people hospitable and we had the alibi of historical purpose.

In the Marv Dasht plain beneath the ruins of Persepolis the Qashga’i tribes were trooping north to their summer pastures in the mountain valleys around Hanalishah. Skirting fields of new wheat, they passed like a medieval caravan, a whole society set in motion, moving northward to new grass. The layered skirts of the women flashed with gold and silver thread as they ran after straying lambs. Riding slim, leggy horses, the men trotted back and forth along the perimeter of the caravan shouting to one another in a language that had come with them from Central Asia. Camels bearing tent poles and rolled carpets and wide-eyed children swayed through veils of dust. On the edge of the village of Sivand, an old man hoeing vegetables in a walled garden straightened to watch them pass, his face darkening with an ancient antipathy.

I had never seen such glamorous people. They owned not a square inch of land but they strode across the province of Fars towards the mountain passes as if it were their private estate. Passing beneath the stone palaces of Persepolis, they were oblivious to their allure.

Some weeks later we penetrated the mountains around Ardekan where Alexander had defeated the last Achaemenian defences at the Persian Gates on his way to the prize of Persepolis. In these narrow valleys we paid a visit to a Qashga’i chief. It was June, the best month, when the grass was rich and the flocks were fat.

‘Nomad tents have big doors,’ the khan said as we arrived, referring to Qashga’i hospitality. We sat inside enthroned on splendid kilims and bolsters, looking down over a stony slope where his son was herding goats towards the green line of a river. Piled along the rear wall of the tent were embroidered sacks and chests and saddle-bags, the furniture of nomads. The khan’s daughters left their looms at the other end of the tent to bring us glasses of tea and water pipes.

We talked of politics, and the government pressure on the tribes to settle.

‘It was always thus,’ the khan said. ‘The people of the towns, the peoples of the fields, worry they cannot control us. They think of us as barbarians.’ He smiled, sensitive to the irony of this, a gracious host with elegant manners, a man whose tribal pedigree went back three centuries. ‘They want us to settle in one place. They want to make us part of the life of the towns.’

The canvas walls filled with wind and the tent creaked like a ship. On the tent poles the saddle-bags swayed.

‘The tribes were powerful once in Iran. But those days are gone. I do not know what the future holds for nomads. But I fear that we are seeing the end of a way of life.’ He gestured to the valley as if the landscape itself was in retreat. ‘We have migrated through these mountains for centuries. We came to these lands in the train of Genghis Khan.’

The Qashga’i are a remnant of one of the innumerable nomadic peoples who emigrated from the great grasslands of Central Asia. Iran was a civilization prone to exhaustion and Persian history was shaped by these nomadic incursions. When dynasties weakened, when art became decadent, when the officials grew corrupt and the aristocrats soft and cowardly, they knew the barbarians would soon be coming, a scourge and a salvation.

This pattern of untamed horsemen, bursting forth from the steppes to prey on their more suburban neighbours, was repeated throughout Asia. They came with a bewildering variety of names: the Cimmerians, the Sarmatians, the Tocharians, the Xiongnu, known in Europe as the Huns. Russia was not free of the ‘Tartar yoke’ until the sixteenth century. In India the great Mughal Empire was founded by a nomadic barbarian from beyond the Oxus. In China, they built the Great Wall in the vain hope that they could keep the nomads at bay.

The high-water mark of nomadic power were the Mongols of the thirteenth century. In the course of a single generation, under the charismatic leadership of Genghis Khan, they rode out of the steppes of Central Asia to forge the largest land empire the world has ever seen. From the South China Seas to the Baltic they stepped from the nightmares of townsfolk onto their doorsteps. Suddenly the Mongols seemed to be everywhere at once, threatening to gatecrash Viennese balls, carrying off princesses in Persia, over-throwing Chinese dynasties, sacking Burmese temples, putting Budapest to the torch, launching seaborne invasions of Japan. Even in a distant England they were front-page news. Matthew Paris, the thirteenth-century chronicler, sounded the last trumpet: the Mongols were coming and the End was nigh. Hysterical congregations crowded into their parish churches to pray for deliverance.

The folk traditions of the Qashga’i insist on their connection to the Mongols and the great figure of Genghis Khan as village chiefs in remote corners of northern Pakistan insist on their descent from Alexander the Great.

‘The Mongols were a race of heroes,’ the khan said. ‘Nomads who ruled the world. And what has become of them? Vanished like all the others.’

‘They have gone home to Mongolia,’ I said.

The khan looked at me quizzically. With their legendary aura it had not occurred to him that they were a real people with a real homeland.

‘Where is Mongolia?’ he asked after a time.

‘Beyond China,’ I said.

‘Have you been there?’

‘I haven’t,’ I said.

In the early evening air the whistling calls of shepherds driving the flocks towards the tents drifted from the opposite slopes like birdsong. The women had left their looms and were heading out to the milking with pails and goatskins.

‘What do you think Mongolia is like now?’ the khan asked.

‘They are still nomads,’ I said. ‘Not like here where most people are settled. Mongolia is a nation of nomads, the last in Asia.’

The khan weighed this news carefully.

‘I would like to go to Mongolia,’ he announced at last. ‘To see the people of Genghis Khan. To see their tents and their flocks, to see the way they are living.’ He was seized by the idea and the camaraderie of our shared interest. ‘We will go together,’ he declared. ‘It will be good for you – a man with no wife and no sheep. We will go to Mongolia together and visit the sons of Genghis Khan.’

Basking in the glow of this mythical expedition we shared bowls of lamb stew flavoured with apricots and talked long into the twilight about horses. In the morning the khan hitched a lift with us to Shiraz. He was going to visit the district commissioner to put the tribe’s case in a dispute about winter pastures. ‘This is how things are now,’ he sighed. ‘We must plead for what is ours, the grass on which we have pastured our flocks for generations, with a government bureaucrat.’

He had already forgotten about the journey to Mongolia.

But I had not forgotten. I have nurtured the idea of Outer Mongolia for twenty-five years. I longed to travel the width of Asia to this last domain of nomads. I saw it as a journey across the uneasy frontiers between the sedentary and pastoral worlds, between the builders of walls and the inhabitants of what the Chinese called ‘a moveable country’, people for whom settlement and the commitment of cities was a kind of betrayal. I longed to travel to Mongolia, and once there, I wanted to cross the country by horse, a ride of a thousand miles.

This ride was the central ambition of the journey. In Mongolia children learn to ride before they can walk, and the country offered the rare opportunity to make a journey by horse without feeling you were engaging in some unnecessary eccentricity. It was a question of loyalty, to the careless boy in the Irish twilight. This was the journey of his choosing.

Swept up by these grand designs, I had rather overlooked the fact that I had only ever ridden a horse once in my life. It was in Wyoming where a perceptive rancher had given me a horse so quiet it tended to fall asleep in mid-stride. It was enough to convince me that I was a horseman. Occasionally well-meaning friends would touch upon the question of my riding experience. Gently they tried to point out the difference between a ranch holiday and a thousand miles of Mongolia, but I didn’t let them put me off.

In the hurried days before departure I decided to buy my own saddle. Mongolians ride on wooden saddles, and I felt that was probably a technique that you needed to start young to have any hope of surviving. I decided on a Western saddle, with a reassuring pommel to hang onto should the horses prove frisky. In Herefordshire in a splendid equestrian supplier’s I spent a happy afternoon choosing my rig. In the horsey atmosphere of the place I got rather carried away and bought a confusing array of ropes, a halter, a grooming brush, a splendid hoof pick, a felt pad, saddle-bags, a pair of spurs, a hip flask, stirrup leathers, a pair of chaps, and a curious tool rather like a cheese knife whose purpose I never discovered. My pleasure was spoiled only by the scepticism of the young assistant who was obviously struggling to square the challenge of my proposed expedition with the naiveté of my questions.

On the way back to London I stopped at Hereford Cathedral to see the Mappa Mundi. The map hangs in a modern suite of exhibition rooms whose subdued light, after the bright slabs of sun in the cloisters, felt like the dim uncertainties of the past. It dates from the late thirteenth century when the Mongol Empire was at its height.

Over the centuries most of the original surface pigment has flaked away – the bright green seas, the blue rivers – leaving only its weathered base, the colour of old leather. In the religious hush of this place, it felt like a ritual artefact, a piece of ancient hide covered with symbols and obscure passages of text, a geography of spells and wonders.

In thirteenth-century Europe geographical knowledge had sunk to its lowest ebb, and the Mappa Mundi is not so much cartography as storytelling, a compendium of all the tales and marvels gathered from the Bible, from classical authors and from medieval myths, deployed across the continents. The alarums of Matthew Paris, penned just over forty years before, found their unreliable echo here in the frights of Asia. While Europe is full of reassuring cities represented as small line drawings of castles and spires, the rest of the world is portrayed as a landscape of fabulous characters. It was a rattle-bag of tall tales and obsessions, of hopes and fears about the dark beyond one’s own borders.

In Africa there are unicorns and men who ride crocodiles like horses. In the exhilarating provinces of the Upper Nile are the Blemyes whose heads were in the middle of their chests. Beyond are the Satyrs, the Hermaphrodites, the Troglodytes, and a splendid race with protruding lower lips which they deploy like umbrellas to shield themselves from the fierce equatorial sun.

With east at the top, according to the convention of the time, Asia occupies the upper half of the map. India was packed with legendary birds like the Alerion and alligators lurking on the banks of the Hydaspes. Dragons swarm across the island of Ceylon while dog-headed men patrol the regions east of the Carpathians.

My journey to Mongolia lay past the eastern end of the Black Sea where Jason’s Golden Fleece was pegged out like a drying hide. To the north lay Scythia, the barbarian hinterland of the ancient Greeks, where two rather belligerent looking fellows could be seen threatening one another with knives. To the west are the Grifones, part of the nomadic traditions of these regions. They were said to use the bodies of their enemies as horse-trappings; a human skin can be seen thrown over a stallion as a saddle. Beyond the Oxus lies Samarkand, a rare city in these parts, looking like an Elizabethan sketch for the Globe Theatre. On the far bank of the Jaxartes are the Essedenes respectfully devouring their deceased parents, a practice they believed preferable to leaving them for the worms to eat. On a blunt peninsula enclosed by a turreted wall, a long and rather garbled account in dog Latin identifies it as the place where Alexander imprisoned the sons of Cain, a fearsome tribe who will break out at the time of the Antichrist. Not far away, on the island of Terraconta, was the race descended from Gog and Magog, ‘a monstrous brood’, the enemies of God, who would one day invade his kingdom.

I stood on tiptoes to examine my destination on the outer edges of Asia. In the top left corner of the map, at the furthest extremities of the known world, where Mongolia should be, between the borders of China and the dark Outer Ocean, the parchment grew darker and the figures fainter in zones that seemed to fade into twilight. A sketch showed men with horses’ hooves: the land of the Hippopodes.

Since the days of ancient Greece it has been the conceit of settled people confronted with the horsemen of the steppes that their extraordinary equestrian prowess was not quite human, that the riders were in fact part horse. If any rumour of the Mongols had reached the map-makers perhaps it was here with a race so fleet, so unruly and reckless, that they pranced like horses.

That was my destination, pale markings at the far end of Asia, on an atlas of the imagination.

Chapter One OUR LADY OF THE MONGOLS

On the evening flight to Istanbul the plane bucked in rogue winds. Dark clouds piled up from the east. Tipping beneath the wings, Asia looked black and thunderous.

By the time I got into the city it was past midnight. Istanbul seemed deserted. In the dark I was struck by how European the steep lanes of Sultan Ahmet looked – the tall narrow houses, the fanlights above the doors, the wrought-iron balconies, the curtained windows. I crossed the empty gardens of the old Augustaeum where the two great rivals of Istanbul, the Sultan Ahmet Mosque and Haghia Sophia, the victor and the vanquished, face one another across the rose beds. Sultan Ahmet was all grace and delicacy, an architectural dancer poised on the balls of its feet. Birds swam around the minarets in tall currents of light. At the other end of the square Haghia Sophia, once the greatest church in Christendom, sulked in the embrace of old plane trees.

I found the hotel in the tangle of cobbled streets falling towards the walls of Byzantium and the Sea of Marmara. I woke the bekçi, asleep on a bench in the lobby, by knocking on the window. A tall lugubrious fellow, he led me silently upstairs, showed me the room with a slow melodramatic sweep of his arm, then drew the door carefully behind him as if he was closing the lid of some precious box.

The first night is always the strangest. I went to the window and looked down on the Turkish streets. Among the litter opposite, a cat was marking its territory. Raising my gaze, above the rooftops, I could see ships lying at anchor where the Sea of Marmara narrows to the mouth of the Bosphorus. I wondered if any of them were Russian; I hoped to find a Russian freighter to take me on the first leg of the journey, across the Black Sea to the Crimea. But my mind was still full of London. I slept fitfully in the narrow bed and dreamt of packing in the familiar rooms of my own house. I woke once with the sudden idea that I needed to remember to put in carrots for the horses. Beyond the ghostly window the muezzins were calling.

I had breakfast on a roof terrace overlooking the sad florid walls of Haghia Sophia. Suddenly London was gone, and the world had a different focus. In the room I spread maps on the bed and telephoned the shipping agents to get the names of boats due to depart in the next week for Sevastopol.

In spite of the fact that Istanbul has been a Muslim city for the past five centuries, Europeans still have a proprietorial feeling about the place. For almost 2000 years it was one of us. Byzantium was a Greek city, and Constantinople, its successor, was the new Rome. In its archaeological museum the splendid Alexander sarcophagus and a relief sculpture of Euripides are the star turns in rooms packed with classical antiquities. It is the only city in the world to bestride two continents, but for a long time its heart was in Europe. Then, when we were busy elsewhere, it slipped out of the European orbit and became Istanbul, a Turkish city ruling an Asian empire, capital to both the Ottoman Sultanate and the Islamic Caliphate. To the European visitor, modern Istanbul can seem like a wayward uncle who wandered off to Araby and returned years later with a beard, a pair of satin trousers, a water-pipe habit, and a young wife dressed in a black sheet.

In antiquity Constantinople’s position exaggerated the usual anxieties about nomadic barbarians. Rumours of the mounted Scythians who roamed the Don steppes on the far side of the Black Sea echoed the Greek legends of centaurs, creatures who were half-man, half-horse, whose untamed desires were a threat to civilized order. But the city was little troubled by nomadic invasion. By the time the Turks descended on Constantinople in the spring of 1453 their own pastoral origins were all but forgotten. They had picked up Islam, the manners of the Persian court and the habit of cities generations ago.

Though the Mongols never took Constantinople, the city contains one curious remnant of the Mongol Empire, a thirteenth-century Byzantine church known as Mouchliotissa, or Our Lady of the Mongols. The church is a unique link to the Greek capital before the Turkish conquest as it is the only Byzantine church that was not converted into a mosque. I had faxed the Patriarchate from London to ask about Mouchliotissa and had received a most courteous reply from the Metropolitan of Laodicea, a city of the Byzantine Empire that was in ruins before Columbus set sail for America. He invited me to call on him when I arrived in Istanbul. He would arrange for a visit to the church. His fax concluded with the blessings of the Patriarch for my journey, and I basked momentarily in the idea that I was setting off for Outer Mongolia with an ecclesiastical blessing more ancient and more grand than that of the Pope.

The Patriarchate of the Greek Orthodox Church, the Vatican of the Eastern Church, remains in Istanbul as if the Turkish conquest of 1453 were a temporary aberration, unlikely to last long enough to make it worth moving house. Though Greeks continued to live and worship in Istanbul for centuries after the Turkish conquest their numbers were in continual decline. In the twentieth century, the fall of the Ottoman Empire, the rise of Turkish nationalism and Muslim fundamentalism have seen a dramatic exodus of Greeks, and today less than 4000 remain in a city with a population of 12 million. Yet the Patriarch continues to inhabit his city as if nothing had happened. Though he presides over a worldwide flock of Orthodox Christians, his congregations here in Istanbul, his own seat, have withered away. This anomaly lends the Patriarchate a curious make-believe air, like the last Emperor in China’s Forbidden City, a court ruling over a vanished kingdom.

On a bright morning I hailed an old hadji in a woolly cap and a silk waistcoat and took a river taxi up the Golden Horn. The Patriarchate stands in Fener, once a Greek district, now a poor Turkish quarter with a strong fundamentalist character. Ringed by high walls, and guarded by sentries, it is a place beseiged. Muslim fundamentalists, who have a knack for creating artificial enemies, regularly target the Patriarchate as if its elderly clerics posed some threat to the religious fidelity of a nation of 60 million Muslims. Graffiti are scrawled on its walls, and last year a bomb was thrown into the courtyard from a neighbouring minaret, narrowly missing the fifty-year-old doorman and the 1500-year-old library.

I was welcomed by George, a secretary, who apologized that the Metropolitan was late. Despite the fact that his diocese had been Muslim for over five hundred years, the Metropolitan apparently was run off his feet. I settled down in George’s office to wait. A tall heavy-set man, dressed like everyone else inside these ancient walls in long black robes and a thick beard, George looked like an august ecclesiastical dignitary. It was a surprise to learn he was a high-school senior from Minneapolis.

The dramatic decline of the Greek community in Istanbul has made it very difficult for the Patriarchate to fill job vacancies, even within its own walls. Their appeals to the wider Greek world had brought George, a Greek-American boy from Minnesota, to work here in his year off between high school and college. They had got lucky with George’s appearance. He had the tall face, the deep-set black eyes and the dark brow of an archbishop. They gave George his robes, he grew a big beard – he looked like the kind of guy who could do this over a weekend – and suddenly he looked more like a patriarch than the Patriarch did. George might have stepped out of an eleventh-century mosaic. But despite the impressive air of religious gravitas the high-school senior kept breaking through.

Istanbul was not George’s kind of city. Diplomatically he tried to express enthusiasm for the antiquities, for the Bosphorus, for the food, but his American horror at the chaos and the general decrepitude of the place was impossible to keep in check. He was homesick for the Midwest. I asked what he missed most. He chewed his pencil. I was expecting him to opt for the communion of his family or the fellowship of his home church.

‘Cheetos,’ he said after a time.

‘Cheetos?’

‘Yeah, you know. Those cheese-flavoured things.’

The Cheetos were not just a blip. In George two distinct personalities co-existed uneasily. He told me he was planning to be an Orthodox priest then almost in the same breath complained about how difficult it was to meet girls in Istanbul. Candidates for the Orthodox priesthood who are already married are generously allowed to keep their wives, he explained, but those who are unmarried at the time of induction are obliged to remain celibate. In September he would begin three years in an American seminary, not the best place to pick up girls. George was desperate for a love interest. There may have been sound ecclesiastical reasons for this but it tended to come across as the kind of hormone rush common to most nineteen-year-old males.

As delicately as his patriarchal persona would allow he enquired about my time in Istanbul, steering the conversation gently towards social activities. I knew what he was after – where was a good place to pull in Istanbul – but the clerical office, the robes, the icon above his desk, made it difficult to broach the subject openly.

The telephone rang. It was a school friend from America. In an instant the bearded cleric fell into the patois of an American high school.

‘Hey, Bobby. How’s it going?’ said George. ‘Hey man, I got to get outta here. It’s been nine months. This place is driving me crazy.’

He listened for a time, then he asked, ‘How’s that girl from St Paul’s?’

There was a pause. George was chewing the corners of his beard.

‘You know, the one with the halter top. Debbie. We met her at the Dairy Queen.’

There was a much longer pause. George’s face darkened as he listened. There had obviously been a few developments in the life of Debbie of the Dairy Queen.

After a time George shrugged. ‘Hey, who’s worried?’ he said. ‘There are other girls.’

They chatted for a while about basketball and the Chicago Bulls then George hung up. He seemed to have shrunk a little inside his robes.

‘Hayal Kahvesi,’ I said. ‘It’s just off Istiklal Caddesi, near Taksim.’

‘What’s that?’ George’s thoughts were still with Debbie’s halter top.

‘It’s a café,’ I said. ‘You can get a beer, listen to live music. It’s a good place to meet people.’ The thought of George turning up among the hip modern crowd of this trendy café in his robes flashed through my mind.

‘Dress is casual,’ I said.

The Metropolitan of Laodicea never arrived. He called from his mobile to apologize that he had been held up and to say that he had arranged for the priest of Mouchliotissa to take me to the church. Father Alexandros turned up presently, out of breath, and dressed like an undertaker. He was a handsome fellow in his mid-forties with dark luxuriant hair, long eyelashes, and the mandatory beard. He had been a pharmacist but when the Patriarch began to run short of priests he prevailed upon Alexandros, a family friend, to give up aspirins and Night Nurse for incense and holy water.

Alexandros used to live in Fener before the Greeks fled the district to safer parts of Istanbul during the anti-Greek riots in 1955. We climbed through the narrow streets of his childhood, packed with nineteenth-century Greek villas squeezed in among old bits of Constantinople: ancient city walls, the ruined vaults of a monastery, the charred shell of the Palace of the Wallachians, the rubble of a Greek school. At the top of a lane so steep it had become stairs, he pointed out his old house, a peeling ochre mansion, divided into tenements and bedecked with laundry. A swarm of children came out through the gate to hold our hands, tugging us through the garden where Alexandros had played as a child, now full of junk and oily puddles, to a view, over a broken wall, of the Golden Horn.

‘Clematis,’ Alexandros said. ‘There used to be clematis on this wall.’ He poked his hand into a hole between the old bricks. ‘I hid marbles here.’ But he brought out only a handful of dust.

Our Lady of the Mongols stood in the next street behind high red walls. The round drum of the dome presided over a courtyard of sun and old roses where a caretaker was sweeping leaves. Alexandros opened the tall west doors and the ancient ecclesiastical odours of incense and candle wax and polished wood came out to envelop us. In the narthex the glass of the framed icon of the Virgin was covered with lipstick kisses.

The church has lost various of its parts over the centuries, and what remains makes for a rather charming confusion of arches and vaults meeting at odd angles. Dusty chandeliers were suspended on long chains from the high ceilings like cast-offs from a medieval banqueting hall. Byzantine icons were deployed about the walls, the faces of saints and prophets peering out from the antique gloom of the paintings. By the icon of St Barbara was a metal crutch, left behind by a lame man who had been miraculously cured. Elsewhere votive miniatures were suspended from threads in front of the more powerful icons, in the hope of a similar miracle. Legs were popular, as were ears and feet. But the faithful did not restrict themselves to requests for new body parts: Toy cars, models of new houses, and little aeroplanes represented prayers for material success and foreign holidays. One hopeful and rather brazen petitioner had hung a photograph, clipped from a glossy magazine, in front of an icon of St George. The photograph showed a shapely young woman in a bikini. I wasn’t sure if this represented the aspirations of a man seeking help with his love life or of a woman on a diet.

The church was founded by Princess Maria, an illegitimate daughter of Michael VIII, a Byzantine emperor who tended to dole out daughters to potential allies like subsidies. It was the middle of the thirteenth century, and the Mongols were pressing on his borders. He had already dispatched one daughter to the Mongol khan of the Golden Horde, ruler of the districts to the north of the Black Sea. Maria had been engaged at a tender age to Hulegu, a grandson of Genghis Khan and the governor of another of the four provinces of the Mongol Empire, the Il-Khanate of Persia.

The engagement was a long one and by the time Maria turned up for her wedding in Tabriz, the groom was dead. But Hulegu had graciously left his fiancée in his will to his son, Abaqa, and Maria was duly married to the man she expected to be her stepson. She spent fifteen years as Queen of the Mongols until, in 1281, Abaqa was assassinated by one of his brothers. Carefully sidestepping the advances of the assassin, who saw her as a part of his inheritance, she returned to Constantinople where her father, by now running out of daughters, promptly tried to marry her off again to yet another Mongol khan. For Maria this was one husband too many. Mongol romance had persuaded her of the merits of chastity. She became a nun and founded, or possibly rebuilt, this church sometime in the 1280s.

At the time of the Turkish conquest, some two centuries later, when icons of the Virgin all over the city were said to weep tears, Constantinople’s churches were converted to mosques. Even Haghia Sophia, for nine centuries the fairest church in Christendom, had minarets erected round the ancient dome like minders. Only Our Lady of the Mongols escaped this wholesale conversion. No one is quite sure why. It may have been that the parishioners were able to argue that a church built by the wife of a Mongol prince, inspirational figures to their distant cousins the Ottoman Turks, should be left in peace. Whatever the reason the firman or decree of Fatih, the Turkish conqueror, granting it unique leave to continue as a church, still hangs inside the west door. Our Lady of the Mongols is the only Byzantine church in the city that has continued its Christian career undisturbed.

While I browsed among the icons, Father Alexandros fussed about the old church like a conscientious housekeeper, straightening candlesticks, emptying the collection boxes, dusting the ledges of the iconostasis. He was very proud of his old church, and delighted that a foreigner was taking an interest in it. He kept breaking off from his chores to show me some detail of the place he was anxious I should not miss. He took my arm and led me across to the beautiful eleventh-century mosaic of the Virgin. ‘Theotokos Pammakaristos,’ he said, inclining his head as if he was introducing us. Through the grime of centuries the eyes of ‘The All-Joyous Mother of God’ were sad pools of light. He showed me Fatih’s firman written in loping Arabic script. Later he led me down a short flight of stairs into the crypt to sprinkle me with holy water from the well. On the fresco on the end wall the Madonna and Child hovered, as faint as ghosts. The church’s connection to the Mongols meant nothing to him; the point of Mouchliotissa for the Greek community was its connection to Byzantium.

The Syrian caretaker brought us tea in the courtyard where we sat in a long slab of sun on a ledge along the southern wall. I asked Father Alexandros about the future of the Greek community in Istanbul. ‘There is no future,’ he said blankly. ‘Greeks have been here for almost three millennia but in my lifetime I am seeing the end of it. Most of my friends have emigrated. My children will emigrate, to Athens, possibly to America.’ He was stroking the stone of the ledge as he spoke. The ancient mortar crumbled beneath his fingers. ‘This city is my home, home to our people, but it has abandoned us. Unless you are a Turk, it is impossible here. Greeks have no future in Constantinople.’

When the first tempest of Mongol conquest appeared to have abated in the middle of the thirteenth century, the princes of Christendom longed to know more about these Eastern apparitions who had come so close to overrunning Europe. A series of missions was dispatched, most led by Franciscan friars, to report on the Mongols and to enquire about the possibility of their conversion to Christianity. From the Pope down, European leaders nurtured the rather bizarre hope that the Mongol horsemen could be harnessed as allies to drive the Muslims from the Holy Land.

Two of these friars wrote accounts of their journeys, John of Plano Carpini and William of Rubruck. The latter produced the more interesting book, full of wry and colourful observations about the Mongol hersdmen who had so suddenly found themselves ruling most of the known world. His mission predates Marco Polo’s more famous journey to Cathay by almost twenty years; even Polo’s great English commentator, Sir Henry Yule, was obliged to admit that Friar William had written ‘a Book of Travels of much higher claims than any one series of Polo’s chapters’. But William suffered the fate of many worthy authors: a bad publisher. His book never achieved the circulation of Polo’s accounts.

We tend to think of Friar William now as an early explorer, and like the best explorers he had no idea where he was going, how he was going to get there, or what he should do once he arrived. When William left from Istanbul in the spring of 1253, he was setting off, like Jason and the Argonauts, into barbarian darkness. His journey took him from Istanbul across southern Russia and what is now Kazakhstan to the distant Mongol capital of Qaraqorum. It was the route I wanted to follow and I saw him, across seven centuries, as a travelling companion.

William set sail from Istanbul on one of the trading vessels that carried cotton, silk and spices from Constantinople to the ports on the north shore of the Black Sea. In Karaköy, round a watery corner from the Golden Horn, I found the modern equivalents of William’s ship, the Russian and Ukrainian freighters which ply the same route. The fall of Communism has given a new impetus to Black Sea trade, and Turkey has become a conduit for Western goods, from tinned tomatoes to Johnnie Walker whisky. Russians and Ukrainians, now as free to travel as Levi’s and Coca-Cola, come to Istanbul to savour the bright lights and to buy in bulk. They travel by freighter, the only kind of vessel able to cope with their excess baggage.

My telephone enquiries had been inconclusive and I had come to the docks to see if I could rustle up a passage. In pole position was a huge cruise liner called the Marco Polo. Had William had a more aggressive publisher this floating palace might have been named after him. Beyond Marco’s luxurious namesake the shipping degenerated spectacularly. There were a few European freighters, shouldering the docks like naval toughs, then a couple of Turkish ships, painted gunmetal grey. At the far end of the dock I came to the Russian and Ukrainian freighters, the shipping equivalent of MOT failures, held together by rust stains and a grimy coating of oil.

The last ship was the Mikhail Lomonosov, an ageing rust-bucket that seemed to be kept afloat by its mooring ropes. It had a limp deflated appearance that one did not like to see in a ship, as if someone had let the air out of its tyres. It listed. It sagged. It exuded black smoke from unpromising quarters, like the portholes.

I called up to a man in a naval smock leaning on the rail at the top of the gangway. He replied that they were sailing for Sevastopol on Monday, in two days’ time. He waved me aboard and I stepped gingerly onto the gangway, unsure if the ship could take my weight.

Dimitri introduced himself as the second mate. He had one of those narrow Slavic faces, very pale and very bony, that are permanently knotted in expressions of anxiety. I asked about cabins, and he summoned the accommodation officer by barking into a pipe in the bulwark behind him. The accommodation officer took me below, showed me a cramped cabin full of sacks of onions, which he assured me would be cleared out, and then took a hundred dollars off me in exchange for a grubby receipt written on the back of a beer mat.

The speed and the casualness of the transaction startled me. Back on deck I lingered by the gangway with the second mate, hoping to learn more about this ship which now contained such a large proportion of my publisher’s advance. In spite of his dour appearance, he seemed eager to talk. He spoke the casual staccato English of ships.

‘Did you get receipt?’ he asked.

I showed him my beer mat. He nodded. Beer mats were obviously accepted currency on the Mikhail Lomonosov.

‘You can’t trust anyone on this ship,’ he said. He leaned forward to spit over the rail. ‘This is my last voyage. I can’t take it any more. Do you know how many times I make this trip? Sevastopol, Istanbul. Istanbul, Sevastopol.’

I told him I had no idea.

‘Four hundred forty-seven,’ he said. ‘It is no life. This is my last voyage. Four hundred forty-seven. It’s enough, I think. It’s making me crazy. If I don’t get off this ship, I will kill someone.’

I took what comfort I could from the fact that he had ruled out murder as a career option.

A bell rang twice from somewhere within the ship, and he turned to go. ‘We sail at six o’clock, Monday evening. Don’t be late.’

The following day, a Sunday, I went to morning mass at Our Lady of the Mongols. I felt a few prayers for the voyage wouldn’t go amiss. When I arrived the service had already begun but Father Alexandros broke off in mid-chant to usher me personally into a seat. As I looked uneasily about the church I realized why I had got the special treatment. I was the congregation. It is a measure of the decline of this ancient church here in its Patriarchal city that the only worshipper it could muster on a warm spring Sunday was a lone Irish Presbyterian.

There is not a lot to do in Presbyterian services except doze off in your pew while a flushed preacher warns of the fire and brimstone that awaits you just the other side of retirement. A couple of hymns, the collection plate, and we all went home. For Presbyterians even a common Anglican mass was a complicated affair involving a disturbing degree of participation – responses, collective prayer, not to mention the endless standing and kneeling at unpredictable moments. Now suddenly I was the crucial component of the most arcane ritual that the Christian church has to offer, here in the last remnant of Byzantium.

The only other people present were a neanderthal-looking altar boy who kept peering out at me through a door in the iconostasis as if he had never seen a congregation before and an elderly cantor, a cadaverous figure in a black robe. With a scythe and a grin the cantor could have doubled as the Grim Reaper. He stood to one side at a lectern chanting interminable passages in ancient Greek in a thin beautiful voice. In the pauses where the congregation were obviously meant to respond, he looked across at me from beneath lowered lids. I looked at the floor or examined the dome with a critical intensity. Amen was the only word I understood and whenever I heard it I joined in heartily to make up for all the important stuff I must have been leaving out. Otherwise I signalled my involvement by throwing in as many signs of the cross as I could manage – not exactly a Presbyterian thing, but I had seen people do this in films.

Later in the courtyard the Grim Reaper took his leave with a slow funereal nod while Father Alexandros and I lingered to have coffee with Nadia, the Syrian caretaker, as if it was already an established ritual between us.

I didn’t allude to the fact that there had been no congregation. It was like some dysfunction that one politely ignored. With the same courtesy Alexandros didn’t mention my own lamentable performance as an Orthodox worshipper.

‘How long will you stay in Istanbul?’ Alexandros asked.

‘I leave tomorrow.’

‘Do you fly back to London?’

‘No, I am going on to Outer Mongolia,’ I said, as if it formed part of some natural tour of the region. As I listed the stages of my route – across the Black Sea, then overland across the Crimea, southern Russia and Kazakhstan – he tried to disguise his shock behind a polite clerical façade.

He put his empty cup down on the ledge between us. ‘And what do you hope to find in Mongolia?’ he asked. Despite his best efforts, I felt a note of sarcasm had crept into his voice.

I expanded on the fascination of nomads, speaking rather too fast, overdoing the enthusiasm as I tried to convince him. I might have been speaking about the dark side of the moon. Alexandros was the epitome of the polished metropolitan figure: a Greek, a man of the city from the race that had created the city state, a man whose ancestors may have inhabited this city, one of the world’s oldest and greatest, since before the birth of Christ. He seemed to shudder involuntarily at the notion of nomads, people who lived in tents, people who built nothing. Confronted by his civilized sophistication, I was struggling to convince even myself that the Mongolians were not barbarians who had taken a historical wrong turn when they decided to stick to sheep rather than join the ranks of the committed settlers determined to create something that would outlast their own lifetime.

‘I have little opportunity to travel,’ he said at last.

He looked up at the old church. ‘I must look after Mouchliotissa. If we don’t keep the church alive, the Turks will take it from us. When the church disappears there will be nothing left of Constantinople, or of us.’

It was the irresistible tug of the city, the lasso of his own identity moored among these ancient stones.

When Friar William was invited to preach in Haghia Sophia on Palm Sunday of 1253, the great church was already very old. Built in the 530s by the Byzantine Emperor Justinian the Great, it belongs to the architectural tradition of the Roman basilica, and thus indirectly to the pagan world of the Greek temple.

The brilliance of Haghia Sophia is the transition from the earthbound exterior to the soaring lightness of its interior. From the outside the great church is monumental and brooding, the original form much confused with buttresses and minarets added after the Turkish conquest when it began a new career as a mosque. Inside it takes flight. It is transfiguration in architecture. You may run your hands over the massive outer walls, a millennium and a half, stained and crumbling beneath your fingers, but the ethereal magic of the nave is less palpable. The air is gold- and rust-coloured, like some exhalation of the old mosaics and the red marble. Moted columns of light fall from the high windows onto the wide expanses of the floor. The walls, the columns, the distant vaults, might have been weightless; the great dome, Procopius wrote over fourteen centuries ago, seems to be suspended from heaven by a golden chain. Robert Byron compared the old basilica to St Peter’s in Rome. Haghia Sophia is a church to God, he wrote, St Peter’s merely ‘a salon for his agents’.

It is a daunting place to begin a journey to the nomadic steppes. I spent hours in Haghia Sophia wandering the upper galleries beneath the conch vaults gazing down into the great canyon of the nave. I had come to see it as my world and I lingered here as a kind of farewell. As the slanting afternoon light crept through the galleries, amid lengthening shadows, I listened to the crescendo of the great city outside as its inhabitants began their journeys home. In the golden embrace of Haghia Sophia, I suddenly saw the journey to Mongolia as a Byzantine might have done, a journey into emptiness, into some fearful void. I understood the ambitions and the richness of cities. The desire to carve the aspirations of the human heart into some permanent form was central to my own world. In Haghia Sophia that impulse had produced sublime transcendance.

On this day at the beginning of June, on the other side of Asia, the Mongolians would be packing up and moving to summer pastures, leaving nothing to mark their passage but the shadows on the spring grass where their tents had stood.

Chapter Two THE VOYAGE OUT

At the docks my fellow passengers, a queue of burly figures beneath amorphous sacks, were making their up the gangway of the Mikhail Lomonosov like newsreel refugees.

Below in the cabin the resident onions had been cleared away leaving a faint astringent odour and a litter of red skins. The accommodation master appeared with my cabin-mate, a fifteen-year-old boy from Sevastopol. Kolya had been visiting his mother who was working in Istanbul. He was a thin boy with a mutinous complexion and an agitated manner. His gangly limbs jerked and rattled with adolescent impatience.

Kolya and I conversed in a bizarre amalgam of English, Turkish and Russian, prompted by various phrase books and a vocabulary of gestures and mime. It made for surprisingly lucid conversation. At first I tried to chat to him about kid’s stuff – his age, his school, his mother, ice-hockey – but he brushed these dull enquiries aside. He was keen to know the legal age limit for smoking and drinking in England, what kind of guns the police carried in London, and if the Queen was still in the business of beheading. His Istanbul had been somewhat different from mine. He had never heard of Haghia Sophia but he knew where to buy imitation Rolex watches and could quote the prices in three currencies. Like everyone else on this ship, he was a small trader, bringing home goods to sell in Sevastopol. He showed me his wares, – T-shirts, switchblades, pornographic magazines.

He sat on the edge of his bunk, drumming his legs in a nervous rhythm, blowing smoke rings towards the porthole. Kolya was in a hurry to grow up, to find the fast-track to the adult world of hard currency, illegal trading, and women. I was more than he could have hoped for as a cabin-mate, a representative of the glamorous and decadent West, that happy land of rap stars and Playstations. Hoping to cement our relationship, he looked for a way to make himself useful to me. I was a lone foreigner on a ship of Ukrainians and Russians, and he began to cast himself as my protector.

His mother appeared at the door of the cabin to say goodbye. A tall blonde Venus in a fur-collared coat, she was an exotic dancer making a Ukrainian fortune in one of Istanbul’s nightclubs. In the narrow passage Kolya was momentarily tearful – a boy like any other saying goodbye to his mother – but once she was gone he was quick to shake off this unwelcome vulnerability. He began to count the fistful of dollars that she had tucked into his pocket. Then he bolted out the door as if he had another ship to catch. Fifteen minutes later he was back, carrying a shopping bag from the free-port facilities on the quayside. Inside was a hard plastic case. Opening it, he lifted out an automatic pistol.

‘A hundred dollars,’ he said, breaking the seal on the box of ammunition.

‘What is it for?’ I asked, ducking as he swung the gun round the cabin.

‘Protection,’ the boy said. His eyes shone.

He had bought a shoulder-holster as well, and sought my help in buckling it round his thin shoulders. Then he slipped the gun into the new leather, and put on his jacket to hide the weapon. Smiling, the child stood before me, armed and dangerous, ready for the voyage home.

We sailed at nine. Below in the cabin, I felt a series of shudders run through the ship, and went out on deck to find us slipping away from our berth. Swinging about in the entrance to the Golden Horn, where a stream of cars was crossing the Galata Bridge, we turned up the Bosphorus away from the old city. The world’s most splendid skyline, that exquisite silhouette of minarets and domes, was darkening on a lemon-coloured sky. Haghia Sophia, round-shouldered above the trees of Gülhane, was the colour of a shell, a delicate shading of pinks and greys. Swaying in the wash of currents, ferries pushed out from the docks at Eminönü, bound for Üsküdar where the lights were coming on along the Asian shore. On the foredeck, I made my way through the cables and the piled crates to stand in the prow of the ship as we slipped northward through the heart of the city.

The austere face of the Dolmabahçe Palace, the nineteenth-century successor to the Topkapi, rose on our left. Its restrained façade belies a kitsch interior, a confection of operatic furnishings too ghastly to detail. It was here that the last Sultans watched their enfeebled empire slither to an ignominious end in the early years of the twentieth century. Much of the palace was given over to the harem, whose membership seemed to grow as the number of imperial provinces declined. Sex, presumably, was some consolation for political impotency.

The Bosphorus is a pilot’s nightmare. In the twisting straits ships veer back and forth between the two continents, dodging the powerful currents and each other. We passed so close to the mosque at Ortaköy on the European side that I was able to look down through grilled windows to see a row of neatly synchronized bottoms, upturned in prayer. Half a mile on I could see what was on television in the stylish rooms of the old renovated Ottoman houses on the Asian shore. Accidents are not uncommon, and people tell amusing anecdotes about residents of the waterside villas being awoken in the middle of a foggy winter night to find a Russian freighter parked in the living room. Since the late seventies no less than twelve listed yalis or Ottoman houses have been run down by ships, invariably captained by tipsy Russians.

A spring wind had blown up, the Kozkavuran Firtinasi, the Wind of the Roasting Walnuts, which comes down to the Bosphorus from the hills of Anatolia. On the Asian shore we passed the twin-spired façade of the Ottoman cavalry school where cadets were taught some shadow of the horsemanship that had brought their ancestors from Central Asia. Beyond I could make out the ragged outline of Rumeli Hisari, its crenellated walls breasting the European hills. On the slopes below is the oldest Turkish cemetery in Istanbul. Both here and at the cemetery at Eyüp, there is a marvellous literature of death, ironic and light-hearted. I had been reading translations of them at breakfast. They are a fine lesson in how to say farewell.

‘A pity to good-hearted Ismail Efendi,’ reads one epitaph, ‘whose death caused great sadness among his friends. Having caught the illness of love at the age of seventy, he took the bit between his teeth and dashed full gallop to paradise.’ On another tombstone a relief shows three trees, an almond, a cypress, and a peach; peaches are a Turkish metaphor for a woman’s breasts. ‘I’ve planted these trees so that people may know my fate. I loved an almond-eyed, cypress-tall maiden, and bade farewell to this world without savouring her peaches.’ As we passed, the cemetery showed only as an area of darkness.

Soon the city was slipping astern. The tiered lights fell away on both shores and Europe and Asia drifted apart as the straits widened. I stood in the bow until we passed Rumeli Feneri and Anadolu Feneri, the lighthouses on the two continents flanking the northern entrance to the Bosphorus, blinking with different rhythms.

In antiquity the Black Sea was a watery frontier. When the Ionian Greeks crossed its wind-driven reaches in search of fish and wheat, they came upon a people on the far shores who might have stepped from one of their own mythologies. The Scythians were a diverse collection of nomadic tribes with a passion for gold and horses. To the Greeks they were barbarians, the repository of their anxieties and their prejudice.

Herodotus gives us a compelling account of them. His descriptions show remarkable similarities with Friar William’s account of the Mongols two thousand years later, a reminder if one was needed of the static nature of nomadic society and the pervading anxieties they aroused in settled populations. They were a people without towns or crops, Herodotus tells us, clearly unnerved. They lived on the produce of their herds of cattle and sheep and horses, migrating seasonally in search of fresh pasture. They slaughtered their sheep without spilling blood, drank fermented mare’s milk and smoked hemp which made them howl with pleasure. They were shamans who worshipped the elements and the graves of their ancestors. In battle they formed battalions of mounted archers. Their equestrian skills were unrivalled, and they sought the trophies of their enemies’ skulls for drinking-cups.

The ship lifted on the sea’s swell, its bow rising to the dark void ahead. A new wind was blowing, the Meltemi. It was a north-easterly blowing from the Pontic steppe across 500 miles of sea. In Istanbul they say the Meltemi is a cleansing wind, dispelling foul airs and bad feelings.

Historically, the people of cities have had an ambivalent response to the unsettled landscapes of the steppe which seem to harbour ideas both of Arcadia and of chaos. Settled peoples were forever torn between the notions that nomads were barbarian monsters who threatened civilized order, and intuitive innocents who retained some elemental virtue that had been lost to them. ‘Nomads are closer to the created world of God,’ wrote the fourteenth-century Arab historian and philosopher, Ibn Khaldun, ‘and removed from the blameworthy customs that have infected the hearts of settlers.’ He believed that they alone could escape the cycles of decadence that infected all civilization. Only regular blasts of their cleansing winds allowed civilization to sustain its own virtues.

Kolya came to fetch me from my post in the ship’s bow, motioning for me to follow him as if he had something urgent to show me. Downstairs in our cabin he produced a bottle of champagne and four plastic cups. Then he disappeared and returned a moment later with two women.

Anna and Olga were the occupants of the neighbouring cabin. They were a dramatic illustration of the way that Slavic women seem unable to find any middle ground between slim grace and stout coarseness. Anna was a striking figure in tight jeans and a short sleeveless top. Olga, in cardigan and heavy shoes, wouldn’t have stood out among a party of dockers. Kolya, already a slave to female beauty, had only invited her to make up the numbers.

He was an energetic host, a fifteen-year-old playing at cocktail party. He poured the champagne, produced packets of American cigarettes and a bag of pistachio nuts, and chatted to everyone, the life of the party. I felt like a debutante being launched into the ship’s society. When the women asked about me Kolya explained I was going to visit the Tartars, and that I was a good friend of a priest called William who had been to visit them already.

Olga was silent and morose while Anna did all the talking. She had spent three weeks in Istanbul and was now travelling home to Sevastopol. The purpose of her visit was unclear. She tried to make it sound like a holiday but her cabin, like all the cabins on this boat, was so crowded with canvas sacks and cardboard boxes tied with string she could barely get the door open. The collapse of Communism had made everyone a salesman. But Anna, I suspected, had been trading more than tinned sardines. The Black Sea routes carried a heavy traffic of young women bound for the red-light districts of Istanbul. Many were part-timers making three or four trips a year to boost the family income.

We drank the champagne and when it was finished Kolya fetched another bottle, which I tried in vain to pay for. The boy was our host, magnanimous and expansive. He made toasts, he told dirty jokes that made the girls laugh, he kept his jacket on, buttoned up to conceal the gun. Olga soon drifted away to shift some crates and Anna now basked alone in our attention. She had become flirtatious. With the boy she already enjoyed a maternal familiarity, alternately hugging him and slapping him in mock remonstration, and now she extended the same attentions to me, pinching my shoulder and propping her elbows on my knees.

Pulsuz fraqment bitdi.

6,29 ₼

Janr və etiketlər

Yaş həddi:
0+
Litresdə buraxılış tarixi:
10 may 2019
Həcm:
372 səh. 4 illustrasiyalar
ISBN:
9780007394036
Müəllif hüququ sahibi:
HarperCollins

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