Kitabı oxu: «The Web and the Rock»

Thomas Wolfe

The Web and the Rock

Published by Good Press, 2022

goodpress@okpublishing.info

EAN 4064066360061

Table of Contents

Book I THE WEB AND THE ROOT

1 The Child Caliban

2 Three O’Clock

3 Two Worlds Discrete

4 The Golden City

Book II THE HOUND OF DARKNESS

5 Aunt Mag and Uncle Mark

6 The Street of the Day

7 The Butcher

8 The Child by Tiger

9 Home from the Mountain

Book III THE WEB AND THE WORLD

10 Olympus in Catawba

11 The Priestly One

12 The Torch

13 The Rock

14 The City Patriots

15 Götterdämmerung

16 Alone

Book IV THE MAGIC YEAR

17 The Ship

18 The Letter

19 The Ride

20 The Theatre

21 The Birthday

22 Together

23 Esther’s House

24 “This Thing Is Ours”

25 A New World

26 Penelope’s Web

27 Stein and Rosen’s

28 April, Late April

Book V LIFE AND LETTERS

29 The Ring and the Book

30 First Party

31 Dark Interlude

32 The Philanthropists

33 Waiting for Glory

34 Glory Deferred

James N. Wright.”

35 Hope Springs Eternal

Book VI LOVE’S BITTER MYSTERY

36 A Vision of Death in April

37 The Quarrel

38 The Years That the Locust Hath Eaten

39 Remorse

40 Pursuit and Capture

41 The Weaver at Work Again

42 The Parting

43 Esther’s Farewell

Book VII OKTOBERFEST

44 Time Is a Fable

45 Paris

46 The Pension in Munich

47 A Visit to the Fair

48 The Hospital

49 Dark October

50 The Looking Glass

Book I
THE WEB AND THE ROOT

Table of Contents

1
The Child Caliban

Table of Contents

Up to the time George Webber’s father died, there were some unforgiving souls in the town of Libya Hill who spoke of him as a man who not only had deserted his wife and child, but had consummated his iniquity by going off to live with another woman. In the main, those facts are correct. As to the construction that may be placed upon them, I can only say that I should prefer to leave the final judgment to God Almighty, or to those numerous deputies of His whom He has apparently appointed as His spokesmen on this earth. In Libya Hill there are quite a number of them, and I am willing to let them do the talking. For my own part, I can only say that the naked facts of John Webber’s desertion are true enough, and that none of his friends ever attempted to deny them. Aside from that, it is worth noting that Mr. Webber had his friends.

John Webber was “a Northern man,” of Pennsylvania Dutch extraction, who had come into Old Catawba back in 1881. He was a brick mason and general builder, and he had been brought to Libya Hill to take charge of the work on the new hotel which the Corcorans were putting up on Belmont Hill, in the center of the town. The Corcorans were rich people who had come into that section and bought up tracts of property and laid out plans for large enterprises, of which the hotel was the central one. The railroad was then being built and would soon be finished. And only a year or two before, George Willetts, the great Northern millionaire, had purchased thousands of acres of the mountain wilderness and had come down with his architects to project the creation of a great country estate that would have no equal in America. New people were coming to town all the time, new faces were being seen upon the streets. There was quite a general feeling in the air that great events were just around the corner, and that a bright destiny was in store for Libya Hill.

It was the time when they were just hatching from the shell, when the place was changing from a little isolated mountain village, lost to the world, with its few thousand native population, to a briskly-moving modern town, with railway connections to all parts, and with a growing population of wealthy people who had heard about the beauties of the setting and were coming there to live.

That was the time John Webber came to Libya Hill, and he stayed, and in a modest way he prospered. And he left his mark upon it. It was said of him that he found the place a little country village of clapboard houses and left it a thriving town of brick. That was the kind of man he was. He liked what was solid and enduring. When he was consulted for his opinion about some new building that was contemplated and was asked what material would be best to use, he would invariably answer, “Brick.”

At first, the idea of using brick was a novel one in Libya Hill, and for a moment, while Mr. Webber waited stolidly, his questioner would be silent; then, rather doubtfully, as if he was not sure he had heard aright, he would say, “Brick?”

“Yes, sir,” Mr. Webber would answer inflexibly, “Brick. It’s not going to cost you so much more than lumber by the time you’re done, and,” he would say quietly, but with conviction, “it’s the only way to build. You can’t rot it out, you can’t rattle it or shake it, you can’t kick holes in it, it will keep you warm in Winter and cool in Summer, and fifty years from now, or a hundred for that matter, it will still be here. I don’t like lumber,” Mr. Webber would go on doggedly. “I don’t like wooden houses. I come from Pennsylvania where they know how to build. Why,” he would say, with one of his rare displays of boastfulness, “we’ve got stone barns up there that are built better and have lasted longer than any house you’ve got in this whole section of the country. In my opinion there are only two materials for a house—stone or brick. And if I had my way,” he would add a trifle grimly, “that’s how I’d build all of them.”

But he did not always have his way. As time went on, the necessities of competition forced him to add a lumber yard to his brick yard, but that was only a grudging concession to the time and place. His real, his first, his deep, abiding love was brick.

And indeed, the very appearance of John Webber, in spite of physical peculiarities which struck one at first sight as strange, even a little startling, suggested qualities in him as solid and substantial as the houses that he built. Although he was slightly above the average height, he gave the curious impression of being shorter than he was. This came from a variety of causes, chief of which was a somewhat “bowed” formation of his body. There was something almost simian in his short legs, bowed slightly outward, his large, flat-looking feet, the powerful, barrel-like torso, and the tremendous gorilla-like length of his arms, whose huge paws dangled almost even with his knees. He had a thick, short neck that seemed to sink right down into the burly shoulders, and close sandy-reddish hair that grew down almost to the edges of the cheek bones and to just an inch or so above the eyes. He was getting bald even then, and there was a wide and hairless swathe right down the center of his skull. He had extremely thick and bushy eyebrows, and the trick of peering out from under them with the head out-thrust in an attitude of intensely still attentiveness. But one’s first impression of a slightly simian likeness in the man was quickly forgotten as one came to know him. For when John Webber walked along the street in his suit of good black broadcloth, heavy and well-cut, the coat half cutaway, a stiff white shirt with starched cuffs, a wing collar with a cravat of black silk tied in a thick knot, and a remarkable-looking derby hat, pearl-grey in color and of a squarish cut, he looked the very symbol of solid, middle-class respectability.

And yet, to the surprised incredulity of the whole town, this man deserted his wife. As for the child, another construction can be put on that. The bare anatomy of the story runs as follows:

About 1885, John Webber met a young woman of Libya Hill named Amelia Joyner. She was the daughter of one Lafayette, or “Fate” Joyner, as he was called, who had come out of the hills of Zebulon County a year or two after the Civil War, bringing his family with him. John Webber married Amelia Joyner in 1885 or 1886. In the next fifteen years they had no children, until, in 1900, their son George was born. And about 1908, after their marriage had lasted more than twenty years, Webber left his wife. He had met, a year or two before, a young woman married to a man named Bartlett: the fact of their relationship had reached the proportions of an open scandal by 1908, when he left his wife, and after that he did not pretend to maintain any secrecy about the affair whatever. He was then a man in his sixties; she was more than twenty years younger, and a woman of great beauty. The two of them lived together until his death in 1916.

It cannot be denied that Webber’s marriage was a bad one. It is certainly not my purpose to utter a word of criticism of the woman he married, for, whatever her faults were, they were faults she couldn’t help. And her greatest fault, perhaps, was that she was a member of a family that was extremely clannish, provincial, and opinionated—in the most narrow and dogged sense of the word, puritanical—and she not only inherited all these traits and convictions of her early training, they were so rooted into her very life and being that no experience, no process of living and enlargement, could ever temper them.

Her father was a man who could announce solemnly and implacably that he “would rather see a daughter of mine dead and lying in her coffin than married to a man who drank.” And John Webber was a man who drank. Moreover, Amelia’s father, if anyone had ever dared to put the monstrous suggestion to him, would have been perfectly capable of amplifying the Christian sentiments which have just been quoted by announcing that he would rather see a daughter of his dead and in her grave than married to a man who had been divorced. And John Webber was a man who had been divorced.

That, truly, was calamitous, the cause of untold anguish later—perhaps the chief stumbling block in their whole life together. It also seems to have been the one occasion when he did not deal with her truthfully and honestly in reference to his past life before he came to Libya Hill. He had married a girl in Baltimore in the early Seventies, when he himself had been scarcely more than a stripling old enough to vote. He mentioned it just once to one of his cronies: he said that she was only twenty, “as pretty as a picture,” and an incorrigible flirt. The marriage had ended almost as suddenly as it had begun—they lived together less than a year. By that time it was apparent to them both that they had made a ruinous mistake. She went home to her people, and in the course of time divorced him.

In the Eighties, and, for that matter, much later than that, in a community such as Libya Hill, divorce was a disgraceful thing. George Webber later said that, even in his own childhood, this feeling was still so strong that a divorced person was spoken about in lowered voices, and that when one whispered furtively behind his hand that someone was “a grass widow,” there was a general feeling that she was not only not all she should be, but that she was perhaps just a cut or two above a common prostitute.

In the Eighties, this feeling was so strong that a divorced person was branded with a social stigma as great as that of one who had been convicted of crime and had served a penal sentence. Murder could have been—and was—far more easily forgiven than divorce. Crimes of violence, in fact, were frequent, and many a man had killed his man and had either escaped scot-free, or, having paid whatever penalty was imposed, had returned to take up a position of respected citizenship in the community.

Such, then, were the family and environment of the woman John Webber married. And after he left her to live with Mrs. Bartlett, he became estranged from all the hard-bitten and puritanical members of the Joyner clan. Not long thereafter, Amelia died. After his wife’s death, Webber’s liaison with Mrs. Bartlett continued, to the scandal of the public and the thin-lipped outrage of his wife’s people.

Mark Joyner, Amelia’s older brother, was a man who, after a childhood and youth of bitter poverty, was in the way of accumulating a modest competence in the hardware business. With Mag, his wife, he lived in a bright red brick house with hard, new, cement columns before it—everything about it as hard, new, ugly, bold, and raw as new-got wealth. Mag was a pious Baptist, and her sense of outraged righteousness at the open scandal of John Webber’s life went beyond the limits of embittered speech. She worked on Mark, talking to him day and night about his duty to his sister’s child, until at last, with a full consciousness of the approval of all good people, they took the boy, George, from his father.

The boy had been devoted to his father, but now the Joyners made him one of them. From this time forth, with the sanction of the courts, they kept him.

George Webber’s childhood with his mountain kinsmen was, in spite of his sunny disposition, a dark and melancholy one. His status was really that of a charity boy, the poor relation of the clan. He did not live in the fine new house with his Uncle Mark. Instead, he lived in the little one-story frame house which his grandfather, Lafayette Joyner, had built with his own hands forty years before when he came to town. This little house was on the same plot of ground as Mark Joyner’s new brick house, a little to the right and to the rear, obscured and dwarfed by its more splendid neighbor.

Here John Webber’s little boy was growing up, under the guardianship of a rusty crone of fate, Aunt Maw, a spinstress, his mother’s oldest sister, old Lafayette’s first child. Born thirty years before Amelia, Aunt Maw was in her seventies, but like some weird sister who preaches doom forever but who never dies, it seemed that she was ageless and eternal. From this dark old aunt of doom, and from the drawling voices of his Joyner kin, a dark picture of his mother’s world, his mother’s time, all the universe of the Joyner lives and blood, was built up darkly, was wrought out slowly, darkly, with an undefined but overwhelming horror, in the memory, mind, and spirit of the boy. On Winter evenings, as Aunt Maw talked in her croaking monotone by the light of a greasy little lamp—they never had electric lights in his grandfather’s cottage—George heard lost voices in the mountains long ago, the wind-torn rawness, the desolate bleakness of lost days in March along clay-rutted roads in the bleak hills a hundred years ago:

Someone was dead in a hill cabin long ago. It was night. He heard the howling of the wind about the eaves of March. He was within the cabin. The rude, bare boards creaked to the tread of feet. There was no light except the flickering light of pine, the soft, swift flare of resinous wood, the crumbling ash. Against the wall, upon a bed, lay a sheeted figure of someone who had died. Around the flickering fire flame at the hearth, the drawling voices of the Joyners, one hundred years ago. The quiet, drawling voices of the Joyners who could never die and who attended the death of others like certain doom and prophecy. And in the room again there was a soft and sudden flare of pine flame flickering on the faces of the Joyners, a smell of camphor and of turpentine—a slow, dark horror in the blooded memory of the boy he could not utter.

In these and in a thousand other ways, from every intonation of Aunt Maw’s life and memory, he heard lost voices in the hills long, long ago, saw cloud shadows passing in the wilderness, listened to the rude and wintry desolation of March winds that howl through the sere grasses of the mountain meadows in the month before the month when Spring is come. It came to him at night, in Winter from a room before a dying fire, in Summer from the porch of his grandfather’s little house, where Aunt Maw sat with other rusty, aged crones of her own blood and kin, with their unceasing chronicle of death and doom and terror and lost people in the hills long, long ago. It came to him in all they said and did, in the whole dark image of the world they came from, and something lost and stricken in the hills long, long ago.

And they were always right, invincibly right, triumphant over death and all the miseries they had seen and known, lived and fed upon. And he was of their blood and bone, and desperately he felt somehow like life’s criminal, some pariah, an outcast to their invincible rightness, their infallible goodness, their unsullied integrity. They filled him with a nameless horror of the lost and lonely world of the old-time, forgotten hills from which they came, with a loathing, with a speechless dread.

His father was a bad man. He knew it. He had heard the chronicle of his father’s infamy recounted a thousand times. The story of his father’s crimes, his father’s sinfulness, his father’s lecherous, godless, and immoral life was written on his heart. And yet the image of his father’s world was pleasant and good, and full of secret warmth and joy to him. All of the parts of town, all of the places, lands, and things his father’s life had touched seemed full of happiness and joy to him. He knew that it was wicked. He felt miserably that he was tainted with his father’s blood. He sensed wretchedly and tragically that he was not worthy to be a death-triumphant, ever-perfect, doom-prophetic Joyner. They filled him with the utter loneliness of desolation. He knew he was not good enough for them, and he thought forever of his father’s life, the sinful warmth and radiance of his father’s world.

He would lie upon the grass before his uncle’s fine new house in the green-gold somnolence of afternoon and think forever of his father, thinking: “Now he’s here. At this time of the day he will be here.” Again:

“He will be going now along the cool side of the street—uptown—before the cigar store. Now he’s there—inside the cigar store. I can smell the good cigars. He leans upon the counter, looking out into the street and talking to Ed Battle, who runs the store. There is a wooden Indian by the door, and there are the people passing back and forth along the cool and narrow glade of afternoon. Here comes Mack Haggerty, my father’s friend, into the cigar store. Here are the other men who smoke cigars and chew strong and fragrant plugs of apple tobacco....

“Here is the barber shop next door, the snip of shears, the smell of tonics, of shoe polish and good leather, the incessant drawling voices of the barbers. Now he’ll be going in to get shaved. I can hear the strong, clean scraping of the razor across the harsh stubble of his face. Now I hear people speaking to him. I hear the hearty voices of the men, all raised in greeting. They are all men who come out of my father’s world—the sinful, radiant, and seductive world, the bad world that I think about so much. All the men who smoke cigars and chew tobacco and go to Forman’s barber shop know my father. The good people like the Joyners go along the other side of the street—the shadeless side of afternoon, that has the bright and light....

“Now he has finished at the barber’s. Now he goes around the corner quickly to O’Connell’s place. The wicker doors flap back together as he passes in. There is a moment’s malty reek of beer, a smell of sawdust, lemon, rye, and Angostura bitters. There is the lazy flapping of a wooden fan, a moment’s glimpse of the great, polished bar, huge mirrors, bottles, the shine of polished glasses, the brass foot-rail, dented with the heel-marks of a thousand feet, and Tim O’Connell, thick-jowled, aproned, leaning on the bar....

“Now he is out again. See him go along the street. Now he is at the livery stable. I see the great, raw shape of rusty, corrugated tin, the wooden incline, pulped by many hoofs, as it goes down, the great hoofs clumping on the wooden floors, the hoofs kicked swiftly, casually, against the stalls, the wooden floors bestrewn with oaty droppings, the clean, dry whiskings of coarse tails across great polished rumps of glossy brown, the niggers talking gruffly to the horses in the stalls, the low, dark voices, gruff and tender, hoarse voices full of horseplay, the horse smell, and horse knowingness, men and horses both together, close: ‘Get over dar! Whar you goin’!’ The rubber tires of carriages and buggies, the smooth rumble of the rubber tires upon the battered wooden floors.... The little office to the left where my father likes to sit and talk with the livery-stable men, the battered little safe, the old roll-top desk, the creaking chairs, the little, blistered, cast-iron stove, the dirty windows, never washed, the smell of leather, old, worn ledgers, harness....”

So did he think forever of his father’s life, his father’s places, movements, the whole enchanted picture of his father’s world.

His was, in fact, a savagely divided childhood. Compelled to grow up in an environment and a household which he hated with every instinctive sense of loathing and repulsion of his being, he found himself longing constantly for another universe shaped in the colors of his own desire. And because he was told incessantly that the one he hated was good and admirable, and the one for which he secretly longed was evil and abominable, he came to have a feeling of personal guilt that was to torment him for many years. His sense of place, the feeling for specific locality that later became so strong in him, came, he thought, from all these associations of his youth—from his overwhelming conviction, or prejudice, that there were “good” places and “bad” ones. This feeling was developed so intensely in his childhood that there was hardly a street or a house, a hollow or a slope, a backyard or an alleyway in his own small world that did not bear the color of this prejudice. There were certain streets in town that he could scarcely endure to walk along, and there were certain houses that he could not pass without a feeling of bleak repulsion and dislike.

By the time he was twelve years old, he had constructed a kind of geography of his universe, composed of these powerful and instinctive affections and dislikes. The picture of the “good” side of the universe, the one the Joyners said was bad, was almost always one to which his father was in one way or another attached. It was a picture made up of such specific localities as his father’s brick and lumber yard; Ed Battle’s cigar and tobacco store—this was a place where he met and passed his father every Sunday morning on his way to Sunday School; John Forman’s barber shop on the northwest corner of the Square, and the grizzled, inky heads, the well-known faces, of the negro barbers—John Forman was a negro, and George Webber’s father went to his shop almost every day in the week; the corrugated tin front and the little dusty office of Miller and Cashman’s livery stable, another rendez-vous of his father’s; the stalls and booths of the City Market, which was in a kind of great, sloping, concrete basement underneath the City Hall; the fire department, with its arched doors, the wooden stomping of great hoofs, and its circle of shirt-sleeved men—firemen, baseball players, and local idlers—sitting in split-bottom chairs of evenings; the look and feel of cellars everywhere—for this, curiously, was one of his strong obsessions—he always had a love of secret and enclosed places; the interiors of theatres, and the old Opera House on nights when a show was in town; McCormack’s drug store, over at the southwest corner of the Square opposite his uncle’s hardware store, with its onyx fountain, its slanting wooden fans, its cool and dark interior, and its clean and aromatic smells; Sawyer’s grocery store, in one of the old brick buildings over on the north side of the Square, with its groaning plenty, its crowded shelves, its great pickle barrels, flour bins, coffee grinders, slabs of bacon, and its aproned clerks with straw cuffs on their sleeves; any kind of carnival or circus grounds; anything that had to do with railway stations, depots, trains, engines, freight cars, station yards. All of these things, and a thousand others, he had connected in a curious but powerful identity with the figure of his father; and because his buried affections and desires drew him so strongly to these things, he felt somehow that they must be bad because he thought them “good,” and that he liked them because he was wicked, and his father’s son.

His whole picture of his father’s world—the world in which his father moved—as he built it in his brain with all the naïve but passionate intensity of childhood, was not unlike a Currier and Ives drawing, except that here the canvas was more crowded and the scale more large. It was a world that was drawn in very bright and very innocent and very thrilling colors—a world where the grass was very, very green, the trees sumptuous and full-bodied, the streams like sapphire, and the skies a crystal blue. It was a rich, compact, precisely executed world, in which there were no rough edges and no bleak vacancies, no desolate and empty gaps.

In later years, George Webber actually discovered such a world as this in two places. One was the small countryside community in southern Pennsylvania from which his father had come, with its pattern of great red barns, prim brick houses, white fences, and swelling fields, some green with the perfection of young wheat, others rolling strips of bronze, with red earth, and with the dead-still bloom of apple orchards on the hills—all of it as exactly rich, precise, unwasteful, and exciting as any of his childhood dreams could have imagined it. The other was in certain sections of Germany and the Austrian Tyrol—places like the Black Forest and the Forest of Thuringia, and towns like Weimar, Eisenach, old Frankfort, Kufstein on the Austrian border, and Innsbruck.

2
Three O’Clock

Table of Contents

Twenty-five years ago or thereabouts, one afternoon in May, George Webber was lying stretched out in the grass before his uncle’s house in Old Catawba.

Isn’t Old Catawba a wonderful name? People up North or out West or in other parts of the world don’t know much about it, and they don’t speak about it often. But really when you know the place and think about it more and more its name is wonderful.

Old Catawba is much better than South Carolina. It is more North, and “North” is a much more wonderful word than “South,” as anyone with any ear for words will know. The reason why “South” seems such a wonderful word is because we had the word “North” to begin with: if there had been no “North,” then the word “South” and all its connotations would not seem so wonderful. Old Catawba is distinguished by its “Northness,” and South Carolina by its “Southness.” And the “Northness” of Old Catawba is better than the “Southness” of South Carolina. Old Catawba has the slants of evening and the mountain cool. You feel lonely in Old Catawba, but it is not the loneliness of South Carolina. In Old Catawba, the hill boy helps his father building fences and hears a soft Spring howling in the wind, and sees the wind snake through the bending waves of the coarse grasses of the mountain pastures. And far away he hears the whistle’s cry wailed back, far-flung and faint along some mountain valley, as a great train rushes towards the cities of the East. And the heart of the hill boy will know joy because he knows, all world-remote, lonely as he is, that some day he will meet the world and know those cities too.

But in South Carolina the loneliness is not like this. They do not have the mountain cool. They have dusty, sand-clay roads, great mournful cotton fields, with pine wood borders and the nigger shacks, and something haunting, soft, and lonely in the air. These people are really lost. They cannot get away from South Carolina, and if they get away they are no good. They drawl beautifully. There is the most wonderful warmth, affection, heartiness in their approach and greeting, but the people are afraid. Their eyes are desperately afraid, filled with a kind of tortured and envenomed terror of the old, stricken, wounded “Southness” of cruelty and lust. Sometimes their women have the honey skins, they are like gold and longing. They are filled with the most luscious and seductive sweetness, tenderness, and gentle mercy. But the men are stricken. They get fat about the bellies, or they have a starved, stricken leanness in the loins. They are soft-voiced and drawling, but their eyes will go about and go again with fear, with terror and suspicion. They drawl softly in front of the drug store, they palaver softly to the girls when the girls drive up, they go up and down the streets of blistered, sun-wide, clay-dust little towns in their shirt-sleeves, and they are full of hearty, red-faced greetings.

They cry: “How are y’, Jim? Is it hot enough fer you?”

And Jim will say, with a brisk shake of the head: “Hotter’n what Sherman said war was, ain’t it, Ed?”

And the street will roar with hearty, red-faced laughter: “By God! That’s a good ’un. Damned if ole Jim didn’t have it about right too!”—but the eyes keep going back and forth, and fear, suspicion, hatred, and mistrust, and something stricken in the South long, long ago, is there among them.

And after a day before the drug stores or around the empty fountain in the Courthouse Square, they go out to lynch a nigger. They kill him, and they kill him hard. They get in cars at night and put the nigger in between them, they go down the dusty roads until they find the place that they are going to, and before they get there, they jab little knives into the nigger, not a long way, not the whole way in, but just a little way. And they laugh to see him squirm. When they get out at the place where they are going to, the place the nigger sat in is a pool of blood. Perhaps it makes the boy who is driving the car sick at his stomach, but the older people laugh. Then they take the nigger through the rough field stubble of a piece of land and hang him to a tree. But before they hang him they saw off his thick nose and his fat nigger lips with a rusty knife. And they laugh about it. Then they castrate him. And at the end they hang him.

This is the way things are in South Carolina; it is not the way things are in Old Catawba. Old Catawba is much better. Although such things may happen in Old Catawba, they do not belong to the temper and character of the people there. There is a mountain cool in Old Catawba and the slants of evening. The hill men kill in the mountain meadows—they kill about a fence, a dog, the dispute of a boundary line. They kill in drunkenness or in the red smear of the murder lust. But they do not saw off niggers’ noses. There is not the look of fear and cruelty in their eyes that the people in South Carolina have.

Old Catawba is a place inhabited by humble people. There is no Charleston in Old Catawba, and not so many people pretending to be what they are not. Charleston produced nothing, and yet it pretended to so much. Now their pretense is reduced to pretending that they amounted to so much formerly. And they really amounted to very little. This is the curse of South Carolina and its “Southness”—of always pretending you used to be so much, even though you are not now. Old Catawba does not have this to contend with. It has no Charleston and it does not have to pretend. They are small, plain people.

So Old Catawba is better because it is more “North.” Even as a child, George Webber realized that in a general way it was better to be more North than South. If you get too North, it gets no good. Everything gets frozen and dried up. But if you get too South, it is no good either, and it also gets rotten. If you get too North, it gets rotten, but in a cold, dry way. If you get too South, it gets rotten not in a dry way—which if you’re going to get rotten is the best way to get rotten—but in a horrible, stagnant, swampy, stenchlike, humid sort of way that is also filled with obscene whisperings and ropy laughter.

Old Catawba is just right. They are not going to set the world on fire down there, neither do they intend to. They make all the mistakes that people can make. They elect the cheapest sort of scoundrel to the highest offices they are able to confer. They have Rotary Clubs and chain gangs and Babbitts and all the rest of it. But they are not bad.

They are not certain, not sure, in Old Catawba. Nothing is certain or sure down there. The towns don’t look like New England towns. They don’t have the lovely white houses, the elm green streets, the sure, sweet magic of young May, the certainty and purpose of it all. It is not like that. First there are about two hundred miles of a coastal plain. This is a mournful flat-land, wooded with pine barrens. Then there are two hundred miles or thereabouts of Piedmont. This is rolling, rugged, you can’t remember it the way that you remember the lavish, sweet, and wonderful farm lands of the Pennsylvania Dutch with their great red barns which dominate the land. You don’t remember Old Catawba in this way. No; field and fold and gulch and hill and hollow, rough meadow land, bunched coarsely with wrench grass, and pine land borderings, clay bank and gulch and cut and all the trees there are, the locusts, chestnuts, maples, oaks, the pines, the willows, and the sycamores, all grown up together, all smashed-down tangles, and across in a sweet wilderness, all choked between with dogwood, laurel, and the rhododendron, dead leaves from last October and the needles of the pine—this is one of the ways that Old Catawba looks in May. And then out of the Piedmont westward you will hit the mountains. You don’t hit them squarely, they just come to you. Field and fold and hill and hollow, clay bank and cut and gulch and rough swell and convolution of the earth unutterable, and presently the hills are there.

A certain unknown, unsuspected sharpness thrills you. Is it not there? You do not know, for it cannot be proved. And yet the shifting engines switch along the tracks, you see the weed growth by the track-side, the leak-grey painting of a toolshed hut, the bleak, unforgettable, marvelous yellow of a station of the Southern Railway. The huge black snout of a mountain engine comes shifting down the track to take you up behind, and suddenly you know the hills are there. The heavy coaches ride up past mountain pastures, a rail fence, a clay road, the rock-bright clamors of a mountain water. You feel upon your neck the hot, the thrilling, the immensely intimate, the strange and most familiar breath of the terrific locomotive. And suddenly the hills are there. You go twisting up the grades and snake round curves with grinding screech. How near, how homely, how common and how strange, how utterly familiar—the great bulk of the Blue Ridge bears imminent upon you and compels you. You can put your hand out of the slow, toiling train and touch it. And all life is near, as common as your breath, as strange as time.

The towns aren’t much to look at. There is no lovely, certain thing the way there is in New England. There are just plain houses, nigger shacks, front porches, most of the current bungalow and country-club atrocities, a Public Square, some old buildings that say “The Weaver Block, 1882,” some new ones for Ford agencies, cars parked around the Square.

Down in the East, in Old Catawba, they have some smack of ancientry. The East got settled first and there are a few old towns down there, the remnants of plantations, a few fine old houses, a lot of niggers, tobacco, turpentine, pine woods, and the mournful flatlands of the coastal plain. The people in the East used to think they were better than the people in the West because they had been there a little longer. But they were not really better. In the West, where the mountains sweep around them, the people have utterly common, familiar, plain, Scotch-Irish faces, and names like Weaver, Wilson, Gudger, Joyner, Alexander, and Patton. The West is really better than the East. They went to war in the West, and yet they didn’t want to go to war. They didn’t have anything to go to war about: they were a plain and common people and they had no slaves. And yet they will always go to war if Leaders tell them to—they are made to serve. They think long and earnestly, debatingly; they are conservative; they vote the right way, and they go to war when big people tell them to. The West is really a region of good small people, a Scotch-Irish place, and that, too, is undefined, save that it doesn’t drawl so much, works harder, doesn’t loaf so much, and shoots a little straighter when it has to. It is really just one of the common places of the earth, a million or two people with nothing very extraordinary about them. If there had been anything extraordinary about them, it would have come out in their houses, as it came out in the lovely white houses of New England; or it would have come out in their barns, as it came out in the great red barns of the Pennsylvania Dutch. They are just common, plain, and homely—but almost everything of America is in them.

George Webber must have known all these things twenty-five years ago as he lay on the grass one afternoon before his uncle’s house. He really knew the way things were. People sometimes pretend they don’t know the way things are, but they really do. George lay in the grass and pulled some grass blades and looked upon them contentedly and chewed upon them. And he knew the way the grass blades were. He dug bare toes into the grass and thought of it. He knew the way it felt. Among the green grass, he saw patches of old brown, and he knew the way that was too. He put out his hand and felt the maple tree. He saw the way it came out of the earth, the grass grew right around it, he felt the bark and got its rough, coarse feeling. He pressed hard with his fingers, a little rough piece of the bark came off; he knew the way that was too. The wind kept howling faintly the way it does in May. All the young leaves of the maple tree were turned back, straining in the wind. He heard the sound it made, it touched him with some sadness, then the wind went and came again.

He turned and saw his uncle’s house, its bright red brick, its hard, new, cement columns, everything about it raw and ugly; and beside it, set farther back, the old house his grandfather had built, the clapboard structure, the porch, the gables, the bay windows, the color of the paint. It was all accidental, like a million other things in America. George Webber saw it, and he knew that this was the way things were. He watched the sunlight come and go, across backyards with all their tangle of familiar things; he saw the hills against the eastern side of town, sweet green, a little mottled, so common, homely, and familiar, and, when remembered later, wonderful, the way things are.

George Webber had good eyes, a sound body, he was twelve years old. He had a wonderful nose, a marvelous sense of smell, nothing fooled him. He lay there in the grass before his uncle’s house, thinking: “This is the way things are. Here is the grass, so green and coarse, so sweet and delicate, but with some brown rubble in it. There are the houses all along the street, the concrete blocks of walls, somehow so dreary, ugly, yet familiar, the slate roofs and the shingles, the lawns, the hedges and the gables, the backyards with their accidental structures of so many little and familiar things as hen houses, barns. All common and familiar as my breath, all accidental as the strings of blind chance, yet all somehow fore-ordered as a destiny: the way they are, because they are the way they are!”

There was a certain stitch of afternoon while the boy waited. Bird chirrupings and maple leaves, pervading quietness, boards hammered from afar, and a bumbling hum. The day was drowsed with quietness and defunctive turnip greens at three o’clock, and Carlton Leathergood’s tall, pock-marked, yellow nigger was coming up the street. The big dog trotted with him, breathing like a locomotive, the big dog Storm, that knocked you down with friendliness. Tongue rolling, heavy as a man, the great head swaying side to side, puffing with joy continually, the dog came on, and with him came the pock-marked nigger, Simpson Simms. Tall, lean, grinning cheerfully, full of dignity and reverence, the nigger was coming up the street the way he always did at three o’clock. He smiled and raised his hand to George with a courtly greeting. He called him “Mister” Webber as he always did; the greeting was gracious and respectful, and soon forgotten as it is and should be in the good, kind minds of niggers and of idiots, and yet it filled the boy somehow with warmth and joy.

“Good day dar, Mistah Webbah. How’s Mistah Webbah today?”

The big dog swayed and panted like an engine, his great tongue lolling out; he came on with great head down and with the great black brisket and his shoulders working.

Something happened suddenly, filling that quiet street with instant menace, injecting terror in the calm pulse of the boy. Around the corner of the Potterham house across the street came Potterham’s bulldog. He saw the mastiff, paused; his forelegs widened stockily, his grim-jowled face seemed to sink right down between the shoulder blades, his lips bared back along his long-fanged tusks, and from his baleful red-shot eyes fierce lightning shone. A low snarl rattled in the folds of his thick throat, the mastiff swung his ponderous head back and growled, the bull came on, halted, leaning forward on his widened legs, filled with hell-fire, solid with fight.

And Carlton Leathergood’s pock-marked yellow negro man winked at the boy and shook his head with cheerful confidence, saying:

“He ain’t goin’ to mix up wid my dawg, Mistah Webbah! ... No, sah! ... He knows bettah dan dat! ... Yes, sah!” cried Leathergood’s nigger with unbounded confidence. “He knows too well fo’ dat!”

The pock-marked nigger was mistaken! Something happened like a flash: there was a sudden snarl, a black thunderbolt shot through the air, the shine of murderous fanged teeth. Before the mastiff knew what had happened to him, the little bull was in and had his fierce teeth buried, sunk, gripped with the lock of death, in the great throat of the larger dog.

What happened after that was hard to follow. For a moment the great dog stood stock-still with an eloquence of stunned surprise and bewildered consternation that was more than human; then a savage roar burst out upon the quiet air, filling the street with its gigantic anger. The mastiff swung his great head savagely, the little bull went flying through the air but hung on with embedded teeth; great drops of the bright arterial blood went flying everywhere across the pavement, and still the bull held on. The end came like a lightning stroke. The great head flashed over through the air and down: the bull, no longer dog now—just a wad of black—smacked to the pavement with a sickening crunch.

From Potterham’s house a screen door slammed, and fourteen-year-old Augustus Potterham, with his wild red hair aflame, came out upon the run. Up the street, paunch-bellied, stiff-legged, and slouchy-uniformed, bound for town and three o’clock, Mr. Matthews, the policeman, pounded heavily. But Leathergood’s nigger was already there, tugging furiously at the leather collar around the mastiff’s neck, and uttering imprecations.

But it was all too late. The little dog was dead the moment that he struck the pavement—back broken, most of his bones broken, too; in Mr. Matthews’ words, “He never knowed what hit him.” And the big dog came away quietly enough, now that the thing was done: beneath the negro’s wrenching tug upon his neck, he swung back slowly, panting, throat dripping blood in a slow rain, bedewing the street beneath him with the bright red flakes.

Suddenly, like a miracle, the quiet street was full of people. They came from all directions, from everywhere: they pressed around in an excited circle, all trying to talk at once, each with his own story, everyone debating, explaining, giving his own version. In Potterham’s house, the screen door slammed again, and Mr. Potterham came running out at his funny little bandy-legged stride, his little red apple-cheeks aglow with anger, indignation, and excitement, his funny, chirping little voice heard plainly over all the softer, deeper, heavier, more Southern tones. No longer the great gentleman now, no longer the noble descendant of the Dukes of Potterham, no longer the blood-cousin of belted lords and earls, the possible claimant of enormous titles and estates in Gloucestershire when the present reigning head should die—but Cockney Potterham now, little Potterham minus all his aitches, little Potterham the dealer in nigger real estate and the owner of the nigger shacks, indomitable little Potterham forgetting all his grammar in the heat and anger of the moment:

“ ’Ere now! Wot did I tell you? I always said ’is bloody dog would make trouble! ’Ere! Look at ’im now! The girt bleedin’, blinkin’ thing! Big as a helefant, ’e is! Wot chance ’ud a dog like mine ’ave against a brute like that! ’E ought to be put out of the way—that’s wot! You mark my words—you let that brute run loose, an’ there won’t be a dog left in town—that’s wot!”

And Leathergood’s big pock-marked nigger, still clutching to the mastiff’s collar as he talks, and pleading with the policeman almost tearfully:

“Fo’ de Lawd, Mistah Matthews, my dawg didn’t do nuffin! No, sah! He don’t bothah nobody—my dawg don’t! He wa’nt even noticin’ dat othah dawg—you ask anybody!—ask Mistah Webbah heah!”—suddenly appealing to the boy with pleading entreaty—“Ain’t dat right, Mistah Webbah? You saw de whole thing yo’se’f, didn’t you? You tell Mistah Matthews how it was! Me an’ my dawg was comin’ up de street, a-tendin’ to ouah business, I jus’ tu’ned my haid to say good-day to Mistah Webbah heah, when heah comes dis othah dawg aroun’ de house, jus’ a-puffin’ an’ a-snawtin’, an’ befo’ I could say Jack Robinson he jumps all ovah my dawg an’ grabs him by de throat—you ask Mistah Webbah if dat ain’t de way it happened.”

And so it goes, everyone debating, arguing, agreeing, and denying, giving his own version and his own opinion; and Mr. Matthews asking questions and writing things down in a book; and poor Augustus Potterham blubbering like a baby, holding his dead little bulldog in his arms, his homely, freckled face contorted piteously, and dropping scalding tears upon his little dead dog; and the big mastiff panting, dripping blood upon the ground and looking curious, detached from the whole thing, and a little bored; and presently the excitement subsiding, people going away; Mr. Matthews telling the negro to appear in court; Augustus Potterham going away into the house blubbering, with the little bulldog in his arms; Mr. Potterham behind him, still chirping loudly and excitedly; and the dejected, pock-marked nigger and his tremendous dog going away up the street, the big dog dropping big blood-flakes on the pavement as he goes. And finally, silence as before, the quiet street again, the rustling of young maple leaves in the light wind, the brooding imminence of three o’clock, a few bright blood-flakes on the pavement, and all else the way that it had always been, and George Webber as before stretched out upon the grass beneath the tree there in his uncle’s yard, chin cupped in hands, adrift on time’s great dream, and thinking:

“Great God, this is the way things are, I see and know this is the way things are, I understand this is the way things are: and, Great God! Great God! this being just the way things are, how strange, and plain, and savage, sweet and cruel, lovely, terrible, and mysterious, and how unmistakable and familiar all things are!”

Three o’clock!

“Child, child!—Where are you, child?”

So did he always know Aunt Maw was there!

“Son, son!—Where are you son?”

Too far for finding and too near to seek!

“Boy, boy!—Where is that boy?”

Where you, at any rate, or any other of the apron-skirted kind, can never come.

“You can’t take your eye off him a minute....”

Keep eye on, then; it will do no good.

“The moment that your back is turned, he’s up and gone....”

And out and off and far away from you—no matter if your back is turned or not!

“I can never find him when I need him....”

Need me no needs, sweet dame; when I need you, you shall be so informed!

“But he can eat, all right.... He’s Johnny-on-the-spot when it is time to eat....”

And, pray, what is there so remarkable in that? Of course he eats—more power to his eating, too. Was Hercules a daffodil; did Adam toy with water cress; did Falstaff wax fat eating lettuces; was Dr. Johnson surfeited on shredded wheat; or Chaucer on a handful of parched corn? No! What is more, were campaigns fought and waged on empty bellies; was Kublai Khan a vegetarian; did Washington have prunes for breakfast, radishes for lunch; was John L. Sullivan the slave of Holland Rusk, or President Taft the easy prey of lady fingers? No! More—who drove the traffic of swift-thronging noon, perched high above the hauling rumps of horses; who sat above the pistoned wheels of furious day; who hurled a ribbon of steel rails into the West; who dug, drove through gulches, bored through tunnels; whose old gloved hands were gripped on the throttles; who bore the hammer, and who dealt the stroke?—did such of these grow faint with longing when they thought of the full gluttony of peanut-butter and ginger snaps? And finally, the men who came back from the town at twelve o’clock, their solid liquid tramp of leather on the streets of noon, the men of labor, sweat, and business coming down the street—his uncle, Mr. Potterham, Mr. Shepperton, Mr. Crane—were fence gates opened, screen doors slammed, and was there droning torpor and the full feeding silence of assuagement and repose—if these men had come to take a cup of coffee and a nap?

“He can eat, all right! ... He’s always here when it is time to eat!”

It was to listen to such stuff as this that great men lived and suffered, and great heroes bled! It was for this that Ajax battled, and Achilles died; it was for this that Homer sang and suffered—and Troy fell! It was for this that Artaxerxes led great armies, it was for this that Caesar took his legions over Gaul; for this that Ulysses had braved strange seas, encompassed perils of remote and magic coasts, survived the Cyclops and Charybdis, and surmounted all the famed enchantments of Circean time—to listen to such damned and dismal stuff as this—the astonishing discovery by a woman that men eat!

Peace, woman, to your bicker—hold your prosy tongue! Get back into the world you know, and do the work for which you were intended; you intrude—go back, go back to all your kitchen scourings, your pots and pans, your plates and cups and saucers, your clothes and rags and soaps and sudsy water; go back, go back and leave us; we are fed and we are pleasantly distended, great thoughts possess us; drowsy dreams; we would lie alone and contemplate our navel—it is afternoon!

“Boy, boy!—Where has he got to now! ... Oh, I could see him lookin’ round.... I saw him edgin’ towards the door! ... Aha, I thought, he thinks he’s very smart ... but I knew exactly what he planned to do ... to slip out and to get away before I caught him ... and just because he was afraid I had a little work for him to do!”

A little work! Aye, there’s the rub—if only it were not always just a little work we had to do! If only in their minds there ever were a moment of supreme occasion or sublime event! If only it were not always just a little thing they have in mind, a little work we had to do! If only there were something, just a spark of joy to lift the heart, a spark of magic to fire the spirit, a spark of understanding of the thing we want to do, a grain of feeling, or an atom of imagination! But always it is just a little work, a little thing we have to do!

Is it the little labor that she asks that we begrudge? Is it the little effort which it would require that we abhor? Is it the little help she asks for that we ungenerously withhold, a hate of work, a fear of sweat, a spirit of mean giving? No! It is not this at all. It is that women in the early afternoon are dull, and dully ask dull things of us; it is that women in, the afternoon are dull, and ask us always for a little thing, and do not understand!

It is that at this hour of day we do not want them near us—we would be alone. They smell of kitchen steam and drabness at this time of day: the depressing moistures of defunctive greens, left-over cabbage, lukewarm boilings, and the dinner scraps. An atmosphere of sudsy water now pervades them; their hands drip rinsings and their lives are grey.

These people do not know it, out of mercy we have never told them; but their lives lack interest at three o’clock—we do not want them, they must let us be.

They have some knowledge for the morning, some for afternoon, more for sunset, much for night; but at three o’clock they bore us, they must leave us be! They do not understand the thousand lights and weathers of the day as we; light is just light to them, and morning morning, and noon noon. They do not know the thing that comes and goes—the way light changes, and the way things shift; they do not know how brightness changes in the sun, and how man’s spirit changes like a flick of light. Oh, they do not know, they cannot understand, the life of life, the joy of joy, the grief of grief unutterable, the eternity of living in a moment, the thing that changes as light changes, as swift and passing as a swallow’s flight; they do not know the thing that comes and goes and never can be captured, the thorn of Spring, the sharp and tongueless cry!

They do not understand the joy and horror of the day as we can feel it; they do not understand the thing we dread at this hour of the afternoon.

To them the light is light, the brief hour passing; their soaps-suds spirits do not contemplate the horror of hot light in afternoon. They do not understand our loathing of hot gardens, the way our spirits dull and sicken at hot light. They do not know how hope forsakes us, how joy flies away, when we look at the mottled torpor of hot light on the hydrangeas, the broad-leaved dullness of hot dock-weeds growing by the barn. They do not know the horror of old rusty cans filled into gaps of rubbish underneath the fence; the loathing of the mottled, hot, and torpid light upon a row of scraggly corn; the hopeless depth of torpid, dull depression which the sight of hot coarse grasses in the sun can rouse to a numb wakefulness of horror in our souls at three o’clock.

It is a kind of torpid stagnancy of life, it is a hopelessness of hope, a dull, numb lifelessness of life! It is like looking at a pool of stagnant water in the dull torpor of the light of three o’clock. It is like being where no green is, where no cool is, where there is no song of unseen birds, where there is no sound of cool and secret waters, no sound of rock-bright, foaming waters; like being where no gold and green and sudden magic is, to be called out to do little things at three o’clock.

Ah, Christ, could we make speech say what no speech utters, could we make tongue speak what no tongue says! Could we enlighten their enkitchened lives with a revealing utterance, then they would never send us out to do a little thing at three o’clock.

We are a kind that hate clay banks in afternoon, the look of cinders, grimy surfaces, old blistered clapboard houses, the train yards and the coaches broiling on the tracks. We loathe the sight of concrete walls, the fly-speckled windows of the Greek, the strawberry horror of the row of lukewarm soda-pop. At this hour of the day we sicken at the Greek’s hot window, at his greasy frying plate that fries and oozes with a loathsome sweat in the full torpor of the sun. We hate the row of greasy frankfurters that sweat and ooze there on the torpid plate, the loathsome pans all oozing with a stew of greasy onions, mashed potatoes, and hamburger steaks. We loathe the Greek’s swart features in the light of three o’clock, the yellowed pock-marked pores that sweat in the hot light. We hate the light that shines on motor cars at three o’clock, we hate white plaster surfaces, new stucco houses, and most open places where there are no trees.

We must have coolness, dankness, darkness; we need gladed green and gold and rock-bright running waters at the hour of three o’clock. We must go down into the coolness of a concrete cellar. We like dark shade, and cool, dark smells, and cool, dark, secret places, at the hour of three o’clock. We like cool, strong smells with some cool staleness at that hour. Man smells are good at three o’clock. We like to remember the smells of all things that were in our father’s room: the dank, cool pungency of the plug of apple tobacco on the mantelpiece, bit into at one end, and stuck with a bright red flag; the smell of the old mantelpiece, the wooden clock, the old calf bindings of a few old books; the smell of the rocking chair, the rug, the walnut bureau, and the cool, dark smell of clothing in the closet.

At this hour of the day we like the smell of old unopened rooms, old packing cases, tar, and the smell of the grape vines on the cool side of the house. If we go out, we want to go out in green shade and gladed coolnesses, to lie down on our bellies underneath the maple trees and work our toes down into the thick green grass. If we have to go to town we want to go to places like our uncle’s hardware store, where we can smell the cool, dark cleanliness of nails, hammers, saws, tools, T-squares, implements of all sorts; or to a saddle shop where we can get the smell of leather; or to our father’s brick and lumber yard where we can get the smells of putty, glass, and clean white pine, the smell of the mule-teams, and the lumber sheds. It is also good to go into the cool glade of the drug store at this hour, to hear the cool, swift slatting of the wooden fans, and to smell the citrus pungency of lemons, limes, and oranges, the sharp and clean excitements of unknown medicines.

The smell of a street car at this hour of day is also good—a dynamic smell of motors, wood work, rattan seats, worn brass, and steel-bright flanges. It is a smell of drowsy, warm excitement, and a nameless beating of the heart; it speaks of going somewhere. If we go anywhere at this hour of day, it is good to go to the baseball game and smell the grandstand, the old wooden bleachers, the green turf of the playing field, the horsehide of the ball, the gloves, the mitts, the clean resilience of the ash-wood bats, the smells of men in shirt-sleeves, and the sweating players.

And if there is work to do at three o’clock—if we must rouse ourselves from somnolent repose, and from the green-gold drowsy magic of our meditations—for God’s sake give us something real to do. Give us great labors, but vouchsafe to us as well the promise of a great accomplishment, the thrill of peril, the hope of high and spirited adventure. For God’s sake don’t destroy the heart and hope and life and will, the brave and dreaming soul of man, with the common, dull, soul-sickening, mean transactions of these little things!

Don’t break our heart, our hope, our ecstasy, don’t shatter irrevocably some brave adventure of the spirit, or some brooding dream, by sending us on errands which any stupid girl, or nigger wench, or soulless underling of life could just as well accomplish. Don’t break man’s heart, man’s life, man’s song, the soaring vision of his dream with—“Here, boy, trot around the corner for a loaf of bread,”—or “Here, boy; the telephone company has just called up—you’ll have to trot around there ...“—Oh, for God’s sake, and my sake, please don’t say ‘trot around’—”... and pay the bill before they cut us off!”

Or, fretful-wise, be-flusteredlike, all of a twitter, scattered and demoralized, fuming and stewing, complaining, whining, railing against the universe because of things undone you should have done yourself, because of errors you have made yourself, because of debts unpaid you should have paid on time, because of things forgotten you should have remembered—fretting, complaining, galloping off in all directions, unable to get your thoughts together, unable even to call a child by his proper name—as here:

“Ed, John, Bob—pshaw, boy! George, I mean! ...”

Well, then for God’s sake, mean it!

“Why, pshaw!—to think that that fool nigger—I could wring her neck when I think of it—well, as I say now....”

Then, in God’s name, say it!

“... why, you know ...”

No! I do not know!

“... here I was dependin’ on her—here she told me she would come—and all the work to be done—and here she’s sneaked out on me after dinner—and I’m left here in the lurch.”

Yes, of course you are; because you failed to pay the poor wench on Saturday night the three dollars which is her princely emolument for fourteen hours a day of sweaty drudgery seven days a week; because “it slipped your mind,” because you couldn’t bear to let it go in one gigantic lump—could you?—because you thought you’d hang on to the good green smell of money just a little longer, didn’t you?—let it sweat away in your stocking and smell good just a little longer—didn’t you?—break the poor brute’s heart on Saturday night just when she had her mind all set on fried fish, gin, and f——g, just because you wanted to hold on to three wadded, soiled, and rumpled greenbacks just a little longer—dole it out to her a dollar at a time—tonight a dollar, Wednesday night a dollar, Friday night the same ... and so are left here strapped and stranded and forlorn, where my father would have paid and paid at once, and kept his nigger and his nigger’s loyalty. And all because you are a woman, with a woman’s niggard smallness about money, a woman’s niggard dealing towards her servants, a woman’s selfishness, her small humanity of feeling for the dumb, the suffering, and afflicted soul of man—and so will fret and fume and fidget now, all flustered and undone, to call me forth with:

“Here, boy!—Pshaw, now!—To think that she would play a trick like this!—Why as I say, now—child! child!—I don’t know what I shall do—I’m left here all alone—you’ll have to trot right down and see if you can find someone at once.”

Aye! to call me forth from coolness, and the gladed sweetness of cool grass to sweat my way through Niggertown in the dreary torpor of the afternoon; to sweat my way up and down that grassless, treeless horror of baked clay; to draw my breath in stench and sourness, breathe in the funky nigger stench, sour wash-pots and branch-sewage, nigger privies and the sour shambles of the nigger shacks; to scar my sight and soul with little snot-nosed nigger children fouled with dung, and so bowed out with rickets that their little legs look like twin sausages of fat, soft rubber; so to hunt, and knock at shack-door, so to wheedle, persuade, and cajole, in order to find some other sullen wench to come and sweat her fourteen hours a day for seven days a week—and for three dollars!

Or again, perhaps it will be: “Pshaw, boy!—Why to think that he would play me such a trick!—Why, I forgot to put the sign out—but I thought he knew I needed twenty pounds!—If he’d only asked!—but here he drove right by with not so much as by-your-leave, and here there’s not a speck of ice in the refrigerator—and ice cream and iced tea to make for supper.—You’ll have to trot right down to the icehouse and get me a good ten-cent chunk.”

Yes! A good ten-cent chunk tied with a twist of galling twine, that cuts like a razor down into my sweaty palm; that wets my trouser’s leg from thigh to buttock; that bangs and rubs and slips and cuts and freezes against my miserable knees until the flesh is worn raw; that trickles freezing drops down my bare and aching legs, that takes all joy from living, that makes me curse my life and all the circumstances of my birth—and all because you failed to “put the sign out,” all because you failed to think of twenty pounds of ice!

Or is it a thimble, or a box of needles, or a spool of thread that you need now! Is it for such as this that I must “trot around” some place for baking powder, salt or sugar, or a pound of butter, or a package of tea!

For God’s sake thimble me no thimbles and spool me no spools! If I must go on errands send me out upon man’s work, with man’s dispatch, as my father used to do! Send me out with one of his niggers upon a wagon load of fragrant pine, monarch above the rumps of two grey mules! Send me for a wagon load of sand down by the river, where I can smell the sultry yellow of the stream, and shout and holler to the boys in swimming! Send me to town to my father’s brick and lumber yard, the Square, the sparkling traffic of bright afternoon. Send me for something in the City Market, the smell of fish and oysters, the green, cool growth of vegetables; the cold refrigeration of hung beeves, the butchers cleaving and sawing in straw hats and gouted aprons. Send me out to life and business and the glades of afternoon; for God’s sake, do not torture me with spools of thread, or with the sunbaked clay and shambling rickets of black Niggertown!

“Son, son! ... Where has that fool boy got to! ... Why, as I say now, boy, you’ll have to trot right down to....”

With baleful, brooding vision he looked towards the house. Say me no says, sweet dame; trot me no trots. The hour is three o’clock, and I would be alone.

So thinking, feeling, saying, he rolled over on his belly, out of sight, on the “good” side of the tree, dug bare, luxurious toes in cool, green grass, and, chin a-cup in his supporting hands, regarded his small universe of three o’clock.

“A little child, a limber elf”—twelve years of age, and going on for thirteen next October. So, midway in May now, midway to thirteen, with a whole world to think of. Not large or heavy for his age, but strong and heavy in the shoulders, arms absurdly long, big hands, legs thin, bowed out a little, long, flat feet; small face and features quick with life, the eyes deep-set, their look both quick and still; low brow, wide, stick-out ears, a shock of close-cropped hair, a large head that hangs forward and projects almost too heavily for the short, thin neck—not much to look at, someone’s ugly duckling, just a boy.

And yet—could climb trees like a monkey, spring like a cat; could jump and catch the maple limb four feet above his head—the bark was already worn smooth and slick by his big hands; could be up the tree like a flash; could go places no one else could go; could climb anything, grab hold of anything, dig his toes in anything; could scale the side of a cliff if he had to, could almost climb a sheet of glass; could pick up things with his toes, and hold them, too; could walk on his hands, bend back and touch the ground, stick his head between his legs, or wrap his legs around his neck; could make a hoop out of his body and roll over like a hoop, do hand-springs and cut flips—jump, climb, and leap as no other boy in town could do. He is a grotesque-looking little creature, yet unformed and unmatured, in his make-up something between a spider and an ape (the boys, of course, call him “Monk”)—and yet with an eye that sees and holds, an ear that hears and can remember, a nose that smells out unsuspected pungencies, a spirit swift and mercurial as a flash of light, now soaring like a rocket, wild with ecstasy, outstripping storm and flight itself in the aerial joy of skyey buoyancy; now plunged in nameless, utter, black, unfathomable dejection; now bedded cool in the reposeful grass beneath the maple tree, remote from time and brooding on his world of three o’clock; now catlike on his feet—the soaring rocket of a sudden joy—then catlike spring and catch upon the lowest limb, then like a monkey up the tree, and like a monkey down, now rolling like a furious hoop across the yard—at last, upon his belly in cool grass again, and bedded deep in somnolent repose at three o’clock.

Now, with chin cupped in his hands and broodingly aware, he meditates the little world before him, the world of one small, modest street, the neighbors, and his uncle’s house. For the most part, it is the pleasant world of humble people and small, humble houses, most of them worn, shabby, so familiar: the yards, the porches, swings, and railings, and the rocking chairs; the maple trees, the chestnuts and the oaks; the way a gate leans open, half ajar, the way the grass grows, and the way the flowers are planted; the fences, hedges, bushes, and the honeysuckle vines; the alleyways and all the homely and familiar backyard world of chicken houses, stables, barns, and orchards, and each one with its own familiar hobby, the Potterham’s neat back-garden, Nebraska Crane’s pigeon houses—the whole, small, well-used world of good, small people.

He sees the near line of eastern hills, with light upon it, the sweet familiarity of massed green. His thought soars westward with a vision of far distances and splendid ranges; his heart turns west with thoughts of unknown men and places and of wandering; but ever his heart turns home to this his own world, to what he knows and likes the best. It is—he feels and senses this obscurely—the place of common man, his father’s kind of people. Except for his uncle’s raw, new house, the sight of which is a desolation to him, it is the place of the homely, simple houses, and the old, ordinary streets, where the bricklayers, plasterers, and masons, the lumber dealers and the stonecutters, the plumbers, hardware merchants, butchers, grocers, and the old, common, native families of the mountains—his mother’s people—make their home.

It is the place of the Springtime orchards, the loamy, dew-wet morning gardens, the peach, cherry, apple blossoms, drifting to the ground at morning in the month of April, the pungent, fragrant, maddening savor of the breakfast smells. It is the place of roses, lilies, and nasturtiums, the vine-covered porches of the houses, the strange, delicious smell of the ripening grapes in August, and the voices—near, strange, haunting, lonely, most familiar—of the people sitting on their porches in the Summer darkness, the voices of the lost people in the darkness as they say goodnight. Then boys will hear a screen door slam, the earth grow silent with the vast and brooding ululation of the night, and finally the approach, the grinding screech, the brief halt, the receding loneliness and absence of the last street car going around the corner on the hill, and will wait there in the darkness filled with strangeness, thinking, “I was born here, there’s my father, this is I!”

It is the world of the sun-warm, time-far clucking of the sensual hens in the forenoon strangeness of the spell of time, and the coarse, sweet coolness of Crane’s cow along the alleyway; and it is the place of the ice-tongs ringing in the streets, the ice saw droning through the dripping blocks, the sweating negroes, and the pungent, musty, and exotic odors of the grocery wagons, the grocery box piled high with new provisions. It is the place of the forenoon housewives with their shapeless gingham dresses, bare legs, slippers, turbaned heads, bare, bony, labor-toughened hands and arms and elbows, and the fresh, clean, humid smell of houses airing in the morning. It is the place of the heavy midday dinners, the smells of roasts of beef, corn on the cob, the deep-hued savor of the big string beans, cooking morning long into the sweet amity and unction of the fat-streaked pork; and above it all is the clean, hungry, humid smell and the steaming freshness of the turnip greens at noon.

It is the world of magic April and October; world of the first green and the smell of blossoms; world of the bedded oak leaves and the smell of smoke in Autumn, and men in shirt-sleeves working in their yards in red waning light of old October as boys pass by them going home from school. It is the world of the Summer nights, world of the dream-strange nights of August, the great moons and the tolling bells; world of the Winter nights, the howling winds, and the fire-full chimney throats—world of the ash of time and silence while the piled coals flare and crumble, world of the waiting, waiting, waiting—for the world of joy, the longed-for face, the hoped-for step, the unbelieved-in magic of the Spring again.

It is the world of warmth, nearness, certitude, the walls of home! It is the world of the plain faces, and the sounding belly laughter; world of the people who are not too good or fine or proud or precious for the world’s coarse uses; world of the sons who are as their fathers were before them, and are compacted of man’s base, common, stinking clay of fury, blood, and sweat and agony—and must rise or fall out of the world from which they came, sink or swim, survive or perish, live, die, conquer, find alone their way, be baffled, beaten, grow furious, drunken, desperate, mad, lie smashed and battered in the stews, find a door, a dwelling place of warmth and love and strong security, or be driven famished, unassuaged, and furious through the world until they die!

Last of all, it is the world of the true friends, the fine, strong boys who can smack a ball and climb a tree, and are always on the lookout for the thrill and menace of adventure. They are the brave, free, joyful, hope-inspiring fellows who are not too nice and dainty and who have no sneers. Their names are such wonderful, open-sounding names as John, Jim, Robert, Joe, and Tom. Their names are William, Henry, George, Ben, Edward, Lee, Hugh, Richard, Arthur, Jack! Their names are the names of the straight eye and the calm and level glance, names of the thrown ball, the crack of the bat, the driven hit; names of wild, jubilant, and secret darkness, brooding, prowling, wild, exultant night, the wailing whistle and the great wheels pounding at the river’s edge.

They are the names of hope, the names of love, friendship, confidence, and courage, the names of life that will prevail and will not be beaten by the names of desolation, the hopeless, sneering, death-loving, and life-hating names of old scornmaker’s pride—the hateful and accursed names that the boys who live in the western part of town possess.

Finally, they are the rich, unusual names, the strange, yet homely, sturdy names—the names of George Josiah Webber and Nebraska Crane.

Nebraska Crane was walking down the street upon the other side. He was bare-headed, his shock of Indian coarse black hair standing out, his shirt was opened at his strong, lean neck, his square brown face was tanned and flushed with recent effort. From the big pocket of his pants the thick black fingers of a fielder’s mitt protruded, and upon his shoulder he was carrying a well-worn ash-wood bat, of which the handle was wound round tight with tape. He came marching along at his strong and even stride, his bat upon his shoulder, as steady and as unperturbed as a soldier, and, as he passed, he turned his fearless face upon the boy across the street—looked at him with his black-eyed Indian look, and, without raising his voice, said quietly in a tone instinct with quiet friendliness:

“Hi, Monk!”

And the boy who lay there in the grass, his face supported in his hands, responded without moving, in the same toneless, friendly way:

“Hello, Bras.”

Nebraska Crane marched on down the street, turned into the alley by his house, marched down it, turned the corner of his house, and so was lost from sight.

And the boy who lay on his belly in the grass continued to look out quietly from the supporting prop of his cupped hands. But a feeling of certitude and comfort, of warmth and confidence and quiet joy, had filled his heart, as it always did when Nebraska Crane passed his house at three o’clock.

The boy lay on his belly in the young and tender grass. Jerry Alsop, aged sixteen, fat and priestly, his belly buttoned in blue serge, went down along the other side of the street. He was a grave and quiet little figure, well liked by the other boys, but he was always on the outer fringes of their life, always on the sidelines of their games, always an observer of their universe—a fat and quiet visitant, well-spoken, pleasant-voiced, compactly buttoned in the blue serge that he always wore.... There had been one night of awful searching, one hour when all the torment and the anguish in that small, fat life had flared out in desperation. He had run away from home, and they had found him six hours later on the river road, down by the muddy little river, beside the place where all the other boys went to swim, the one hole deep enough to drown. His mother came and took him by the hand; he turned and looked at her, and then the two fell sobbing in each other’s arms.... For all the rest, he had been a quiet and studious boy, well thought of in the town. Jerry’s father was a dry goods merchant, and the family was comfortably off in a modest way. Jerry had a good mind, a prodigious memory for what he read, all things in books came smoothly to him. He would finish high school next year....

Jerry Alsop passed on down the street.

Suddenly, the Webber boy heard voices in the street. He turned his head and looked, but even before he turned his head his ear had told him, a cold, dry tightening of his heart, an acrid dryness on his lips, a cold, dry loathing in his blood, had told him who they were.

Four boys were coming down the street in raffish guise; advancing scattered and disorderly, now scampering sideways, chasing, tussling in lewd horseplay with each other, smacking each other with wet towels across the buttocks (they had just come from swimming in Jim Rheinhardt’s cow pond in the Cove), filling the quiet street with the intrusions of their raucous voices, taking the sun and joy and singing from the day.

They slammed yard-gates and vaulted fences; they dodged round trees, ducked warily behind telephone poles, chased each other back and forth, gripped briefly, struggling strenuously, showed off to each other, making raucous noises, uttering mirthless gibes. One chased another around a tree, was deftly tripped, fell sprawling to the roar of their derision, rose red and angry in the face, trying mirthlessly to smile, hurled his wet, wadded towel at the one who tripped him—missed and was derided, picked his towel up, and to save his ugly face and turn derision from him cried out—“Pee-e-nuts!”—loudly passing Pennock’s house.

The boy surveyed them with cold loathing—this was wit!

They filled that pleasant street with raucous gibes, and they took hope and peace and brightness from the day. They were unwholesome roisterers, they did not move ahead in comradeship, but scampered lewdly, raggedly around, as raucous, hoarse, and mirthless as a gob of phlegm; there was no warmth, no joy or hope or pleasantness in them; they filled the pleasant street with brutal insolence. They came from the west side of town, he knew them instinctively for what they were—the creatures of a joyless insolence, the bearers of the hated names.

Thus Sidney Purtle, a tall, lean fellow, aged fifteen, and everything about him pale—pale eyes, pale features, pale lank hair, pale eyebrows and a long, pale nose, pale lips and mouth carved always in a pale and ugly sneer, pale hands, pale hair upon his face, pale freckles, and a pale, sneering, and envenomed soul:

“Georgeous the Porgeous!” A pale sneer, a palely sneering laugh; and as he spoke the words he smacked outward with his wet and loathsome rag of towel. The boy ducked it and arose.

Carl Hooton stood surveying him—a brutal, stocky figure, brutal legs outspread, red-skinned, red-handed, and red-eyed, red-eyebrowed, and an inch of brutal brow beneath the flaming thatch of coarse red hair:

“Well, as I live and breathe,” he sneered (the others smirked appreciation of this flaming wit), “it’s little Jocko the Webber, ain’t it?”

“Jockus the Cockus,” said Sid Purtle softly, horribly—and smacked the wet towel briefly at the boy’s bare leg.

“Jockus the Cockus—hell!” said Carl Hooton with a sneer, and for a moment more looked at the boy with brutal and derisory contempt. “Son, you ain’t nothin’,” he went on with heavy emphasis, now turning to address his fellows—“Why that little monk-faced squirrel’s—they ain’t even dropped yet.”

Loud appreciative laughter followed on this sally; the boy stood there flushed, resentful, staring at them, saying nothing. Sid Purtle moved closer to him, his pale eyes narrowed ominously to slits.

“Is that right, Monkus?” he said, with a hateful and confiding quietness. A burble of unwholesome laughter played briefly in his throat, but he summoned sober features, and said quietly, with menacing demand: “Is that right, or not? Have they fallen yet?”

“Sid, Sid,” whispered Harry Nast, plucking at his companion’s sleeve; a snicker of furtive mirth crossed his rat-sharp features. “Let’s find out how well he’s hung.”

They laughed, and Sidney Purtle said:

“Are you hung well, Monkus?” Turning to his comrades, he said gravely, “Shall we find out how much he’s got, boys?”

And suddenly alive with eagerness and mirthful cruelty, they all pressed closer in around the boy, with secret, unclean laughter, saying:

“Yes, yes—come on, let’s do it! Let’s find out how much he’s got!”

“Young Monkus,” said Sid Purtle gravely, putting a restraining hand upon his victim’s arm, “much as it pains us all, we’re goin’ to examine you.”

“Let go of me!” The boy wrenched free, turned, whirled, backed up against the tree; the pack pressed closer, leering faces thrusting forward, pale, hateful eyes smeared with the slime of all their foul and secret jubilation. His breath was coming hoarsely, and he said: “I told you to let go of me!”

“Young Monkus,” said Sid Purtle gravely, in a tone of quiet reproof, wherein the dogs of an obscene and jeering mirth were faintly howling—“Young Monkus, we’re surprised at you! We had expected you to behave like a little gentleman—to take your medicine like a little man.... Boys!”

He turned, addressing copemates in a tone of solemn admonition, grave surprise: “It seems the little Monkus is trying to get hard with us. Do you think we should take steps?”

“Yes, yes,” the others eagerly replied, and pressed still closer round the tree.

And for a moment there was an evil, jubilantly attentive silence as they looked at him, naught but the dry, hard pounding of his heart, his quick, hard breathing, as they looked at him. Then Victor Munson moved forward slowly, his thick, short hand extended, the heavy volutes of his proud, swart nostrils swelling with scorn. And his voice, low-toned and sneering, cajoling with a hateful mockery, came closer to him coaxingly, and said:

“Come, Monkus! Come little Monkus! Lie down and take your medicine, little Monk! ... Here Jocko! Come Jocko! Here Jocko! Come Jocko!—Come and get your peanuts—Jock, Jock, Jock!”

Then while they joined in hateful laughter, Victor Munson moved forward again, the swart, stub fingers, warted on the back, closed down upon the boy’s left arm; and suddenly he drew in his breath in blind, blank horror and in bitter agony, he knew that he must die and never draw his shameful breath in quietude and peace, or have a moment’s hope of heartful ease again; something blurred and darkened in blind eyes—he wrenched free from the swart, stub fingers, and he struck.

The blind blow landed in the thick, swart neck and sent it gurgling backwards. Sharp hatred crossed his vision now, and so enlightened it; he licked his lips and tasted bitterness, and, sobbing in his throat, he started towards the hated face. His arms were pinioned from behind. Sid Purtle had him, the hateful voice was saying with a menacing and now really baleful quietude:

“Now, wait a minute! Wait a minute, boys! ... We were just playin’ with him, weren’t we, and he started to get hard with us! ... Ain’t that right?”

“That’s right, Sid. That’s the way it was, all right!”

“We thought he was a man, but he turns out to be just a little sorehead, don’t he? We were just kiddin’ him along, and he has to go and get sore about it. You couldn’t take it like a man, could you?” said Sidney Purtle, quietly and ominously into the ear of his prisoner; at the same time he shook the boy a little—“You’re just a little cry-baby, ain’t you? You’re just a coward, who has to hit a fellow when he ain’t lookin’?”

“You turn loose of me,” the captive panted, “I’ll show you who’s the cry-baby! I’ll show you if I have to hit him when he isn’t looking!”

“Is that so, son?” said Victor Munson, breathing hard.

“Yes, that’s so, son!” the other answered bitterly.

“Who says it’s so, son?”

“I say it’s so, son!”

“Well, you don’t need to go gettin’ on your head about it!”

“I’m not the one who’s getting on his head about it; you are!”

“Is that so?”

“Yes, that’s so!”

There was a pause of labored breathing and contorted lips; the acrid taste of loathing and the poisonous constrictions of brute fear, a sense of dizziness about the head, a kind of hollow numbness in the stomach pit, knee sockets gone a trifle watery; all of the gold of just a while ago gone now, all of the singing and the green; no color now, a poisonous whiteness in the very quality of light, a kind of poisonous intensity of focus everywhere; the two antagonists’ faces suddenly keen, eyes sharp with eager cruelty, pack-appetites awakened, murder-sharp now, lusts aware.

“You’d better not be gettin’ big about it,” said Victor Munson slowly, breathing heavily, “or somebody’ll smack you down!”

“You know anyone who’s going to do it?”

“Maybe I do and maybe I don’t, I’m not sayin’. It’s none of your business.”

“It’s none of your business either!”

“Maybe,” said Victor Munson, breathing swarthily, and edging forward an inch or so—“Maybe I’ll make it some of my business!”

“You’re not the only one who can make it your business!”

“You know of anyone who wants to make it anything?”

“Maybe I do and maybe I don’t.”

“Do you say that you do?”

“Maybe I do and maybe I don’t. I don’t back down from saying it.”

“Boys, boys,” said Sidney Purtle, quietly, mockingly. “You’re gettin’ hard with each other. You’re usin’ harsh language to each other. The first thing you know you’ll be gettin’ into trouble with each other—about Christmas time,” he jeered quietly.

“If he wants to make anything out of it,” said Victor Munson bitterly, “he knows what he can do.”

“You know what you can do, too!”

“Boys, boys,” jeered Sidney Purtle softly.

“Fight! Fight!” said Harry Nast, and snickered furtively. “When is the big fight gonna begin?”

“Hell!” said Carl Hooton coarsely, “they don’t want to fight. They’re both so scared already they’re ready to —— in their pants. Do you want to fight, Munson?” he said softly, brutally, coming close and menacing behind the other boy.

“If he wants to make something out of it—” the Munson boy began again.

“Well, then, make it!” cried Carl Hooton, with a brutal laugh, and at the same moment gave the Munson boy a violent shove that sent him hurtling forward against the pinioned form of his antagonist. Sid Purtle sent his captive hurtling forward at the Munson boy; in a second more, they were crouching toe to toe, and circling round each other. Sid Purtle’s voice could be heard saying quietly:

“If they want to fight it out, leave ’em alone! Stand back and give ’em room!”

“Wait a minute!”

The words were spoken almost tonelessly, but they carried in them such a weight of quiet and inflexible command that instantly all the boys stopped and turned with startled surprise, to see where they came from.

Nebraska Crane, his bat upon his shoulder, was advancing towards them from across the street. He came on steadily, neither quickening nor changing his stride, his face expressionless, his black Indian gaze fixed steadily upon them.

“Wait a minute!” he repeated as he came up.

“What’s the matter?” Sidney Purtle answered, with a semblance of surprise.

“You leave Monk alone,” Nebraska Crane replied.

“What’ve we done?” Sid Purtle said, with a fine show of innocence.

“I saw you,” said Nebraska with toneless stubbornness, “all four of you ganged up on him; now leave him be.”

“Leave him be?” Sid Purtle now protested.

“You heard me!”

Carl Hooton, more brutal and courageous and less cautious than Sid Purtle, now broke in truculently:

“What’s it to you? What business is it of yours what we do?”

“I make it my business,” Nebraska answered calmly. “Monk,” he went on, “you come over here with me.”

Carl Hooton stepped before the Webber boy and said:

“What right have you to tell us what to do?”

“Get out of the way,” Nebraska said.

“Who’s gonna make me?” said Carl Hooton, edging forward belligerently.

“Carl, Carl—come on,” said Sid Purtle in a low, warning tone. “Don’t pay any attention to him. If he wants to get on his head about it, leave him be.”

There were low, warning murmurs from the other boys.

“The rest of you can back down if you like,” Carl Hooton answered, “but I’m not takin’ any backwash from him. Just because his old man is a policeman, he thinks he’s hard. Well, I can get hard, too, if he gets hard with me.”

“You heard what I told you!” Nebraska said. “Get out of the way!”

“You go to hell!” Carl Hooton answered. “I’ll do as I damn please!”

Nebraska Crane swung solidly from the shoulders with his baseball bat and knocked the red-haired fellow sprawling. It was a crushing blow, so toneless, steady, and impassive in its deliberation that the boys turned white with horror, confronted now with a murderous savagery of purpose they had not bargained for. It was obvious to all of them that the blow might have killed Carl Hooton had it landed on his head; it was equally and horribly evident that it would not have mattered to Nebraska Crane if he had killed Carl Hooton. His black eyes shone like agate in his head, the Cherokee in him had been awakened, he was set to kill. As it was, the blow had landed with the sickening thud of ash-wood on man’s living flesh, upon Carl Hooton’s arm; the arm was numb from wrist to shoulder, and three frightened boys were now picking up the fourth, stunned, befuddled, badly frightened, not knowing whether a single bone had been left unbroken in his body, whether he was permanently maimed, or whether he would live to walk again.

“Carl—Carl—are you hurt bad? How’s your arm?” said Sidney Purtle.

“I think it’s broken,” groaned that worthy, clutching the injured member with his other hand.

“You—you—you hit him with your bat,” Sid Purtle whispered. “You—you had no right to do that.”

“His arm may be broken,” Harry Nast said, in an awed tone.

“I meant to break it,” Nebraska said calmly. “He’s lucky that I didn’t break his God-damn head.”

They looked at him with horrified astonishment, with a kind or fascinated awe.

“You—you could be arrested for doing that!” Sid Purtle blurted out. “You might have killed him!”

“Wouldn’t have cared if I had!” Nebraska said firmly. “He ought to be killed! Meant to kill him!”

Their eyes were fixed on him in a stare wide with horror. He returned their look in Indian-wise, and moved forward a step, still holding his bat firm and ready at his shoulder.

“And I’ll tell you this—and you can tell the rest of ’em when you get back to your side of town. Tell ’em I’m ready to brain the first West Side —— who comes here looking for trouble. And if any of you ever bother Monk again, I’ll come right over there and climb your frame,” Nebraska Crane asserted. “I’ll come right over there and beat you to death.... Now you clear out! We don’t want you on our street no longer! You get out of here!”

He advanced upon them slowly, his hard black eyes fixed firmly on them, his hands gripped ready on his bat. The frightened boys fell back, supporting their injured comrade, and, muttering furtively among themselves, limped hastily away down the street. At the corner they turned, and Sid Purtle put his hands up to his mouth and, with a sudden access of defiance, yelled back loudly:

“We’ll get even with you yet! Wait till we get you over on our side of town!”

Nebraska Crane did not reply. He continued to stare steadily towards them with his Indian eyes, and in a moment more they turned and limped away around the corner and were lost from sight.

When they had gone, Nebraska took his bat off his shoulder, leaned gracefully on it, and, turning towards the white-faced boy, surveyed him for a moment with a calm and friendly look. His square brown face, splotched large with freckles, opened in a wide and homely smile; he grinned amiably and said:

“What’s the trouble, Monkus? Were they about to get you down?”

“You—you—why, Nebraska!” the other boy now whispered—“you might have killed him with that bat.”

“Why,” Nebraska answered amiably, “what if I had?”

“Wuh—wuh—wouldn’t you care?” young Webber whispered, awestruck, his eyes still with wonder, horror, fascinated disbelief.

“Why, not a bit of it!” Nebraska heartily declared. “Good riddance to bad rubbish if I had killed him! Never liked that red-head of his’n, anyway, and don’t like none of that crowd he runs with—that whole West Side gang! I’ve got no use for none of ’em, Monkus—never did have!”

“B-but, Bras,” the other stammered, “wouldn’t you be afraid?”

“Afraid? Afraid of what?”

“Why, why—that you might have killed him.”

“Why, that’s nothin’ to be afraid of!” said Nebraska. “Anyone’s likely to get killed, Monk. You’re likely to have to kill someone almost any time! Why, look at my old man? He’s been killin’ people all his life—ever since he’s been on the police force, anyway! I reckon he’s killed more people than he could remember—he counted up to seventeen one time, an’ then he told me that there was one or two others he’d clean lost track of! Yes!” Nebraska continued triumphantly, “and there was one or two before he joined the force that no one ever knowed of—I reckon that was way back there when he was just a boy, so long ago he’s plumb lost track of it! Why my old man had to kill a nigger here along—oh, just a week or so ago—and he never turned a hair! Came home to supper, an’ took off his coat, hung up his gun and cartridge belt, washed his hands and set down at the table, and had got halfway through his supper before he even thought of it. Says to my maw, all of a sudden, says—‘Oh, yes! I clean forgot to tell you! I had to shoot a nigger today!’ ‘That so?’ my maw says. ‘Is there any other news?’ So they went on talkin’ about first one thing and then another, and in five minutes’ time I’ll bet you both of them had forgotten clean about it! ... Pshaw, Monk!” Nebraska Crane concluded heartily, “you oughtn’t even to bother about things like that. Anyone’s liable to have to kill someone. That happens every day!”

“Y-y-y-yes, Bras,” Young Webber faltered—“b-b-but what if anything should happen to you?”

“Happen?” cried Nebraska, and looked at his young friend with frank surprise. “Why what’s goin’ to happen to you, Monk?”

“W-w-why—I was thinking that sometimes you might be the one who gets killed yourself!”

“Oh!” Nebraska said, with a nod of understanding, after a moment’s puzzled cogitation. “That’s what you mean! Why, yes, Monk, that does sometimes happen! But,” he earnestly continued, “it’s got no right to happen! You ought not to let it happen! If it happens it’s your own fault!”

“L-l-let! Fault! How do you mean, Bras?”

“Why,” Nebraska said patiently, but with just a shade of resignation, “I mean it won’t happen to you if you’re careful.”

“C-c-careful? How do you mean careful, Bras?”

“Why, Monk,” Nebraska now spoke with a gruff, though kind, impatience, “I mean if you’re careful not to let yourself be killed! Look at my old man, now!” he proceeded with triumphant logic—“Here he’s been killin’ people in one way or ’nother goin’ on to thirty years now—leastways way before both you an’ me was born! An’ he’s never been killed his-self one time!” he triumphantly concluded. “And why? Why, Monk, because my old man always took good care to kill the other feller before the other feller could kill him. As long as you do that, you’ll be all right.”

“Y-y-yes, Bras. But if you g-g-get yourself in trouble?”

“Trouble?” said Nebraska, staring blankly. “Why what trouble is there to get into? If you kill the other feller before he kills you, he’s the one who gets in trouble. You’re all right; I thought anyone could see that much!”

“Y-y-yes, Bras. I do see that. But I was thinking about getting arrested ... and being locked up ... and having to go to jail—that kind of trouble.”

“Oh, that kind of trouble!” Nebraska said a little blankly, and considered the question for a moment. “Well, Monk, if you get arrested, you get arrested—and that’s all there is to that! Why, pshaw, boy—anyone can get arrested; that’s likely to happen to anybody. My old man’s been arrestin’ people all his life. I reckon he wouldn’t have any notion how many people he’s arrested and locked up! ... Why yes, and he’s even been arrested and locked up a few times himself, but he never let that bother him a bit.”

“F-f-for what, Bras? What did he get arrested for?”

“Oh—for killin’ people, an’ doin’ things like that! You know how it is, Monk. Sometimes the relatives or neighbors, or the wives and children of people that he killed would raise a rumpus—say he didn’t have no right to kill ’em—some such stuff as that! But it always come out all right—it always does!” cried Nebraska earnestly. “And why? Why because, like the old man says, this is America, an’ we’re a free country—an’ if someone gets in your way an’ bothers you, you have to kill him—an’ that’s all there is to it! ... If you have to go to court an’ stand trial, you go to court an’ stand trial. Of course, it’s a lot of trouble an’ takes up your time—but then the jury lets you off, an’ that’s all there is to it! ... I know my old man always says that this is the only country in the world where the poor man has a chance! In Europe he wouldn’t have the chance a snowball has in hell! And why? Why because, as my old man says, in Europe the laws are all made for the rich, a poor man never can get justice there—what justice there is is all for the kings an’ dukes an’ lords an’ ladies, an’ such people as that. But a poor man—why, Monk,” Nebraska said impressively, “if a poor man in Europe went an’ killed a man, almost anything might happen to him—that’s just how rotten an’ corrupt the whole thing is over there. You ask my old man about it sometime! He’ll tell you! ... But, pshaw, boy!” he now continued, with a resumption of his former friendly and good-humored casualness, “you got nothing in the world to worry about! If any of that West Side gang comes back an’ tries to bother you, you let me know, and I’ll take care of ’em! If we’ve got to kill someone, we’ll have to kill someone—but you oughtn’t even to let it worry you! ... And now, so long, Monk! You let me know if anything turns up and I’ll take care of it!”

“Th-thanks, Bras! I sure appreciate ...”

“Pshaw, boy! Forget about it! We got to stick together on our side of town. We’re neighbors! You’d do the same for me, I knew that!”

“Y-yes, I would, Bras. Well, good-bye.”

“Good-bye, Monk. I’ll be seein’ you ’fore long.”

And quiet, steady, unperturbed, moving along at even steps, his calm, brave face and Indian eyes fixed forward, his baseball bat held firmly on his shoulder, the Cherokee boy moved off, turned right into his alley, and was lost from sight.

Nebraska Crane was the best boy in the town, but Sid Purtle was poor white trash and a mountain grill. If Sid Purtle had been any good, his people never would have named him Sid. George Webber’s uncle had said that they were nothing but mountain grills no matter if they did live out upon Montgomery Avenue on the West Side of town; that’s all that they had been to start with, that’s what he called them, and that’s what they were, all right. Sid! That was a fine name, now! A rotten, dirty, sneering, treacherous, snot-nosed, blear-eyed, bitch of a name! Other rotten sneering names were Guy, Clarence, Roy, Harry, Victor, Carl, and Floyd.

Boys who had these names were never any good—a thin-lipped, sneer-mouthed, freckled, blear-eyed set of hair-faced louts, who had unpleasant knuckly hands, and a dry, evil, juiceless kind of skin. There was always something jeering, ugly, unwholesome, smug, complacent, and triumphant about these people. Without knowing why, he always wanted to smash them in the face, and not only hated everything about them, but he hated the “very ground they walked on,” the houses they lived in, the streets on which they lived, the part of town they came from, together with their fathers, mothers, sisters, brothers, cousins, aunts, and close companions.

He felt that they were not only foully different from the people that he liked in all the qualities that make for warmth, joy, happiness, affection, friendship, and the green-gold magic of enchanted weather—he felt there was also in them a physical difference, so foul and hateful that they might be creatures of another species. In blood, bone, brains, white-haired, juiceless-looking flesh, in sinew, joint, and tissue, in the very spittle of their mouths—which would be a vilely ropy, glutinously murky stuff of the very quality of their blear eyes and their sneering lips—as well as in all the delicate combining nerves, veins, jellies, cements, and fibrous webs that go to knit that marvelous tenement, that whole integument of life that is a human body, these people whose very names he hated would be found to be made of a vile, base, incalculably evil stuff. It was a substance that was as different from the glorious stuff of which the people that he liked were made as a foul excrement of fecal matter from the health and relish of sound, wholesome, life-begetting food. It was a substance not only of the mind and spirit but of the very texture of the body, so that it seemed they had been begot from acid and envenomed loins, and nurtured all their lives on nameless and abominable rations. He could not have eaten of the food their mothers cooked for them without choking and retching at each mouthful, feeling that he was swallowing some filth or foulness with every bite he took.

And yet, they seemed to score an evil and unfathomable triumph everywhere he met them. It was a triumph of death over life; of sneering mockery and ridicule over gaiety, warmth, and friendly ease; of wretchedness, pain, and misery over all the powerful music of joy; of the bad, sterile, and envenomed life over the good life of hope, happiness, and the glorious belief and certitude of love.

They were the dwellers in accursed streets, the very bricks of which you hated so you had to fight your way along each grim step of the hated pavement. They were the walkers underneath accursed skies, who evilly rejoiced in the broad, wet, wintry lights of waning March, and in all the cruel, houseless, hopeless, viscous, soul-engulfing lights and weathers of misery, weariness, and desolation.

They were the people that you never met in all the green-gold magic of enchanted weather. They were the accursed race who never came to you in places where strong joy was—in sorceries of gladed green by broken, rock-cold waters starred by the poignant and intolerable enchantments of the dandelions. No! They were the bathers in the humid, shadeless waters where the soul sank down. They came to no encircled pools of greenery; the brave shout was not in them, and they sang no songs.

In a thousand barren and desolate places, a thousand lights and weathers of the soul’s grey horror, in the brutal, weary heat of August in raw concrete places, or across rude paths of gluey clay beneath the desolate wintry reds of waning Sunday afternoons in March, they moved forever with the triumphant immunity of their evil lives. They breathed without weariness, agony, or despair of soul an accursed air from which your own life recoiled with a shuddering revulsion; they sneered at you forever while you drowned.

They were the vultures of the world, who swoop forever over stricken fields, and, with an evil and unfailing prescience of woe, they always come upon you at your life’s worst hour. If your bowels were wretched, queasy, sick, and diarrheic; if your limbs were feverish, feeble, watery, and sick; your skin, dry, loose, and itchy; your stomach retching with disgusting nausea, your eyes running, your nose leaking snottily, and your guts stuffed full of the thick, grey, viscous misery of a cold—then, certain as death and daylight they would be there, gloating on your wretchedness with the evil and triumphant superiority of their sneering faces.

Similarly, if the grey and humid skies of desolation pressed down upon your spirit; if the broad, wet lights of shame were eating nakedly into your unhoused, unwalled, unprotected flesh; if the nameless and intolerable fear—huge, soft, grey, and shapeless—was pressing at you from the immense and planetary vacancy of timeless skies; if grey horror drowned you, and every sinew, power, exultant strength and soaring music of your life, together with the powerful, delicate, and uncountable fabric of the nerves lay snarled, palsied, and unedged, leaving you stricken, wrecked, impotent, and shuddering in the hideous shipwreck of your energies: then they, they—Sid, Carl, Guy, Harry, Floyd, Clarence, Victor, Roy, that damned, vile, sneering horde of evil-loving, pain-devouring, life-destroying names—would be there certain as a curse, to dip their dripping beaks into your heart, to feed triumphant on your sorrow while you strangled like a mad dog in your wretchedness, and died!

And oh! to die so, drown so, choke and strangle, bleed so wretchedly to death—and die! die! die! in horror and in misery, untended and unfriended by these ghouls of death! Oh, death could be triumphant—death in battle, death in love, death in friendship and in peril, could be glorious if it were proud death, gaunt death, lean, lonely, tender, loving, and heroic death, who bent to touch his chosen son with mercy, love, and pity, and put the seal of honor on him when he died!

Yes, death could be triumphant! Death could come sublimely if it came when the great people of the living names were with you. Heroic fellowship of friendship, joy, and love, their names were John, George, William, Oliver, and Jack; their names were Henry, Richard, Thomas, James, and Hugh; their names were Edward, Joseph, Andrew, Emerson, and Mark! Their names were George Josiah Webber and Nebraska Crane!

The proud, plain music of their names itself was anthem for their glorious lives, and spoke triumphantly to him of the warmth, the joy, the certitude and faith of that heroic brotherhood. It spoke to him of great deeds done and mighty works accomplished, of glorious death in battle, and a triumph over death himself if only they were there to see him greet him when he came. Then might he say to them, with an exultant cry: “Oh brothers, friends, and comrades, dear rivals with me in the fellowship of glorious deeds, how dearly I have loved my life with you! How I have been your friendly rival and your equal in all things! How proudly and sublimely have I lived!—Now see how proudly and sublimely I can die!”

To die so, in this fellowship of life, would be glory, joy, and triumphant death for any man! But to die wretchedly and miserably, unfed, famished, unassuaged; to die with queasy guts and running bowels, a dry skin, feeble limbs, a nauseous and constricted heart; to die with rheumy eyes, and reddened, running nostrils; to die defeated, hopeless, unfulfilled, your talents wasted, your powers misused, unstruck, palsied, come to naught—the thought of it was not to be endured, and he swore that death itself would die before he came to it.

To die there like a dull, defeated slave in that ghoulish death-triumphant audience of Sid, Roy, Harry, Victor, Carl, and Guy!—to die defeated with those sneering visages of scornmaker’s pride upon you, yielding to that obscene company of death-in-life its foul, final victory—oh, it was intolerable, intolerable! Horror and hatred gripped him when he thought of it, and he swore that he would make his life prevail, beat them with the weapons of certitude, nail their grisly hides upon the wall with the shining and incontrovertible nails of joy and magic, make their sneering mouths eat crow, and put the victorious foot of life upon the proud, bowed neck of scorn and misery forever.

Nebraska Crane was a fellow that he liked. That was a queer name, sure enough, but there was also something good about it. It was a square, thick, muscular, brawny, browned and freckled, wholesome kind of name, plain as an old shoe and afraid of nothing, and yet it had some strangeness in it, too. And that was the kind of boy Nebraska Crane was.

Nebraska’s father had been a policeman, was now a captain on the force; he came from back in Zebulon County; he had some Cherokee in him. Mr. Crane knew everything; there was nothing that he could not do. If the sun came out the fourteenth day of March, he could tell you what it meant, and whether the sun would shine in April. If it rained or snowed or hailed or stormed three weeks before Easter, he could prophesy the weather Easter Sunday. He could look at the sky and tell you what was coming; if an early frost was on its way to kill the peach trees, he could tell you it was on its way and when it would arrive; there was no storm, no sudden shift in weather that he could not “feel in his bones” before it came. He had a thousand signs and symptoms for foretelling things like these—the look of the moon or the look of a cloud, the feel of the air or the direction of the wind, the appearance of the earliest bird, the half-appearance of the first blade of grass. He could feel storm coming, and could smell the thunder. It all amounted to a kind of great sixth sense out of nature, an almost supernatural intuition. In addition to—or as a consequence of—all these things, Mr. Crane raised the finest vegetables of anyone in town—the largest, perfectest tomatoes, the biggest potatoes, the finest peas and greens and onions, the most luscious strawberries, the most beautiful flowers.

He was, as may be seen, a figure of some importance in the community, not only as a captain of police, but as a sort of local prophet. The newspaper was constantly interviewing him about all kinds of things—changes in weather, prospects for a cold Winter, a hot Summer, or a killing frost, a state of drought, or an excess of rain. He always had an answer ready, and he rarely failed.

Finally—and this, of course, made his person memorably heroic to the boys—he had at one time in his life been a professional wrestler (a good one too; at one time, it was said, “the champion of the South”), and although he was now approaching fifty, he occasionally consented to appear in local contests, and give an exhibition of his prowess. There had been one thrilling Winter, just a year or two before, when Mr. Crane, during the course of a season, had met a whole series of sinister antagonists—Masked Marvels, Hidden Menaces, Terrible Turks, Mighty Swedes, Demon Dummies, and all the rest of them.

George Webber remembered all of them; Nebraska had always taken him on passes which his father gave him. The thought of the very approach of these evenings was enough to put the younger boy into a fever of anticipation, a frenzy of apprehension, an agonized unrest. He could not understand how Mr. Crane or Nebraska could face one of these occasions, with all of its terrible moments of conflict, victory or defeat, injury or mutilation, broken bones or fractured ligaments, with no more perturbation than they would show when sitting down to eat their evening meal.

And yet it was true! These people—son and father both—seemed to have come straight from the heart of immutable and unperturbed nature. Warmth they had, staunch friendliness, and the capacity for savage passion, ruthless murder. But they had no more terror than a mountain. Nerve they had, steel nerve; but as for the cold anguish of the aching and constricted pulse, the dry, hard ache and tightness of the throat, the hollow numbness of the stomach pit, the dizzy lightness of the head, the feeling of an unreal buoyancy before the moment of attack—they seemed to know no more about these things than if they had been made of oak!

Time after time on days when Mr. Crane was due to wrestle at the City Auditorium, the boy had watched him pass the house. Time after time he had searched the policeman’s square-cut face for signs of anguish or tension to see if the strange, hard features showed any sign of strain, if the square, hard jaw was grimly clenched, the hard eyes worried, if there were any signs of fear, disorder, apprehension in his step, his look, his tone, his movement, or his greeting. There was none. The policeman never varied by a jot. A powerful, somewhat shambling figure of a man, a little under six feet tall, with a thick neck, coarsely seamed and weathered with deep scorings, long arms, big hands, gorilla-like shoulders, and a kind of shambling walk, a little baggy at the knees—a figure of an immense but rather worn power—he passed by in his somewhat slouchy uniform, seamed down the trouser-legs with stripes of gold, turned in at his house and mounted the front porch steps, with no more excitement than he would show on any other day of the week. And yet the male population of the whole town would be buzzing with excited speculation on the outcome of the match, and the hearts of boys would thud with apprehensive expectation at the very thought of it.

Later on, when dark had come, a half-hour or so before the time scheduled for the match, Mr. Crane would leave his house, bearing underneath his arm a bundle wrapped up in a newspaper, which contained his old wrestling trunks and shoes; and with the same deliberate, even, bag-kneed stride, turn his steps in the direction of the town and the City Auditorium—and, Great God! his approaching and now terribly imminent encounter with the Bone-Crushing Swede, the Masked Marvel, or the Strangler Turk!

A few minutes later Nebraska would come by Monk’s house and whistle piercingly; the Webber boy would rush out of the house and down the steps still gulping scalding coffee down his aching throat—and then the two of them would be off on their way to town!

What nights they were—the nights of smoke-smell, stillness, and the far-off barking of a dog, a fire of oak leaves at the corner, and the leaping fire-dance of the boys around it—great nights of the approaching contest of the wrestlers, the nights of frost and menace, joy and terror—and October!

Oh, how each step of the way to town was pounded out beneath the rhythm of the pounding heart! How tight the throat, how dry the mouth and lips! How could Nebraska walk on so steadily, and look so cool! Arrived before the Auditorium, and the press of people, the calcium glare of hard white lights, the excited babble of the voices. Then the inside, seats down front in the big, draughty, thrilling-looking place, the great curtain with “Asbestos” written on it, horseplay and loud-mouthed banter in the crowd, the shouts of raucous boys, catcalls at length, foot-stamping, imperative hand-clapping, the bare and thrilling anatomy of the roped-in square. At last the handlers, timekeepers, and referees; and last of all—the principals!

Oh, the thrill of it! The anguish and the joy of it—the terror and the threat of it—the dry-skinned, hot-eyed, fever-pounding pulse of it, the nerve-tight, bursting agony of it! In God’s name, how could flesh endure it! And yet—there they were, the fatal, fated, soon-to-be-at-bitter-arm’s-length two of them—and Mr. Crane as loose as ashes, as cold as a potato, patient as a dray-horse, and as excited as a bale of hay!

But in the other corner—hah, now! hisses, jeers, and catcalls for the likes of you!—the Masked Marvel sits and waits, in all the menaceful address and threat of villainous disguisement. Over his bullet head and squat gorilla-neck a kind of sinister sack of coarse black cloth has been pulled and laced and tied! It is a horrible black mask with baleful eye-slits through which the beady little eyes seem to glitter as hard and wicked as a rattlesnake’s; the imprint of his flat and brutal features shows behind it, and yet all so weirdly, ominously concealed that he looks more like a hangman than anything else. He looks like some black-masked and evil-hooded thing that does the grim and secret bidding of the Inquisition or the Medici; he looks like him who came in darkness to the Tower for the two young princes; he looks like the Klu Klux Klan; he looks like Jack Ketch with a hood on; he looks like the guillotine where Sidney Carton was the twenty-third; he looks like the Red Death, Robespierre, and The Terror!

As he sits there, bent forward brutishly, his thick, short fingers haired upon the back, an old bathrobe thrown round his brutal shoulders, the crowd hoots him, and the small boys jeer! And yet there is alarmed apprehension in their very hoots and jeers, uneasy whisperings and speculations:

“Good God!” one man is saying in an awed and lowered tone, “look at that neck on him—it’s like a bull!”

“For God’s sake, take a look at those shoulders!” says another, “look at his arms! His wrists are thick as most men’s legs! Look at those arms, Dick; they could choke a bear!”

Or, an awed whisper: “Damn! It looks as if John Crane is in for it!”

All eyes now turn uneasily to Mr. Crane. He sits there in his corner quietly, and a kind of old, worn, patient look is on him. He blinks and squints unconcernedly into the hard glare of the light above the ring, he rubs his big hand reflectively over the bald top of his head, scratches the side of his coarse, seamed neck. Someone shouts a greeting to him from the audience: he looks around with an air of slight surprise, surveys the crowd with eyes as calm and hard as agate, locates the person who has called to him, waves in brief greeting, then leans forward patiently on his knees again.

The referee crawls through the ropes upon the mat, converses learnedly across the ropes but too intimately for hearing with Dr. Ned Revere, compares notes with him, looks very wise and serious, at length calls the two gladiators, attended by their handlers, bucket carriers, towel swingers, seconds, and sponge throwers, to the center of the mat, admonishes them most earnestly, sends them to their corners—and the bout begins.

The two men go back to their corners, throw their battered bathrobes off their shoulders, limber up a time or two against the ropes, a bell clangs, they turn and face each other and come out.

They come out slowly, arms bear-wise, half extended, the paws outward, circling, crouching, crafty as two cats. Mr. Crane in wrestler’s garb is even looser and more shambling than in uniform; everything about him sags a little, seems to slope downward with a kind of worn, immensely patient, slightly weary power. The big shoulders slope, the great chest muscles sag and slope, the legs sag at the knees, the old full-length wrestler’s trunks are wrinkled and also sag a little; there are big, worn knee-pads for the work down on the mat, and they also have a worn and baggy, kangaroolike look.

Mr. Crane shuffles cautiously about, but the Masked Marvel shifts and circles rapidly; he prances back and forth upon his bulging legs that seem to be made of rubber; he crouches and looks deadly, he feints and leaps in for a hold, which Mr. Crane evades with a shuffling ease. The crowd cheers wildly! The Masked Marvel dives and misses, falls sprawling. Mr. Crane falls on him, gets a hammerlock; the Masked Marvel bridges with his stocky body, squirms out of it, locks Mr. Crane’s thick neck with viselike power; the big policeman flings his body backward, gets out of it, is thrown to the corner of the ring. The two men come to grips again—the house is mad!

Oh, the thrill of it! The fear and menace of it, the fierce, pulse-pounding joy and terror of it! The two-hour-long grunting, panting, sweating, wheezing, groaning length of it! The exultant jubilation of it when Mr. Crane came out on top; the dull, dead, hopeless misery when Mr. Crane was on the bottom! And above all the inhuman mystery, secrecy, and the sinister disguisement of it all!

What did it matter that the Terrible Turk was really just a muscular Assyrian from New Bedford, Massachusetts? What did it matter if the Demon Dummy was really a young helper in the roundhouse of the Southern Railway Company? What did it matter if all this sinister array of Bone-Crushing Swedes, Horrible Huns, Desperate Dagoes, and Gorilla Gobs were for the most part derived from the ranks of able-bodied plasterers from Knoxville, Tennessee, robust bakers from Hoboken, ex-house-painters from Hamtramck, Michigan, and retired cow-hands from Wyoming? Finally, what did it matter that this baleful-eyed executioner of a Masked Marvel was really only the young Greek who worked behind the counter at the Bijou Café for Ladies and Gents down by the railway depot? What did it matter that this fact was proved one night when the terrible black hood was torn off? It was a shock, of course, to realize that the Bone-Crushing Menace, the very sight of whom struck stark terror to the heart, was just a rather harmless and good-natured Greek who cooked hamburger sandwiches for railway hands. But when all was said and done, the thrill, the threat, the danger were the same!

To a boy of twelve they were mysteries, they were Marvels, they were Menaces and Terrors—and the man who dared to meet them was a hero. The man who met them without a flicker of the eye was a man of steel. The man who shambled out and came to grips with them—and heaved and tugged, escaped their toils, or grunted in their clutches for two hours—that man was a man of oak, afraid of nothing, and as enduring as a mountain. That man did not know what fear was—and his son was like him in all ways, and the best and bravest boy in town!

Nebraska Crane and his family were recent-comers to this part of town. Formerly, he had lived out in “the Doubleday Section”; perhaps this was one reason why he had no fear.

Doubleday was a part of the town where fellows named Reese and Dock and Ira lived. These were ugly names; the fellows carried knives in their pockets, had deadly, skull-smashing fights with rocks, and grew up to be hoboes, pool-room loafers, pimps and bullies living off a whore. They were big, loutish, hulking bruisers with bleared features, a loose, blurred smile, and yellowed fingers in which they constantly held the moist fag-end of a cigarette, putting it to their lips from time to time to draw in on it deeply with a hard, twisted mouth and lidded eyes, a general air of hardened and unclean debauchery as they flipped the cigarette away into the gutter. Then they would let the smoke trickle slowly, moistly from their nostrils—as if the great spongy bellows of the lungs was now stained humidly with its yellow taint—and then speak out of the sides of their mouths in hard, low, knowing tones of bored sophistication to their impressed companions.

These were the fellows who grew up and wore cheap-looking, flashy clothes, bright yellow, box-toed shoes, and loud-striped shirts, suggesting somehow an unwholesome blending of gaudy finery and bodily filth. At night and on Sunday afternoons, they hung around the corners of disreputable back streets, prowled furtively about in the dead hours of the night past all the cheap clothing stores, pawn shops, greasy little white-and-negro lunchrooms (with a partition down the middle), the pool-rooms, the dingy little whore-hotels—the adepts of South Main Street, the denizens of the whole, grimy, furtive underworld of a small town’s nighttime life.

They were the bruisers, brawlers, cutters, slashers, stabbers, shooters of a small town’s life; they were the pool-room thugs, the runners of blind tigers, the brothel guardians, the kept and pampered bullies of the whores. They were the tough town drivers with the thick red necks and leather leggings, and on Sunday, after a week of brawls, dives, stews, the stale, foul air of nighttime evil in the furtive places, they could be seen racing along the river road, out for a bawdy picnic with their whore. On Sunday afternoon they would drive along as brazen as you please beside the sensual, warm, and entrail-stirring smell, the fresh, half-rotten taint and slowness of the little river, that got in your bowels, heavy, numb, and secret, with a rending lust each time you smelled it. Then they would stop at length beside the road, get out, and take their woman up the hill into the bushes for an afternoon of dalliance underneath the laurel leaves, embedded in the thick green secrecies of a Southern growth that was itself as spermy, humid, hairy with desire, as the white flesh and heavy carnal nakedness of the whore.

These were the boys from Doubleday—the boys named Reese and Dock and Ira—the worst boys in the school. They were always older than the other boys, stayed in the same class several years, never passed their work, grinned with a loutish, jeering grin whenever the teachers upbraided them for indolence, stayed out for days at a time and were finally brought in by the truant officer, got into fist fights with the principal when he tried to whip them, and sometimes hit him in the eye, and at length were given up in despair, kicked out in disgrace when they were big brutes of sixteen or seventeen years, having never got beyond the fourth grade.

These were the boys who taught the foul words to the little boys, told about going to the whore houses, jeered at those who had not gone and said you could not call yourself a man until you had gone and “got yourself a little.” Further, Reese McMurdie, who was sixteen, as big and strong as a man, and the worst boy in the school, said you couldn’t call yourself a man until you’d caught a dose. He said he’d had his first one when he was fourteen years old, boasted that he’d had it several times since then, and said it was no worse than a bad cold. Reese McMurdie had a scar that turned your flesh sick when you looked at it; it ran the whole way from the right-hand corner of his mouth to the corner of his ear. He had got it in a knife-fight with another boy.

Ira Dingley was almost as bad as Reese. He was fifteen, not so big and heavy as the other boy, but built as solid as a bullock. He had a red, small, brutal kind of face, packed with energy and evil, and one little red eye that went glowering malignantly and truculently around at the whole world. He was blind in his other eye and wore a black shade over it.

One time, when there had been the great, jubilant shout of “Fight! Fight!” from the playing field at recess, and the boys had come running from all directions, Monk Webber had seen Ira Dingley and Reese McMurdie facing each other in the circle, edging closer truculently with fists clenched, until someone behind Reese had given him a hard shove that sent him hurtling into Ira. Ira was sent flying back into the crowd, but when he came out again, he came out slowly, crouched, his little red eye fixed and mad with hate, and this time he had the knife-blade open, naked, ready in his hand.

Reese, who had been smiling after he was pushed, with a foul, loose smile of jeering innocence, now smiled no more. He edged cautiously away and back as Ira came on, his hard eyes fixed upon his enemy, his thick hand fumbling in his trousers for the knife. And while he fumbled for his knife, he edged back slowly, talking with a sudden, quiet, murderous intensity that froze the heart:

“All right, you son-of-a-bitch!” he said, “Wait till I git my knife out!” Suddenly, the knife was out and open; it was an evil six-inch blade that opened on a spring. “If that’s what you want, I’ll cut your God-damned head off!”

And now all of the boys in the crowd were stunned, frightened, hypnotized by the murderous fascination of those two shining blades from which they could not take their eyes, and by the sight of the two boys, their faces white, contorted, mad with fear, despair, and hate, as they circled continuously around. The strong terror of their heavy breathing filled the air with menace, and communicated to the hearts of all the boys such a sense of horror, fascination, and frozen disbelief that they were unwilling to continue, afraid to intervene, and yet unable to move or wrench themselves away from the sudden, fatal, and murderous reality of the fight.

Then as the two boys came close together, Nebraska Crane suddenly stepped in, thrust them apart with a powerful movement, and at the same time said with a good-natured laugh, and in a rough, friendly, utterly natural tone of voice that instantly conquered everyone, restored all the boys to their senses and brought breath and strength back to the light of day again:

“You boys cut it out,” he said. “If you want to fight, fight fair with your fists.”

“What’s it to you?” said Reese menacingly, edging in again with his knife held ready in his hand. “What right you got to come buttin’ in? Who told you it was any business of yours?” All the time he kept edging closer with his knife held ready.

“No one told me,” said Nebraska, in a voice that had lost all of its good nature and that was now as hard and unyielding in its quality as his tar-black eyes, which he held fixed, steady as a rifle, as his foe came on. “Do you want to make anything out of it?” he said.

Reese looked back at him for a moment, then his eyes shifted, and he sidled off and half withdrew, still waiting, unwilling to depart, muttering threats. In a moment the boys broke up in groups, dispersed, the enemies sidled uneasily away, each with his partisans, and the threatened fight was over. Nebraska Crane was the bravest boy in school. He was afraid of nothing.

Ira, Dock, and Reese! These were savage, foul, and bloody names, and yet there was a menaceful wild promise in them, too. World of the “mountain grills,” the poor whites, the nameless, buried, hopeless atoms of the wilderness, their lives yet had a lawless, sinful freedom of their own. Their names evoked the wretched, scabrous world of slum-town rickets whence they came; a painful, haunting, anguished memory of the half-familiar, never-to-be-forgotten, white-trash universe of Stumptown, Pigtail Alley, Doubleday, Depot Street, and that foul shamble of a settlement called, for God knows what ironic reason, Strawberry Hill—that sprawled its labyrinthine confusion of unpaved, unnamed, miry streets and alleys and rickety shacks and houses along the scarred, clay-barren flanks of the hills that sloped down towards the railway district in the western part of town.

It was a place that Monk had seen only a few times in his whole life, but that always, then and forever, as long as he lived, would haunt him with the horrible strangeness and familiarity of a nightmare. For although that world of rickets was a part of his home town, it was a part so unfamiliar to all the life he knew the best that when he saw it first, he came upon it with a sense of grotesque discovery, and after he had gone from it he could hardly believe that it was there, and would think of it years later with a sense of pain and anguish, saying:

“Here is the town, and here the streets, and here the people—and all, save that, familiar as my father’s face; all, save that, so near that we could touch it with our hand. All of it was ours in its remotest patterns—all save that, save that! How could we have lived there with it and beside it, and have known it so little? Was it really there?”

Yes, it was there—strangely, horribly there, never-to-be-forgotten, never wholly to be remembered or believed, haunting the soul forever with the foul naturalness of a loathsome dream. It was there, immutably, unbelievably there, and what was most strange and terrible about it was that he recognized it instantly—that world of Ira, Dock, and Reese—the first time that he saw it as a child; and even as his heart and bowels sickened with their nauseous disbelief of recognition, he knew it, lived it, breathed it utterly to the last remotest degradation of its horror.

And for that reason he hated it. For that reason, nausea, fear, disgust, and horror overwhelmed the natural sense of pity which that wretched life evoked. It haunted him the moment that he saw it with a sense of buried memory, loathsome rediscovery; and it seemed to him that, so far from being different from these people, he was of them, body and brain and blood to the last atom of his life, and had escaped from them only by some unwarranted miracle of chance, some hideous insecurity of fortune that might return him into the brutish filth and misery and ignorance and hopelessness of that lost world with the same crude fickleness by which he had escaped.

No birds sang in that barren world. Beneath its skies of weary desolation the cry of all-exultant joy, the powerful, swelling anthem of youth, certitude, and victory burst from no man’s heart, rose with a wild and uncontrollable shout from no man’s throat. In Summer the heat beat down upon that baked and barren hill, upon the wretched streets, and on all the dusty, shadeless roads and alleys of the slum, and there was no pity in the merciless revelations of the sun. It shone with a huge and brutal impassivity upon the hard red dirt and dust, on shack and hut and rotting tenement.

It shone with the same impartial cruelty on mangy, scabby, nameless dogs, and on a thousand mangy, scabby nameless little children—hideous little scarecrows with tow hair, their skinny little bodies unrecognizably scurfed with filth and scarred with running sores, staring at one forever with gaunt, empty eyes as they grubbed in the baked dusty, beaten, grassless dirt before some dreary shack, or scrabbled wretchedly about, eaten by swarming flies, in the sun-stench of a little lean-to porch, the very planks of which were as dry, hard, baked, and wretched-looking as the beaten earth in which they merged.

And the sun shone also on the slattern women of the district, revealing them in all their foul unloveliness, their loathsome and inexplicable fecundities—the Lonies, Lizzies, Lotties, Lenas of the district, the Sals, the Molls, the Millies and Bernices—as well as on all their wretched little progeny of Iras, Docks, and Reeses, their Asas, Jeters, Greeleys, Zebs, and Roys. They stood there at the edge of a ramshackle porch, tall and gaunt and slatternly, while their grimy little tow-haired brats scrabbled wretchedly around the edges of their filthy, lop-edged skirts. They stood there, those foul, unlovely women, with their gaunt, staring faces, sunken eyes, toothless jaws, and corrupt, discolored mouths, rilled at the edges with a thin brown line of snuff.

They stood there like some hopeless, loveless, wretched drudge of nature, bearing about them constantly the unbroken progressions of their loathsome fertility. In their arms they held their latest, youngest, wretched little child, swaddled in filthy rags, and staring forth at one with its blue, drowned eyes, its peaked and grimy little face, its nostrils and its upper lip gummed thickly with two ropes of snot. And in their pregnant bellies, which they proposed from their gaunt, unlovely figures like some dropsical ripeness foully fructifying in the sun, they carried the last and most revolting evidence of the germinal sequence of maternity, which thus was odiously revealed in every stage of its disgusting continuity—from sagging breast to swollen womb and thence to the grimy litter of their filth-bespattered brats that crawled and scrabbled round their foul skirts on the porch. The idiot proliferations of blind nature which these wretched rakes and hags and harridans of women so nakedly and brutally revealed as they stood there stupidly proposing their foul, swollen bellies in the merciless and shameful light of the hot sun filled Monk with such a feeling of choking and wordless fury, loathing, and disgust that every natural emotion of pity and sorrow was drowned out below the powerful flood tide of revulsion, and his antagonism to the women and their wretched children was scarcely to be distinguished from blind hatred.

For pity, more than any other feeling, is a “learned” emotion; a child will have it least of all. Pity comes from the infinite accumulations of man’s memory, from the anguish, pain, and suffering of life, from the full deposit of experience, from the forgotten faces, the lost men, and from the million strange and haunting visages of time. Pity comes upon the nick of time and stabs us like a knife. Its face is thin and dark and burning, and it has come before we know it, gone before we can grasp or capture it; it leaves a shrewd, deep wound, but a bitter, subtle one, and it always comes most keenly from a little thing.

It comes without a herald or a cause we can determine at some moment of our lives when we are far and lost from all the scenes that pity comes from; and how, why, where it comes we cannot say. But suddenly in the city—in the great and million-footed city—pity comes to us at evening when the dust and fury of another city day is over, and we lean upon the sills of evening in an ancient life. Then pity comes to us; we will remember children’s voices of long ago, the free, full shout of sudden, gleeful laughter from a child that we once knew, full of exulting innocence, the songs that we sang on Summer porches long ago, a note of pride in our mother’s voice and her grave, worn eyes of innocence as she boasted of a little thing, the simple words that a woman we once loved had said in some forgotten moment when she left us for another day.

Then pity is there, is there at once with its dark face and sudden knife, to stab us with an anguish that we cannot utter, to rend us with its agony of intolerable and wordless regret, to haunt us with the briefness of our days, and to tear our hearts with anguish and wild sorrow. And for what? For what? For all we want that never may be captured, for all we thirst for that never may be found. For love that must grow old and be forever dying, for all the bone, brain, passion, marrow, sinew of our lives, our hearts, our youth, that must grow old and bowed and barren, wearied out!

And oh! for beauty, that wild, strange song of magic, aching beauty, the intolerable, unutterable, ungraspable glory, power, and beauty of this world, this earth, this life, that is, and is everywhere around us, that we have seen and known at ten thousand moments of our lives, that has broken our hearts, maddened our brains, and torn the sinews of our lives asunder as we have lashed and driven savagely down the kaleidoscopic fury of the years in quest of it, unresting in our frenzied hope that some day we shall find it, hold it, fix it, make it ours forever—and that now haunts us strangely, sorrowfully, with its wild song and aching ecstasy as we lean upon the sills of evening in the city. We feel the sorrow and the hush of evening in the city, the voices, quiet, casual, lonely, of the people, far cries and broken sounds, and smell the sea, the harbor, and the huge, slow breathing of deserted docks, and know that there are ships there! And beauty swells like a wild song in our heart, beauty bursting like a great grape in our throat, beauty aching, rending, wordless, and unutterable, beauty in us, all around us, never to be captured—and we know that we are dying as the river flows! Oh, then will pity come, strange, sudden pity with its shrewd knife and the asp of time to stab us with a thousand wordless, lost, forgotten, little things!

And how, where, why it came we cannot say, but we feel pity now for all men who have ever lived upon the earth, and it is night, now, night, and the great stars are flashing in the lilac dark, the great stars are flashing on a hundred million men across America, and it is night, now, night, and we are living, hoping, fearing, loving, dying in the darkness, while the great stars shine upon us as they have shone on all men dead and living on this earth, on all men yet unborn, and yet to live who will come after us!

Yet, when Monk looked at these foul, pregnant hags in slum-town’s gulch and hill and hollow, he could feel no pity, but only loathing, sickness of the flesh, disgust and nameless fear and dread and horror, so overwhelming in their tidal flood that he looked upon the filth and misery of these people with a shuddering revulsion and hated them because of it. For joy, faith, hope, every swelling certitude of glory, love, and triumph youth can know went dead and sick and rotten in that foul place. In the casual, filthy, and incessant littering of these ever-pregnant hags was evident not a love for life, but a contempt and carelessness for it so vile and criminal that it spawned its brood of rickety, scabby, mangy, foredoomed brats as indifferently as a bitch might drop its litter, and with a murderous nonchalance and bestial passivity that made man less than dung and instantly destroyed every proud illusion of the priceless value, dignity, and sanctity of his individual life.

How had man been begotten? Why, they had got him between brutish snores at some random waking of their lust in the midwatches of the night! They had got him in a dirty corner back behind a door in the hideous unprivacy of these rickety wooden houses, begotten him standing in a fearful secrecy between apprehensive whisperings to make haste, lest some of the children hear! They had got him in some bestial sudden wakening of lust and hunger while turnip greens boiled with their humid fragrance on the stove! He had been begotten in some casual and forgotten moment which they had snatched out of their lives of filth, poverty, weariness, and labor, even as a beast will tear at chunks of meat; begotten in the crude, sudden, straddling gripe of a half-rape on the impulsion of a casual opportunity of lust; begotten instantly as they were flung back rudely on the edge of an untidy bed in the red waning light of some forgotten Saturday when work was done, the week’s wages given, the week’s brief breathing space of rest, repose, and brutal dalliance come! He had been begotten without love, without beauty, tenderness, magic, or any nobleness of spirit, by the idiot, blind hunger of a lust so vile that it knew no loathing for filth, stench, foulness, haggish ugliness, and asked for nothing better than a bag of guts in which to empty out the accumulations of its brutish energies.

The thought of it was not to be endured, and suddenly the boy cranes his neck, he grips his throat hard with his fingers, he squirms like something caught in a steel trap, a bestial grimace contracts his features—it is like drowning, drowning, not to be endured. The congress of their foul and bloody names—the loathsome company of these Iras, Docks and Reeses, the Jeters, Zebs and Greeleys of these poor-white slums—return to torment memory now with the white sear of horrible and instant recognition. Why? Because these people are the mountain people. These people are the poor-white litter of the hills. These people—Oh! it is intolerable, but true—these people came out of his mother’s world, her life! He hears lost voices in the mountains long ago! They return to him from depths of sourceless memory, from places he has never viewed, from scenes that he has never visited—the whole deposit of inheritance, the lives and voices of lost people in the hills a hundred years ago.

They were a sharp-distinguished and strong-fibered people of his mother’s stock, a race eccentric, powerful, thoughtful, honest, energetic—much better than this brutish and degraded kind. They were a race that lived upon the mountain slopes and river bottoms of old wild and rugged Zebulon; a kind that mined for mica in the hills, and hewed for tan-bark on the mountains; a kind that lived along a brawling mountain stream, and tilled the good land of the bottoms. It was a kind apart from these, hard-bitten in its pride, and hard-assured in its complacence, scornful in its own superiority, conceited, individual, strongly marked—but kinsman of this kind, as well.

He hears lost voices of his kinsmen in the mountains one hundred years before—and all as sad, faint, and remote as far-faint voices in a valley, all passing sad as a cloud shadow passing in the wilderness, all lonely, lost, and sad as strange, lost time. All hill-remote and lonely they come to him—the complacent, drawling voices of the death-triumphant Joyners long ago!

The vision changes, and again he sees the scar and squalor of the white-trash slum, the hill-man’s rickets come to town—and it is night; there is a shrew’s cry from the inner depth and darkness of some nameless house, lit only by the greasy, murky, and uneven light of a single lamp. It comes from scream and shout and curse, from drunken cry and stamping boot, from rancid flesh, fat pork, and rotting cabbage, and from his memory of a foul, sallow slut, gap-toothed, gaunt and shapeless as a pole—who stands there at the border of the rotting porch, her wisp of lank, unwashed hair screwed to a knot upon her head, proposing her pregnant belly for the fourteenth time.

Drowning! Drowning! Not to be endured! The abominable memory shrivels, shrinks, and withers up his heart in the cold constriction of its fear and loathing. The boy clutches at his throat, cranes with a livid face at the edges of his collar, draws one hand sharply up, and lifts his foot as if he has received a sudden, agonizing blow upon the kidneys. Less than his mother’s stock he knows, far less in sense, mind, will, energy, and character—they yet have come from the same wilderness, the same darkness, the same nature from which his mother’s people came—and their mark is on him, never to be changed—their taint is in him, never to be drawn out. Bone of their bone, blood of their blood, flesh of their flesh, by however various and remote a web, he is of them, they are in him, he is theirs—has seen, known, felt, and has distilled into his blood every wild passion, criminal desire, and rending lust they have known. And the blood of the murdered men, the rivers of blood of the murdered men which has soaked down quietly in the wilderness, which has soaked quietly away with all its million mute and secret tongues into the stern, the beautiful, the unyielding substance of the everlasting earth, is his, has stained his life, his flesh, his spirit, and is on his head as well as theirs!

And suddenly, like a man who is drowning and feels a rock beneath his feet; like a man lost, dying, freezing, famished, almost spent in the dark and howling desolation of the strange wilderness, who sees a light, comes suddenly upon a place of shelter, warmth, salvation, the boy’s spirit turns and seizes on the image of his father. The image of his father’s life, that image of decent order, gaunt cleanliness and dispatch, the image of warmth, abundance, passionate energy and joy, returns to the boy now with all that is beautiful and right in it, to save him, to heal him instantly, to restore him from the horror and abomination of that memory in which his spirit for a moment drowned.

And at the moment that he sees the huge salvation of his father’s figure, he also sees his father’s house, his life, the whole world that he has made and shaped with his own single power, his unique color, his one soul. And instantly he sees as well his father’s country, the land from which his father came, the beautiful, rich country which the boy has never seen with his own eyes, but which he has visited ten thousand times with his heart, his mind, his spirit, and man’s ancient, buried, and inherited memory, until that country is as much a part of him as if he had been born there. It is the unknown land which all of us have known and have longed to find in youth. It is the undiscovered complement of all that we have seen and known, the lost half of our dark heart, the secret hunger, need, and magic working in our blood; and though we have not seen it, we recognize it instantly as the land we know the minute that we come to it.

And now, like an image of certitude, peace, joy, security, and abundance to restore his life out of the filth and shambles of that other vision, he sees his father’s land. He sees the great red barns, the tidy houses, the thrift, the comfort, and the loveliness, the velvet pastures, meadows, fields, and orchards, the red-bronze soil, the nobly-swelling earth of southern Pennsylvania. And at the moment that he sees it, his spirit comes out of the brutal wilderness, his heart is whole and sound and full of hope again. There are new lands.

And at the same moment he sees the image of the brave companionship of Nebraska Crane. What is there to fear? What is there to fear on earth if Nebraska Crane is there? Nebraska stands there in his life like the image of that heroic integrity in life which cannot be touched or conquered, which is outside a man, and to which his own life must be united if he will be saved. So what is there to fear as long as Nebraska Crane—the free, the frank, the friendly, the fierce, the secret, and the unafraid—is there to show him with his life where he can go? What boys who live out on the West Side, for all their manners, customs, looks, and ways, for all their names and cunning stratagems, can he fear, as long as Nebraska Crane is there with him?

No—though they stood there massed against him in the whole concert of their hateful qualities, all the Sidneys, Roys, Carls, Victors, Guys, and Harrys of the earth—though he had to meet them on their own earth of red waning March and Sunday afternoons, what nameless and accursed horror can quench utterly the fearless light, the dark integrity of that fierce and lonely flame? He could breathe in their poisonous and lifeless air, stand houseless, naked, unprepared beneath their desolate skies—he could yet endure, meet them, beat them, carry the victorious power of his own world in his own life, and make exultant joy, all-conquering certitude, triumphant sense, and lusty love prevail forever above the wretchedness and scornful doubt of their own life-denying lives—if only Nebraska Crane were there to see him do it!

So the old wild joy of three o’clock has risen in his heart again—wordless, tongueless as a savage cry, with all its passion, pain, and ecstasy—and he sees the world, the East, the West, the lands and cities of the earth in triumph, for Nebraska Crane is there!

George Webber and Nebraska Crane! The splendid names flash in the sun, soar to the westward, wing together over the roof of the whole world, together back again, are there!

George Webber! George Josiah and Josiah George! Josiah George Nebraska Webber and Crane George!

“My name is George Josiah Webber!” cried the boy, and sprang erect.

“GEORGE JOSIAH WEBBER!”

The great name flashed then through the shining air; flashed, too, the great name to the flashing of the leaves; all of the maple leaves a-spangle with the proud flash of the great, proud name!

“GEORGE JOSIAH WEBBER!”

cried the boy again; and all the gold-proud afternoon was ringing with the sound; flashed, too, the aspen leaves, and flashed the honeysuckle hedge a-tremble; flashed, too, and bent each blade of velvet grass.

“My name is George Josiah Webber!”

Flashed the proud name to the brazen pounding of the courthouse bell; flashed, too, and rose and struck upon the ponderous, solemn strokes of three!

“ONE! ... TWO! ... THREE!”

And then upon the stroke the black boys came:

“Hi, Paul! ... Hey, Paul! ... How are you, Paul?” the black boys cried and flashed before him.

“My name is George Josiah Webber!” cried the boy.

Solemnly, in perfect line, the black boys wheeled, swept round platoon-wise, faultless in formation, and with spin-humming wheels rode slowly back in lines of eight, squads-righted perfectly, and, halting on their wheels in perfect order, with grave inquiry greeted him:

“How’s ole Paul today?”

“My name,” the boy said firmly, “is not Paul! My name is George!”

“Oh, no, it’s not, Paul!” cried the black boys, grinning amiably. “Yo’ name is Paul!”

It was a harmless mockery, some unknown and unknowledgeable jest, some secret, playful banter of their nigger soul. God knows what they meant by it. They could not have said themselves what made them call him by this name, but Paul he was to them, and every day at three o’clock, before the markets opened up again, the black boys came and flashed before him—called him “Paul.”

And he contended stubbornly, would not give in, always insisted that his name was George, and somehow—God knows how!—the unyielding argument filled his heart with warmth, and delighted the black boys, too.

Each day at three o’clock he knew that they would come and call him “Paul,” each day at three o’clock he waited for them, with warmth, with joy, with longing and affection, with a strange sense of ecstasy and magic, with fear they might not come. But each day at three o’clock, hard on the market’s opening and the booming of the courthouse bell, the black boys came and flashed before him.

He knew that they would come. He knew they could not fail him. He knew that he delighted them, that they adored the look of him—the long-armed, big-handed, and flat-footed look of him. He knew that all his words and movements—his leaps and springs, his argument and stern insistence on his proper name—gave them an innocent and enormous pleasure. He knew, in short, that there was nothing but warm liking in their banter when they called him “Paul.”

Each day, therefore, he waited on their coming—and they always came! They could not have failed him, they would have come if all hell had divided them. A little before three o’clock, each day of the week except Sundays, the black boys roused themselves from their siesta in the warm sun round the walls of the City Market, saying:

“It’s time to go and see ole Paul!”

They roused themselves out of the pleasant reek of cod-heads rotting in the sun, decaying cabbage leaves and rotten oranges; they roused themselves from drowsy places in the sun, delicious apathy, from the depth and dark of all their African somnolence—and said:

“We got to go now! Ole Paul is waitin’ for us! Stay with us, footses; we is on ouah way!”

And what a way it was! Oh, what a splendid, soaring, flashing, winglike way! They came like streaks of ebon lightning; they came like ravens with a swallow-swoop; they came like shot out of a gun, and like a thunderbolt; they came like demons—but they came!

He heard them coming from afar, he heard them racing down the street, he heard the furious thrum of all their flashing wheels, and then they flashed before him, they were there! They shot past, eight abreast, bent over, pedaling like black demons; they shot past on their flashing wheels, the fibrous market baskets rattling lightly; and as they flashed before him, they cried “Paul!”

Then, wheeling solemnly in squadrons, they rode slowly, gravely back, and wheeled and faced him, steady and moveless on their wheels, and said, “Hi, Paul! ... How’s ole Paul today!”

Then the parade began. They did amazing things, performed astounding evolutions on their wheels; they flashed by in fours, and then by twos; they did squads-right, retreated or advanced in echelon, swooped past in single file like soaring birds, rode like demons soaring in the wind.

Then madness seized them, and desire for individual excellence, a lust for championship, wild inventiveness, whimsical caprice. They shouted with rich nigger laughter, howled derisory comments at their fellows, strove to outdo one another—to win applause and approbation—all for Paul! They swooped down the street with lightlike swiftness and a bullet speed; they swooped down in terrific spirals, snaking from one side to the other, missing curbs by hair-line fractions of an inch; they shot past, stooping like a cowboy from the saddle, and snatching up their ragged caps as they shot past. They shouted out to one another things like these:

“Outa my way, ole Liver Lips! I got somethin’ dat I got to show to Paul!”

“Hey, Paul—look at ole Slewfoot ride dat wheel!”

“Move ovah deh, M’lasses! Let ole Paul look at someone who can ride!”

“Get outa my way, Big Niggah, ’fo’ I rides all ovah you! I’m goin’ to show Paul somethin’ dat he nevah saw befo’!—How’s dis one, Paul?”

And so they soared and swooped and flashed, their rich black voices calling back to him, their warm good voices bubbling with black laughter, crying, “Paul!”

And then they were off like furies riding for town and the reopening of the markets, and their rich, warm voices howled back to him with affectionate farewell:

“Good-bye, Paul!”

“So long, Paul.”

“We’ll be seein’ you, Paul!”

“My name,” he shouted after them, “is George Josiah Webber!”

Flashed and rose the splendid name as proud and shining as the day.

And answered faintly, warm with pleasant mockery, upon the wind:

“Yo’ name is Paul! Paul! Paul!”

And coming faintly, sadly, haunting as a dream:

“—is Paul! Paul! Paul!”

3
Two Worlds Discrete

Table of Contents

When Aunt Maw spoke, at times the air would be filled with unseen voices, and the boy knew that he was listening to the voices of hundreds of people he had never seen, and knew instantly what those people were like and what their lives had been. Only a word, a phrase, an intonation of that fathomless Joyner voice falling quietly at night with an immense and tranquil loneliness before a dying fire, and the unknown dead were moving all around him, and it seemed to him that now he was about to track the stranger in him down to his last dark dwelling in his blood, explore him to his final secrecy, and make all the thousand strange, unknown lives in him awake and come to life again.

And yet Aunt Maw’s life, her time, her world, the fathomless intonations of that Joyner voice, spoken quietly, interminably at night, in the room where the coal-fire flared and crumbled, and where slow time was feeding like a vulture at the boy’s heart, could overwhelm his spirit in tides of drowning horror. Just as his father’s life spoke to him of all things wild and new, of exultant prophecies of escape and victory, of triumph, flight, new lands, the golden cities—of all that was magic, strange, and glorious on earth—so did the life of his mother’s people return him instantly to some dark, unfathomed place in nature, to all that was tainted by the slow-smouldering fires of madness in his blood, some ineradicable poison of the blood and soul, brown, thick, and brooding, never to be cured or driven out of him, in which at length he must drown darkly, horribly, unassuaged, unsavable, and mad.

Aunt Maw’s world came from some lonely sea-depth, some huge abyss and maw of drowning time, which consumed all things it fed upon except itself—consumed them with horror, death, the sense of drowning in a sea of blind, dateless Joyner time. Aunt Maw fed on sorrow with a kind of tranquil joy. In that huge chronicle of the past which her terrific memory wove forever, there were all the lights and weathers of the soul—sunlight, Summer, singing—but there was always sorrow, death and sorrow, the lost, lonely lives of men there in the wilderness. And yet she was not sorrowful herself. She fed on all the loneliness and death of the huge, dark past with a kind of ruminant and invincible relish, which said that all men must die save only these triumphant censors of man’s destiny, these never-dying, all-consuming Joyner witnesses of sorrow, who lived, and lived forever.

This fatal quality of that weblike memory drowned the boy’s soul in desolation. And in that web was everything on earth—except wild joy.

Her life went back into the wilderness of Zebulon County before the Civil War.

“Remember!” Aunt Maw would say in a half-amused and half-impatient voice, as she raised the needle to the light and threaded it. “Why, you fool boy, you!” she would exclaim in scornful tones, “What are you thinkin’ of! Of course I can remember! Wasn’t I right there, out in Zebulon with all the rest of them, the day they came back from the war? ... Yes, sir, I saw it all.” She paused, reflecting. “So here they came,” she continued tranquilly, “along about ten o’clock in the morning—you could hear them, you know, long before they got there—around that bend in the road—you could hear the people cheerin’ all along the road—and, of course, I began to shout and holler along with all the rest of them,” she said, “I wasn’t goin’ to be left out, you know,” she went on with tranquil humor, “—and there we were, you know, all lined up at the fence there—father and mother and your great-uncle Sam. Of course, you never got to know him, boy, but he was there, for he’d come home sick on leave at Christmas time. He was still limpin’ around from that wound he got—and of course it was all over or everyone knew it would be before he got well enough to go on back again. Hm,” she laughed shortly, knowingly, as she squinted at her needle, “At least that’s what he said——”

“What, Aunt Maw?”

“Why, that he was waitin’ for his wound to heal, but, pshaw!”—she spoke quietly, shaking her head—“Sam was lazy—oh, the laziest feller I ever saw in all my life!” she cried. “Now if the truth were told, that was all that was wrong with him—and let me tell you something; it didn’t take long for him to get well when he saw the war was comin’ to an end and he wouldn’t have to go on back and join the rest of them. He was limpin’ around there one day leanin’ on a cane as if every step would be his last, and the next day he was walkin’ around as if he didn’t have an ache or a pain in the world....

“ ‘That’s the quickest recovery I ever heard of, Sam,’ father said to him. ‘Now if you’ve got some more medicine out of that same bottle, I just wish you’d let me have a little of it.’—Well, then, so Sam was there.” She went on in a moment, “And of course Bill Joyner was there—old Bill Joyner, your great-grandfather, boy—as hale and hearty an old man as you’ll ever see!” she cried.

“Bill Joyner ... why he must have been all of eighty-five right then, but you’d never have known it to look at him! Do anything! Go anywhere! Ready for anything!” she declared. “And he was that way, sir, right up to the hour of his death—lived over here in Libya Hill then, mind you, fifty miles away, but if he took a notion that he’d like to talk to one of his childern, why he’d stand right out and come, without waitin’ to get his hat or anything. Why yes! didn’t he turn up one day just as we were all settin’ down to dinner, without a hat or coat or anything!” she said. “ ‘Why, what on earth!’ said mother. ‘Where did you come from, Uncle Bill?’—she called him Uncle Bill, you know. ‘Oh, I came from Libya Hill,’ says he. ‘Yes, but how did you get here?’ she says—asks him, you know. ‘Oh, I walked it,’ he says. ‘Why, you know you didn’t!’ mother says, ‘And where’s your hat and coat?’ she says. ‘Oh, I reckon I came without ’em,’ he says, ‘I was out workin’ in my garden and I just took a notion that I’d come to see you all, so I didn’t stop to get my hat or coat,’ he said, ‘I just came on!’ And that’s just exactly what he’d done, sir,” she said with a deliberate emphasis. “He just took the notion that he’d like to see us all, and he lit right out, without stoppin’ to say hello or howdy-do to anybody!”

She paused for a moment, reflecting. Then, nodding her head slightly, in confirmation, she concluded:

“But that was Bill Joyner for you! That’s just the kind of feller that he was.”

“So he was there that day?” said George.

“Yes, sir. He was right there standin’ next to father. Father was a Major, you know,” she said, with, a strong note of pride in her voice, “but he was home on leave at the time the war ended. Why yes! he came home every now and then all through the war. Bein’ a Major, I guess he could get off more than the common soldiers,” she said proudly. “So he was there, with old Bill Joyner standin’ right beside him. Bill, of course—he’d come because he wanted to see Rance, and he knew he’d be comin’ back with all the rest of them. Of course, child,” she said, shaking her head slightly, “none of us had seen your great-uncle Rance since the beginning of the war. He had enlisted at the very start, you know, when war was declared, and he’d been away the whole four years. And oh! they told it, you know, they told it!” she half-muttered, shaking her head slightly with a boding kind of deprecation, “what he’d been through—the things he’d had to do—whew-w!” she said suddenly with an expostulation of disgust—“Why, the time they took him prisoner, you know, and he escaped, and had to do his travelin’ by night, sleepin’ in barns or hidin’ away somewheres in the woods all day, I reckon—and that was the time—whew-w!—‘Go away,’ I said, ‘it makes me shudder when I think of it!’—why that he found that old dead mule they’d left there in the road—and cut him off a steak and eaten it—‘And the best meat,’ says, ‘I ever tasted!’—Now that will give you some idea of how hungry he must have been!

“Well, of course, we’d heard these stories, and none of us had seen him since he went away, so we were all curious to know. Well, here they came, you know, marchin’ along on that old river road, and you could hear all the people cheerin’, and the men a-shoutin’ and the women folks a-cryin’, and here comes Bob Patten. Well then, of course we all began to ask him about Rance, said, ‘Where is he? Is he here?’

“ ‘Oh, yes, he’s here, all right,’ said Bob, ‘He’ll be along in a minute now. You’ll see him—and if you don’t see him’ ”—suddenly she began to laugh—“ ‘if you don’t see him,’ says Bob, ‘why, by God, you’ll smell him!’ That’s just the way he put it, you know, came right out with it, and of course, they had to laugh.... But, child, child!” with strong distaste she shook her head slightly—“That awful—oh! that awful, awful, odor! Poor feller! I don’t reckon he could help it! But he always had it.... Now he was clean enough!” she cried out with a strong emphasis, “Rance always kept himself as clean as anyone you ever saw. And a good, clean-livin’ man, as well,” she said. “Never touched a drop of licker in all his life,” she said decisively, “No, sir—neither him nor father.—Oh father! father!” she cried proudly, “Why father wouldn’t let anyone come near him with the smell of licker on his breath! And let me tell you something!” she said solemnly, “If he had known that your papa drank, he’d never have let your mother marry him!—Oh! he wouldn’t have let him enter his house, you know—he would have considered it a disgrace for any member of his family to associate with anyone who drank!” she proudly said. “And Rance was the same—he couldn’t endure the sight or taste of it—but oh!” she gasped, “that awful, awful odor—that old, rank body-smell that nothing could take out!—awful, awful,” she whispered. Then for a moment she stitched silently. “And of course,” she said, “that’s what they say about him—that’s what they called him——”

“What, Aunt Maw?”

“Why,” she said—and here she paused again, shaking her head in a movement of strong deprecation, “to think of it!—to think, they’d have no more decency or reverence than to give a man a name like that! But, then, you know what soldiers are—I reckon they’re a pretty rough, coarse-talkin’ lot, and of course they told it on him—that was the name they gave him, the one they called him by.”

“What?”

She looked at him quietly for a moment with a serious face, then laughed.

“Stinkin’ Jesus,” she said shyly. “Whew-w!” she gently shrieked. “ ‘Oh, you know they wouldn’t say a thing like that!’ I cried—but that was it, all right. To think of it! ... And of course, poor fellow, he knew it, he recognized it, says, ‘I’d do anything in the world if I could only get rid of it,’ says, ‘I reckon it’s a cross the Lord has given me to bear.’ ... But there it was—that—old—rank—thing!—Oh, awful, awful!” she whispered, peering downward at the needle. “And say! yes! Didn’t he tell us all that day when he came back that the Day of Judgment was already here upon us?—Oh! said Appomattox Courthouse marked the comin’ of the Lord and Armageddon—and for us all to get ready for great changes! And, yes! don’t I remember that old linen chart—or map, I reckon you might call it—that he kept strung around his neck, all rolled up in a ball, and hangin’ from a string? It proved, you know, by all the facts and figures in the Bible that the world was due to end in 1865.... And there he was, you know, marchin’ along the road with all the rest of them, with that old thing a-hangin’ round his neck, the day they all came back from the war.”

She stitched quietly with deft, strong fingers for a moment, and then, shaking her head, said sadly:

“Poor Rance! But I tell you what! He was certainly a good man,” she said.

Rance Joyner had been the youngest of all old Bill Joyner’s children. Rance was a good twelve years the junior of Lafayette, George Webber’s grandfather. Between them had been born two other brothers—John, killed at the battle of Shiloh, and Sam. The record of Rance Joyner’s boyhood, as it had survived by tongue, by hearsay, which was the only record these men had, was bare enough in its anatomy, but probably fully accurate.

“Well, now I tell you how it was,” Aunt Maw said. “The rest of them used to tease him and make fun of him. Of course, he was a simple-minded sort of feller, and I reckon he’d believe anything they told him. Why, yes! Didn’t father tell me how they told him Martha Alexander was in love with him, and got him to believin’ it, and all!—And here Martha, you know, was the belle of the neighborhood, and could pick and choose from anyone she liked! But didn’t they write him all sorts of fool love letters then, pretendin’ to come from Martha, and tellin’ him to meet her at all sorts of places—up on the Indian Mound, and down in the holler, or at some old stump, or tree, or crossroads—oh! anywheres!” she cried, “just to see if he’d be fool enough to go! And then, when she didn’t turn up, wouldn’t they write him another letter, sayin’ her father was suspicious and watchin’ her like a hawk! And didn’t they tell him then that Martha had said she’d like him better if he grew a beard! And then they told him, you know, they had a special preparation all fixed up that would make his beard grow faster if he washed his face in it, and then didn’t they persuade him to wash his face in old blue indigo water that was used to dye wool in, and didn’t he go around there for weeks as blue in the face as a monkey! ...

“And didn’t he come creepin’ up behind her after church one day, and whisper in her ear: ‘I’ll be there. Just swing the light three times and slip out easy when you’re ready, and I’ll be there waitin’ for you!’—Why, he almost frightened the poor girl out of her wits. ‘Oh!’ she screamed, you know, and hollered for them to come and get him, ‘Oh! Take him! Take him away!’—thinkin’ he’d gone crazy—and of course that let the cat out of the bag. They had to tell it then, the joke they’d played on him.” She smiled quietly, shaking her head slightly, with the sad and faintly troubled mirth of things far and lost.

“But, I want to tell you,” she said gravely in a moment, “they can say all they like about your great-uncle Rance, but he was always an upright and honest man. He had a good heart,” she said quietly, and in these words there was an accolade. “He was always willin’ to do anything he could to help people when they needed it. And he wouldn’t wait to be asked, neither! Why, didn’t they tell it how he practically carried Dave Ingram on his back as they retreated from Antietam, rather than let him lay there and be taken!—Of course, he was strong—why, strong as a mule!” she cried. “He could stand anything.—They told it how he could march all day long, and then stay up all night nursin’ the sick and tendin’ to the wounded.”

She paused and shook her head. “I guess he’d seen some awful things,” she said. “I reckon he’d been with many a poor feller when he breathed his last—they had to admit it, sir, when they came back! Now, they can laugh at him all they please, but they had to give him his due! Jim Alexander said, you know, he admitted it, ‘Well, Rance has preached the comin’ of the Lord and a better day upon the earth, and I reckon we’ve all laughed at him at times for doin’ it—but let me tell you, now,’ he says, ‘he always practiced what he preached. If everybody had as good a heart as he’s got, we’d have that better day he talks about right now!’ ”

She sewed quietly for a moment, thrusting the needle through with her thimbled finger, drawing the thread through with a strong, pulling movement of her arm.

“Now, child, I’m goin’ to tell you something,” she said quietly. “There are a whole lot of people in this world who think they’re pretty smart—but they never find out anything. Now I suppose that there are lots of smarter people in the world than Rance—I guess they looked on him as sort of simple-minded—but let me tell you something! It’s not always the smartest people who know the most—and there are things I could tell you—things I know about!” she whispered with an omened tone, then fell to shaking her head slightly again, her face contracted in a portentous movement—“Child! Child! ... I don’t know what you’d call it ... what explanation you could give for it—but it’s mighty strange when you come to think about it, isn’t it?”

“But what? What is it, Aunt Maw?” he demanded feverishly.

She turned and looked him full in the face for a moment. Then she whispered:

“He’s been—Seen! ... I Saw him once myself! ... He’s been Seen all through his life,” she whispered again. “I know a dozen people who have Seen him,” she added quietly. She stitched in silence for a time.

“Well, I tell you,” she presently said, “the first time that they Saw him he was a boy—oh! I reckon along about eight or nine years old at the time. I’ve heard father tell the story many’s the time,” she said, “and mother was there and knew about it, too. That was the very year that they were married, sir, that’s exactly when it was,” she declared triumphantly. “Well, mother and father were still livin’ there in Zebulon, and old Bill Joyner was there, too. He hadn’t yet moved into town, you know. Oh, it was several years after this before Bill came to Libya Hill to live, and father didn’t follow him till after the war was over.... Well, anyway,” she said, “Bill was still out in Zebulon, as I was sayin’, and the story goes that it was Sunday morning. So after breakfast the whole crowd of them start out for church—all of them except old Bill, you know, and I reckon he had something else to do, or felt that it was all right for him to stay at home so long as all the others went.... Well, anyhow,” she smiled, “Bill didn’t go to church, but he saw them go, you know! He saw them go!” she cried. “He stood there in the door and watched them as they went down the road—father and Sam and mother, and your great-uncle Rance. Well, anyway, when they had gone—I reckon it was some time later—Bill went out into the kitchen. And when he got there he saw the lid of the wool-box was open. Of course father was a hatter, and he kept the wool from which he made the felt out in the kitchen in this big box.—Why, it was big enough for a grown man to stretch out full-length in, with some to spare, and of course it was as good a bed as anyone could want. I know that when father wanted to take a nap on Sunday afternoons, or get off somewheres by himself to study something over, he’d go back and stretch out on the wool.

“ ‘Well,’ thinks Bill, ‘now who could ever have gone and done such a trick as that? Fate told them’—that’s what he called my father, Lafayette, you know—‘Fate told them to keep that box closed,’ and he walks over, you know, to put the lid down—and there he was, sir!” she cried strongly—“There he was, if you please, stretched out on the wool and fast asleep—why, Rance, you know! Rance! There he was! ... ‘Aha!’ thinks Bill, ‘I caught you that time, didn’t I? Now he’s just sneaked off from all the others when he thought my back was turned, and he’s crawled back here to have a snooze when he’s supposed to be in church.’ That’s what Bill thought, you know. ‘Now if he thinks he’s goin’ to play any such trick as that on me, he’s very much mistaken. But we’ll see,’ thinks Bill, ‘We’ll just wait and see. Now, I’m not goin’ to wake him up,’ says Bill, ‘I’ll go away and let him sleep—but when the others all get back from church I’m goin’ to ask him where he’s been. And if he tells the truth—if he confesses that he crawled into the wool-box for a nap, I won’t punish him. But if he tries to lie out of it,’ says Bill, ‘I’ll give him such a thrashin’ as he’s never had in all his life before!’

“So he goes away then and leaves Rance there to sleep. Well, he waited then, and pretty soon they all came back from church, and, sure enough, here comes Rance, trailin’ along with all the rest of them. ‘Rance,’ says Bill, ‘How’d you like the sermon?’ ‘Oh,’ says Rance, smilin’ an’ grinnin’ all over, you know, ‘it was fine, father, fine,’ he says. ‘Fine, was it?’ Bill says, ‘You enjoyed it, did you?’ ‘Oh, why, yes!’ he says, ‘I enjoyed it fine!’ ‘Well, now, that’s good,’ says Bill, ‘I’m glad to hear that,’ says he. ‘What did the preacher talk about?’ he says.

“Well, then, you know, Rance started in to tell him—he went through the preacher’s sermon from beginnin’ to end, he told him everything that was in it, even to describin’ how the preacher talked and all.

“And Bill listened. He didn’t say a word. He waited till Rance got through talkin’. Then he looked at him, and shook his head. ‘Rance,’ he says, ‘I want you to look me in the eye.’ And Rance looked at him, you know, real startled-like; says, ‘Why, yes, father, what is it? What’s wrong?’ he says. Then Bill looked at him, and shook his head. Says, ‘Rance, Rance, I’d have let you go if you had told the truth about it, but,’ says, ‘Rance—you have lied to me.’ ‘Why, no, father,’ says Rance, ‘No, I haven’t. What do you mean?’ he says. And Bill looked at him; says, ‘Rance—you have not been to church,’ says, ‘I found you in the wool-box fast asleep, and that is where you’ve been all morning. Now,’ says Bill, ‘you come with me,’ and took him by the shoulder. ‘Oh, father, I haven’t done anything’—begins to cry, you know, says, ‘Don’t whip me, don’t whip me—I haven’t lied to you—I’ll swear to you I haven’t.’ ‘You come with me,’ says Bill—begins to pull and drag him along, you know, ‘and when I’m through with you you’ll never lie to me again.’

“And that,” she said, “that was where father—my father, your grandfather—stepped into the picture. He stepped between them and stopped Bill Joyner from going any further. Of course, father was a grown man at the time. ‘No,’ says father, ‘you mustn’t do that,’ he says, ‘You’re makin’ a mistake. You can’t punish him for not attendin’ church today.’ ‘Why, what’s the reason I can’t?’ Bill Joyner said. ‘Because,’ said father, ‘he was there. He’s been with us every minute of the time since we left home this morning. And he heard the sermon,’ father said, ‘He’s tellin’ you the truth—I’ll swear to that—because he was sittin’ next to me all the time.’

“And then, of course, the others all chimed in, mother and Sam, said, ‘Yes, he’s tellin’ you the truth, all right. He was right there with us all the time, and we’d have known if he left us.’ Then Bill was bitter against them all, of course, thinkin’ they had all joined against him in an effort to shield Rance in a lie. ‘To think,’ he said, ‘that childern of mine would turn against me in this way! To think that you’d all join together in a lie in order to shield him. Why, you’re worse than he is,’ he said, ‘for you’re abettin’ him and leadin’ him on, and you—’ he said to father—‘you are certainly old enough to know better,’ says, ‘Fate, I didn’t think it of you, I didn’t think you’d help him to lie like this.’ And father said, ‘No.’ He looked him in the eye, said, ‘No, father, no one is helpin’ him to lie. He’s not tellin’ you a lie. We’re all tellin’ the truth—and I can prove it.’—Why yes, didn’t it turn out then that the preacher and all the folks at church had seen him and were willin’ to testify that he was there?—‘Now I don’t know what it is you saw,’ said father, ‘but whatever it was, it wasn’t Rance. At least, it wasn’t the Rance you see here, for he’s been with us every moment.’ And then Bill looked at him and saw that he was tellin’ him the truth, and they say Bill Joyner’s face was a study.

“ ‘Well,’ he said, ‘this is a strange thing! God only knows what will come out of it! Rance has been Seen!’ ”

She paused; then turned to look straight and silent at George. In a moment she shook her head slightly, with boding premonition.

“And let me tell you something,” she whispered. “That wasn’t the only time, either!”

There were, in fact, from this time on, an increasing number of such apparitions. The news of the first one had spread like wildfire through the whole community: the uncanny story of the boy’s discovery in the wool-box when his corporeal body was two miles distant at the church became instantly common property, and inflamed the wonder and imagination of all who heard it.

And, as seems to be almost the invariable practice in these cases, the public did not question at all the evidence which was dubious; they questioned only that which was indubitable, and, finding it to be confirmed beyond the shadow of a doubt, swallowed the whole, hook, line, and sinker! They took it instantly for granted that Bill Joyner had seen the boy, or “at least, seen something, now—that’s one thing sure.” But was Rance really present at the church that day? Had he been with the other members of his family from first to last? Had there been any opportunity for him to “slip away” and leave them without their knowing it? To all this there was only one answer—testified to by a hundred people. He had been present at the church from first to last; he had been seen, greeted, and remembered by minister, sexton, deacons, choir, and congregation, not only before, but also after services. Therefore, the fact was now established in their minds with an unshakable conviction. There was no longer any possible doubt about it—Rance had been Seen.

Then, about eight months after this, when the story of this ghostly apparition was still fresh in people’s minds, and made matter for awed conversation when they gathered, another extraordinary incident occurred!

One evening, towards the end of a harsh and ragged day in March, a neighbor of the Joyner’s was driving hard into the backwoods village of Blankenship, which stood about two miles distant from his home. Night was coming on fast; it was just the few minutes of brief, fading grey that end a Winter’s day, and the man, whose name was Roberts, was driving along the hard, clay-rutted road as fast as the rickety rig in which he sat, and the old grey horse he drove, could carry him. His wife had been seized suddenly by a cramp or colic, or so they called it, and now lay at home in bed in mortal pain until Roberts should reach town and fetch help back to her.

Just outside of town as the troubled man was urging on his nag to greater speed, he encountered Rance Joyner. The boy was trudging steadily along the road in the grey light, coming from town and going towards home, and, according to the story Roberts told, Rance was carrying a heavy sack of meal which he had plumped over his right shoulder and supported with his hand. As the man in the buggy passed him, the boy half turned, paused, looked up at him, and spoke. In this circumstance there was nothing unusual. Roberts had passed the boy a hundred times coming or going to the town on some errand.

On this occasion, Roberts said he returned the boy’s greeting somewhat absently and curtly, weighted down as his spirit was with haste and apprehension, and drove on without stopping. But before he had gone a dozen yards the man recalled himself and pulled up quickly, intending to shout back to the boy the reason for his haste, and to ask him to stop at his house on the way home, do what he could to aid the stricken woman, and wait there till the man returned with help. Accordingly, Roberts pulled up, turned in his seat, and began to shout his message down the road. To his stupefaction, the road was absolutely bare. Within a dozen yards the boy had vanished from his sight, “as if,” said Roberts, “the earth had opened up and swallered him.” But even as the man sat staring, gape-mouthed with astonishment, the explanation occurred to him:

“Thar were some trees thar down the road a little piece, a-settin’ at the side of the road, and I jest figgered,” he said delicately, “that Rance had stepped in behind one of ’em fer a moment, so I didn’t stop no more. Hit was gettin’ dark an’ I was in a hurry, so I jest drove on as hard as I could.”

Roberts drove in to town, got the woman’s sister whom he had come to fetch, and then returned with her as hard as he could go. But even as he reached home and drove up the rutted lane, a premonition of calamity touched him. The house was absolutely dark and silent: there was neither smoke nor sound nor any light whatever, and, filled with a boding apprehension, he entered. He called his wife’s name in the dark house, but no one answered him. Then, he raised the smoky lantern which he carried, walked to the bed where his wife lay, and looked at her, seeing instantly that she was dead.

That night the people from the neighborhood swarmed into the house. The women washed the dead woman’s body, dressed her, “laid her out,” and the men sat round the fire, whittled with knives, and told a thousand drawling stories of the strangeness of death and destiny. As Roberts was recounting for the hundredth time all of the circumstances of the death, he turned to Lafayette Joyner, who had come straightway when he heard the news, with his wife and several of his brothers:

“... and I was jest goin’ to tell Rance to stop and wait here till I got back, but I reckon it was just as well I didn’t—she would have been dead afore he got here, and I reckon it might have frightened him to find her.”

Fate Joyner looked at him slowly with a puzzled face.

“Rance?” he said.

“Why, yes,” said Roberts, “I passed him comin’ home just as I got to town—and I reckon if I hadn’t been in such a hurry I’d a-told him to stop off and wait till I got back.”

The Joyners had suddenly stopped their whittling. They looked upward from their places round the fire with their faces fixed on Roberts’ face in a single, silent, feeding, fascinated stare, and he paused suddenly, and all the other neighbors paused, feeling the dark, premonitory boding of some new phantasmal marvel in their look.

“You say you passed Rance as you were goin’ in to town?” Fate Joyner asked.

“Why, yes,” said Roberts, and described again all of the circumstances of the meeting.

And, still looking at him, Fate Joyner slowly shook his head.

“No,” said he, “you never saw Rance. It wasn’t Rance that you saw.”

The man’s flesh turned cold.

“What do you mean?” he said.

“Rance wasn’t there,” said Fate Joyner. “He went to visit Rufus Alexander’s people a week ago, and he’s fifty miles away from here right now. That’s where he is tonight,” said Fate quietly.

Roberts’ face had turned grey in the firelight. For several moments he said nothing. Then he muttered:

“Yes. Yes, I see it now. By God, that’s it, all right.”

Then he told them how the boy had seemed to vanish right before his eyes a moment after he had passed him—“as if—as if,” he said, “the earth had opened up to swaller him.”

“And that was it?” he whispered.

“Yes,” Fate Joyner answered quietly, “that was it.”

He paused, and for a moment all the feeding, horror-hungry eyes turned with slow fascination to the figure of the dead woman on the bed, who lay, hands folded, in composed and rigid posture, the fire-flames casting the long flicker of their light upon her cold, dead face.

“Yes, that was it,” Fate Joyner said. “She was dead then, at that moment—but you—you didn’t know it,” he added, and quietly there was feeding a deep triumph in his voice.

Thus, this good-hearted and simple-minded boy became, without his having willed or comprehended it, a supernatural portent of man’s fate and destiny. Rance Joyner, or rather, his spiritual substance, was seen by dusk and darkness on deserted roads, was observed crossing fields and coming out of woods, was seen to toil up a hill along a narrow path at evening—and then to vanish suddenly. Often, these apparitions had no discernible relation to any human happening; more often, they were precedent, coincident, or subsequent to some fatal circumstance. And this ghostly power was not limited to the period of his boyhood. It continued, with increasing force and frequency, into the years of his manhood and maturity.

Thus, one evening early in the month of April, 1862, the wife of Lafayette Joyner, coming to the door of her house—which was built on the summit of a hill, or ledge, above a little river—suddenly espied Rance toiling up the steep path that led up to the house. In his soiled and ragged uniform, he looked footsore, unkempt, dusty, and unutterably weary—“as if,” she said, “he had come a long, long ways”—as indeed, he must have done, since at that moment he was a private soldier in one of Jackson’s regiments in Virginia.

But Lafayette Joyner’s wife could see him plainly as he paused for a moment to push open a long gate that gave upon the road below her, halfway down the hill. She turned, she said, in her excitement for a moment, to shout the news of his approach to others in the house, and in that instant he had vanished from her sight. When she looked again, no one was there; the scene was fading into night and stillness, and the woman wrung her hands in her despair, saying:

“Oh, Lord! Oh, Lord! What’s to become of us? What’s happened now?”

Such was her story. And, as always, it confirmed a fatal event. On that day in April, more than two hundred miles to the westward, the bloody battle of Shiloh had been fought in Tennessee, and at that moment, although the news did not get back to them for several weeks, one of the brothers, John, was lying on the field, his shattered face turned upward, dead.

Such, then, were some of the stories Aunt Maw told to George. And always, when she spoke so in the night, as the coal-fire flared and crumbled in the grate, and the huge demented winds of darkness howled around them and the terror of strong silence fed forever at his heart—he could hear the thousand death-devouring voices of the Joyners speaking triumphantly from the darkness of a hundred years, the lost and lonely sorrow of the hills, and somehow smell incredibly—always and forever!—the soft, fragrant ash of the pine blaze, the pungent sharpness of the whittled wood, the winy warmth and fullness of mellow apples. And horribly, somehow, to these odors were always added the death-evoking smells of turpentine and camphor—which were a lost memory of infancy, when his mother had taken him, a child of two, to such a room—warmth, apples, Joyner room, and all—to see his grandfather the night before he died.

Upon a thousand lost and lonely roads in the ever-lost and ever-lonely hills he heard the unctuous, drawling voices of the Joyners. He saw them toiling up a wooded hill in sad, hushed, evening light to vanish like a wraith into thin air; and the terrible prophecies of old wars and battles, and of all the men who had that day been buried in the earth, were in that instant apparition and farewell! He saw them in a thousand little houses of the wilderness, in years more far and lonely than the years of Vercingetorix, coming in at darkness always to watch the night away beside the dead, to sit in semi-darkness in some neighbor’s ill-starred house, to sit around the piny fire-flame’s dance of death, and with triumphant lust to drawl and whittle night away while the pine logs flamed and crumbled to soft ash and their voices spoke forever their fated and invincible auguries of sorrow.

What was it Aunt Maw thus evoked by the terrific weavings of her memory? In the boy’s vision of that world, the Joyners were a race as lawless as the earth, as criminal as nature. They hurled their prodigal seed into the raw earth of a mountain woman’s body, bringing to life a swarming progeny which lived or died, was extinguished in its infancy or fought its way triumphantly to maturity against the savage enemies of poverty, ignorance, and squalor which menaced it at every step. They bloomed or perished as things live or die in nature—but the triumphant Joyners, superior to all loss or waste, lived forever as a river lives. Other tribes of men came up out of the earth, flourished for a space, and then, engulfed and falling, went back into the earth from which they came. Only the Joyners—these horror-hungry, time-devouring Joyners—lived, and would not die.

And he belonged to that fatal, mad, devouring world from whose prison there was no escape. He belonged to it, even as three hundred of his blood and bone had belonged to it, and must unweave it from his brain, distill it from his blood, unspin it from his entrails, and escape with demonic and exultant joy into his father’s world, new lands and mornings and the shining city—or drown like a mad dog, die!

From the first years of coherent memory, George had the sense of the overpowering immanence of the golden life. It seemed to him that he was always on the verge of finding it. In his childhood it was all around him, impending numbly, softly, filling him with an intolerable exultancy of wordless joy. It wrenched his heart with its wild pain of ecstasy and tore the sinews of his life asunder, but yet it filled his soul with the triumphant sense of instant release, impending discovery—as if a great wall in the air would suddenly be revealed and sundered, as if an enormous door would open slowly, awfully, with the tremendous majesty of an utter and invisible silence. He never found a word for it, but he had a thousand spells and prayers and images that would give it coherence, shape, and meanings that no words could do.

He thought that he could twist his hand a certain way, or turn his wrist, or make a certain simple movement of rotation into space (as boys will learn the movement to unsolve a puzzle of linked chains, or as an expert in the mysteries of locks can feel the bearings faintly, softly, rolling through his fingertips, and know the instant that he finds the combination to unlock the safe)—and that by making this rotation with his hand, he would find the lost dimension of that secret world, and instantly step through the door that he had opened.

And he had other chants and incantations that would make that world reveal itself to him. Thus, for a period of ten years or more, he had a spell for almost everything he did. He would hold his breath along a certain block, or take four breaths in pounding down the hill from school, or touch each cement block upon a wall as he went past, and touch each of the end-blocks where the steps went up two times, and if he failed to touch them twice, go back and touch the whole wall over from the start.

And on Sunday he would always do the second thing: he would never do the first on Sunday. All through the day, from midnight Saturday until midnight Monday morning, he would always do the second thing he thought about and not the first. If he woke up on Sunday morning and swung over to the left side to get out of bed, he would swing back and get out on the right. If he started with the right sock, he would take it off and pull the left one on instead. And if he wanted first to use one tie, he would discard it and put on another.

And so it went the whole day through on Sunday. In every act and moment of his life that day he would always do the second thing he thought about instead of the first. But then when midnight came again, he would, with the same fanatic superstition, do the first thing that he thought about; and if he failed in any detail of this ritual, he would be as gloomy, restless, and full of uneasy boding doubts as if all the devils of mischance were already out in force against him, and posting on their way to do him harm.

These spells, chants, incantations, and compulsions grew, interwove, and constantly increased in the complexity and denseness of their web until at times they governed everything he did—not only the way he touched a wall, or held his breath while pounding down a hill from school, or measured out a block in punctual distances of breathing, or spanned the cement blocks of sidewalks in strides of four, but even in the way he went along a street, the side he took, the place he had to stop and look, the place he strode by sternly even when he wanted bitterly to stay and look, the trees out in his uncle’s orchard that he climbed until he had to climb a certain tree four times a day and use four movements to get up the trunk.

And this tyrannic mystery of four would also get into the way he threw a ball, or chanted over Latin when preparing it, or muttered παιδεύσω four times in the Subjunctive of the First Aorist, or έθηκα in the Indicative Active of the First. And it was also in the way he washed his neck and ears, or sat down at a table, split up kindling (using four strokes of the axe to make a stick), or brought up coal (using four scoops of the shovel to fill the scuttle).

Then there were also days of stern compulsion when he could look at only a single feature of people’s faces. On Monday he would look upon men’s noses, on Tuesday he would stare into their teeth, on Wednesday he would peer into their eyes, save Thursday for their hands, and Friday for their feet, and sternly meditate the conformation of their brows on Saturday, saving Sunday always for the second feature that occurred to him—eyes when feet were thought of, teeth for eyes, and foreheads when his fine first rapture had been noses. And he would go about this duty of observing with such a stern, fanatical devotion, peering savagely at people’s teeth or hands or brows, that sometimes they looked at him uneasily, resentfully, wondering what he saw amiss in their appearance, or shaking their heads and muttering angrily as they passed each other by.

At night, he said his prayers in rhymes of four—for four, eight, sixteen, thirty-two were somehow the key numbers in his arithmetic of sorcery. He would say his one set prayer in chants of four times four, until all the words and meanings of the prayer (which he had composed himself with four times four in mind) were lost, and all that he would follow would be the rhythm and the number of the chant, muttered so rapidly that the prayer was just a rapid blur—but muttered always sixteen times. And if he failed to do this, or doubted he had got the proper count, then he could not sleep or rest after he got into bed, and would get up instantly and go down upon his knees again, no matter how cold or raw the weather was, no matter how he felt, and would not pause until he did the full count to his satisfaction, with another sixteen thrown in as penalty. It was not piety he felt, it was not thought of God or reverence or religion: it was just superstitious mystery, a belief in the wizard-charm of certain numbers, and the conviction that he had to do it in this way in order to have luck.

Thus, each night he paid his punctual duty to “their” dark authorities, in order to keep himself in “their” good graces, to assure himself that “they” would not forsake him, that “they” would still be for him, not against him, that “they”—immortal, secret, “they” that will not give us rest!—would keep him, guard him, make his life prevail, frustrate his evil enemies, and guide him on to all the glory, love, and triumph, and to that great door, the huge, hinged, secret wall of life—that immanent and unutterable world of joy which was so near, so strangely, magically, and intolerably near, which he would find at any moment, and for which his life was panting.

One day a circus came to town, and as the boy stood looking at it there came to him two images which were to haunt all the rest of his childhood, but which were now for the first time seen together with an instant and a magic congruence. And these were the images of the circus and his father’s earth.

He thought he had joined a circus and started on the great tour of the nation with it. It was Spring: the circus had started in New England, and worked westward and then southward as the Summer and Autumn came on. His nominal duties—for in his vision every incident, each face and voice and circumstance, was blazing real as life itself—were those of ticket seller. But in this tiny show everyone did several things, so he also posted bills, and bartered with the tradesmen and farmers in new places for fresh food. He became very clever at this work—some old, sharp, buried talent for shrewd trading that had come to him from his mountain blood now aided him. He could get the finest, freshest meats and vegetables at the lowest prices. The circus people were tough and hard, they always had a fierce and ravenous hunger, they would not accept bad food and cooking, they fed stupendously, and they always had the best of everything.

Usually the circus would arrive at a new town very early in the morning, before daybreak. He would go into town immediately: he would go to the markets, or with farmers who had come in for the circus. He felt and saw the purity of first light, he heard the sweet and sudden lutings of first birds, and suddenly he was filled with the earth and morning in new towns, among new men. He walked among the farmers’ wagons, and he dealt with them on the spot for the prodigal plenty of their wares—the country melons bedded in sweet hay, the cool, sweet pounds of butter wrapped in clean, wet cloths, with dew and starlight still upon them, the enormous battered cans foaming with fresh milk, the new-laid eggs which he bought by the gross and hundred dozen, the tender, limey pullets by the score, the delicate bunches of green scallions, the heavy red ripeness of huge tomatoes, the sweet-leaved lettuces, crisp as celery, the fresh-podded peas and the succulent young beans, as well as the potatoes spotted with the loamy earth, the winy apples, the peaches, and the cherries, the juicy corn stacked up in shocks of luring green, and the heavy, blackened rinds of the home-cured hams and bacons.

As the markets opened, he would begin to trade and dicker with the butchers for their finest cuts of meat. They would hold great roasts up in their gouted fingers, they would roll up tubs of fresh-ground sausage, they would smack with their long palms the flanks of beeves and porks. He would drive back to the circus with a wagon full of meat and vegetables.

At the circus ground the people were already in full activity. He could hear the wonderful timed tattoo of sledges on the driven stakes, the shouts of men riding animals down to water, the slow clank and pull of mighty horses, the heavy rumble of the wagons as they rolled down off the circus flat cars. By now the eating tent would be erected, and, as he arrived, he could see the cooks already busy at their ranges, the long tables set up underneath the canvas with their rows of benches, their tin plates and cups. There would be the amber pungency of strong coffee, and the smell of buckwheat batter.

Then the circus people would come in for breakfast. The food they ate was as masculine and fragrant as the world they dwelt in. It belonged to the warmed, stained world of canvas, the clean and healthful odor of the animals, and the wild, sweet, lyric nature of the land on which they lived as wanderers. And it was there for the asking with a fabulous and stupefying plenty, golden and embrowned. They ate stacks of buckwheat cakes, smoking hot, soaked in hunks of yellow butter, which they carved at will with a wide, free gesture from the piled prints on the table, and which they garnished with ropes of heavy black molasses, or with maple syrup. They ate big steaks for breakfast, hot from the pan and thick with onions; they ate whole melons, crammed with the ripeness of the deep-pink meat, rashers of bacon, and great platters of fried eggs, or eggs scrambled with calves brains. They helped themselves from pyramids of fruit piled up at intervals on the table—plums, peaches, apples, cherries, grapes, oranges, and bananas. They had great pitchers of thick cream to pour on everything, and they washed their hunger down with pint mugs of strong, deep-savored coffee.

For their midday meal they would eat fiercely, hungrily, with wolfish gusto, mightily with knit brows and convulsive movements of their corded throats. They would eat great roasts of beef with crackled hides, browned in their juices, rare and tender; hot chunks of delicate pork with hems of fragrant fat; delicate young broiled chickens; twelve-pound pot roasts, cooked for hours in an iron pot with new carrots, onions, sprouts, and young potatoes; together with every vegetable that the season yielded—huge roasting ears of corn, smoking hot, piled like cordwood on two-foot platters, tomatoes cut in slabs with wedges of okra and succotash, and raw onions, mashed potatoes whipped to a creamy batter, turnips, fresh peas cooked in butter, and fat, strong beans seasoned with the flavor of big chunks of pork. In addition they had every fruit that the place and time afforded: hot crusty apple, peach, and cherry pies, encrusted with cinnamon; puddings and cakes of every sort; and blobbering cobblers inches deep.

Thus the circus moved across America, from town to town, from state to state, eating its way from Maine into the great plains of the West, eating its way along the Hudson and the Mississippi Rivers, eating its way across the prairies and from the North into the South.

Abroad in this ocean of earth and vision, the boy thought of his father’s land, of its great red barns, its clear familiarity and its haunting strangeness, and its lovely and tragic beauty. He thought of its smell of harbors and its rumors of the sea, the city, and the ships, its wine-ripe apples and its brown-red soil, its snug, weathered houses, its lyric, unutterable ecstasy.

A wonderful thing happened. One morning he awoke suddenly to find himself staring straight up at the pulsing splendor of the stars. At first he did not know where he was. The circus train had stopped in the heart of the country, for what reason he did not know. He could hear the languid and intermittent breathing of the engine, the strangeness of men’s voices in the dark, the casual stamp of the horses in their cars, and all around him the attentive and vital silence of the earth.

Suddenly he raised himself from the pile of canvas on which he slept. It was the moment just before dawn: against the east the sky had already begun to whiten with the first faint luminosity of day, the invading tides of light crept up the sky, drowning the stars out as they went. The train had halted by a little river, which ran swift and deep close to the tracks, and now he knew that what at first he thought had been the sound of silence was the swift and ceaseless music of the river.

There had been rain the night before, and now the river was filled with the sweet, clean smell of earthy deposits. He could see the delicate white glimmer of young birch trees leaning from the banks, and on the other side he saw the winding whiteness of a road. Beyond the road, and bordering it, there was an orchard with a wall of lichened stone. As the wan light grew, the earth and all its contours emerged sharply. He saw the worn and ancient design of lichened rocks, the fertile soil of the ploughed fields; he saw the kept order, the frugal cleanliness, with its mild tang of opulent greenery. Here was an earth with fences as big as a man’s heart, but not so great as his desire, and this earth was like a room he once had lived in. He returned to it as a sailor to a small, closed harbor, as a man, spent with the hunger of his wandering, comes home.

Instantly he recognized the scene. He knew he had come at last into his father’s land. Here was his home, brought back to him while he slept, like a forgotten dream. Here was his heart’s desire, his father’s country, the earth his spirit dwelt in. He knew every inch of the landscape, and he knew past reason, doubt, or argument that home was not three miles away.

He got up at once and leaped down to the earth: he knew where he would go. Along the track there was the slow swing and dance of the brakemen’s lamps. Already the train was in motion, its bell tolled, and the heavy trucks rumbled away from him. He began to walk back along the tracks, for less than a mile away, he knew, where the stream boiled over the lip of a dam, there was a bridge. When he reached the bridge a deeper light had come: the old red brick of the mill emerged sharply and fell sheer into bright, shining waters.

He crossed the bridge and turned left along the road. Here it moved away from the river, among fields and through dark woods—dark woods bordered with stark poignancy of fir and pine, with the noble spread of maples, shot with the naked whiteness of birch. Sharp thrummings, woodland flitters, broke the silence. The tongue-trilling chirrs arose now, and little brainless cries, liquefied lutings. Smooth drops and nuggets of bright gold they were.

He went along that road where, he knew, the house of his father’s blood and kin lay hidden. At length, he came around a bending of the road, he left the wooded land, he passed by hedges, and saw the old white house, set in the shoulder of the hill, clean and cool below the dark shelter of its trees. A twist of morning smoke coiled through its chimney.

Then he turned into the road that led up to the house, and at this moment the enormous figure of a powerful old man appeared around the corner, prophetically bearing a smoked ham in one huge hand. And when the boy saw the old man, a cry of greeting burst from his throat, and the old man answered with a roar of welcome that shook the earth. The old man dropped his ham, and waddled forward to meet the boy: they met half down the road, and the old man crushed him in his hug. They tried to speak but could not, they embraced again and in an instant all the pain of loneliness and the fierce hungers of desire were scoured away like a scum of frost from a bright glass.

At this moment also, two young men burst from the house and came running down the road to greet him. They were powerful and heavy youths, and, like their father, they recognized the boy instantly, and in a moment he was engulfed in their mighty energies, borne up among them to the house. As they ate breakfast, he told them of his circus wanderings and they told him what had befallen them. And they understood all that he wanted to say but could not speak, and they surrounded him with love and lavish heapings of his plate.

Such were the twin images of the circus and his father’s land which now, as he stood there looking at the circus, fused instantly to a living whole and came to him in a blaze of light. And in this way, before he had ever seen or set his foot upon it, he came for the first time to his father’s earth.

Thus, day by day, in the taut and tangled web of this boy’s life, the two hemispheres that touched but never joined, contended, separated, recombined, and wove again. First came the old dark memory of time-haunted man and the lost voices in the hills a hundred years ago, the world-lost and hill-haunted sorrow of the time-triumphant Joyners. Then his spirit flamed beyond the hills, beyond lost time and sorrow, to his father and his father’s earth; and when he thought of him his heart grew warm, the hot blood thudded in his veins, he leapt all barriers of the here and now, and northward, gleaming brightly there beyond the hills, he saw a vision of the golden future in new lands.

4
The Golden City

Table of Contents

Always and forever when the boy thought of his father, and of the proud, the cold, the secret North, he thought, too, of the city. His father had not come from there, yet strangely, through some subtle chemistry of his imagination, some magic of his boy’s mind and heart, he connected his father’s life and figure with the bright and shining city of the North.

In his child’s picture of the world, there were no waste or barren places: there was only the rich tapestry of an immense and limitlessly fertile domain forever lyrical as April, and forever ready for the harvest, touched with the sorcery of a magic green, bathed forever in a full-hued golden light. And at the end, forever at the end of all the fabled earth, there hung the golden vision of the city, itself more fertile, richer, more full of joy and bounty than the earth it rested on. Far-off and shining, it rose upward in his vision from an opalescent mist, upborne and sustained as lightly as a cloud, yet firm and soaring with full-golden light. It was a vision simple, unperplexed, carved from deep substances of light and shade, and exultant with its prophecy of glory, love, and triumph.

He heard, far off, the deep and beelike murmur of its million-footed life, and all the mystery of the earth and time was in that sound. He saw its thousand streets peopled with a flashing, beautiful, infinitely varied life. The city flashed before him like a glorious jewel, blazing with countless rich and brilliant facets of a life so good, so bountiful, so strangely and constantly beautiful and interesting, that it seemed intolerable that he should miss a moment of it. He saw the streets swarming with the figures of great men and glorious women, and he walked among them like a conqueror, winning fiercely and exultantly by his talent, courage, and merit the greatest tributes that the city had to offer, the highest prize of power, wealth, and fame, and the great emolument of love. There would be villainy and knavery as black and sinister as hell, but he would smash it with a blow, and drive it cringing to its hole. There would be heroic men and lovely women, and he would win and take a place among the highest and most fortunate people on the earth.

Thus, in a vision hued with all the strange and magic colors of his adolescence, the boy walked the streets of his great legendary city. Sometimes he sat among the masters of the earth in rooms of manlike opulence: dark wood, heavy leathers of solid, lavish brown, were all around him. Again he walked in great chambers of the night, rich with the warmth of marble and the majesty of great stairs, sustained on swelling columns of a rich-toned onyx, soft and deep with crimson carpets in which the foot sank down with noiseless tread. And through this room, filled with a warm and undulant music, the deep and mellow thrum of violins, there walked a hundred beautiful women, and all were his, if he would have them. And the loveliest of them all was his. Long of limb and slender, yet lavish and deep of figure, they walked with proud, straight looks on their fragile and empty faces, holding their gleaming shoulders superbly, and their clear, depthless eyes alive with love and tenderness. A firm and golden light fell over them, and over all his love.

He also walked in steep and canyoned streets, blue and cool with a frontal steepness of money and great business, brown and rich somehow with the sultry and exultant smell of coffee, the good green smell of money, and the fresh, half-rotten odor of the harbor with its tide of ships.

Such was his vision of the city—adolescent, fleshly, and erotic, but drunk with innocence and joy, and made strange and wonderful by the magic lights of gold and green and lavish brown in which he saw it. For, more than anything, it was the light. The light was golden with the flesh of women, lavish as their limbs, true, depthless, tender as their glorious eyes, fine-spun and maddening as their hair, as unutterable with desire as their fragrant nests of spicery, their deep melon-heavy breasts. The light was golden like a morning light that shines through ancient glass into a room of old dark brown. The light was rich brown shot with gold, lavish brown like old stone houses gulched in morning on a city street. The light was also blue, like morning underneath the frontal cliff of buildings, vertical, cool blue, hazed with thin morning mist, cold-flowing harbor blue of clean, cool waters, rimed brightly with a dancing morning-gold.

The light was amber-brown in vast, dark chambers shuttered from young light, where, in great walnut beds, the glorious women stirred in sensual warmth their lavish limbs. The light was brown-gold like ground coffee, merchants, and the walnut houses where they lived; brown-gold like old brick buildings grimed with money and the smell of trade; brown-gold like morning in great gleaming bars of swart mahogany, the fresh wet beer-wash, lemon rind, and the smell of Angostura bitters. Then it was full-golden in the evening in the theatres, shining with full-golden warmth and body on full-golden figures of the women, on fat red plush, and on the rich, faded, slightly stale smell, and on the gilt sheaves and cupids and the cornucopias, on the fleshly, potent, softly-golden smell of all the people. And in great restaurants the light was brighter gold, but full and round like warm onyx columns, smooth, warmly-tinted marble, old wine in dark, rounded, age-encrusted bottles, and the great blonde figures of naked women on rose-clouded ceilings. Then the light was full and rich, brown-golden like great fields in Autumn; it was full-swelling golden light like mown fields, bronze-red picked out with fat, rusty-golden sheaves of corn, and governed by huge barns of red and the mellow, winy fragrance of the apples.

That vision of the city was gathered from a thousand isolated sources, from the pages of books, the words of a traveler, a picture of Brooklyn Bridge with its great, winglike sweep, the song and music of its cables, even the little figures of the men with derby hats as they advanced across it. These and a thousand other things all built the picture of the city in his mind, until now it possessed him and had got somehow, powerfully, exultantly, ineradicably, into everything he did or thought or felt.

That vision of the city blazed outward not only from those images and objects which would evoke it literally, as the picture of the Bridge had done: it was now mixed obscurely and powerfully into his whole vision of the earth, into the chemistry and rhythm of his blood, into a million things with which it had no visible relation. It came in a woman’s laughter in the street at night, in sounds of music and the faint thrumming of a waltz, in the guttural rise and fall of the bass violin; and it was in the odor of new grass in April, in cries half-heard and broken by the wind, and in the hot daze and torpid drone of Sunday afternoon.

It came in all the sounds and noises of a carnival, in the smell of confetti, gasoline, the high, excited clamors of the people, the wheeling music of the carousel, the sharp cries and strident voices of the barkers. And it was in the circus smells and sounds as well—in the ramp and reek of lions, tigers, elephants, and in the tawny camel smell. It came somehow in frosty Autumn nights, in clear, sharp, frosty sounds of Hallowe’en. And it came to him intolerably at night in the receding whistle-wail of a distant and departing train, the faint and mournful tolling of its bell, and the pounding of great wheels upon the rail. It came also in the sight of great strings of rusty freight cars on the tracks, and in the sight of a rail, shining with the music of space and flight as it swept away into the distance and was lost from sight.

In things like these, and countless others, the vision of the city would come alive and stab him like a knife.

Book II
THE HOUND OF DARKNESS

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Until his sixteenth year, George Webber, whom the boys called “Monk”—a name that was to stick to him throughout his life and come to seem more natural than the one his parents gave him—grew up among his Joyner kin. And he was one of them, knit closely in the web and fabric of their narrow, mountain-rimmed, and self-sufficient world. And yet he was a Webber, too, a fact of family shame and secret pride to him, and something from beyond the mountains was at work within his spirit.

Thus the strong, conflicting pulls of Joyner and of Webber blood which met but never fused in his own veins produced a ceaseless ebb and flow within his mind and heart, and from these motions of his spirit came a strangely sentient vision of the world, a richly varied tapestry of life, woven in contrasting tones of light and dark, of sunshine and deep shadow.

5
Aunt Mag and Uncle Mark

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For Mark Joyner’s wife, Aunt Mag, the boy George had little love. She was of a family of mountain peasants, and she had done everything she could to advance her position in life by a liberal use of Mark’s purse.

“She needn’t give herself airs,” said Aunt Maw. “When Mark first saw her, she was hoein’ corn in a field.”

Childless at forty-five, Mag was a tall, rather gaunt, white-faced woman, with cold eyes, a thin nose, and a bitter, sneering mouth. She had been handsome, but for twenty years she had been under the spell of a neurosis which had held her in the unshakable conviction that she was suffering from consumption, cancer, heart disease, and pernicious anæmia. She was under constant medical attention. She spent half her waking hours extended in white terror on her bed, in a room chemical with shelves and tables full of bottles, and sealed against a draft of air.

She was, as a matter of fact, a strong, healthy, and well-nourished woman.

George sometimes went along with Aunt Maw when she crossed the intervening strip of lawn to visit Mag in her new and ugly house of bright red brick. They would find her in her sealed room in a sickening enervation of red-hot stove heat.

“Come here!” Aunt Mag would say in her harsh, sneering voice, drawing the boy’s unwilling figure beside her bed. “Lord a’ mercy!” she would add, staring up into his face with her bitter laugh. “He smells like a Webber! Do your feet stink, boy?”

These pleasantries, delivered to the accompaniment of sneering laughter, and a bending down of her thin, pious mouth as she pretended to sniff the air with disgust, did not increase George’s love for his aunt.

“You don’t know how lucky you are, boy!” she would scream at him. “You ought to get down on your knees every night and thank the Lord for having a good Christian home like this! Where would you be if it wasn’t for me? I made your Uncle Mark take you in! If it wasn’t for me, you’d have been sent to an orphan asylum—that’s where you’d be!”

Under this goading, the boy would mumble his gratitude, but in his heart he often wished he had been sent to an orphanage.

Mag was a Baptist, and very active in her church. She donated liberally; she fattened the preacher at her Sunday table; above all, she contributed large sums for the maintenance of the Baptist orphanage, and kept in her service at all times two or three children whom she had taken under her generous wing. This charity got the thick coatings of flattery which assure a Baptist of success on earth and favor in heaven. The minister, speaking to his Sunday hundreds, would say:

“... And now I know we will all be glad to hear that the heart of another orphan child has been made happy through the generosity of Sister Joyner, who, in the great goodness of her heart, is giving a comfortable home to Betsy Belcher, a little girl who lost both her parents before she was eight years old. This makes the sixth orphan that the good woman has taken into her loving care. I know, when we see her giving to the Lord so freely, that there are others here who will be led to give a little in the furtherance of the great work which the good Brothers and Sisters at the orphanage are doing.”

And as Mag, bridling and ludicrously humble, advanced to the pulpit after the preacher’s harangue, he would bend with greased unction over her hand, saying:

“And how is the good woman today?”

Mag took in these wretched children and made them drudges of all trades about the house. One of them was a boy of fourteen whose name was Willie, a thick-headed, smiling, perpetually bewildered idiot. Willie never played with the boys in the neighborhood because he was always kept busy doing chores, and George rarely saw him except on his visits of duty to Aunt Mag, when the orphan boy would be summoned into her room on a fire-building errand.

“Did you ever see such an idiot?” Mag would say, with her sneering laugh. “Lord a’ mercy!”

And the boy would smile back at her, doubtfully, idiotically, fearfully, not knowing why.

One time Willie was left with Aunt Maw when Mark and Mag went to Florida. He worked like a dog. Aunt Maw stuffed him with food and gave him a little room in which to sleep. She did not abuse him. She and George laughed constantly at him, and he was absurdly pleased and grateful to know that he amused them, smiling his wide, idiot grin.

His hair was a tangled, uncut jungle which fell in matted lengths almost to his shoulder. Nebraska Crane told him solemnly, one day, that he was an experienced barber, and Willie submitted joyfully to the operation. Nebraska capped his large head with an inverted chamber pot, and laughed quietly from time to time as he sheared off all the hair that fell below the edges of the pot. And Willie, under the pot, continued to smile at them in friendly, puzzled idiocy while Nebraska and George caved slowly inward with laughter.

Mag had two nephews who lived in the big house with her and Mark. They were the sons of her brother who had died, and when the mother of the boys died not long after their father, Mag had taken them in. Since they were her own blood, she had brought them up with as much misguided indulgence as though they had been her sons, and had lavished upon them all the affection of which her narrow and thwarted nature was capable. Mark’s money was poured out for their benefit with a liberal hand, Mag having made it a cardinal point, in her system of educating them for their high position in life as her nearest kin, to deny them nothing.

The older, Earl, was a heavy, florid, coarsely handsome young man with a loud, vacant, infectious laugh. He was well liked in the town. He had devoted all his time to the study of golf as a fine art, and was one of the best players in Libya Hill. It pleased Mag to know that he was a member of the Country Club. Her conception of gentility was a life of complete idleness spent in the company of “the best people.”

The other nephew, the little golden apple of Mag’s delight, was named Tad. He was now a young man of seventeen or eighteen, with a shiny red, porky face and an annoying, satisfied laugh. Tad had avoided expertly all of the inconvenient toil of life. He had all his aunt’s skill in calling on physical collapse to aid him, and Mag was convinced that a weak heart ran in her family and that the boy had inherited it.

Tad, too delicate for the rough uses of a school, received his instruction at home, peripatetically, in the Greek manner, between three and four o’clock in the afternoon, from a withered hack who ran a small school for boys, and who, for a substantial sum, winked considerately and assured Mag that her nephew had already received the equivalent of a university education.

A good part of his time Tad spent in his “laboratory,” a little gabled room in the attic to which he brought the subjects of his experiments—small, panting birds, vibrating cats, stray curs—noting with minute curiosity their sensory responses when he drove pins into their eyes, cut off portions of their tails, or seared them with a heated poker.

“That boy’s a born naturalist,” said Mag.

Mark Joyner was frugal for himself, but open-handed with Mag. He had toast and two boiled eggs for breakfast, which he cooked on top of a little wood stove in his room, estimating among his friends the cost of kindling, eggs, and bread at twelve cents. Later he used the hot water for shaving.

“By God!” said the townsmen, “that’s the reason he’s got it!”

He sought for his clothing among the Jews; he smoked rank, weedy “threefers”; he cobbled his own shoes; he exulted equally in his parsimony to himself and his liberality to his household. From the first years of his marriage he had given Mag a generous allowance, which had increased as his business prospered, and she had turned over a considerable part of it to her two nephews. They were her own blood, and whatever she had was theirs.

Most of the time Mag held her husband in iron subjection, but there was a hidden volcano of anger in him that increased from year to year of his living with her, and when it was roused, all her weapons of harsh laughter, incessant nagging, and chronic invalidism were impotent. He would grow silent, doing his utmost to control himself, and in the effort contorting his lips in a terrible grimace; but finally his emotion would become too much for him, and he would storm out of the house, away from Mag and the sound of her voice, and, turning his gaunt face towards the western hills, he would tramp through the woods for hours until his spirit grew calm again.

6
The Street of the Day

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When George Webber was a child, Locust Street, the street on which he lived with his Joyner relatives, seemed fixed for him into the substance of immemorial antiquity. It had a beginning and a history, he had no doubt, but a history that began so long ago that countless men had come and lived and died and been forgotten since the street began, and no man living could remember when that was. Moreover, it seemed to him that every house and tree and garden had been framed to the pattern of an immutable design: they were there because they had to be there, they were built that way because that was the only way in which they could be built.

This street held for him a universe of joy and magic which seemed abundant for a thousand lives. Its dimensions were noble in their space and limitless surprise. Its world of houses, yards, and orchards and its hundred people seemed to him to have the incomparable grandeur of the first place on earth, the impregnable authority of the center of the universe.

In later years, George plainly saw that the world in which he lived had been a little place. All of the dimensions of the street had dwindled horribly. The houses that had seemed so imposing in their opulence and grandeur, the lawns that were so spacious, the backyards and the vistaed orchards that went on in limitless progressions of delight and new discovery that never had an end—all this had shrunken pitifully, incredibly, and now looked close, and mean, and cramped. Yet even then, years later, the street and all its million memories of a buried life awoke for him with the blazing and intolerable vividness of a dream. It was a world which he had known and lived with every atom of his blood and brain and spirit, and every one of its thousand images was rooted into the structure of his life forever, as much a part of him as his inmost thoughts.

At first it was just the feel of the grass and the earth and the ground under your naked feet in May when you were going barefoot for the first time and walking gingerly. It was the cool feel of the sand up through your toes, and the feel of the soft tar in the streets and walking on a wall of concrete blocks, and the feel of cool, damp earth in shaded places. It was the feel of standing on the low edge of a roof or in a barn loft opening or on the second-story of a house that was being built and daring another boy to jump; and looking over, waiting, knowing you must jump; and looking down, and waiting, daring, taunting, with a thudding heart, until you jumped.

And then it was the good feel of throwing a small, round, heavy stone through the window of a vacant house when the red and ancient light of evening was blazing on its windows; and it was like feeling a baseball in your hands for the first time in the Spring, and its round and solid weight at the end of your arm and the way it shot away like a bullet the first time when you threw it with a feeling of terrific power and speed and it smacked into the odorous, well-oiled pocket of the catcher’s mitt. And then it was like prowling round in dark, cool cellars, thinking you would come upon a buried treasure any moment, and finding rows of cobwebbed bottles and the rusty frame of an old bicycle.

Sometimes it was like waking up on Saturday with the grand feeling of Saturday morning leaping in your heart, and seeing the apple blossoms drifting to the earth, and smelling sausage and ham and coffee, and knowing there would be no school today, no dreadful, morning, schoolhouse bell today, no thudding heart, and pounding legs, and shuddering nerves and bolted and uneasy food, and sour, distressful coffee in your guts, because there would be no school today and it was golden, shining, and triumphant Saturday.

And then it was like Saturday night, and joy and menace in the air, and everyone waiting to get out on the streets and go “uptown,” and taking a hot bath, and putting on clean clothes and eating supper, and going uptown on the nighttime streets of Saturday where joy and menace filled the air about you, and where glory breathed upon you, and yet never came, and getting far down towards the front and seeing Broncho Billy shoot the bad men dead three times until the last show of the night was over, and a cracked slide was shone on the screen which said “Good Night.”

Then it was like Sunday morning, waking, hearing the bus outside, smelling the coffee, brains and eggs, and buckwheat cakes, feeling peaceful, sweetly happy, not exultant as on Saturday, a slumberous, drowsy, and more mournful joy, the smell of the Sunday newspapers, and the Sunday morning light outside, bright, golden, yet religious light, and church bells, people putting on good clothes to go to church, and the closed and decent streets of Sunday morning, and going by the cool side where the tobacco store was, and the Sunday morning sports inside who didn’t have to go to church, and the strong, clean, pungent smell of good tobacco, and the good smell and feel of the church, which was not so much like God as like a good and decent substance in the world—the children singing, “Shall we gather at the River the Bew-tee-ful the Bew-tee-ful R-hiv-er!”—and the drone of voices from the class rooms later on, and the dark walnut, stained-glass light in the church, and decent, never-gaudy people with good dinners waiting for them when they got home, and the remote yet passionate austerity of the preacher’s voice, the lean, horselike nobility of his face as he craned above his collar saying “heinous”—and all remote, austere, subdued, and decent as if God were there in walnut light and a choker collar; and then the twenty-minute prayer, the organ pealing a rich benison, and people talking, laughing, streaming out from the dutiful, weekly, walnut disinfection of their souls into bright morning-gold of Sunday light again, and standing then in friendly and yet laughing groups upon the lawn outside, and streaming off towards home again, a steady liquid Sunday shuffle of good leather on the quiet streets—and all of it was good and godly, yet not like God, but like an ordered destiny, like Sunday morning peace and decency, and good dinners, money in the bank, and strong security.

And then it was the huge winds in great trees at night—the remote, demented winds—the sharp, clean raining of the acorns to the earth, and a demon’s whisper of evil and unbodied jubilation in your heart, speaking of triumph, flight, and darkness, new lands, morning, and a shining city.

And then it was like waking up and knowing somehow snow was there before you looked, feeling the numb, white, brooding prescience of soft-silent, all-engulfing snow around you, and then hearing it, soft, almost noiseless, fluff and fall to earth, and the scraping of a shovel on the sidewalk before the house.

And then it was like stern and iron Winter, and days and nights that ate intolerably the slow grey ash of time away, and April that would never come, and waiting, waiting, waiting dreamily at night for something magical that never happened, and bare boughs that creaked and swayed in darkness, and the frozen shapes of limbs that swung stiff shadows on the street below a light, and your aunt’s voice filled with the fathomless sea-depths of Joyner time and horror, and of a race that lived forever while you drowned.

And then it was like the few days that you liked school, when you began and ended in September and in June. It was like going back to school again in September and getting some joy and hope out of the book-lists that the teacher gave you the first day, and then the feel and look and smell of the new geography, the reader and the composition books, the history, and the smells of pencils, wooden rules, and paper in the bookstore, and the solid, wealthy feel of the books and bookstrap, and taking the books home and devouring them—the new, richly illustrated geography and history and reading books—devouring them with an insatiate joy and hunger until there was nothing new left in them, and getting up in the morning and hearing the morning schoolhouse bell, and hoping it would not be so bad this year after all.

And it was like waiting in May for school to end, and liking it, and feeling a little sad because it would soon be over, and like the last day when you felt quite sorrowful and yet full of an exultant joy, and watched the high school graduate, and saw the plaster casts of Minerva and Diana, the busts of Socrates, Demosthenes, and Caesar, and smelled the chalk, the ink, the schoolroom smells, with ecstasy, and were sorry you were leaving them.

And you felt tears come into your own eyes as the class sang its graduation song with words to the tune of “Old Heidelberg,” and saw the girls weeping hysterically, kissing each other and falling on the neck of Mr. Hamby, the Principal, swearing they would never forget him, no, never, as long as they lived, and these had been the happiest days of their lives, and they just couldn’t bear it—boo-hoo-hoo!—and then listened to the oration of the Honorable Zebulon N. Meekins, the local Congressman, telling them the world had never seen a time when it needed leaders as it does at present and go—go—go my young friends and be a Leader in the Great World that is waiting for you and God Bless You All—and your eyes were wet, your throat was choked with joy and pain intolerable as Zebulon N. Meekins spoke these glorious words, for as he spoke them the soft, bloom-laden wind of June howled gusty for a moment at the eaves, you saw the young green of the trees outside and smelled a smell of tar and green and fields thick with the white and yellow of the daisies bending in the wind, and heard far-faint thunder on the rails, and saw the Great World then, the far-shining, golden, and enchanted city, and heard the distant, murmurous drone of all its million-footed life, and saw its fabulous towers soaring upward from an opalescent mist, and knew that some day you would walk its streets a conqueror and be a Leader among the most beautiful and fortunate people in the world; and you thought the golden tongue of Zebulon Nathaniel Meekins had done it all for you, and gave no credit to the troubling light that came and went outside, from gold to grey and back to gold again, and none to the young green of June and the thick-starred magic of the daisy fields, or to the thrilling schoolhouse smells of chalk and ink and varnished desks, or to the thrilling mystery, joy, and sadness, the numb, delicious feel of glory in your guts—no you gave no credit to these things at all, but thought Zeb Meekins’ golden tongue had done it all to you.

And you wondered what the schoolrooms were like in Summer when no one was there, and wished that you could be there alone with your pretty, red-haired, and voluptuous-looking teacher, or with a girl in your class who sat across the aisle from you, and whose name was Edith Pickleseimer, and who had fat curls, blue eyes of sweet tranquillity, and a tender, innocent smile, and who wore short little skirts, clean blue drawers, and you could sometimes see the white and tender plumpness of her leg where the straps and garter buckles that held up her stockings pressed into it, and you thought of being here with her alone, and yet all in a pure way too.

And sometimes it was like coming home from school in October, and smelling burning leaves upon the air, and wading in the oak leaves in the gutter, and seeing men in shirt-sleeves with arm bands of a ruffled blue upon the sleeves raking the leaves together in their yards, and feeling, smelling, hearing ripeness, harvest, in the air, and sometimes frost at night, silence, frost-white moonlight through the windows, the distant barking of a dog, and a great train pounding at the rails, a great train going in the night, the tolling bell, the lonely and departing whistle-wail.

These lights and shapes and tones of things swarmed in the boy’s mind like a magic web of shifting, iridescent colors. For the place where he lived was not just a street to him—not just a strip of pavement and a design of weathered, shabby houses: it was the living integument of his life, the frame and stage for the whole world of childhood and enchantment.

Here on the corner of Locust Street, at the foot of the hill below his uncle’s house, was the wall of concrete blocks on which Monk sat at night a thousand times with the other boys in the neighborhood, conspiring together in lowered voices, weaving about their lives a huge conspiracy of night and mystery and adventure, prowling away into the dark to find it, whispering and snickering together in the dark, now prowling softly in the shadows, halting sharply, whispering, “Wait a minute!”—now in full, sudden, startled flight and terror with a rush of feet, going away from—nothing. Now talking, conspiring mysteriously again upon the wall of concrete blocks, and prowling off desperately into the dark of streets, yards, and alleys, filled exultantly with the huge and evil presence of the dark, and hoping, with a kind of desperate terror and resolve, for something wicked, wild, and evil in the night, as jubilant and dark as the demonic joy that rose wildly and intolerably in their hearts.

This also was the corner where he saw two boys killed one day. It was a day in Spring, in afternoon, and heavy, grey, and wet to feel, all of the air was cool, and damp, full of the smell of earth and heavy green. He was on his way uptown, and Aunt Maw was cleaning up in the dining room and looking after him as he went down Locust Street, past the Shepperton house and past the house across the street where Nebraska Crane lived. He had a good feeling because he was going to buy chocolate and maple syrup for candy making, and because the air was heavy, grey, and green, and he felt some intolerable joy was in the air.

Then he turned the corner into Baird Street, and Albert and Johnny Andrews were coming towards him, coasting in their wagon, Albert steering; and Johnny raised his hand and yelled at him as he went by, and Albert yelled but did not raise his hand. And then Monk turned to watch them as they whizzed around the corner and saw the high-wheeled Oldsmobile that young Hank Bass drove run over them. And he remembered that the car belonged to Mr. Pendergraft, the fine-looking lumber man, who was rich and lived out on Montgomery Avenue in the swell part of town, and had two sons named Hip and Hop who went to Sunday School with Monk and grinned at people and were tongue-tied and had harelips. He saw the car hit the boys, smash their wagon into splinters, and drag Albert on his face for fifty yards. And Albert’s wagon had been painted bright yellow, and on the sides had been printed the word “Leader.”

Albert’s face was smashed to currant jelly on the street, and Monk could see it scrape for fifty yards along the pavement like a bloody rag before the car was stopped; and when he got there they were getting Albert out from beneath the car. He could smell the sultry odors of the car, the smell of worn rubber, oil and gasoline, and heavy leathers, and the smell of blood; and everywhere people were rushing from their houses shouting, and men were going down beneath the car to get Albert out, and Bass was standing there with a face the color of green blubber, and cold sweat standing on his forehead, and his pants staining where he’d messed himself, and Albert was nothing but a bloody rag.

Mr. Ernest Pennock, who lived next door to Uncle Mark, got Albert out and lifted him in his arms. Ernest Pennock was a big, red-faced man with a hearty voice, the uncle of Monk’s friend, Sam Pennock. Ernest Pennock was in shirt-sleeves and wore arm bands of ruffled blue, and Albert’s blood got all over Ernest Pennock’s shirt as he held Albert in his arms. Albert’s back was broken and his legs were broken and the raw splinters of the bones were sticking through his torn stockings, and all the time he kept screaming:

“O mama save me O mama, mama save me O mama save me!”

And Monk was sick to his guts because Albert had shouted at him and been happy just a minute ago, and something immense and merciless that no one understood had fallen from the sky upon him and broken his back and no one could save him now.

The car had run over Johnny but had not dragged him, and he had no blood upon him, only two blue sunken marks upon his forehead. And Mr. Joe Black, who lived two doors below the Joyners, at the corner, and was the foreman of the street car men and stood up in the Public Square all day and gave orders to the motormen every fifteen minutes when the cars came in, and married one of the daughters of Mr. McPherson, the Scotchman who lived across the street above the Joyners, had picked Johnny up and was holding him and talking gently to him, and saying in a cheerful voice, half to Johnny, half to himself and the other people:

“This boy’s not hurt, yes, sir, he just got bruised a bit, he’s going to be a brave man and be all right again before you know it.”

Johnny moaned a little, but not loudly, and there was no blood on him, and no one noticed Johnny, but Johnny died then while Joe Black talked to him.

And then Mrs. Andrews came tearing around the corner, wearing an apron and screaming like a demented hag, and she clawed her way through the crowd of people around Albert, and snatched him out of Ernest Pennock’s arms, and kissed him till her face was covered with his blood, and kept screaming:

“Is he dead? Is he dead? Why don’t you tell me if he’s dead?”

Then suddenly she stopped screaming when they told her that it was not Albert but Johnny who was dead—grew calm, silent, almost tranquil, because Albert was her own child, and Johnny was an adopted child; and although she had always been good to Johnny, all the people in the neighborhood said later:

“You see, don’t you? It only goes to show you! You saw how quick she shut up when she heard it wasn’t her own flesh and blood.”

But Albert died anyway two hours later at the hospital.

Finally—and somehow this was the worst of all—Mr. Andrews came tottering towards the people as they gathered around Albert. He was an insurance salesman, a little scrap of a man who was wasting away with some horrible joint disease. He was so feeble that he could not walk save by tottering along on a cane, and his great staring eyes and sunken face and large head, that seemed too heavy for the scrawny neck and body that supported it, went waggling, goggling, jerking about from side to side with every step he took, and his legs made sudden and convulsive movements as if they were going to fly away beneath him as he walked. Yet this ruin of a man had gotten nine children, and was getting new ones all the time. Monk had talked about this with the other boys in lowered voices, and with a feeling of horror and curiosity, for he wondered if his physical collapse had not come somehow from all the children he had got, if some criminal excess in nature had not sapped and gutted him and made his limbs fly out below him with these movements of convulsive disintegration; and he felt a terrible fascination and revulsion of the spirit because of the seminal mystery of nature that could draw forth life in swarming hordes from the withered loins of a walking dead man such as this.

But finally he had come around the corner, goggling, waggling, jerking onward with his huge, vacant, staring eyes, towards the bloody place where two of his children had been killed; and this, together with the strong congruent smells of rubber, leather, oil and gasoline, mixed with the heavy, glutinous sweetness of warm blood, and hanging there like a cloud in the cool, wet, earthy air of that grey-green day that just a moment before had impended with such a wordless and intolerable prescience of joy, and now was filled with horror, nausea, and desperate sickness of the soul—this finally was the memory that was to fix that corner, the hour, the day, the time, the words and faces of the people, with a feeling of the huge and nameless death that waits around the corner for all men, to break their backs and shatter instantly the blind and pitiful illusions of their hope.

Here was the place, just up the hill a little way from this treacherous corner, right there in front of Shepperton’s house, where another accident occurred, as absurd and comic as the first was tragic and horrible.

One morning about seven o’clock, in the Spring of the year when all the fruit trees were in blossom, George was awakened instantly as he lay in his room, with a vision of cherry blossoms floating slowly to the earth, and at the same time with the memory of a terrific collision—a savage grinding and splintering of glass, steel, and wood—still ringing in his ears. Already he could hear people shouting to one another in the street, and the sound of footsteps running. The screen door slammed in his uncle’s house next door, and the boy heard his Uncle Mark howl to someone in an excited tone:

“It’s down here on Locust Street! Merciful God, they’ll all be killed!”

And he was off, striding down the street.

But already George was out of bed, had his trousers on, and, without stopping for stockings, shoes, or shirt, he went running onto the porch, down the steps, and out into the street as hard as he could go. People were running along in the same direction, and he could see his uncle’s figure in the rapidly growing crowd gathered in front of Shepperton’s about a big telephone post which had been snapped off like a match stick near the base and hung half-suspended from the wires.

As he pounded up, the fragments of the car were strewn over the pavement for a distance of fifty yards—a wheel here, a rod there, a lamp, a leather seat at other places, and shattered glass everywhere. The battered and twisted wreckage of the car’s body rested solidly and squatly upon the street before the telephone post which it had snapped with its terrific impact, and in the middle of all this wreckage Lon Pilcher was solemnly sitting, with a stupid look upon his face and the rim of the steering wheel wrapped around his neck. A few feet away, across the sidewalk, and upon the high-banked lawn of the Shepperton house, Mr. Matthews, the fat, red-faced policeman, was sitting squarely on his solid bottom, legs thrust out before him, and with the same look of stupid and solemn surprise on his face that Lon Pilcher had.

Uncle Mark and some other men pulled Lon Pilcher from the wreckage of his car, took the steering wheel from around his neck, and assured themselves that by some miracle of chance he was not hurt. Lon, recovering quickly from the collision which had stunned him, now began to peer owlishly about at the strewn remnants of his car, and finally, turning to Uncle Mark with a drunken leer, he said:

“D’ye think it’s damaged much, Mr. Joyner? D’ye think we can fix her up again, so she will run?” Here he belched heavily, covered his mouth with his hand, said, “Excuse me,” and began to prowl drunkenly among the strewn fragments.

Meanwhile Mr. Matthews, recovering from his shock, now clambered down clumsily from the bank and pounded heavily towards Lon, shouting:

“I’ll arrest ye! I’ll arrest ye! I’ll take ye to the lockup and arrest ye, that’s what I’ll do!”—a threat which now seemed somewhat superfluous since he had arrested Lon some time before.

It now developed that Lon had been cruising about the town all night with some drunken chorus girls in his celebrated Cadillac, model 1910; that the policeman had arrested him at the head of the Locust Street hill, and had commanded Lon to drive him to the police station; and then, during that terrific dash downhill which had ended in the smash-up near the corner, had screamed frantically at his driver:

“Stop! Stop! Let me out! You’re under arrest! Damn you, I’ll arrest ye fer this, as sure as you’re born!”

And, according to witnesses, at the moment of collision the fat policeman had sailed gracefully through the shining morning air, described two somersaults, and landed solidly and squarely upon his bottom, with such force that he was stunned for several minutes, but still kept muttering all the time:

“Stop! Stop! Or I’ll arrest ye!”

Here was the house, across the street from Shepperton’s and just above Nebraska Crane’s house, where Captain Suggs lived. He was a cripple, with both legs amputated far above the knee. The rest of him was a gigantic hulk, with enormous shoulders, powerful, thick hands, and a look of brutal power and determination about his great, thick neck and his broad, clean-shaven, cruel-lipped mouth. He got about on crutches when he had his wooden stumps on him; at other times he crawled about on the stump ends of his amputated legs, which were protected by worn leather pads. He had had one leg shot off at Cold Harbor, and the other was mangled and had to be amputated. In spite of his mutilation and his huge bulk, he could move with amazing speed when he wanted to. When he was angered, he could use his crutch as a club and could floor anyone within a radius of six feet. His wife, a little, frail woman, was thoroughly submissive.

His son, “Fielder” Suggs, was a little past thirty and on his way to fortune. At one time in his career he had been a professional baseball player. Later, with money enough for one month’s rent, Fielder leased a vacant store and installed there the first moving picture projection camera the town had known. Now he owned the Princess and the Gaiety on the Square, and his career was a miracle of sudden wealth.

Here was the place upon the street before McPherson’s house where the horse slipped and fell on the icy pavement one cold night in January, and broke its leg. There were dark faces of men around the house, and presently George heard two shots, and his Uncle Mark came back with a sad look on his face, shaking his head regretfully and muttering, “What a pity! What a pity!”—and then began to denounce the city government bitterly for making the pavements so slippery and the hill so steep. And light and warmth went from the boy’s life, and the terror of the dark was all about him.

Here was the alleyway that ran past his uncle’s house on the lower side and was bordered by a lane of lonely pines, and there was the huge, clay-caked stump of a tree where the boys would go Christmas morning and on the Fourth of July to explode their firecrackers on the stump. Rufus Higginson, who was Harry’s older brother, came there one Fourth of July with a toy cannon and a large yellow paper bag filled with loose powder, and he threw a match away into the powder bag, and even as he bent to get more powder it exploded in his face. He rushed screaming like a madman down the alley, his face black as a negro’s and his eyes blinded, and he rushed through his house from room to room, and no one could quiet him or get him to stop running because the pain was so intense. The doctor came and picked the powder out, and for weeks he bathed his face in oil; and his face turned into one solid scab, which then peeled off and left no scar at all, when everyone said he “would be scarred for life.”

On up the hill past his uncle’s new, brick house, and beside it, and to the rear, the little frame house which his grandfather had built more than forty years before, and where George now lived with his Aunt Maw; on up the hill past Pennock’s house and Higginson’s old house; on up past Mr. McPherson’s house across the street, which always looked new and clean and tidy, and bright with new paint; on up to the top of the hill where Locust Street came into Charles, and on the left hand, was the huge, old, gabled house of brown, with its great porches, parlors, halls of quartered oak, and carriage entrances, and the enormous, lordly oaks in front of it. Some wealthy people from South Carolina lived there. They had a negro driver and a carriage that came up the driveway for them every day, and they never spoke to the other people on the street because they were too fine for them and moved in higher circles.

Across Charles Street, on the corner, was a brick house in which a woman lived with her aged mother. The woman was a good soul, with fluffy, sandy-reddish hair, a hooked nose, a red face, and teeth that stuck out. Everyone called her “Pretty Polly” because she looked like a parrot and had a parrot’s throaty voice. She played the piano for the moving picture shows at the Gaiety Theatre, and every night when she stopped playing the people in the audience would cry out:

“Music, Polly, music! Please, Polly, music, Polly! Pretty Polly, please!”

She never seemed to mind at all, and would play again.

“Pretty Polly” had a beau named James Mears, better known as “Duke” Mears, because he was always smartly dressed in correct riding costume, or at least what he believed to be the correct riding costume of the English aristocracy. He wore a derby hat, a stock, a fawn-colored weskit with the last and lowest button nonchalantly left unbuttoned, a close-fitting checked riding coat, riding trousers and magnificent, shining riding boots and spurs, and he carried a riding crop. He always wore this costume. He wore it when he got up in the morning, he wore it when he walked across the Square, he wore it when he went down the main street of the town, he wore it when he got into a street car, he wore it when he went to Miller and Cashman’s livery stable.

Duke Mears had never been on a horse in his life, but he knew more about horses than anyone else. He talked to them and loved them better than he loved people. George saw him one Winter night at the fire which burned down the livery stable, and he yelled like a madman when he heard the horses screaming in the fire; they had to hold him and throw him to the ground and sit on him to keep him from going in to get the horses. Next day the boy went by and the stable was a mass of smoking timbers, and he could smell the wet, blackened embers, caked with ice, and the acrid smell of the put-out fire, and the sickening smell of roasted horse flesh. Teams were dragging the dead horses out with chains, and one dead horse had burst in two across the belly and its blue roasted entrails had come bulging out with a hideous stench he could not blow out of his nostrils.

On the other corner of Locust Street and Charles, facing the house where “Pretty Polly” lived, was the Leathergood house; and farther along Charles Street, up the hill in the direction of the Country Club, was Mrs. Charles Montgomery Hopper’s boarding house.

Everyone knew Mrs. Charles Montgomery Hopper. No one had ever seen or heard of Mr. Charles Montgomery Hopper. No one knew where he came from, no one knew where she got him, no one knew where they had lived together, no one knew who he was, or where he lived and died and was buried. It may very well be that he did not exist, that he never existed at all. Nevertheless, by the vociferous use of this imposing and resounding name, year after year, in a loud, aggressive, and somewhat raucous voice, Mrs. Charles Montgomery Hopper had convinced everyone, bludgeoned, touted everyone into the unquestioning acceptance of the fact that the name of Charles Montgomery Hopper was a very distinguished one, and that Mrs. Charles Montgomery Hopper was a very distinguished person.

In spite of the fact that she ran a boarding house, it was never referred to as a boarding house. If one telephoned and asked if this was Mrs. Hopper’s boarding house, one of two things was likely to happen if Mrs. Hopper was the one who answered. The luckless questioner would either have the receiver slammed up violently in his face, after having his ears blistered by the scathing invective of which Mrs. Hopper was the complete mistress; or he would be informed, in tones that dripped with acid, that it was not Mrs. Hopper’s boarding house, that Mrs. Hopper did not have a boarding house, that it was Mrs. Hopper’s residence—then, also, he would have the receiver slammed up in his face.

None of the boarders ever dared to refer to the fact that the lady had a boarding house, and that they paid her money for their board. Should anyone be so indelicate as to mention this, he must be prepared to pay the penalty for his indiscretion. He would be informed that his room was needed, that the people who had engaged it were coming the next day, and at what time could he have his baggage ready. Mrs. Hopper had even her boarders cowed. They were made to feel that a great and distinguished privilege had been extended to them when they were allowed to remain even for a short time as guests in Mrs. Hopper’s residence. They were made to feel also that this fact had somehow miraculously removed from them the taint of being ordinary boarders. It gave them a kind of aristocratic distinction, gave them a social position of which few people could boast, enrolled them under Mrs. Hopper’s approving seal in the Bluebook of the 400. So here was a boarding house that was no boarding house at all. Call it, rather, a kind of elegant house party which went on perpetually, and to which the favored few who were invited were also graciously permitted to contribute with their funds.

Did it work? Whoever has lived here in America must know how well it worked, how cheerfully, how meekly, how humbly, with what servility, the guests at Mrs. Hopper’s house party endured that lean and scrawny fare, endured discomfort, cold, bad plumbing, and untidy housekeeping, even endured Mrs. Hopper and her voice, her domination and her dirge of abuse, if only they could remain there in the circle of the elect, not boarders really, but distinguished people.

That small company of the faithful returned from year to year to Mrs. Hopper’s palace. Season after season, Summer after Summer, the rooms were booked up solid. Occasionally a stranger tried to make an entrance—some parvenu, no doubt, trying to buy his way into the protected circles of the aristocracy, some low bounder with money in his pocket, some social climber. Well, they looked him over with a very cold and fishy eye at Mrs. Charles Montgomery Hopper’s, remarked that they did not seem to remember his face, and had he ever been to Mrs. Charles Montgomery Hopper’s house before. The guilty wretch would stammer out a confused and panicky admission that this, indeed, was his first visit. A cold silence then would fall upon the company. And, presently, someone would say that he had been coming there every Summer for the past fourteen years. Another would remark that his first visit was the year before the year the War with Spain broke out. Another one would modestly confess that this was just his eleventh year and that at last he really felt that he belonged; it took ten years, he added, to feel at home. And this was true.

So they came back year after year, this little circle of the elect. There were old man Holt and his wife, from New Orleans. There was Mr. McKethan, who stayed there all the time. He was a jeweler’s assistant, but his folks came from down near Charleston. He belonged. There was Miss Bangs, an antique spinstress, who taught in the public schools of New York City and soon would have her pension, and thereafter, it was thought, would retire forever, four seasons of the year, to the elegant seclusion of Mrs. Hopper’s house. And there was Miss Millie Teasdale, the cashier at McCormack’s pharmacy. She came from New York also, but now she was a “permanent” at Mrs. Hopper’s house.

In the kitchen at Mrs. Charles Montgomery Hopper’s was Jenny Grubb, a negro woman of forty who had been there fifteen years or more. She was plump, solid, jolly, and so black that, as the saying went, charcoal would make a white mark on her. Her rich and hearty laughter, that had in it the whole black depth and warmth of Africa, could be heard all over the house. She sang forever, and her rich, strong, darkly-fibered voice could also be heard all day long. During the week she worked from dawn till after dark, from six in the morning till nine at night. On Sunday afternoon she had her day of rest. It was the day she had been preparing for, the day she had been living for all week. But Sunday afternoon was really not a day of rest for Jenny Grubb: it was a day of consecration, a day of wrath, a day of reckoning. It was potentially always the last day of the world, the day of sinners come to judgment.

Every Sunday afternoon at three o’clock, when Mrs. Hopper’s clients had been fed, Jenny Grubb was free for three hours and made the most of it. She went out the kitchen door and round the house and up the alley to the street. She had already begun to mutter darkly and forebodingly, to herself. By the time she had crossed Locust Street and got two blocks down the hill towards town, her broad figure had begun to sway rhythmically. By the time she reached the bottom of the Central Avenue hill and turned the corner, began to mount again at Spring Street towards the Square, she had begun to breathe stertorously, to moan in a low tone, to burst into a sudden shout of praise or malediction. By the time she got to the Square, she was primed and ready. As she turned into the Square, that torpid and deserted Sunday Square of three o’clock, a warning cry burst from her.

“O sinners, I’se a-comin’!” Jenny yelled, although there were no sinners there.

The Square was bare and empty, but it made no difference. Swaying with a rhythmical movement of her powerful and solid frame, she propelled herself rapidly across the Square to the appointed corner, warning sinners as she came. And the Square was empty. The Square was always empty. She took up her position there in the hot sun, on the corner where McCormack’s drug store and Joyner’s hardware store faced each other. For the next three hours she harangued the heated, vacant Square.

From time to time, each quarter of the hour, the street cars of the town came in and crossed, halted and stopped. The motormen got down with their control rods in their hands, moved to the other end; the conductors swung the trolleys around. The solitary loafer leaned against the rail and picked his teeth, half-listening idly to black Jenny Grubb’s harangue. And then the cars moved out, the loafer went away, and Jenny still harangued the vacant Square.

7
The Butcher

Table of Contents

Every afternoon, up the hill before Mark Joyner’s house, wheezed and panted the ancient, dilapidated truck in which Mr. Lampley, the butcher, delivered his tender, succulent steaks and chops and roasts, and his deliciously fragrant home-made sausage, headcheese, liverwurst, and fat red frankfurters. To the boy, George Webber, this glamorous and rickety machine seemed to gain glory and enchantment as the years went on and the deposits of grease and oil, together with the warm odors of sage and other spices with which he seasoned his fresh pork sausage and a dozen more of his home-made delicacies, worked their way in and through the rich, stained texture of its weathered, winelike wood. Even years later, in the transforming light of time, it seemed to him strange, important, and immense to remember Mr. Lampley, to remember his wife, his daughter, and his son, the wholesome, fragrant, and delicate quality of their work—and something as savage and wild as nature in the lives of all of them.

Mr. Lampley had come to town as a stranger twenty years before, and a stranger he had always been since coming there. Nothing was known of his past life or origins. He was a small and hideously battered figure of a man, as compact and solid as a bullock, and with a deadly stillness and toneless quietness about all his words and movements that suggested a controlled but savagely illimitable vitality. His small, red face, which had the choleric and flaring color of the Irishman, had been so horribly drawn and twisted on one side by a hideous cut, inflicted, it was said, by another butcher with a meat cleaver in a fight long before he came to town, that it was one livid and puckered seam from throat to forehead, and even the corners of his hard lips were drawn and puckered by the scar. Moreover, the man never seemed to bat his eyelids, and his small black eyes—as hard, as black, as steady as any which ever looked out upon the light of day—glared at the world so unflinchingly, with such a formidable and deadly gaze that no man could stand their stare for long, that one’s words trembled, stammered, and faltered foolishly away as one tried to utter them, and all attempts at friendliness or intimacy were blasted and withered in a second before those two unwinking eyes. Therefore no one knew him, no one sought his friendship twice; in all the years he had lived in the town he had made, beyond his family, not one intimate or friendly connection.

But if Mr. Lampley was formidable in his own toneless and unwinking way, his wife was no less formidable in quite another. He had married a woman native to that section, and she was one of those creatures of an epic animality and good nature whose proportions transcend the descriptive powers of language, and who can be measured by no scale of law or judgment. Of her, it could only be said that she was as innocent as nature, as merciful as a river in flood, as moral as the earth. Full of good nature and a huge, choking scream of laughter that swelled boundlessly from her mighty breast, she could in an instant have battered the brains out of anyone who crossed her or roused the witless passion of her nature; and she would never have felt a moment’s pity or regret for doing so, even if she had paid the penalty with her life.

She was one of a large family of country people, all built on the same tremendous physical proportions, the daughter of an epic brute who had also been a butcher.

Physically, Mrs. Lampley was the biggest woman George had ever seen. She was well over six feet tall, and must have weighed more than two hundred pounds, and yet she was not fat. Her hands were ham-like in their size and shape, her arms and legs great swelling haunches of limitless power and strength, her breast immense and almost depthless in its fullness. She had a great mass of thick, dark red hair; eyes as clear, grey, and depthless as a cat’s; a wide, thin, rather loose, and cruel mouth; and a skin which, while clear and healthy-looking, had somehow a murky, glutinous quality—the quality of her smile and her huge, choking laugh—as if all the ropy and spermatic fluids of the earth were packed into her.

There was nothing to measure her by, no law by which to judge her: the woman burst out beyond the limit of all human valuations, and for this reason she smote terror to George’s heart. She could tell stories so savage in their quality that the heart was sickened at them, and at the same time throw back her great throat and scream with laughter as she told them—and her laughter was terrible, not because it was cruel, but because the substance of which cruelty is made was utterly lacking in her nature.

Thus she would describe incidents out of the life of her father, the butcher, in a strangely soft, countrified tone of voice, which always held in it, however, a suggestion of limitless power, and the burble of huge, choking laughter that would presently burst from her:

“There used to be a cat down there at the market,” she drawled, “who was always prowlin’ and snoopin’ around to git at his meat, you know,” she went on confidentially in a quiet, ropy tone, and with a faint smile about her mouth. “Well,” she said, with a little heaving chuckle of her mighty breasts, “the old man was gittin’ madder an’ madder all the time, an’ one day when he found the cat had been at his meat again, he says to me—you know, I used to keep his books fer him—the old man turns to me, an’ says, ‘If I ketch that son-of-a-bitch in here again I’m goin’ to cut his head off—’ ” Here she paused to chuckle, her great throat swelling with its burble of laughter and her mighty bosom swelling. “I could see he was gittin’ mad, you know,” she said in that almost unctuous drawl, “and I knew that cat was goin’ to git in trouble if he didn’t mind! ... Well, sir,” she said, beginning to gasp a little, “it wasn’t ten minutes afore the old man looked up an’ saw the cat over yonder on the chopping block fixin’ to git at a great big side of beef the old man had put there! ... Well, when the old man sees that cat he lets out a yell you could hear from here across the Square! ‘You son-of-a-bitch!’ he says, ‘I told you I’d kill you if I caught you here again!’—and he picks up a cleaver,” she gasped, “and throws it at that cat as hard as he could let fly, and—har!—har!—har!—har!”—she screamed suddenly, her great throat swelling like a bull’s, and a wave of limitless laughter bursting from her and ending in a scream—“he ketches that damn cat as perty as anything you ever saw, an’ cuts him plumb in two—har!—har!—har!—har!”—And this time her huge laughter seemed too immense even for her mighty frame to hold, and the tears ran down her cheeks as she sank back gasping in her chair. “Lord! Lord!” she gasped. “That was the pertiest thing I ever see! I liked to laffed myself to death,” she panted, and then, still trembling, began to wipe at her streaming eyes with the back of one huge hand.

Again, one day, she told this merry story of her honored sire:

“A nigger came in there one day,” she said, “an’ told the old man to cut him off a piece of meat an’ wrap it up for him. When the old man gave it to him, the nigger begins to argue with him,” she said, “an’ to give him some back-talk, claimin’ the old man was cheatin’ him on the weight an’ tryin’ to charge him too much fer it! Well, sir,” she said, beginning to gasp a little, “the old man picks up a carving knife an’ he makes one swipe across the counter at that nigger with it—and—har!—har!—har!”—her huge laugh burst out of her mighty breast again and welled upward to a choking, ropy scream, “—that nigger!—that nigger!—his guts came rollin’ out into his hands like sausage meat!” she gasped. “I wish’t you could have seen the look upon his face!” she panted. “He just stood there lookin’ at them like he don’t know what to do with them—and har!—har!—har!”—she cast her swelling throat back and roared with laughter, subsiding finally to huge, gasping mirth—“that was the funniest thing I ever see! If you could a-seen the look upon that nigger’s face!” she panted, wiping at her streaming eyes with the back of her huge paw.

Whenever a tall, strong, powerfully-built man came for the first time into the butcher’s little shop, Mrs. Lampley would immediately comment on his size and strength in a flattering and good-natured tone, but with something speculative and hard in her eye as she surveyed him, as if she was coldly calculating his chances with her in a knock-down fight. Many men had observed this look of appraisal, and George had heard men say that there was something so savagely calculating in it that it had made their blood run cold. She would look them over with a good-natured smile, but with a swift narrowing of her cat-grey eyes as she sized them up, meanwhile saying in a bantering and hearty tone of voice:

“Say! You’re a right big feller, ain’t you? I was lookin’ at you when you came in—you could hardly git through the door,” she chuckled. “I said to myself, ‘I’d hate to git mixed up in any trouble with him,’ I says, ‘I’ll bet a feller like that could hit you an awful lick if you git him mad....’ How much do you weigh?” she would then say, still smiling, but with those cold, narrowed, grey eyes measuring the unhappy stranger up and down.

And when the wretched man had stammered out his weight, she would say softly, in a contemplative fashion: “Uh-huh!” And after going over him a moment longer with those merciless and slitlike eyes, she would say, with an air of hearty finality: “Well, you’re a big ’un, sure enough! I’ll bet you’ll be a big help to your paw an’ maw when you git your growth—har!—har!—har!—har!” And the choking scream of laughter would then burst from her Atlantean breasts and bull-like throat.

When she spoke of her husband she always referred to him as “Lampley,” and this was the way she always addressed him. Her tone when she spoke of him certainly had in it nothing that could be described as affection, for such a feeling would have had no more place in her nature than a swan upon the breast of the flood-tide Mississippi, but her tone had in it a note of brutal and sensual satisfaction that somehow told plainly and terribly of a perfect marriage of savage and limitless sexual energies, and of a mate in the battered figure of that little bullock man who could match and fit this mountain of a woman perfectly in an epic, night-long bout of lust and passion.

Mrs. Lampley spoke constantly, openly, vulgarly, and often with a crude, tremendous humor, of the sexual act, and although she never revealed the secrets of her own marriage bed—if a union so savage, complete, and obvious as the one between herself and her husband could be called a secret—she did not for a moment hesitate to publish her opinions on the subject to the world, to give young married couples, or young men and their girls, advice that would make them flush to the roots of their hair, and to scream with merriment when she saw their confusion.

Her son, Baxter, at this time a youth of eighteen, had just a year or two before taken a young girl by force, a well-developed and seductive red-haired girl of fourteen. This event, so far from causing his mother any distress, had seemed to her so funny that she had published it to the whole town, describing with roars of laughter her interview with the girl’s outraged mother:

“Why, hell yes!” she said. “She came down here to see me, all broke out in a sweat about it, sayin’ Baxter had ruined her daughter an’ what was I goin’ to do about it!—‘Now, you look a-here!’ I said. ‘You jist git down off your high horse! He’s ruined no one,’ I says, ‘for there was no one to ruin to begin with’—har!—har!—har!—har!”—the full, choking scream burst from her throat—“ ‘Now,’ I says, ‘if she turns out to be a whore, she’ll come by it natural’—har!—har!—har!—har!—‘an’ Baxter didn’t make her one,’ I says. ‘What do you mean? What do you mean?’ she says—oh! gittin’ red as a ripe termater an’ beginnin’ to shake her finger in my face—‘I’ll have you put in jail fer slander,’ she says, ‘that’s what I’ll do!’ ‘Slander!’ I says, ‘Slander! Well, if it’s slander,’ I says, ‘the law has changed since my day and time. It’s the first time I ever knew you could slander a whore,’ I says, ‘by callin’ her by her right name.’ ‘Don’t you call my daughter no name like that,’ she says, oh, madder’n a wet hen, you know—‘Don’t you dare to! I’ll have you arrested,’ she says. ‘Why, God-damn you!’ I says—that’s just the way I talked to her, you know, ‘everyone knows what your daughter is!’ I says, ‘so you git on out of here,’ I says, ‘before I git mad an’ tell you something you may not like to hear!’—and I’m tellin’ you, she went!” And the huge creature leaned back gasping for a moment.

“Hell!” she went on quietly in a moment, “I asked Baxter about it and he told me. ‘Baxter,’ I says, ‘that woman has been here now an’ I want to know: did you jump on that girl an’ take it from her?’ ‘Why, mama,’ he says, ‘take it from her? Why, she took it from me!’ says Baxter—har!—har!—har!—har!”—the tremendous laughter filled her throat and choked her. “ ‘Hell!’ says Baxter, ‘she throwed me down an’ almost broke my back! If I hadn’t done like I did I don’t believe she’d ever a-let me out of there!’—har!—har!—har!—har!—I reckon ole Baxter figgered it might as well be him as the next one,” she panted, wiping at her streaming eyes. “I reckon he figgered he might as well git a little of it while the gittin’ was good. But Lord!” she sighed, “I laffed about that thing until my sides was sore—har!—har!—har!—har!—har!”—and the enormous creature came forward in her creaking chair again, as the huge laughter filled her, and made the walls tremble with its limitless well of power.

Towards her own daughter, however, whose name was Grace, and who was fifteen at this time, Mrs. Lampley was virtuously, if brutally, attentive. In both the children the inhuman vitality of their parents was already apparent, and in the girl, especially, the measureless animal power of her mother had already developed. At fifteen, she was a tremendous creature, almost as tall as her mother, and so fully matured that the flimsy little cotton dresses which she wore, and which would have been proper for most children of her age, were almost obscenely inadequate. In the heavy calves, swelling thighs, and full breasts of this great, white-fleshed creature of fifteen years there was already evident a tremendous seductiveness; men looked at her with a terrible fascination and felt the wakening of unreasoning desire, and turned their eyes away from her with a feeling of strong shame.

Over this girl’s life already there hung the shadow of fatality. Without knowing why, one felt certain that this great creature must come to grief and ruin—as one reads that giants die early, and things which are too great in nature for the measure of the world destroy themselves. In the girl’s large, vacant, and regularly beautiful face, and in the tender, empty, and sensual smile which dwelt forever there, this legend of unavoidable catastrophe was plainly written.

The girl rarely spoke, and seemed to have no variety of passion save that indicated by her constant, limitlessly sensual, and vacant smile. And as she stood obedient and docile beside her mother, and that huge creature spoke of her with a naked frankness, and as the girl smiled always that tender, vacant smile as if her mother’s words had no meaning for her, the feeling of something inhuman and catastrophic in the natures of these people was overwhelming:

“Yes,” Mrs. Lampley would drawl, as the girl stood smiling vacantly at her side. “She’s growed up here on me before I knowed it, an’ I got to watch her all the time now to keep some son-of-a-bitch from knockin’ her up an’ ruinin’ her. Here only a month or two ago two of these fellers down here at the livery stable—you know who I mean,” she said carelessly, and in a soft, contemptuous voice—“that dirty, good-fer-nothin’ Pegram feller an’ that other low-down bastard he runs around with—what’s-his-name, Grace?” she said impatiently, turning to the girl.

“That’s Jack Cashman, mama,” the girl answered in a soft and gentle tone, without changing for a second the tender, vacant smile upon her face.

“Yeah, that’s him!” said Mrs. Lampley. “That low-down Cashman—if I ever ketch him foolin’ around here again I’ll break his neck, an’ I reckon he knows it, too,” she said grimly. “Why, I let her out, you know, one night along this Spring, to mail some letters,” she went on in an explanatory tone, “an’ told her not to be gone more’n half an hour—an’ these two fellers picked her up in a buggy they was drivin’ an’ took her fer a ride way up the mountain side. Well, I waited an’ waited till ten o’clock had struck, an’ still she didn’t come. An’ I walked the floor, an’ walked the floor, an’ waited—an’ by that time I was almost out of my head! I’ll swear, I thought I would go crazy,” she said slowly and virtuously. “I didn’t know what to do. An’ finally, when I couldn’t stand it no longer, I went upstairs an’ waked Lampley up. Of course, you know Lampley,” she chuckled. “He goes to bed early. He’s in bed every night by nine o’clock, and he ain’t goin’ to lose sleep over nobody. Well, I waked him up,” she said slowly. “ ‘Lampley,’ I says, ‘Grace’s been gone from here two hours, an’ I’m goin’ to find her if I have to spend the rest of the night lookin’ for her.’—‘Well how you goin’ to find her,’ he says, ‘if you don’t know where she’s gone?’—‘I don’t know,’ I says, ‘but I’ll find her if I’ve got to walk every street an’ break into every house in town—an’ if I find some son-of-a-bitch has taken advantage of her, I’ll kill him with my bare hands,’ ” said Mrs. Lampley. “I’ll kill the two of them together—for I’d rather see her layin’ dead than know she’s turned out to be a whore’—that’s what I said to him,” said Mrs. Lampley.

During all this time, the girl stood obediently beside the chair in which her mother sat, smiling her tender, vacant smile, and with no other sign of emotion whatever.

“Well,” said Mrs. Lampley slowly, “then I heard her. I heard her while I was talkin’ to Lampley, openin’ the door easylike an’ creepin’ up the stairs. Well, I didn’t say nothin’—I just waited until I heard her tiptoe in along the hall past Lampley’s door—an’ then I opened it an’ called to her. ‘Grace,’ I said, ‘where’ve you been?’—Well,” said Mrs. Lampley with an air of admission, “she told me. She never tried to lie to me. I’ll say that fer her, she’s never lied to me yet. If she did,” she added grimly, “I reckon she knows I’d break her neck.”

And the girl stood there passively, smiling all the time.

“Well, then,” said Mrs. Lampley, “she told me who she’d been with and where they’d been. Well—I thought I’d go crazy!” the woman said slowly and deliberately. “I took her by the arms an’ looked at her. ‘Grace,’ I said, ‘you look me in the eye an’ tell me the truth—did those two fellers do anything to you?’—‘No,’ she says.—‘Well, you come with me,’ I says, ‘I’ll find out if you’re telling me the truth, if I’ve got to kill you to git it out of you.’ ”

And for a moment the huge creature was silent, staring grimly ahead, while her daughter stood beside her and smiled her gentle and imperturbably sensual smile.

“Well,” said Mrs. Lampley slowly, as she stared ahead, “I took her down into the cellar—and,” she said with virtuous accents of slight regret, “I don’t suppose I should have done it to her, but I was so worried—so worried,” she cried strangely, “to think that after all the bringin’ up she’d had, an’ all the trouble me an’ Lampley had taken tryin’ to keep her straight—that I reckon I went almost crazy.... I reached down an’ tore loose a board in an old packin’ case we had down there,” she said slowly, “an’ I beat her! I beat her,” she cried powerfully, “until the blood soaked through her dress an’ run down on the floor.... I beat her till she couldn’t stand,” cried Mrs. Lampley, with an accent of strange maternal virtue in her voice, “I beat her till she got down on her knees an’ begged fer mercy—now that was how hard I beat her,” she said proudly. “An’ you know it takes a lot to make Grace cry—she won’t cry fer nothin’—so you may know I beat her mighty hard,” said Mrs. Lampley, in a tone of strong satisfaction.

And during all this time the girl just stood passively with her sweet and vacant smile, and presently Mrs. Lampley heaved a powerful sigh of maternal tribulation, and, shaking her head slowly, said:

“But, Lord! Lord! They’re a worry an’ a care to you from the moment that they’re born! You sweat an’ slave to bring ’em up right—an’ even then you can’t tell what will happen. You watch ’em day an’ night—an’ then the first low-down bastard that comes along may git ’em out an’ ruin ’em the first time your back is turned!”

And again she sighed heavily, shaking her head. And in this grotesque and horribly comic manifestation of motherly love and solicitude, and in the vacant, tender smile upon the girl’s large, empty face there really was something moving, terribly pitiful, and unutterable.

Whenever George thought of this savage and tremendous family, his vision always returned again to Mr. Lampley himself, whose last, whose greatest secrecy, was silence. He talked to no one more than the barest necessity of business speech demanded, and when he spoke, either in question or reply, his speech was as curt and monosyllabic as speech could be, and his hard, blazing eyes, which he kept pointed as steady as a pistol at the face of anyone to whom he spoke or listened, repelled effectively any desire for a more spacious conversation. Yet, when he did speak, his voice was never surly, menacing, or snarling. It was a low, hard, toneless voice, as steady and unwavering as his hard black eyes, yet not unpleasant in its tone or timbre; it was, like everything about him save the naked, blazing eyes—hard, secret, and contained. He simply fastened his furious and malignant little eyes on one and spoke as brief and short as possible.

“Talk!” a man said. “Why, hell, he don’t need to talk! He just stands there and lets those eyes of his do all the talkin’ for him!” And this was true.

Beyond this bare anatomy of speech, George had heard him speak on only one occasion. This had been one day when he had come to make collections for the meat he had delivered. At this time it was known in the town that Mr. Lampley’s son, Baxter, had been accused of stealing money from the man he worked for, and that—so ran the whispered and discreditable rumor—Baxter had been compelled to leave town. On this day when Mr. Lampley came to make collections, Aunt Maw, spurred by her native curiosity, and the desire that people have to hear the confirmation of their worst suspicions from the lips of those who are most painfully concerned, spoke to the butcher with the obvious and clumsy casualness of tone that people use on these occasions:

“Oh, Mr. Lampley,” she said, as if by an afterthought when she had paid him, “say—by the way—I was meanin’ to ask you. What’s become of Baxter? I was thinkin’ just the other day, I don’t believe I’ve seen him for the last month or two.”

During all the time she spoke, the man’s blazing eyes never faltered in their stare upon her face, and they neither winked nor wavered as he answered.

“No,” he said, in his low, hard, toneless voice, “I don’t suppose you have. He’s not livin’ here any more. He’s in the navy.”

“What say?” Aunt Maw cried eagerly, opening the screen door a trifle wider and moving forward. “The navy?” she said sharply.

“Yes, ma’am,” said Mr. Lampley tonelessly, “the navy. It was a question of join the navy or go to jail. I gave him his choice. He joined the navy,” Mr. Lampley said grimly.

“What say? Jail?” she said eagerly.

“Yes, ma’am,” Mr. Lampley replied. “He stole money from the man he was workin’ for, as I reckon maybe you have heard by now. He done something he had no right to do. He took money that did not belong to him,” he said with a brutal stubbornness. “When they caught him at it they came to me and told me they’d let him go if I’d make good the money that he’d stolen. So I said to him: ‘All right. I’ll give ’em the money if you join the navy. Now, you can take your choice—it’s join the navy or go to jail. What do you want to do?’ He joined the navy,” Mr. Lampley again concluded grimly.

As for Aunt Maw, she stood for a moment reflectively, and now, her sharp curiosity having been appeased by this blunt and final statement, a warmer, more engaging sentiment of friendliness and sympathy was awakened in her:

“Well, now, I tell you what,” she said hopefully, “I believe you did just the thing you should have done. I believe that’s the very thing Baxter needs. Why, yes!” she now cried cheerfully. “He’ll go off there and see the world and meet up with all kinds of people, and learn to keep the proper sort of hours and lead a good, normal, healthy sort of life—for there’s one thing sure,” she said oracularly, “you can’t violate the laws of nature. If you do, you’ll have to pay for it some day as sure as you’re born,” she said solemnly, as she shook her head, “as sure as you’re born.”

“Yes, ma’am,” said Mr. Lampley in his low, toneless voice, keeping his little blazing eyes fixed straight upon her.

“Why, yes,” Aunt Maw cried again, and this time with the vigorous accents of a mounting cheerful certitude, “they’ll teach that boy a trade and regular habits and the proper way to live, and you mark my words, everything’s goin’ to turn out good for him,” she said with heartening conviction. “He’ll forget all about this trouble. Why, yes!—the whole thing will blow right over, people will forget all about it. Why, say! everyone is liable to make a mistake sometime, aren’t they?” she said persuasively. “That happens to everyone—and I’ll bet you, I’ll bet you anything you like that when that boy comes back——”

“He ain’t comin’ back,” said Mr. Lampley.

“What say?” Aunt Maw cried in a sharp, startled tone.

“I said he ain’t comin’ back,” said Mr. Lampley.

“Why what’s the reason he’s not?” she said.

“Because if he does,” said Mr. Lampley, “I’ll kill him. And he knows it.”

She stood looking at him for a moment with a slight frown.

“Oh, Mr. Lampley,” she said quietly, shaking her head with a genial regret, “I’m sorry to hear you say that. I don’t like to hear you talk that way.”

He stared at her grimly for a moment with his furious, blazing eyes.

“Yes, ma’am,” he said, as if he had not heard her. “I’ll kill him. If he ever comes back here, I’ll kill him. I’ll beat him to death,” he said.

Aunt Maw looked at him, shaking her head a little, saying with a closed mouth: “Huh, huh, huh, huh.”

He was silent.

“I never could stand a thief,” he said at length. “If it’d been anything else, I could’ve forgotten it. But a thief!” for the first time his voice rose hoarsely on a surge of passion. “Ah-h-h!” he muttered, stroking his head, and now there was a queer note of trouble and bewilderment in his hard tone. “You don’t know! You don’t know,” he said, “the trouble I have had with that boy! His mother an’ me done all we could for him. We worked hard an’ we tried to raise him right—but we couldn’t do nothing with him,” he muttered. “He was a bad egg.” He looked at her quietly a moment with his little, blazing eyes. Then he said, slowly and deliberately, and with a note of strong rising virtue in his voice, “I beat him, I beat him till he couldn’t stand up—I beat him till the blood ran down his back—but it didn’t do no more good than if I was beatin’ at a post,” he said. “No, ma’am. I might as well have beaten at a post.”

And now his voice had a queer, hard note of grief, regret, and resignation in it, as if a man might say: “All that a father could do for a son I did for mine. But if a man shall beat his son until the blood runs down his back, and still that son learns neither grace nor penitence, what more can a father do?”

He paused a moment longer, with his little eyes fixed hard upon her.

“No, ma’am,” he concluded, in his low, toneless voice, “I never expect to see his face again. He’ll never come back here. He knows I’ll kill him if he does.” Then he turned and walked off towards his ancient vehicle while Aunt Maw stood watching him with a troubled and regretful face.

And he had told the truth. Baxter never did come back. He was as lost to all of them as if he had been dead. They never saw him again.

But George, who heard all this, remembered Baxter suddenly. He remembered his part-brutal, part-corrupted face. He was a creature criminal from nature and entirely innocent. His laugh was throaty with a murky, hoarse, and hateful substance in it; there was something too glutinously liquid, rank, and coarse in his smile; and his eyes looked wet. He had too strange and sudden and too murderously obscure a rage for the clear, hard passions most boys knew. He had a knife with a long, curved blade, and when he saw negroes in the street he put his hand upon his knife. He made half-sobbings in his throat when his rage took hold of him. Yet he was large, quite handsome, well-proportioned. He was full of rough, sudden play, and was always challenging a boy to wrestle with him. He could wrestle strongly, rudely, laughing hoarsely if he flung somebody to the ground, enjoying a bruising struggle, and liking to pant and scuffle harshly with skinned knees upon the earth; and yet he would stop suddenly if he had made his effort but found his opponent stronger than he was, and succumb inertly, with a limp, sudden weakness, smiling, with no pride or hurt, as his opponent pinned him to the earth.

There was something wrong in this; and there was something ropy, milky, undefined in all the porches of his blood, so that, George felt, had Baxter’s flesh been cut or broken, had he bled, there would have been a ropy, milkweed mucus before blood came. He carried pictures in his pockets, photographs from Cuba, so he said, of shining naked whores in their rank white flesh and hairiness, in perverse and Latin revels with men with black mustaches, and he spoke often of experiences he had had with girls in town, and with negro women.

All this George remembered with a rush of naked vividness.

But he remembered also a kindness, a warmth and friendliness, equally strange and sudden, which Baxter had; something swift and eager, wholly liberal, which made him wish to share all he had—the sausages and sandwiches which he brought with him to school, together with all his enormous and delicious lunch—offering and thrusting the rich bounty of his lunch box, which would smell with an unutterable fragrance and delight, at the other boys with a kind of eager, asking, and insatiable generosity. And at times his voice was gentle, and his manner had this same strange, eager, warm, and almost timid gentleness and friendliness.

George remembered passing the butcher shop once, and from the basement, warm with its waft of fragrant spices, he suddenly heard Baxter screaming:

“Oh, I’ll be good! I’ll be good!”—and that sound from this rough, brutal boy had suddenly pierced him with an unutterable sense of shame and pity.

This, then, was Baxter as George had known him, and as he remembered him when the butcher spoke of him that day. And as the butcher spoke his hard and toneless words of judgment, George felt a wave of intolerable pity and regret pass over him as he remembered Baxter (although he had not known him well or seen him often), and knew he never would come back again.

8
The Child by Tiger

Table of Contents

One day after school, Monk and several of the boys were playing with a football in the yard at Randy Shepperton’s. Randy was calling signals and handling the ball. Nebraska Crane was kicking it. Augustus Potterham was too clumsy to run or kick or pass, so they put him at center where all he’d have to do would be to pass the ball back to Randy when he got the signal. To the other boys, Gus Potterham was their freak child, their lame duck, the butt of their jokes and ridicule, but they also had a sincere affection for him; he was something to be taken in hand, to be protected and cared for.

There were several other boys who were ordinarily members of their group. They had Harry Higginson and Sam Pennock, and two boys named Howard Jarvis and Jim Redmond. It wasn’t enough to make a team, of course. They didn’t have room enough to play a game even if they had had team enough. What they played was really a kind of skeletonized practice game, with Randy and Nebraska back, Gus at center, two other fellows at the ends, and Monk and two or three more on the other side, whose duty was to get in and “break it up” if they could.

It was about four o’clock in the afternoon, late in October, and there was a smell of smoke, of leaves, of burning in the air. Bras had just kicked to Monk. It was a good kick too—a high, soaring punt that spiraled out above Monk’s head, behind him. He ran back and tried to get it, but it was far and away “over the goal line”—that is to say, out in the street. It hit the street and bounded back and forth with that peculiarly erratic bounce a football has.

The ball rolled away from Monk down towards the corner. He was running out to get it when Dick Prosser, Sheppertons’ new negro man, came along, gathered it up neatly in his great black paw, and tossed it to him. Dick turned in then, and came on around the house, greeting the boys as he came. He called all of them “Mister” except Randy, and Randy was always “Cap’n”—“Cap’n Shepperton.” This formal address—“Mr.” Crane, “Mr.” Potterham, “Mr.” Webber, “Cap’n” Shepperton—pleased them immensely, gave them a feeling of mature importance and authority.

“Cap’n Shepperton” was splendid! It was something more to all of them than a mere title of respect. It had a delightful military association, particularly when Dick Prosser said it. Dick had served a long enlistment in the U. S. army. He had been a member of a regiment of crack negro troops upon the Texas border, and the stamp of the military man was evident in everything he did. It was a joy just to watch him split up kindling. He did it with a power, a clean precision, a kind of military order, that was astounding. Every stick he cut seemed to be exactly the same length and shape as every other. He had all of them neatly stacked against the walls of the Shepperton basement with such regimented faultlessness that it almost seemed a pity to disturb their symmetry for the use for which they were intended.

It was the same with everything else he did. His little whitewashed basement room was as spotless as a barracks room. The bare board floor was always cleanly swept, a plain, bare table and a plain, straight chair were stationed exactly in the center of the room. On the table there was always just one object—an old Bible with a limp cover, almost worn-out by constant use, for Dick was a deeply religious man. There was a little cast-iron stove and a little wooden box with a few lumps of coal and a neat stack of kindling in it. And against the wall, to the left, there was an iron cot, always precisely made and covered cleanly with a coarse grey blanket.

The Sheppertons were delighted with him. He had come there looking for work just a month or two before, “gone around to the back door” and modestly presented his qualifications. He had, he said, only recently received his discharge from the army, and was eager to get employment, at no matter what wage. He could cook, he could tend the furnace, he could do odd jobs, he was handy at carpentry, he knew how to drive a car—in fact, it seemed to the boys that there was very little that Dick Prosser could not do.

He could certainly shoot. He gave a modest demonstration of his prowess one afternoon, with Randy’s “twenty-two,” that left them gasping. He just lifted that little rifle in his powerful black hands as if it were a toy, without seeming to take aim, pointed it towards a strip of tin on which they had crudely marked out some bull’s-eye circles, and he simply peppered the center of the bull’s-eye, putting twelve holes through a space one inch square, so fast they could not even count the shots.

He knew how to box, too. Randy said he had been a regimental champion. At any rate, he was as cunning and crafty as a cat. He never boxed with the boys, of course, but Randy had two sets of gloves, and Dick used to coach them while they sparred. There was something amazingly tender and watchful about him. He taught them many things, how to lead, to hook, to counter, and to block, but he was careful to see that they did not hurt each other. Nebraska, who was the most powerful of the lot, could hit like a mule. He would have killed Gus Potterham in his simple, honest way if he had ever been given a free hand. But Dick, with his quick watchfulness, his gentle and persuasive tact, was careful to see this did not happen.

He knew about football, too, and that day, as Dick passed the boys, he paused, a powerful, respectable-looking negro of thirty years or more, and watched them for a moment as they played.

Randy took the ball and went up to him.

“How do you hold it, Dick?” he said. “Is this right?”

Dick watched him attentively as he gripped the ball and held it back above his shoulder. The negro nodded approvingly and said:

“That’s right, Cap’n Shepperton. You’ve got it. Only,” he said gently, and now took the ball in his own powerful hand, “when you gits a little oldah, yo’ handses gits biggah and you gits a bettah grip.”

His own great hand, in fact, seemed to hold the ball as easily as if it were an apple. And, holding it so a moment, he brought it back, aimed over his outstretched left hand as if he were pointing a gun, and rifled it in a beautiful, whizzing spiral thirty yards or more to Gus. He then showed them how to kick, how to get the ball off of the toe in such a way that it would rise and spiral cleanly.

He showed them how to make a fire, how to pile the kindling, where to place the coal, so that the flames shot up cone-wise, cleanly, without smoke or waste. He showed them how to strike a match with the thumbnail of one hand and keep and hold the flame in the strongest wind. He showed them how to lift a weight, how to “tote” a burden on their shoulders in the easiest way. There was nothing that he did not know. They were all so proud of him. Mr. Shepperton himself declared that Dick was the best man he’d ever had, the smartest darky that he’d ever known.

And yet? He went too softly, at too swift a pace. He was there upon them sometimes like a cat. Looking before them sometimes, seeing nothing but the world before them, suddenly they felt a shadow at their back, and, looking up, would find that Dick was there. And there was something moving in the night. They never saw him come or go. Sometimes they would waken, startled, and feel that they had heard a board creak, the soft clicking of a latch, a shadow passing swiftly. All was still.

“Young white fokes—O young white gentlemen”—his soft voice ending in a moan, a kind of rhythm in his lips—“O young white fokes, I’se tellin’ you—” that soft, low moan again—“you gotta love each othah like a brothah.” He was deeply religious and went to church three times a week. He read his Bible every night.

Sometimes Dick would come out of his little basement room and his eyes would be red, as if he had been weeping. They would know, then, that he had been reading his Bible. There would be times when he would almost moan when he talked to them, a kind of hymnal chant, a religious ecstasy, that came from some deep intoxication of the spirit, and that transported him. For the boys, it was a troubling and bewildering experience. They tried to laugh it off and make jokes about it. But there was something in it so dark and strange and full of a feeling they could not fathom that their jokes were hollow, and the trouble in their minds and in their hearts remained.

Sometimes on these occasions his speech would be made up of some weird jargon of Biblical phrases and quotations and allusions, of which he seemed to have hundreds, and which he wove together in the strange pattern of his emotion in a sequence that was meaningless to them but to which he himself had the coherent clue.

“O young white fokes,” he would begin, moaning gently, “de dry bones in de valley. I tell you, white fokes, de day is comin’ when He’s comin’ on dis earth again to sit in judgment. He’ll put de sheep upon de right hand and de goats upon de left—O white fokes, white fokes—de Armageddon day’s a-comin’, white fokes—an’ de dry bones in de valley.”

Or again, they could hear him singing as he went about his work, in his deep, rich voice, so full of warmth and strength, so full of Africa, singing hymns that were not only of his own race, but that were familiar to them all. They didn’t know where he learned them. Perhaps they were remembered from his army days. Perhaps he had learned them in the service of former masters. He drove the Sheppertons to church on Sunday morning, and would wait for them throughout the service. He would come up to the side door of the church while the service was going on, neatly dressed in his good, dark suit, holding his chauffeur’s hat respectfully in his hand, and stand there humbly and listen during the course of the entire sermon.

And then when the hymns were sung, and the great rich sound would swell and roll out into the quiet air of Sunday, Dick would stand and listen, and sometimes he would join quietly in the song. A number of these favorite hymns the boys heard him singing many times in a low, rich voice as he went about his work around the house. He would sing “Who Follows in His Train?”—or “Alexander’s Glory Song,” or “Rock of Ages,” or “Onward, Christian Soldiers.”

And yet? Well, nothing happened—there was just “a flying hint from here and mere”—and the sense of something passing in the night.

Turning into the Square one day, as Dick was driving Mr. Shepperton to town, Lon Pilcher skidded murderously around the corner, side-swiped Dick, and took the fender off. The negro was out of the car like a cat and got his master out. Mr. Shepperton was unhurt. Lon Pilcher climbed out and reeled across the street, drunk as a sot in mid-afternoon. He swung viciously, clumsily, at the negro, smashed him in the face. Blood trickled from the flat black nostrils and from the thick, liver-colored lips. Dick did not move. But suddenly the whites of his eyes were shot with red, his bleeding lips bared for a moment over the white ivory of his teeth. Lon smashed at him again. The negro took it full in the face again; his hands twitched slightly but he did not move. They collared the drunken sot and hauled him off and locked him up. Dick stood there for a moment, then he wiped his face and turned to see what damage had been done to the car. No more now, but there were those who saw it, who remembered later how the eyes went red.

Another thing. The Sheppertons had a cook named Pansy Harris. She was a comely negro wench, young, plump, black as the ace of spades, a good-hearted girl with a deep dimple in her cheeks and faultless teeth, bared in a most engaging smile. No one ever saw Dick speak to her. No one ever saw her glance at him or him at her—and yet that dimpled, plump, and smilingly good-natured wench became as mournful-silent and as silent-sullen as midnight pitch. She sang no more. No more was seen the gleaming ivory of her smile. No more was heard the hearty and infectious exuberance of her warm, full-throated laugh. She went about her work as mournfully as if she were going to a funeral. The gloom deepened all about her. She answered sullenly now when spoken to.

One night towards Christmas she announced that she was leaving. In response to all entreaties, all efforts to find the reason for her sudden and unreasonable decision, she had no answer except a sullen repetition of the assertion that she had to leave. Repeated questionings did finally wring from her a statement that her husband wanted her to quit, that he needed her at home. More than this she would not say, and even this excuse was highly suspected, because her husband was a Pullman porter, home only two days a week, and well accustomed to do himself such housekeeping tasks as she might do for him.

The Sheppertons were fond of her. The girl had been with them for several years. They tried again to find the reason for her leaving. Was she dissatisfied? “No’m”—an implacable monosyllable, mournful, unrevealing as the night. Had she been offered a better job elsewhere? “No’m”—as untelling as before. If they offered her more wages, would she stay with them? “No’m”—again and again, sullen and unyielding; until finally the exasperated mistress threw her hands up in a gesture of defeat and said: “All right then, Pansy. Have it your own way, if that’s the way you feel. Only for heaven’s sake, don’t leave us in the lurch. Don’t leave us until we get another cook.”

This, at length, with obvious reluctance, the girl agreed to. Then, putting on her hat and coat, and taking the paper bag of “leavings” she was allowed to take home with her at night, she went out the kitchen door and made her sullen and morose departure.

This was on Saturday night, a little after eight o’clock.

That same afternoon Randy and Monk had been fooling around the Shepperton basement, and, seeing that Dick’s door was slightly ajar, they stopped at the opening and looked in to see if he was there. The little room was empty, and swept and spotless as it had always been.

But they did not notice that! They saw it! At the same moment their breaths caught sharply in a gasp of startled wonderment. Randy was the first to speak.

“Look!” he whispered. “Do you see it?”

See it? Monk’s eyes were glued upon it. Had he found himself staring suddenly at the flat head of a rattlesnake his hypnotized surprise could have been no greater. Squarely across the bare boards of the table, blue-dull, deadly in its murderous efficiency, lay an automatic army rifle. They both knew the type. They had seen them all when Randy went to buy his little “twenty-two” at Uncle Morris Teitlebaum’s. Beside it was a box containing one hundred rounds of ammunition, and behind it, squarely in the center, face downward, open on the table, was the familiar cover of Dick’s old, worn Bible.

Then he was on them like a cat. He was there like a great, dark shadow before they knew it. They turned, terrified. He was there above them, his thick lips bared above his gums, his eyes gone small and red as rodents’.

“Dick!” Randy gasped, and moistened his dry lips. “Dick!” he fairly cried now.

It was all over like a flash. Dick’s mouth closed. They could see the whites of his eyes again. He smiled and said softly, affably, “Yes suh, Cap’n Shepperton. Yes suh! You gent-mun lookin’ at my rifle?”—and he stepped across the sill into the room.

Monk gulped and nodded his head and couldn’t say a word, and Randy whispered, “Yes.” And both of them still stared at him with an expression of appalled and fascinated interest.

Dick shook his head and chuckled. “Can’t do without my rifle, white fokes. No suh!” He shook his head good-naturedly again, “Ole Dick, he’s—he’s—he’s an ole ahmy man, you know. He’s gotta have his rifle. If they take his rifle away from him, why that’s jest lak takin’ candy away from a little baby. Yes suh!” he chuckled again, and picked the weapon up affectionately. “Ole Dick felt Christmas comin’ on—he—he—I reckon he must have felt it in his bones,” he chuckled, “so I been savin’ up my money—I jest thought I’d hide this heah and keep it as a big surprise fo’ the young white fokes,” he said. “I was jest gonna put it away heah and keep it untwill Christmas morning. Then I was gonna take the young white fokes out and show ’em how to shoot.”

They had begun to breathe more easily now, and, almost as if they were under the spell of the Pied Piper of Hamelin, they had followed him step by step into the room.

“Yes suh,” Dick chuckled, “I was jest fixin’ to hide this gun away and keep it hid twill Christmas day, but Cap’n Shepperton—hee!” he chuckled heartily and slapped his thigh—“you can’t fool ole Cap’n Shepperton! He was too quick fo’ me. He jest must’ve smelled this ole gun right out. He comes right in and sees it befo’ I has a chance to tu’n around.... Now, white fokes,” Dick’s voice fell to a tone of low and winning confidence, “Ah’s hopin’ that I’d git to keep this gun as a little surprise fo’ you. Now that you’s found out, I’ll tell you what I’ll do. If you’ll jest keep it a surprise from the other white fokes twill Christmas day, I’ll take all you gent’mun out and let you shoot it. Now cose,” he went on quietly, with a shade of resignation, “if you want to tell on me you can—but”—here his voice fell again, with just the faintest yet most eloquent shade of sorrowful regret—“Ole Dick was lookin’ fahwad to this. He was hopin’ to give all the white fokes a supprise Christmas day.”

They promised earnestly that they would keep his secret as if it were their own. They fairly whispered their solemn vow. They tiptoed away out of the little basement room, as if they were afraid their very footsteps might betray the partner of their confidence.

This was four o’clock on Saturday afternoon. Already, there was a somber moaning of the wind, grey storm clouds sweeping over. The threat of snow was in the air.

Snow fell that night. It began at six o’clock. It came howling down across the hills. It swept in on them from the Smokies. By seven o’clock the air was blind with sweeping snow, the earth was carpeted, the streets were numb. The storm howled on, around houses warm with crackling fires and shaded light. All life seemed to have withdrawn into thrilling isolation. A horse went by upon the street with muffled hoofs.

George Webber went to sleep upon this mystery, lying in the darkness, listening to that exultancy of storm, to that dumb wonder, that enormous and attentive quietness of snow, with something dark and jubilant in his soul he could not utter.

Snow in the South is wonderful. It has a kind of magic and a mystery that it has nowhere else. And the reason for this is that it comes to people in the South not as the grim, unyielding tenant of the Winter’s keep, but as a strange and wild visitor from the secret North. It comes to them from darkness, to their own special and most secret soul there in the South. It brings to them the thrilling isolation of its own white mystery. It brings them something that they lack, and that they have to have; something that they have lost, but now have found; something that they have known utterly, but had forgotten until now.

In every man there are two hemispheres of light and dark, two worlds discrete, two countries of his soul’s adventure. And one of these is the dark land, the other half of his heart’s home, the unvisited domain of his father’s earth.

And this is the land he knows the best. It is the earth unvisited—and it is his, as nothing he has seen can ever be. It is the world intangible that he has never touched—yet more his own than something he has owned forever. It is the great world of his mind, his heart, his spirit, built there in his imagination, shaped by wonder and unclouded by the obscuring flaws of accident and actuality, the proud, unknown earth of the lost, the found, the never-here, the ever-real America, unsullied, true, essential, built there in the brain, and shaped to glory by the proud and naming vision of a child.

Thus, at the head of those two poles of life will lie the real, the truthful image of its immortal opposite. Thus, buried in the dark heart of the cold and secret North, abides forever the essential image of the South; thus, at the dark heart of the moveless South, there burns forever the immortal splendor of the North.

So had it always been with George. The other half of his heart’s home, the world unknown that he knew the best, was the dark North. And snow swept in that night across the hills, demonic visitant, to restore that land to him, to sheet it in essential wonder. Upon this mystery he fell asleep.

A little after two o’clock next morning he was awakened by the ringing of a bell. It was the fire bell of the City Hall, and it was beating an alarm—a hard, fast stroke that he had never heard before. Bronze with peril, clangorous through the snow-numbed silence of the air, it had a quality of instancy and menace he had never known before. He leaped up and ran to the window to look for the telltale glow against the sky. But it was no fire. Almost before he looked, those deadly strokes beat in upon his brain the message that this was no alarm for fire. It was a savage, brazen tongue calling the town to action, warning mankind against the menace of some peril—secret, dark, unknown, greater than fire or flood could ever be.

He got instantly, in the most overwhelming and electric way, the sense that the whole town had come to life. All up and down the street the houses were beginning to light up. Next door, the Shepperton house was ablaze with light, from top to bottom. Even as he looked Mr. Shepperton, wearing an overcoat over his pajamas, ran down the steps and padded out across the snow-covered walk towards the street.

People were beginning to run out of doors. He heard excited cries and shouts and questions everywhere. He saw Nebraska Crane come pounding up the middle of the street. He knew that he was coming for him and Randy. As Bras ran by Shepperton’s, he put his fingers to his mouth and whistled piercingly. It was a signal they all knew.

Monk was already almost dressed by the time he came running in across the front yard. He hammered at the door; Monk was already there. They both spoke at once. He had answered Monk’s startled question before he got it out.

“Come on!” he said, panting with excitement, his Cherokee black eyes burning with an intensity Monk had never seen before. “Come on!” he cried. They were halfway out across the yard by now. “It’s that nigger! He’s gone crazy and is running wild!”

“Wh-wh-what nigger?” Monk gasped, pounding at his heels.

Even before he spoke Monk had the answer. Mr. Crane had already come out of his house and crossed the street, buttoning his heavy policeman’s overcoat and buckling his girdle as he came. He had paused to speak for a moment to Mr. Shepperton, and Monk heard Mr. Shepperton say quickly, in a low voice:

“Which way did he go?”

Then he heard somebody cry, “It’s that nigger of Shepperton’s!”

Mr. Shepperton turned and went quickly back across his yard towards the house. His wife and two girls stood huddled in the open doorway. The snow had drifted in across the porch. The three women stood there, white, trembling, holding themselves together, their arms thrust in the wide sleeves of their kimonos.

The telephone in Shepperton’s house was ringing like mad but no one was paying any attention to it. Monk heard Mrs. Shepperton say quickly as her husband ran up the steps, “Is it Dick?” He nodded and passed her brusquely, going towards the phone.

At this moment, Nebraska whistled piercingly again upon his fingers, and Randy Shepperton ran past his mother and sped down the steps. She called sharply to him. He paid no attention to her. When he came up, Monk saw that his fine, thin face was white as a sheet. He looked at Monk and whispered:

“It’s—it’s Dick!” And in a moment, “They say he’s killed four people!”

“With—?” Monk couldn’t finish.

Randy nodded dumbly, and they both stared there for a minute, two white-faced boys, aware now of the full and murderous significance of the secret they had kept, the confidence they had not violated, with a sudden sense of guilt and fear as if somehow the crime lay on their shoulders.

Across the street a window banged up in the parlor of Suggs’ house and Old Man Suggs appeared in the window clad only in his nightgown, his brutal old face inflamed with excitement, his shock of silvery white hair awry, his powerful shoulders and his thick hands gripping his crutches.

“He’s coming this way!” he bawled to the world in general. “They say he lit out across the Square! He’s heading out in this direction!”

Mr. Crane paused to yell back impatiently over his shoulder, “No, he went down South Main Street. He’s heading for Wilton and the river. I’ve already heard from headquarters.”

Automobiles were beginning to roar and sputter all along the street. Even at that time, over half the people on the street had them. Across the street Monk could hear Mr. Potterham sweating with his Ford. He would whirl the crank a dozen times or more, the engine would catch for a moment, cough and splutter, and then die again. Gus ran out of doors with a kettle of boiling water and began to pour it feverishly down the radiator spout.

Mr. Shepperton was already dressed. They saw him run down the back steps towards the carriage house. Randy, Bras, and Monk streaked down the driveway to help him. They got the old wooden doors open. He went in and cranked the car. It was a new Buick. It responded to their prayers and started up at once. Mr. Shepperton backed out into the snowy drive. They all clambered up onto the running board. He spoke absently, saying:

“You boys stay here. Randy, your mother’s calling you.”

But they all tumbled in and he didn’t say a word.

He came backing down the driveway at top speed. They turned into the street and picked up Mr. Crane. As they took the corner into Charles Street, Fred Sanford and his father roared past them in their Oldsmobile. They lit out for town, going at top speed. Every house along Charles Street was lighted up. Even the hospital was ablaze with light. Cars were coming out of alleys everywhere. They could hear people shouting questions and replies at one another. Monk heard one man shout, “He’s killed six men!”

Monk didn’t know how fast they went, but it was breakneck speed with streets in such condition. It didn’t take them over five minutes to reach the Square, but when they got there it seemed as if the whole town was there ahead of them. Mr. Shepperton pulled the car up and parked in front of the City Hall. Mr. Crane leaped out and went pounding away across the Square without another word to them.

Everyone was running in the same direction. From every corner, every street that led into the Square, people were streaking in. One could see the dark figures of running men across the white carpet of the Square. They were all rushing in to one focal point.

The southwest corner of the Square where South Main Street came into it was like a dog fight. Those running figures streaking towards that dense crowd gathered there made Monk think of nothing else so much as a fight between two boys upon the playgrounds of the school at recess time. The way the crowd was swarming in was just the same.

But then he heard a difference. From that crowd came a low and growing mutter, an ugly and insistent growl, of a tone and quality he had never heard before, but, hearing it now, he knew instantly what it meant. There was no mistaking the blood note in that foggy growl. And the three of them, the three boys, looked at one another with the same question in the eyes of all.

Nebraska’s coal black eyes were shining now with a savage sparkle even they had never had before. The awakened blood of the Cherokee was smoking in him. “Come on,” he said in a low tone, exultantly. “They mean business this time, sure. Let’s go!” And he darted away towards the dense and sinister darkness of the crowd.

Even as they followed him they heard behind them, at the edge of Niggertown, coming towards them now, growing, swelling at every instant, one of the most savagely mournful and terrifying sounds that night can know. It was the baying of the hounds as they came up upon the leash from Niggertown. Full-throated, howling deep, the savagery of blood was in it, and the savagery of man’s guilty doom was in it, too.

They came up swiftly, fairly baying at the boys’ heels as they sped across the snow-white darkness of the Square. As they got up to the crowd they saw that it had gathered at the corner where Mark Joyner’s hardware store stood. Monk’s uncle had not yet arrived but they had phoned for him; he was already on the way. But Monk heard Mr. Shepperton swear beneath his breath in vexation:

“Damn, if I’d only thought—we could have taken him!”

Facing the crowd which pressed in on them so close and menacing that they were almost flattened out against the glass, three or four men were standing with arms stretched out in a kind of chain, as if trying to protect with the last resistance of their strength and eloquence the sanctity of private property.

George Gallatin was Mayor at that time, and he was standing there shoulder to shoulder and arm to arm with Hugh McPherson. Monk could see Hugh, taller by half a foot than anyone around him, his long, gaunt figure, the gaunt passion of his face, even the attitude of his outstretched bony arms, strangely, movingly Lincolnesque, his one good eye (for he was blind in the other) blazing in the cold glare of the corner lamp with a kind of cold, inspired, Scotch passion.

“Wait a minute! Stop! You men wait a minute!” he cried. His words cut out above the shouts and clamor of the mob like an electric spark. “You’ll gain nothing, you’ll help nothing if you do this thing.”

They tried to drown him out with an angry and derisive roar. He shot his big fist up into the air and shouted at them, blazed at them with that cold single eye, until they had to hear. “Listen to me!” he cried. “This is no time for mob law. This is no case for lynch law. This is a time for law and order. Wait till the sheriff swears you in. Wait until Mark Joyner comes. Wait——”

He got no further. “Wait, hell!” cried someone. “We’ve waited long enough! We’re going to get that nigger!”

The mob took up the cry. The whole crowd was writhing angrily now, like a tormented snake. Suddenly there was a flurry in the crowd, a scattering. Somebody yelled a warning at Hugh McPherson. He ducked quickly, just in time. A brick whizzed past him, smashing the plate-glass window into fragments.

And instantly a bloody roar went up. The crowd surged forward, kicked the fragments of jagged glass away. In a moment the whole mob was storming into the dark store. Mark Joyner got there just too late. He said later that he heard the smash of broken glass just as he turned the corner to the Square from College Street. He arrived in time to take out his keys and open the front doors, but as he grimly remarked, with a convulsive movement of his lips, it was like closing the barn doors after the horse had been stolen.

The mob was in and they looted him. They helped themselves to every rifle they could find. They smashed open cartridge boxes and filled their pockets with the loose cartridges. Within ten minutes they had looted the store of every rifle, every cartridge in the stock. The whole place looked as if a hurricane had hit it. The mob was streaming out into the street, was already gathering around the dogs a hundred feet or so away, who were picking up the scent at that point, the place where Dick had halted last before he had turned and headed south, downhill along South Main Street, towards the river.

The hounds were scampering about, tugging at the leash, moaning softly with their noses pointed to the snow, their long ears flattened down. But in that light and in that snow it almost seemed no hounds were needed to follow Dick. Straight down the middle, in a snow-white streak, straight as a string right down the center of the sheeted car tracks, the negro’s footsteps led away. By the light of the corner lamps one could follow them until they vanished downhill in the darkness.

But now, although the snow had stopped, the wind was swirling through the street and making drifts and eddies in the snow. The footprints were fading rapidly. Soon they would be gone.

The dogs were given their head. They went straining on, softly, sniffing at the snow; behind them the dark masses of the mob closed in and followed. The three boys stood there watching while they went. They saw them go on down the street and vanish. But from below, over the snow-numbed stillness of the air, the vast, low mutter of the mob came back to them.

Men were clustered now in groups. Mark Joyner stood before his shattered window, ruefully surveying the ruin. Other men were gathered around the big telephone pole at the corner, measuring, estimating its width and thickness, pointing out two bullet holes that had been drilled cleanly through.

And swiftly, like a flash, running from group to group, like a powder train of fire, the full detail of that bloody chronicle of night was pieced together.

This was what had happened.

Somewhere between nine and ten o’clock that night, Dick Prosser had gone to Pansy Harris’ shack in Niggertown. Some said he had been drinking when he went there. At any rate, the police had later found the remnants of a gallon jug of raw corn whiskey in the room.

What had happened in the shack from that time on was never clearly known. The woman evidently had protested, had tried to keep him out, but eventually, as she had done before, succumbed. He went in. They were alone. What happened then, what passed between them, was never known. And, besides, no one was greatly interested. It was a crazy nigger with a nigger wench. She was “another nigger’s woman”; probably she had “gone with” Dick. This was the general assumption, but no one cared. Adultery among negroes was assumed.

At any rate, some time after ten o’clock that night—it must have been closer to eleven, because the train of the negro porter, Harris, was late and did not pull into the yards until 10:20—the woman’s husband appeared upon the scene. The fight did not start then. According to the woman, the real trouble did not come until an hour or more after his return.

The men drank together. Each was in an ugly temper. Dick was steadily becoming more savagely inflamed. Shortly before midnight they got into a fight. Harris slashed at Dick with a razor. In a second they were locked together, rolling about and fighting like two madmen on the floor. Pansy Harris went screaming out of doors and across the street into a dingy little grocery store.

A riot call was telephoned at once to police headquarters at the City Hall. The news came in that a crazy nigger had broken loose on Valley Street in Niggertown, and to send help at once. Pansy Harris ran back across the street towards her little shack.

As she got there, her husband, with blood streaming from his face, staggered out across the little lean-to porch into the street, with his hands held up protectively behind his head in a gesture of instinctive terror. At the same moment, Dick Prosser appeared in the doorway of the shack, deliberately took aim with his rifle, and shot the fleeing negro squarely through the back of the head. Harris dropped forward on his face into the snow. He was dead before he hit the ground. A huge dark stain of blood-soaked snow widened out around him. Dick Prosser took one step, seized the terrified negress by the arm, hurled her into the shack, bolted the door, pulled down the shades, blew out the lamp, and waited.

A few minutes later, two policemen arrived from town. They were a young constable named Willis, who had but recently got on the force, and John Grady, a lieutenant. The policemen took one look at the bloody figure in the snow, questioned the frightened keeper of the grocery store, and then, after consulting briefly, produced their weapons and walked out into the street.

Young Willis stepped softly down onto the snow-covered porch of the shack, flattened himself against the wall between the window and the door, and waited. Grady went around to the side, produced his flashlight, flashed it against the house and through the window, which on this side was shadeless. At the same moment Grady said in a loud voice:

“Come out of there!”

Dick’s answer was to shoot him cleanly through the wrist. At the same moment Willis kicked the door in with a powerful thrust of his foot, and, without waiting, started in with pointed revolver. Dick shot him just above the eyes. The policeman fell forward on his face.

Grady came running out around the house, crossed the street, rushed into the grocery store, pulled the receiver of the old-fashioned telephone off the hook, rang frantically for headquarters, and yelled out across the wire that a crazy nigger had killed Sam Willis and a negro man, and to send help.

At this moment Dick, coatless and without a hat, holding his rifle crosswise in his hands, stepped out across the porch into the street, aimed swiftly through the dirty window of the dingy little store, and shot John Grady as he stood there at the phone. Grady fell dead with a bullet that entered just below his left temple and went out on the other side.

Dick, now moving in a long, unhurried stride that covered the ground with catlike speed, turned up the snow-covered slope of Valley Street and began his march towards town. He moved right up the center of the street, shooting cleanly from left to right as he went. Halfway up the hill, the second-story window of a negro tenement flew open. An old negro man, the janitor of an office building in the Square, stuck out his ancient head of cotton wool. Dick swiveled and shot casually from his hip. The shot tore the top of the old negro’s head off.

By the time Dick reached the head of Valley Street, they knew he was coming. He moved steadily along, leaving his big tread cleanly in the middle of the sheeted street, shifting a little as he walked, swinging his gun crosswise before him. This was the negro Broadway of the town, the center of the night life of the negro settlement. But where those pool-rooms, barber shops, drug stores, and fried-fish places had been loud with dusky life ten minutes before, they were now silent as the ruins of Egypt. The word was flaming through the town that a crazy nigger was on the way. No one showed his head.

Dick moved on steadily, always in the middle of the street, reached the end of Valley Street and turned into South Main—turned right, uphill, in the middle of the car tracks, and started towards the Square. As he passed the lunchroom on the left he took a swift shot through the window at the counter man. The fellow ducked behind the counter. The bullet crashed into the wall above his head.

Meanwhile, the news that Dick was coming was crackling through the town. At the City Club on Sondley Street, three blocks away, a group of the town’s leading gamblers and sporting men was intent in a haze of smoke above a green baize table and some stacks of poker chips. The phone rang. The call was for Wilson Redmond, the police court magistrate.

Wilson listened for a moment, then hung the phone up casually. “Come on, Jim,” he said in casual tones to a crony, Jim McIntyre, “there’s a crazy nigger loose. He’s shooting up the town. Let’s go get him.” And with the same nonchalance he thrust his arms into the overcoat which the white-jacketed negro held for him, put on his tall silk hat, took up his cane, pulled out his gloves, and started to depart. Wilson, like his comrade, had been drinking.

As if they were going to a wedding party, the two men went out into the deserted, snow-white streets, turned at the corner by the post office, and started up the street towards the Square. As they reached the Square and turned into it they heard Dick’s shot into the lunchroom and the crash of glass.

“There he is, Jim!” said Wilson Redmond happily. “Now I’ll have some fun. Let’s go get him.” The two gentlemen moved rapidly across the Square and into South Main Street.

Dick kept coming on, steadily, at his tireless, easy stride, straight up the middle of the street. Wilson Redmond started down the street to get him. He lifted his gold-headed cane and waved it at Dick Prosser.

“You’re under arrest!” Wilson Redmond said.

Dick shot again, and also from the hip, but something faltered this time by the fraction of an inch. They always thought it was Wilson Redmond’s tall silk hat that fooled him. The bullet drilled a hole right through the top of Judge Redmond’s tall silk hat, and it went flying away. Wilson Redmond faded into the doorway of a building and fervently wished that his too, too solid flesh would melt.

Jim McIntyre was not so lucky. He started for the doorway but Wilson got there first. Dick shot cleanly from the hip again and blew Jim’s side in with a fast shot. Poor Jim fell sprawling to the ground, to rise and walk again, it’s true, but ever thereafter with a cane. Meanwhile, on the other side of the Square, at police headquarters, the sergeant had sent John Chapman out to head Dick off. Mr. Chapman was perhaps the best-liked man on the force. He was a pleasant, florid-faced man of forty-five, with curling brown mustaches, congenial and good-humored, devoted to his family, courageous, but perhaps too kindly and too gentle for a good policeman.

John Chapman heard the shots and ran forward. He came up to the corner by Joyner’s hardware store just as Dick’s shot sent poor Jim McIntyre sprawling to the ground. Mr. Chapman took up his position there at the corner behind the telephone pole. From this vantage point he took out his revolver and shot directly at Dick Prosser as he came up the street.

By this time Dick was not over thirty yards away. He dropped quietly upon one knee and aimed. Mr. Chapman shot again and missed. Dick fired. The high-velocity bullet bored through the post a little to one side. It grazed the shoulder of John Chapman’s uniform and knocked a chip out of the monument sixty yards or more behind him in the center of the Square.

Mr. Chapman fired again and missed. And Dick, still coolly poised upon his knee, as calm and steady as if he were engaging in a rifle practice, fired again, drilled squarely through the center of the pole, and shot John Chapman through the heart. Mr. Chapman dropped dead. Then Dick rose, pivoted like a soldier in his tracks, and started back down the street, right down the center of the car tricks, straight as a string, right out of town.

This was the story as they got it, pieced together like a train of fire among the excited groups of men that clustered there in trampled snow before the shattered glass of Joyner’s store.

And the rifle? Where did he get it? From whom had he purchased it? The answer to this, too, was not long in coming.

Mark Joyner denied instantly that the weapon had come from his store. At this moment there was a flurry in the crowd and Uncle Morris Teitlebaum, the pawnbroker, appeared, gesticulating volubly, clinging to a policeman. Bald-headed, squat, with the face of an old monkey, he protested shrilly, using his hands eloquently, and displaying craggy nuggins of gold teeth as he spoke.

“Vell,” he said, “vhat could I do? His moaney vas good!” he said plaintively, lifting his hands and looking around with an expression of finality. “He comes with his moaney, he pays it down like everybodies—I should say no?” he cried, with such an accent of aggrieved innocence that, in spite of the occasion, a few people smiled.

Uncle Morris Teitlebaum’s pawn shop, which was on the right-hand side of South Main Street, and which Dick had passed less than an hour before in his murderous march towards town, was, unlike Joyner’s hardware store, securely protected at night by strong bars over the doors and show windows.

But now, save for these groups of talking men, the town again was silent. Far off, in the direction of the river and the Wilton Bottoms, they could hear the low and mournful baying of the hounds. There was nothing more to see or do. Mark Joyner stooped, picked up some fragments of the shattered glass, and threw them in the window. A policeman was left on guard, and presently all five of them—Mr. Shepperton, Mark Joyner, and the three boys—walked back across the Square and got into the car and drove home again.

But there was no more sleep for anyone that night. Black Dick had murdered sleep. Towards daybreak snow began to fall again. It continued through the morning. It was piled deep in gusting drifts by noon. All footprints were obliterated. The town waited, eager, tense, wondering if the man could get away.

They did not capture him that day, but they were on his trail. From time to time throughout the day news would drift back to them. Dick had turned east along the river to the Wilton Bottoms and, following the river banks as closely as he could, he had gone out for some miles along the Fairchilds road. There, a mile or two from Fairchilds, he crossed the river at the Rocky Shallows.

Shortly after daybreak a farmer from the Fairchilds section had seen him cross a field. They picked the trail up there again and followed it across the field and through a wood. He had come out on the other side and got down into the Cane Creek section, and there, for several hours, they lost him. Dick had gone right down into the icy water of the creek and walked upstream a mile or so. They brought the dogs down to the creek, to where he broke the trail, took them over to the other side and scented up and down.

Towards five o’clock that afternoon they picked the trail up on the other side, a mile or more upstream. From that point on they began to close in on him. He had been seen just before nightfall by several people in the Lester township. The dogs followed him across the fields, across the Lester road, into a wood. One arm of the posse swept around the wood to head him off. They knew they had him. Dick, freezing, hungry, and unsheltered, was hiding in that wood. They knew he couldn’t get away. The posse ringed the wood and waited until morning.

At seven-thirty the next morning he made a break for it. He almost got away. He got through the line without being seen, crossed the Lester road, and headed back across the fields in the direction of Cane Creek. And there they caught him. They saw him plunging through the snowdrift of a field. A cry went up. The posse started after him.

Part of the posse were on horseback. The men rode in across the field. Dick halted at the edge of the wood, dropped deliberately upon one knee, and for some minutes held them off with rapid fire. At two hundred yards he dropped Doc Lavender, a deputy, with a bullet through the throat.

The posse came in slowly, in an encircling, flank-wise movement. Dick got two more of them as they closed in, and then, as slowly and deliberately as a trained soldier retreating in good order, still firing as he went, he fell back through the wood. At the other side he turned and ran down through a sloping field that bordered on Cane Creek. At the creek edge he turned again, knelt once more in the snow, and aimed.

It was Dick’s last shot. He didn’t miss. The bullet struck Wayne Foraker, another deputy, dead center in the forehead and killed him in his saddle. Then the posse saw the negro aim again, and nothing happened. Dick snapped the cartridge breech open savagely, then hurled the gun away. A cheer went up. The posse came charging forward. Dick turned, stumblingly, and ran the few remaining yards that separated him from the cold and rock-bright waters of the creek.

And here he did a curious thing—a thing that in later days was a subject of frequent and repeated speculation, a thing that no one ever wholly understood. It was thought that he would make one final break for freedom, that he would wade the creek and try to get away before they got to him. Instead, arrived at the creek, he sat down calmly on the bank, and, as quietly and methodically as if he were seated on his cot in an army barracks, he unlaced his shoes, took them off, placed them together neatly at his side, and then stood up like a soldier, erect, in his bare feet, and faced the mob.

The men on horseback reached him first. They rode up around him and discharged their guns into him. He fell forward in the snow, riddled with bullets. The men dismounted, turned him over on his back, and all the other men came in and riddled him. They took his lifeless body, put a rope around his neck, and hung him to a tree. Then the mob exhausted all their ammunition on the riddled carcass.

By nine o’clock that morning the news had reached the town. Around eleven o’clock the mob came back, along the river road. A good crowd had gone out to meet it at the Wilton Bottoms. The sheriff rode ahead. Dick’s body had been thrown like a sack and tied across the saddle of the horse of one of the deputies he had killed.

It was in this way, bullet-riddled, shot to pieces, open to the vengeful and the morbid gaze of all, that Dick came back to town. The mob came back right to its starting point in South Main Street. They halted there before an undertaking parlor, not twenty yards away from where Dick had halted last and knelt to kill John Chapman. They took that ghastly mutilated thing and hung it in the window of the undertaker’s place, for every woman, man, and child in town to see.

And it was so they saw him last. Yes, they all had their look. In the end, they had their look. They said they wouldn’t look, Randy and Monk. But in the end they went. And it has always been the same with people. It has never changed. It never will. They protest. They shudder. And they say they will not go. But in the end they always have their look.

Nebraska was the only one of the boys who didn’t lie about it. With that forthright honesty that was part of him, so strangely wrought of innocence and of brutality, of heroism, cruelty, and tenderness, he announced at once that he was going, and then waited impatiently, spitting briefly and contemptuously from time to time, while the others argued out their own hypocrisy.

At length they went. They saw it—that horrible piece of torn bait—tried wretchedly to make themselves believe that once this thing had spoken to them gently, had been partner to their confidence, object of their affection and respect. And they were sick with nausea and fear, for something had come into their lives they could not understand.

The snow had stopped. The snow was going. The streets had been pounded into dirty mush, and before the shabby undertaking place the crowd milled and jostled, had their fill of horror, could not get enough.

Within, there was a battered roll-top desk, a swivel chair, a cast-iron stove, a wilted fern, a cheap diploma cheaply framed, and, in the window, that ghastly relic of man’s savagery, that horrible hunk of torn bait. The boys looked and whitened to the lips, and craned their necks and looked away, and brought unwilling, fascinated eyes back to the horror once again, and craned and turned again, and shuffled in the slush uneasily, but could not go. And they looked up at the leaden reek of day, the dreary vapor of the sky, and, bleakly, at these forms and faces all around them—the people come to gape and stare, the pool-room loafers, the town toughs, the mongrel conquerors of earth—and yet, familiar to their lives and to the body of their whole experience, all known to their landscape, all living men.

And something had come into life—into their lives—that they had never known about before. It was a kind of shadow, a poisonous blackness filled with bewildered loathing. The snow would go, they knew; the reeking vapors of the sky would clear away. The leaf, the blade, the bud, the bird, then April, would come back again—and all of this would be as if it had never been. The homely light of day would shine again familiarly. And all of this would vanish as an evil dream. And yet not wholly so. For they would still remember the old dark doubt and loathing of their kind, of something hateful and unspeakable in the souls of men. They knew that they would not forget.

Beside them a man was telling the story of his own heroic accomplishments to a little group of fascinated listeners. Monk turned and looked at him. He was a little ferret-faced man with a furtive and uneasy eye, a mongrel mouth, and wiry jaw muscles.

“I was the first one to git in a shot,” he said. “You see that hole there?” He pointed with a dirty finger. “That big hole right above the eye?”

They turned and goggled with a drugged and feeding stare.

“That’s mine,” the hero said, and turned briefly to the side and spat tobacco juice into the slush. “That’s where I got him. Hell, after that he didn’t know what hit him. The son-of-a-bitch was dead before he hit the ground. We all shot him full of holes then. The whole crowd came and let him have it. But that first shot of mine was the one that got him. But, boy!” he paused a moment, shook his head, and spat again. “We sure did fill him full of lead. Why, hell yes,” he declared positively, with a decisive movement of his head, “we counted up to 287. We must have put 300 holes in him.”

And Nebraska, fearless, blunt, outspoken, as he always was, turned abruptly, put two fingers to his lips and spat between them, widely and contemptuously.

“Yeah—we!” he grunted. “We killed a big one! We—we killed a b’ar, we did! ... Come on, boys,” he said gruffly, “let’s be on our way!”

And, fearless and unshaken, untouched by any terror or any doubt, he moved away. And two white-faced, nauseated boys went with him.

A day or two went by before anyone could go into Dick’s room again. Monk went in with Randy and his father. The little room was spotless, bare, and tidy as it had always been. Nothing had been changed or touched. But even the very bare austerity of that little room now seemed terribly alive with the presence of its recent black tenant It was Dick’s room. They all knew that. And somehow they all knew that no one else could ever live there again.

Mr. Shepperton went over to the table, picked up Dick’s old Bible that still lay there, open and face downward, held it up to the light and looked at it, at the place that Dick had marked when he last read in it. And in a moment, without speaking to them, he began to read in a quiet voice:

“The Lord is my shepherd; I shall not want. He maketh me to lie down in green pastures: He leadeth me beside the still waters. He restoreth my soul: He leadeth me in the paths of righteousness for His name’s sake. Yea, though I walk through the valley of the shadow of death, I will fear no evil: for Thou art with me....”

Then Mr. Shepperton closed the book and put it down upon the table, the place where Dick had left it. And they went out the door, he locked it, and they went back into that room no more, forever.

The years passed, and all of them were given unto time. They went their ways. But often they would turn and come again, these faces and these voices of the past, and burn there in George Webber’s memory again, upon the muted and immortal geography of time.

And all would come again—the shout of the young voices, the hard thud of the kicked ball, and Dick moving, moving steadily, Dick moving, moving silently, a storm-white world and silence, and something moving, moving in the night. Then he would hear the furious bell, the crowd a-clamor and the baying of the dogs, and feel the shadow coming that would never disappear. Then he would see again the little room, the table and the book. And the pastoral holiness of that old psalm came back to him, and his heart would wonder with perplexity and doubt.

For he had heard another song since then, and one that Dick, he knew, had never heard and would not have understood, but one whose phrases and whose imagery, it seemed to him, would suit Dick better:

Tiger! Tiger! burning bright

In the forests of the night,

What immortal hand or eye

Could shape thy fearful symmetry?

***

What the hammer? what the chain?

In what furnace was thy brain?

What the anvil? what dread grasp

Dare its deadly terrors clasp?

When the stars threw down their spears,

And water’d heaven with their tears,

Did he smile his work to see?

Did he who made the Lamb make thee?

What the hammer? What the chain? No one ever knew. It was a mystery and a wonder. It was unexplained. There were a dozen stories, a hundred clues and rumors; all came to nothing in the end. Some said that Dick had come from Texas, others that his home had been in Georgia. Some said it was true that he had been enlisted in the army, but that he had killed a man while there and served a term at Leavenworth. Some said he had served in the army and had received an honorable discharge, but had later killed a man and had served a term in the state prison in Louisiana. Others said that he had been an army man but that he had “gone crazy,” that he had served a period in an asylum when it was found that he was insane, that he had escaped from this asylum, that he had escaped from prison, that he was a fugitive from justice at the time he came to them.

But all these stories came to nothing. Nothing was ever proved. Nothing was ever found out. Men debated and discussed these things a thousand times—who and what he had been, what he had done, where he had come from—and all of it came to nothing. No one knew the answer.

He came from darkness. He came out of the heart of darkness, from the dark heart of the secret and undiscovered South. He came by night, just as he passed by night. He was night’s child and partner, a token of the wonder and the mystery, the other side of man’s dark soul, his nighttime partner, and his nighttime foal, a symbol of those things that pass by darkness and that still remain, of something still and waiting in the night that comes and passes and that will abide, a symbol of man’s evil innocence, and the token of his mystery, a projection of his own unfathomed quality, a friend, a brother, and a mortal enemy, an unknown demon—our loving friend, our mortal enemy, two worlds together—a tiger and a child.

9
Home from the Mountain

Table of Contents

The winter when he was fifteen years of age, on Sundays and in the afternoons after school, George would go for long walks with his uncle on the mountains above the town and in the coves and valleys on the other side. There had always been a quality of madness in his uncle, and his years of living bound to Mag had sharpened it, intensified it, built it up and held it to the point of passion and demonic fury where at times he shook and trembled with the frenzy of it and had to get away, out of that house, to calm his tortured soul. And when this happened to Mark Joyner, he hated all his life and everything about it, and sought the desolation of the mountains. There, in bleak and wintry winds, he found as nowhere else on earth some strange and powerful catharsis.

These expeditions wrought upon the spirit of the boy the emotions of loneliness, desolation, and wild joy with a strong and focal congruence of desire, a blazing intensity of sensual image, he had never known before. Then as never before, he saw the great world beyond the wintry hills of home, and felt the huge, bitter conflict of those twin antagonists, those powers discrete that wage perpetual warfare in the lives of all men living—wandering forever and the earth again.

Wild, wordless, and unutterable, but absolutely congruent in his sense of their irreconcilable and inexplicable coherence, his spirit was torn as it had never been before by the strange and bitter unity of that savage conflict, that tormenting oneness of those dual and contending powers of home and hunger, absence and return. The great plantation of the earth called him forth forever with an intolerable longing of desire to explore its infinite mystery and promise of glory, power, and triumph, and the love of women, its magic wealth and joy of new lands, rivers, plains, and mountains, its crowning glory of the shining city. And he felt the strong, calm joy of evening for doors and fences, a light, a window, and a certain faith, the body and the embrace of a single and unwearied love.

The mountains in the Wintertime had a stern and demonic quality of savage joy that was, in its own way, as strangely, wildly haunting as all of the magic and the gold of April. In Spring, or in the time-enchanted spell and drowse of full, deep Summer, there was always something far and lonely, haunting with ecstasy and sorrow, desolation and the intolerable, numb exultancy of some huge, impending happiness. It was a cow bell, drowsy, far and broken in a gust of wind, as it came to him faintly from the far depth and distance of a mountain valley; the receding whistle-wail of a departing train, as it rushed eastward, seaward, towards the city, through some green mountain valley of the South; or a cloud shadow passing on the massed green of the wilderness, and the animate stillness, the thousand sudden, thrumming, drumming, stitching, unseen little voices in the lyric mystery of tangled undergrowth about him.

His uncle and he would go toiling up the mountain side, sometimes striding over rutted, clay-caked, and frost-hardened roads, sometimes beating their way downhill, with as bold and wild a joy as wilderness explorers ever knew, smashing their way through the dry and brittle undergrowth of barren Winter, hearing the dry report of bough and twig beneath their feet, the masty spring and crackle of brown ancient leaves, and brown pine needles, the elastic, bedded compost of a hundred buried and forgotten Winters.

Meanwhile, all about them, the great trees of the mountain side, at once ruggedly familiar and strangely, hauntingly austere, rose grim and barren, as stern and wild and lonely as the savage winds that warred forever, with a remote, demented howling, in their stormy, tossed, and leafless branches.

And above them the stormy wintry skies—sometimes a savage sky of wild, torn grey that came so low its scudding fringes whipped like rags of smoke around the mountain tops; sometimes an implacable, fierce sky of wintry grey; sometimes a sky of rags and tatters of wild, wintry light, westering into slashed stripes of rugged red and incredible wild gold at the gateways of the sun—bent over them forever with that same savage and unutterable pain and sorrow, that ecstasy of wild desire, that grief of desolation, that spirit of exultant joy, that was as gleeful, mad, fierce, lonely, and enchanted with its stormy and unbodied promises of flight, its mad swoopings through the dark over the whole vast sleeping wintriness of earth, as that stormy and maniacal wind, which seemed, in fact, to be the very spirit of the joy, the sorrow, and the wild desire he felt.

That wind would rush upon them suddenly as they toiled up rocky trails, or smashed through wintry growth, or strode along the hardened, rutted roads, or came out on the lonely, treeless bareness of a mountain top. And that wind would rush upon him with its own wild life and fill him with its spirit. As he gulped it down into his aching lungs, his whole life seemed to soar, to swoop, to yell with the demonic power, flight, and invincible caprice of the wind’s huge well until he no longer was nothing but a boy of fifteen, the nephew of a hardware merchant in a little town, one of the nameless little atoms of this huge, swarming earth whose most modest dream would have seemed ridiculous to older people had he dared to speak of it.

No. Under the immense intoxication of that great, demented wind, he would become instantly triumphant to all this damning and overwhelming evidence of fact, age, prospect, and position. He was a child of fifteen no longer. He was the overlord of this great earth, and he looked down from the mountain top upon his native town, a conqueror. Not from the limits of a little, wintry town, lost in remote and lonely hills from the great heart, the time-enchanted drone and distant murmur of the shining city of this earth, but from the very peak and center of this world he looked forth on his domains with the joy of certitude and victory, and he knew that everything on earth that he desired was his.

Saddled in power upon the wild back of that maniacal force, not less wild, willful, and all-conquering than the steed that carried him, he would hold the kingdoms of the earth in fee, inhabit the world at his caprice, swoop in the darkness over mountains, rivers, plains, and cities, look under roofs, past walls and doors, into a million rooms, and know all things at once, and lie in darkness in some lonely and forgotten place with a woman, lavish, wild, and secret as the earth. The whole earth, its fairest fame of praise, its dearest treasure of a great success, its joy of travel, all its magic of strange lands, the relish of unknown, tempting foods, its highest happiness of adventure and love—would all be his: flight, storm, wandering, the great sea and all its traffic of proud ships, and the great plantation of the earth, together with the certitude and comfort of return—fence, door, wall, and roof, the single face and dwelling place of love.

But suddenly these wild, demonic dreams would fade, for he would hear his uncle’s voice again, and see the gaunt fury of his bony figure, his blazing eye, the passionate and husky anathema of his trembling voice, as, standing there upon that mountain top and gazing down upon the little city of his youth, Mark Joyner spoke of all the things that tortured him. Sometimes it was his life with Mag, his young man’s hopes of comfort, love, and quiet peace that now had come to naught but bitterness and hate. Again his mind went groping back to older, deeper-buried sorrows. And on this day as they stood there, his mind went back, and, turning now to George and to the wind that howled there in his face, he suddenly brought forth and hurled down from that mountain top the acid of an ancient rancor, denouncing now the memory of old Fate, his father. He told his hatred and his loathing of his father’s life, the deathless misery of his own youth, which lived for him again in all its anguish even after fifty years had passed.

“As each one of my unhappy brothers and sisters was born,” he declared in a voice so husky and tremulous with his passionate resentment that it struck terror to the boy’s heart, “I cursed him—cursed the day that God had given him life! And still they came!” he whispered, eyes ablaze and furious, in a voice that almost faltered to a sob. “Year after year they came with the blind proliferation of his criminal desire—into a house where there was scarcely roof enough to shelter us—in a vile, ramshackle shamble of a place,” he snarled, “where the oldest of us slept three in a bed, and where the youngest, weakest, and most helpless of us all was lucky if he had a pallet of rotten straw that he could call his own! When we awoke at morning our famished guts were aching!—aching!” he howled, “with the damnable gnawing itch of hunger!—My dear child, my dear, dear child!” he exclaimed, in a transition of sudden and terrifying gentleness—“May that, of all life’s miseries, be a pang you never have to suffer!—And we lay down at night always unsatisfied—oh always! always! always!” he cried with an impatient gesture of his hand—“to struggle for repose like restless animals—crammed with distressful bread—swollen with fatback and boiled herbs out of the fields, while your honored grandfather—the Major! ... The Major!” he now sneered, and suddenly he contorted his gaunt face in a grotesque grimace and laughed with a sneering, deliberated, forced mirth.

“Now, my boy,” he went on presently in a more tranquil tone of patronizing tolerance, “you have no doubt often heard your good Aunt Maw speak with the irrational and incondite exuberance of her sex,” he continued, smacking his lips together audibly with an air of relish as he pronounced these formidable words—“of that paragon of all the moral virtues—her noble sire, the Major!” Here he paused to laugh sneeringly again. “And perhaps, boylike, you have conceived in your imagination a picture of that distinguished gentleman that is somewhat more romantic than the facts will stand! ... Well, my boy,” he went on deliberately, with the birdlike turn of his head as he looked at the boy, “lest your fancy be seduced somewhat by illusions of aristocratic grandeur, I will tell you a few facts about that noble man. ... He was the self-appointed Major of a regiment of backwoods volunteers, of whom no more be said than that they were, if possible, less literate than he! ... You are descended, it is true,” he went on with his calm, precise deliberation, “from a warlike stock—but none of them, my dear child, were Brigadiers—no, not even Majors” he sneered, “for the highest genuine rank I ever heard of them attaining was the rank of corporal—and that proud dignity was the office of the Major’s pious brother—I refer, of course, my boy, to your great-uncle, Rance Joyner! ...

“Rance! Rance!”—here he contorted his face again—“Gods! What a name! No wonder he smote fear and trembling to the Yankee heart! ... The sight of him was certainly enough to make them stand stock-still at the height of an attack! And the smell of him would surely be enough to strike awe and wonder in the hearts of mortal men—I refer, of course,” he said sardonically, “to the average run of base humanity, since, as you well know, neither your grandfather nor his brother, Holy Rance, nor any other Joyner that I know,” he jeered, “could be compared to mortal men. We admit that much ourselves. For all of us, my boy, were not so much conceived like other men as willed here by an act of God, created by a visitation of the Holy Ghost, trailing clouds of glory as we came,” he sneered, “and surely you must have discovered by this time that it is our unique privilege to act as prophets, messengers, and agents of the deity here on earth—to demonstrate God’s ways to man—to reveal the inmost workings of His providence and all the mysterious secrets of the universe to other men who have not been so sanctified by destiny as we....

“But be that as it may,” he went on, with one of his sudden and astonishing changes from howling fury to tolerant and tranquil admissiveness, “I believe there was no question of your holy great-uncle’s valor. Yes, sir!” he continued, “I have heard them say that he could kill at fifty or five hundred yards, and always wing his bullet with a gospel text to make it holy! ... Why, my dear child,” the boy’s uncle cried, “there was as virtuous a ruffian as ever split a skull! He blew their brains out with a smile of saintly charity, and sang hosannas over them as they expired! He sanctified the act of murder, and assured them as they weltered in their blood that he had come to them as an angel of mercy bearing to them the gifts of immortal life and everlasting happiness in exchange for the vile brevity of their earthly lives, which he had taken from them with such sweet philanthropy. He shot them through the heart and promised them all the blessings of the Day of Armageddon with so soft a tongue that they fairly wept for joy and kissed the hand of their redeemer as they died! ...

“Yes,” he went on tranquilly, “there is no question of your great-uncle’s valor—or his piety—but still, my boy, his station was a lowly one—he never reached a higher rank than corporal! And there were others, too, who fought well and bravely in that war—but they, too, were obscure men! Your great-uncle John, a boy of twenty-two, was killed in battle on the bloody field of Shiloh.... And there are many others of your kinsmen, who fought, died, bled, were wounded, perished, or survived in that great war—but none of them, my dear child, was a Major! ... There was only one Major!” he bitterly remarked. “Only your noble grandsire was a Major!”

Then, for a moment, in the fading light of that Winter’s day, he paused there on the mountain top above the town, his gaunt face naked, lonely, turned far and lost, into the fierce wintry light of a flaming setting sun, into the lost and lonely vistas of the western ranges, among those hills which had begotten him. When he spoke again his voice was sad and quiet and calmly bitter, and somehow impregnated with that wonderful remote and haunting quality that seemed to come like sorcery from some far distance—a distance that was itself as far and lonely in its haunting spatial qualities as those fading western ranges where his face was turned.

“The Major,” he quietly remarked, “my honored father—Major Lafayette Joyner!—Major of Hominy Run and Whooping Holler, the martial overlord of Sandy Mush, the Bonaparte of Zebulon County and the Pink Beds, the crafty strategist of Frying Pan Gap, the Little Corporal of the Home Guards who conducted that great operation on the river road just four miles east of town,” he sneered, “where two volleys were fired after the flying hooves of two of General Sherman’s horse thieves—with no result except to hasten their escape! ... The Major!” his voice rose strangely on its note of husky passion. “That genius with the master talent who could do all things—except keep food in the cupboard for a week!” Here he closed his eyes tightly and laughed deliberately again.

“Why, my dear boy!” his uncle said, “he could discourse for hours on end most learnedly—oh! most learnedly!” he howled derisively, “on the beauty and perfection of the Roman Aqueducts while the very roof above us spouted water like a sieve! ... Was it the secret of the Sphinx, the sources of the Nile, what songs the sirens sang, the exact year, month, week, day, hour, and moment of the Field of Armageddon with the Coming of the Lord upon the earth, together with all judgments, punishments, rewards, and titles he would mete to us—and particularly to his favored son, the Major!” sneered the boy’s uncle. “Oh, I can assure you, my dear child, he knew about it all! Earth had no mysteries, the immortal and imperturbable skies of time no secrets, the buried and sunken life of the great ocean no strange terrors, nor the last remotest limits of the sidereal universe no marvels which that mighty brain did not at once discover, and would reveal to anyone who had the fortitude to listen! ...

“Meanwhile,” his uncle snarled, “we lived like dogs, rooting into the earth for esculent herbs that we might stay our hunger on, gorging ourselves on wild berries plucked from roadside hedges, finding a solitary ear of corn and hugging it to our breasts as we hurried home with it as if we had looted the golden granaries of Midas, while the Major—the Major—surrounded by the rabble-rout of all his progeny, the youngest of whom crawled and scrambled in their dirty rags about his feet while the great man sat enthroned on the celestial lights of his poetic inspiration, his great soul untainted by all this earthly misery about him, composing verses,” sneered his uncle, “to the lady of his dreams. ‘My lady’s hair!’ ” he howled derisively. “ ‘My lady’s hair!’ ” And for a moment, blind with his gaunt, tortured grimace, he kicked and stamped one leg convulsively at the earth—“Oh, sublime! Sublime!” he howled huskily at length. “To see him there lost in poetic revery—munching the cud of inspiration and the frayed end of a pencil—his eyes turned dreamily upon the distant hills—slowly stroking his luxuriant whiskers with the fingers of those plump white hands of which he was so justly proud!” his uncle sneered—“dressed in his fine black broadcloth suit and white boiled-shirt that she—poor, patient, and devoted woman that she was—who never owned a store dress in her whole life—had laundered, starched, and done up for her lord and master with such loving care....

“My dear child,” he went on in a moment, in a voice that had become so husky, faint, and tremulous that it scarcely rose above a whisper, “My dear, dear child!” he said, “may your life never know the anguish, frenzy, and despair, the hideous mutilations of the soul, that passion of inchoate hatred, loathing, and revulsion, that I felt towards my father—my own father!—with which my own life was poisoned in my youth!—Oh! To see him sitting there so smug, so well-kept and complacent, so invincibly assured in his self-righteousness, with his unctuous, drawling voice of limitless self-satisfaction, his pleased laughter at his own accursed puns and jests and smart retorts, his insatiable delight in all that he—he alone—had ever seen, done, thought, felt, tasted, or believed—perched there on the mountainous summit of his own conceit—while the rest of us were starving—writing poems to his lady’s hair—his lady’s hair—while she, poor woman—that poor, dead, lost, and unsung martyr of a woman that I have the honor to acknowledge as my mother,” he said huskily, “did the drudgery of a nigger as he sat there in his fine clothes writing verses—kept life in us somehow, those of us who managed to survive,” he said bitterly, “when she had so little of her own to spare—scrubbed, sewed, mended, cooked—when there was anything at all to cook—and passively yielded to that sanctimonious lecher’s insatiable and accursed lust—drudging, toiling, drudging to the very moment of our birth—until we dropped full-born out of our mother’s womb even as she bent above her labors at the tub.... Is it any wonder that I came to hate the very sight of him—venerable whiskers, thick lips, white hands, broadcloth, unctuous voice, pleased laughter, smug satisfaction, invincible conceit, and all the brutal tyranny of his narrow, vain, inflexible, small soul?—Why, damn him,” the boy’s uncle whispered huskily, “I have seen the time I could have taken that fat throat and stranded it between my hands, blood, bone, body, father of my life though he might be—oh!” he howled, “damnably, indubitably, was!”

And for a moment his gaunt face burned into the western ranges, far, lost, and lonely in the red light, westering to wintry dark.

“The Major!” he muttered quietly at length. “You have heard your good Aunt Maw speak, no doubt, about the Major—of his erudition and intelligence, the sanctified infallibility of all his judgments, of his fine white hands and broadcloth clothes, the purity of his moral character, of how he never uttered a profane word, nor allowed a drop of liquor in his house—nor would have let your mother marry your father had he known that your father was a drinking man. That paragon of morals, virtues, purities, and manners—that final, faultless, and inspired judge and critic of all things!—Oh, my dear boy!” he howled faintly, with his husky and contemptuous laugh—“she is a woman—therefore governed by her sentiment; a woman—therefore blind to logic, the evidence of life, the laws of ordered reason; a woman—therefore at the bottom of her heart a Tory, the slave of custom and conformity; a woman—therefore cautious and idolatrous; a woman—therefore fearful for her nest; a woman—therefore the bitter enemy of revolt and newness, hating change, the naked light of truth, the destruction of time-honored superstitions, however cruel, false, and shameful they may be. Oh! she is a woman and she does not know! ...

“She does not know!” the boy’s uncle howled with his contemptuous laugh. “My dear child, I have no doubt that she has told you of her father’s wisdom, erudition, and his faultless elegance of speech.... Pah-h!” he sneered. “He was a picker-up of unconsidered trifles—a reader of miscellaneous trash—the instant dupe for every remedy, nostrum, cure-all that any traveling quack might offer to him, and the gullible believer of every superstitious prophesy, astrological omen, ghost-story, augury, or portent that he heard.... Why, my boy,” his uncle whispered, bending towards him with an air of horrified revelation, “he was a man who used big words when he had no sense of their real meaning—a fellow who would try to impress some backwoods yokel with fine phrases which he didn’t understand himself. Yes! I have heard him talk so even in the presence of people of some education and intelligence—I have seen them nudge and wink at one another over the spectacle he was making of himself—and I confess to you I had to turn my head away and blush for shame,” his uncle whispered fiercely, his eyes blazing, “for shame to think my own father could expose himself in that degrading fashion.”